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THE PRESIDENT’S LADY (Twilight Time Blu Ray)

THE PRESIDENT’S LADY (Twilight Time Blu Ray) – August 2019. original Release: Twentieth Century Fox ,1953. 96 minutes. B&W. Blu Ray Limited to only 3,000 copies. 1080 High Definition transfer .1.33:1. Region Free. $ 29.95 https://www.twilighttimemovies.com/presidents-lady-the-blu-ray/

“When the legend becomes fact, print the legend.”- Carleton Young, THE MAN WHO SHOT LIBERTY VALANCE (Paramount,1962)


Twilight Time has once again released a beautiful Blu-ray of a classic film, though on a subject that may draw some controversy.

Andrew Jackson (March 15, 1767 – June 8, 1845), the seventh President of the United States from March 4, 1829 to March 4, 1837, was and is a controversial figure. A lawyer who served in both the House and Senate, as well as a Justice on the Tennessee Supreme Court, he became a General who fought in the Creek Wars against indigenous Natives, as well as the War of 1812 against the British (1812-1815).

Jackson was a slave owner, which, along with his harsh treatment of the American Indian Populace has led to the current controversy about removing his likeness from the $20 bill. Indeed, his treatment of his slaves was keenly cruel, beating them, once a brutal public whipping of a woman he felt was “putting on airs” and when one escaped, he offered an extra $10 (about $200 in today’s dollar value) for every 100 lashes given! He also opposed any policies that would outlaw slavery in the expanding Western territories.

Jackson also pushed through the INDIAN REMOVAL ACT, which resulted in the forced displacement of nearly 50,000 Native Americans whom he viewed as savages. This led to the infamous ‘Trail of Tears”, wherein over 4,000 Cherokee died in forced marches, and the displacement wherein the ancestors of these tribes are still suffering in poverty.

 

 

Most of this is whitewashed, overlooked, or non-existent in Irving Stone’s biographical novel, THE PRESIDENT’S LADY (Doubleday, Hardcover, 1951). Stone first gained fame for his brilliant LUST FOR LIFE (Grosset & Dunlap,1934), still one of the best and most well-known books about the tortured genius Vincent Van Gogh. He followed it up over the years with seven more biographies of historical political figures and artists, before writing THE PRESIDENT’S LADY.

 

 

The novel covers the early years of Jackson’s life, but concentrates heavily upon the at the time scandalous romance between Jackson and his love, Rachel.

It was quickly optioned by Twentieth Century Fox, becoming the first of Stone’s works adapted into a film (LUST FOR LIFE was adapted in 1956 by MGM, and his 1961 novel THE AGONY & THE ECSTASY (Doubleday,1961) was adapted by Fox in 1965).

 

Fox assigned Sol C Siegel (PANIC IN THE STREETS, Fox, 1950) to produce and John Patrick (MR MOTO TAKES A CHANCE, Fox,1938) to write the screenplay, which focused heavily upon the romance /scandal aspects of the tale. Director Henry Levin (CRY OF THE WEREWOLF, Columbia,1944) Director of Photography Leo Tover (THE DAY THE EARTH STOOD STILL, Fox,1951), makeup artist Ben Nye (THE GHOST & MRS MUIR, Fox,1947) also joined the team.

 

In 1789, Andrew Jackson ( 30 year old Charlton Heston, in his fifth Hollywood film)rides into the frontier town of Nashville (some sources say 1788) to become a boarder to a family friend, the widow Mrs. Donelson (Fay Bainter, THE SECRET LIFE OF WALTER MITTY, Goldwyn ,1947).There he meets her daughter Rachel Donelson Robards           ( Susan Hayward, DAVID & BATHSHEBA ,Fox,1951) . They start getting close and even dancing that evening at a family gathering until interrupted by her jealous husband.

 

The film follows their tumultuous courtship and scandal that nearly destroyed his career, even as he became known as a major general and politician who would achieve the position of U.S. President.

A sumptuous historical drama,  the picture is well researched and well-acted, concentrating upon their love story that leads up to tragedy just as he ascends to the highest office in the land.

Twilight Time has given the film a REGION FREE 1080p High Definition 1.33:1 release, with rich blacks and marvelous shadings of gray that never muddy.

The English 1.0 DTS-High Definition Master Audio is crisp and pop free, with cannons seeming to have an extra ring when fired.

Extras include

English subtitles

-An isolated Audio track of Alfred Newman’s score as well as sound effects. The score goes from bombastic military to classic Newman romance (as well as period sounding music for the dances). It really is a wonderful example of how music helps underline the dramatic storytelling of film.

 


The President’s Lady Radio Show– back in the 1940s and 1950s, many major films were adapted for radio, often using the original film stars to recreate their roles. Often, they would be truncated versions of the films, with narrators filling in gaps. The Lux Radio Theater had started as a Sunday afternoon radio show in 1935 that adapted popular stage plays but soon moved into doing the same weekly for various films, ending after 906 episodes in 1955. The programs were performed live before a studio audience of about a 1,000 people, with a full orchestra and sound effects.

The September 28,1953 broadcast had Heston reprise his role, with Joan Fontaine taking on the role of Rachel. The 55:22-minute drama is a highlight version of the film, with narrator Paul Frees deep tones a bit over dramatically telling us what happens between scenes. Screenwriter John Patrick also worked upon this adaptation, as well as playing a small role. It is a fascinating addition to the disc, and Twilight Time is to be commended for seeking it out.


Original Theatrical Trailer

Booklet– once again, Twilight Time provides a lovely booklet with photos from the film, as well as an overview on the film.

Limited to 3,000 copies, the film is well-recommended to fans of

Historical dramas

Charlton Heston (who later reprised the role of Andrew Jackson in THE BUCCANEER, Paramount ,1958)

Susan Hayward.

-Kevin G Shinnick

Like and Follow us on https://scarletthefilmmagazine.wordpress.com

and on https://www.facebook.com/SCARLETreviews/

 

One of the tie-ins to the film NOT included was an interesting recording by Jackie Gleason and his Orchestra.

A 7″ 1953 Capitol Record ,45 rpm,
side one THE PRESIDENT’S LADY
side two WHITE HOUSE SERENADE

https://archive.org/details/78_the-presidents-lady_jackie-gleason-and-his-orchestra-alfred-newman_gbia0043493b/The+President’s+Lady+-+Jackie+Gleason+and+His+Orchestra.flac

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THE CHAIRMAN (Twilight Time Blu Ray)

THE CHAIRMAN (Fox,1969) TWILIGHT TIME Blu Ray July,2019. Color 98 minutes. Region Code: Region Free (A/B/C) Limited Edition of 3,000 Units $29.95
https://www.twilighttimemovies.com/chairman-the-blu-ray/

 

The 1960s was a time when spy stories were incredibly popular. James Bond of course became a cultural phenomenon, but also the pop culture reflected the tensions that had been growing since the Cold War began in 1947.

 

Most of the films dealt with the conflict between the United States and the U.S.S.R. Indeed, The Berlin Wall became a physical demarcation line for the cultural and political differences between these two superpowers.

 

Few stories, however, dealt with the other large Communist nation that was at social odds with the West. Red China had become Communist in 1949, and, under the leadership of Mao ZeDong, a cruel regime was established that had millions dying from starvation, or inhumane torture and imprisonment.

One of the only movies to deal with the political tensions between the United States and the People’s Republic of China (which Mao led until his death in 1976) is the 1969 Twentieth Century Fox production, THE CHAIRMAN.

 

 

The novel was written by Jay Richard Kennedy. Kennedy worked as Harry Belafonte’s manager for years, before becoming V.P. of Sinatra Enterprises, as well as a story editor. He began to develop an idea for Sinatra (along the lines of his hit THE MANCHURIAN CANDIDATE, UA 1962) that would film in Hong Kong, and costar Spencer Tracy and Yul Brynner. When that didn’t happen, he turned it into a novel. Kennedy had some inside knowledge of the spy game, as, feeling that Communists were infiltrating certain political groups, he also worked as an informant for the FBI and CIA.

 

Fox picked up the rights to the novel, and a screenplay was fashioned by Ben Maddow (who was Oscar nominated for his work on THE ASPHALT JUNGLE (MGM, 1950) before being blacklisted and forced to work uncredited through a “front” writer until 1958. Producers Mort Abrahams (who began producing early tv sci fi like TOM CORBETT,SPACE CADET,CBS ,1950-1955) and Arthur Jacob were able to bring Gregory Peck (Oscar winner for TO KILL A MOCKINGBIRD, Universal,1962) into the project (Jacobs’ formerly had a company wherein he had been Peck’s publicist) giving the project some star power.

 

Also added to the cast was Golden Globe nominee Anne Heywood, Tony Award winner Arthur Hill, classic film favorite Keye Luke (number one son to Warner Orland’s Charlie Chan in seven films), Burt Kwouk (Cato in six Pink Panther films),and actor Conrad Yama. Yama had been Mao in Edward Albee’s avant-garde play “Box-Mao-Box,” which premiered in Buffalo and opened on Broadway in October ,1968, which led to his casting in this film. The American actor of Japanese descent even portrayed the Chinese leader for several advertising agencies!

Action director Lee Thompson, who had directed Peck in GUNS OF NAVARONE (Columbia,1961) and CAPE FEAR (Universal,1962), was brought in to direct. Thompson also directed Peck in MACKENNA’S GOLD(Columbia,1969) that same year.

 

Due to the closed society of China and the film’s subject matter, the production team decided to film in Taiwan, with some exterior locations filmed in the rougher terrain of Snowdonia, Gwynedd, Wales! Some other location work was done in London, as well as some sets being built at Pinewood Studios.

The science fiction tinged tale concerns a University Professor, Dr John Hathaway (Peck) being asked to investigate a possible new Chinese discovery, which allows them to grow food in areas formerly considered too inhospitable or harsh to sustain growth prior.

 

A one-way transmitter is implanted into his skull (he can transmit but cannot receive messages) that also can be used as an explosive device to prevent him from falling into Chinese hands, should he be captured.

Peck goes to Hong Kong, under the pretense of visiting an old colleague (Keye Luke). Suspicion abounds, and he is the subject of intense interest by the Chinese and the Russians (who, like the U.S., do not want China to be the only mega-power with this special growth enzyme.). Things get a bit more intense when Mao himself wants to meet with the Professor.


Double crosses and murder follow, leading to a chase leading up to the Russian border.

As I am writing this, Hong Kong is in it’s second week of protests and marches against China ,while  there are also massive marches taking place within Russia against their oppressive government.

This film suddenly has gone from a relic of cold war geo-politics as possibly reflective of what is to come.

When first released, the film was not a financial success, losing to audiences flocking to the flashier ON HER MAJESTY’S SECRET SERVICE (UA). Hitchcock’s own political thriller, TOPAZ(Universal) also failed to find an audience in that summer of MIDNIGHT COWBOY (UA) and EASY RIDER (Columbia).

In England, THE CHAIRMAN  was released as “The Most Dangerous Man in the World”, whose title makes you wonder were they referring to Mao or to the character Peck played?

 

The Twilight Time presentation, need I say, is, as always, first rate. The Region Free (A/B/C) 1080p High Definition print is as good as one has come to expect from the company, with the work of cinematographer John Wilcox (GUNS OF NAVARONE) and an uncredited Ted Moore (A MAN FOR ALL SEASON, Columbia ,1966) shown to fill the full 2.35:1 ratio frame ,particularly in shots as the camera pans through the Hong Kong clubs or at the ending during the final chase.


The sound is available in English 2.0 DTS-HD MA or English 1.0 DTS-HD MA .The original Mono sound has been cleaned up, and I noticed no pops or hiss upon the soundtrack, but I noticed very little difference switching back and forth between the two tracks (except for the explosions seemed a bit louder on the 2.0). There is also optional English SDH that follows the dialogue and action accurately.

 

The extras:

Jerry Goldsmith’s score is available on a separate isolated music /sound effects track. Though not as strong as his score for THE SAND PEBBLES (Fox,1966), even lesser Goldsmith is superior to the best work of many other composers. The OST on CD, released in 2011, is now commanding prices of nearly $100, so this alone makes the Blu Ray a bargain.

 

Audio Commentary with Film Historians Eddy Friedfeld and Lee Pfeiffer. The duo has done many other Twilight Time commentary tracks (OUR MAN FLINT, Fox 1966), and, as usual, are very relaxed in tone but informative.

The Chairman Mini-Film – This little oddity is an abridged version of the movie, almost as if it was one of those Super 8mm versions available in the 1980s. I assume it was made to give the press an idea of the film without showing the entire production.

Two Alternate Scenes from the International Version. -Even until 1969, filmmakers were shooting two versions, one for general audiences and for more restrictive markets, and then a bit racier (i.e. female nudity) for certain foreign markets.

Original Film Trailer.

RECOMMENDED for fans of
GREGORY PECK
Political Thrillers

-Kevin G Shinnick

 

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HUSSY (Twilight Time Blu Ray)

 

HUSSY (TWILIGHT TIME Blu Ray,2019) original theatrical release UK-Watchgrove Films,1980. Color. Rated R. 95 min. 1080p High Definition / 1.85:1 English 1.0 DTS-HD MA.\No subtitles. REGION FREE. Extras -Original Theatrical Trailer. $29.95  https://www.twilighttimemovies.com/hussy-blu-ray/

 

In the 1970s, Joan Collins starred in two low budget soft core porn films, THE STUD (Brett Walker,1978) and THE BITCH (Brett Walker,1979). Both were low budget films, but based upon steamy novels by Joan’s sister Jackie, and done with style and enough sex scenes provided by Ms. Collins, the films were enormously profitable, especially when they were some of the first films licensed for the brand-new home video market.

 

Other producers looked at the profits and tried to come up with films of a similar nature. HUSSY seems to be a film that came into being with that idea, but the producers got a film with a lot more depth than they expected.

Writer /Director Matthew Chapman is the great great grandson of Charles Darwin, and who has written extensively on the creation-evolution debate, and in 2007 co-founded ScienceDebate.org, which has been trying to get Presidential Figures to discuss scientific issues (something the current occupant would fail dreadfully).

What he created for his first film was more of gritty drama than a seedy sex romp. Then 35-year-old
Helen Mirren, a naturalist at heart, had no problem with nudity, have appeared in the controversial 1979 Penthouse film CALIGULA. She also brought her usual intelligence and lots of character shading to her part of Beaty, the “hussy “of the title.

 

Actor John Shea (WINDY CITY, Fox,1984) had appeared on Broadway in YENTL opposite Tovah Feldshuh. HUSSY was his film debut, portraying Emory, a member of stage crew at the cabaret where Beaty works, and where he falls in love with her.

Basically, Beaty (Mirren) works as a call girl in this seedy club, where she falls in love for Emory (Shea). Complicating matters is that Beaty has a young son as well as a psycho strong arm pimp /ex-lover Alex (Paul Angelis, who in 1968, provided the voices of Ringo and the chief Blue Meanie in United Artists’ animated YELLOW SUBMARINE!), who is fresh out of prison. Meanwhile Emory’s friend Max (Murray Salem , who later wrote the screenplay for KINDERGARTEN COP ,Universal ,1990,died of AIDS complication at only age 47. ) wants Emory to join him on an upcoming drug deal.

Paul Angelis

 

Alex finds out about the deal and muscles his way in, further endangering Emory and Beaty’s future and safety. The result will end up in murder, but of whom?

 previous DVD release 2006

HUSSY had been released on DVD in 2006 in a rather dull flat print. This new Blu Ray from TWILIGHT TIME has given the film a 1080p High Definition clean up, with colors and images being much sharper, showing cinematographer Keith Goddard ‘s work to good advantage (this film seems to have been his biggest credit).

The 1.0 DTS-HD MA (English only) sound is clear, with dialogue and sound clear and free from pops and hiss. The score by George Fenton (DANGEROUS BEAUTY, WB,1998), his second theatrical soundtrack, is a mixture of club music and songs, as well as disco influence, very much a product of it’s time.

There are no subtitle options.

The only extra is the original theatrical trailer.

Limited to ONLY 2,000 copies,
This Blu Ray is recommended to
Those who like
British Noir and
Helen Mirren fans

 

 

 

Kevin G Shinnick

 

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THE BIG FIX (Twilight Time Blu Ray)

      THE BIG FIX ( Twilight Time Blu-Ray) 1978. Color. 108 min .PG . Region Free. $29.95 Limited to a print run of 3,000 only.

 


https://www.twilighttimemovies.com/big-fix-the-blu-ray/

 

Richard Dreyfuss was at the height of his popularity in 1978. He had been a major force behind such mega successes as JAWS (Universal,1975) and CLOSE ENCOUNTERS OF THE THIRD KIND (Columbia,1975), and had just won the Academy Award for Best Actor for THE GOODBYE GIRL (MGM,1977).

There was therefore great anticipation for his next film , which was THE BIG FIX. The television commercials seemed to promise us another whacky comedy, following his popular turn in THE GOODBYE GIRL. https://www.youtube.com/watch?v=-O0zOa41kos

 

The film got positive reviews , but it never seemed to click as expected with audiences   (though it was profitable ), and so the film came and went quickly.

 

It was released on VHS and on cable, but never seemed to find an audience it deserved .

 

The problem is that the marketing sold it as a comedy, which is wrong as it is a clever updating of the detective drama (there was a 1947 crime drama with the same name ,which was the final film from Producers Releasing Corporation (PRC) ) ,with a quirky title character.

 

The screenplay was adapted by Roger L. Simon , based upon his own 1973 novel. His character of Moses Wine appeared in 3 further novels, and has been nominated for an Edgar Award .

 

Jeremy Paul Kagan was a successful television director, who had helmed an episode of the successful COLUMBO (Universal,1971-2003) as well as the marvelous telefilm mystery JUDGE DEE AND THE MONASTERY MURDERS  (ABC CIRCLE FILMS ,1974).

 

THE BIG FIX was his second theatrical feature (the first being HEROES , Universal,1977).

Private Investigator Moses Wine (Richard Dreyfuss) is a former radical now struggling within the system , struggling on catching up on late child support and losing on sports betting . His right hand is in a cast, and  one wonders if it was a warning from a bookie, from a case, or simply clumsiness. He doesn’t make it clearer ,when he himself gives various reasons for his injury (Dreyfuss supposedly actually injured himself ,and so they worked it into the film).

Moses is contacted by Lila (Susan Anspach,BLUME IN LOVE, WB 1973) to see if he can help Milles Hawthorne (John Cunningham ). Cunningham is running for Governor of California, but there is a smear campaign against him .Fliers are being distributed that have doctored photos that show Hawthorne with radical Howard Eppis (F Murray Abraham , 6 years before his international fame as Salieri in AMADEUS , Orion ,1984 ),who is also supposedly also endorsing him. This could be the kiss of death to Hawthorne’s campaign ,and Lila wants Moses to find out who is doing it.

 

The problem for Moses is that he has contempt for Hawthorne’s policies and intelligence ,but for Lila (with him Moses was involved with back in HIS radical younger days) , he takes the case , even though he has to deal with Hawthorne’s buttoned down campaign manager,Sam Sebastian (John Lithgow , the same year appearing in Bob Fosse’s ALL THAT JAZZ (Fox,1979)).

 

They start checking with old radical sources and friends (some of whom are in prison due to their activities with Eppis )to try and uncover the truth of the smear campaign , which results in death along the way. Moses needs to find Eppis and finds many of his old associates now regard Eppis with hatred and contempt .

The FBI becomes involved and question Moses about Eppis . Moses also encounters wealthy Industrialist Oscar Procari (Dennis Weaver, so memorable in many classic TWILIGHT ZONE episodes) who feels Eppis radicalized his son and got him involved with the California Four (sort of a variant to the Weather Underground).

Along the way, Moses comes in contact with many of those who were involved with the turbulent sixties, and he questions when did things start to change for him and the rest ?

My favorite scene in the film is where Moses watches old news footage of the California Four and their passion that they could bring about change, bringing tears to Moses’ eyes.

 

Other wonderful supporting actors in the film include Bonnie Bedelia (before she played Holly McClane in DIE HARD I & II (Fox ,88,90) as Suzanne ,Moses’ ex-wife, Ron Rifkin ( L.A. CONFIDENTIAL, WB,1991) as her sleazy current boyfriend , as well as a watch or you’ll miss him Mandy Patinkin (YENTL ,UA, 1983) bit as a stoner pool man.

The score is by Bill Conti (ROCKY,UA,1976) ,and the cinematography is by Frank Stanley ( Blake Edwards ‘10”,WB ,1979) . Bill Conti’s score is available to listen to on an isolated music & sound effects track as the disc’s only extra , besides an original theatrical trailer.

The film has been given a 1080p High Definition upgrade (1.85:1 screen ratio) and is a big step up from the Universal DVD-On Demand that was available prior.

Here the image and colors are sharper and not as flat as that transfer and the framing seems less cramped.

The sound is only in English (1.0 DTS- HD MA) but again the original film was mono sound and TWILIGHT TIME has cleaned up the track as much as possible, It is hiss and pop free ,with dialogue and soundtrack both easy to enjoy .

A good updating of the detective thriller, with a superb cast in a clever film looking at the failings and ideals of the counter culture movement, as well as what people are willing to “sell out “ for on both sides of the political spectrum .

Recommended for RICHARD DREYFUSS fans, detective fans, political junkies, and those who like counter culture movies (this being almost a counter-counter-culture film!).

Kevin G Shinnick

 

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BEDAZZLED (Twilight Time Blu Ray) Fox 1967

BEDAZZLED (Twilight Time Blu Ray) 20th Century Fox,1967 Color. 104 mins. Region Free (A/B/C) $29.95

https://www.twilighttimemovies.com/bedazzled-blu-ray/

“You fill me with inertia !”

 

 

1967 was a year for wonderfully twisted comedies. THE PRODUCERS (Embassy)THE FEARLESS VAMPIRE KILLERS(MGM), THE GRADUATE (Embassy,1967), and GUESS WHO’S COMING TO DINNER(Columbia) were among the gems released that year.

 

Perhaps the most twisted and yet still funny as all get out film of the bunch was BEDAZZLED. Peter Cook and Dudley Moore were two giants of the boom in British comedy and satire in the 1960s, with anti-establishment humor endearing them to the young of the time

The pair of Peter Cook and Dudley Moore first shot to international fame with their performances in both the U.K. and ten a successful two-year run in NYC in a satirical review called BEYOND THE FRINGE. Also, n the cast was playwright Alan Bennett (the play THE MADNESS OF KING GEORGE) and Jonathan Miller (later to run the Old Vic Theatre).

The four intelligent young men were the heirs of absurdist humor previously popular in England due to programs like THE GOON SHOW (Spike Milligan, a very young Peter Sellers, Harry Secombe, and Michael Bentine) and their creative intelligent wit mixed with surreal silliness made them the forerunners of MONTY PYTHON’s FLYING CIRCUS.

 

Several popular appearances on the BBC, with shows like NOT ONLY…BUT ALSO (1964,1966,1970) helped increase their popularity. The pair also successfully appeared major supporting roles in the big budget comedy THE WRONG BOX (Columbia ,1966), and so studios were open to the idea of pairing them in a starring project.

 

Meanwhile, American director Stanley Donen (who passed away two days after this Blu Ray release) had been MGM ‘s top director of musicals in the 1950s (SINGIN’ IN THE RAIN.1952 and SEVEN BRIDES FOR SEVEN BROTHERS ,1954). After leaving MGM to free-lance at other studios, Donen spent the 1960s living in England, directing and producing several films there.

 

 

After a few box office disappointments, Donen was back on track with CHARADE (Universal,1963), a fun thriller often referred to as “the Best Hitchcock movie that Hitchcock never made”, starring Cary Grant and Audrey Hepburn. He followed this with the similar ARABESQUE (Universal,1966) starring Gregory Peck and Sophia Loren, which was nearly as successful as the previous film.

These two hits allowed him to experiment a bit, and so he did TWO FOR THE ROAD (Fox, 1967) and the film under review here, BEDAZZLED (Fox,1967).

 

With a screenplay by Peter Cook (based upon a story by Cook and Moore), director Donen (no stranger to devils, having directed DAMN YANKEES in 1958 for Warner Brothers) gets into the style and mood of the swinging sixties to tell this modern reworking of the Faust legend. Moore and Cook build upon their established persona from previous routines, with Moore being the slower witted, usually taken advantage of by the fast talking, gleam in his eye Cook.

 

Stanley Moon (Moore), a short order cook, moons over Margaret Spencer (Eleanor Bron, most famous for appearing in the Richard Lester Beatles vehicle HELP, U.A. 1965, as well as appearing in Donen’s ONE FOR THE ROAD that same year), a waitress who barely acknowledges his existence at the Wimpy’s Burgers Restaurant at which they both works. Indeed, one of her gentlemen pick her up from work just as Stanley gets the courage to ask her out, driving the Stanley to abject despair.

 

Poor Moon  doesn’t notice the customer with the small sunglasses and wearing an opera cape sitting at one of the tables, watching all this with great intensity.

Returning home, Moon wants to hang himself from a pipe in his ceiling, and only succeeds in breaking the pipe, causing water to fall into his tiny flat. Stepping into the apartment comes the stranger from the restaurant, who identifies himself as George Spiggott (Cook).

 

Spiggott then admits that is but one of the many names he has, for he is the Devil himself. To prove it, he will grant Moon one wish, save for Margaret Spencer. Thinking Stanley asks for an ice lolly. Sure enough, they go board a bus, and, using Stanley’s money, purchases an ice lolly. Not believing that Spiggott is anything more than a looney, Spiggott sighs and with the magic phrase “Julie Andrews”, they are whisked across London to a less reputable part of town, melting the ice lolly in transit. It is here that Spiggott has his seedy club that he works out of.

The bouncer, Anger (Robert Russell, superlative a year later as Vincent Price’s evil sidekick in WITCHFINDER GENERAL; Tigon/AIP,1968), tosses Stanley out, but Spiggott escorts him back in. Within the club, Stanley will also meet among others Envy (Barry Humphries, before he donned drag to gain international fame as Dame Edna. Cook had befriended and even helped support Humphries early in his career), Vanity (Alba), who walks around with a mirror in front of him, and of course, Lust (personified with a Southern Belle accent by Raquel Welch, the actress being featured upon almost all the advertising and posters).

 

Japanese film poster

Basically, Spiggott offers Moon the standard contact of seven wishes upon which to win his true love. Sadly, for Stanley, the Devil is truly in the details, as each attempt at a new life to win Margaret Spencer ends in disaster for the love besotted chef.

 

 

Along the way, it seems that the police believe that Moon has succeeded in his suicide attempt, with Inspector Clarke (Michael Bates, later the sadistic Chief Guard Barnes in the Stanley Kubrick masterpiece, A CLOCKWORK ORANGE, WB,1971) starting to woo the young Miss while they try and find Moon’s corpse!

 

The wonderfully whacky film also explores with fittingly fiendish delight the modus operandi of the Devil, whether it be scratching records before they are sent off to sale, or exploring good and evil .Along the way, a strange friendship develops between Moon and Spiggott ,though in the end they both know after the seven wishes granted to Stanley his soul will belong to Spiggott. Spiggott must gain 100 Billion souls to regain his entryway into Heaven and sit again as God’s favorite. The friendship works in a mysterious twist at the end, costing Spiggot to lose is bet with the Almighty. The film ends with an unseen God laughing in a deep voice, almost insanely as the end credits roll. Maybe the Devil indeed has a right to be angry.

 

A few bits from earlier sketches by the pair are woven into the episodic storyline , the most famous and obvious being from NOT ONLY…BUT ALSO , “The Leaping Nuns of the Order of St Berylhttps://www.youtube.com/watch?v=JiO_9UIUx7M .

 

 

 

The film sparkles with wit as well as silliness (to get out of a failed wish, Stanley needs to make a “raspberry “sound) that keeps it moving swiftly over the course of 103 minutes.

 

 

Austin Dempster had been camera operator on ARABESQUE and TWO FOR THE ROAD for director Donen, but BEDAZZLED was his first credit as cinematographer. At one point, the film switches to black and white to recreate an early television studio broadcast (as well as perhaps reference films like A HARD DAY’S NIGHT (UA,1964)). This leads into one of the most fun sequences, where fans including an awe-struck Margaret Spencer go nuts for rock star Stanley (who basically screams “Love MEEEE”), until Drimble Wedge and the Vegetation sing an emotionless version of “Bedazzled “. The fickle fans run to the latest flavor of the moment and abandon poor Stanley ,trying to blow a razzberry as fans nearly trample him to reach their new idol. The music, by the way, for the film was composed by Dudley Moore. Several artists have done covers of the “Bedazzled” song, most notably Nick Cave and Anita Lane: https://www.youtube.com/watch?v=jPJWkQudhPo .

 

The film when released received mixed reviews but made a profit in the United States.

Since its release, BEDAZZLED has continued to increase its cult following due to late night tv showings as well as various releases on Beta, VHS and in 2007 on DVD by Fox Entertainment.

Now TWILIGHT TIME has released the best-looking release of this film on home media, perhaps even since its original release. Another marvelous 1080p HD transfer, some of the colors are more vibrant than I’ve ever seen in this film, particularly the red of Spiggott’s inner cape lining or Raquel Welch’s tiny bra and panties she wears while hopping into bed with Stanley. Some reviewers have mentioned a slight elongation of the figures, but I didn’t notice any of this when I viewed the film.

 

The disc has two English only audio selections: DTS-HD Master Audio 2.0 and DTS-HD Master Audio Mono, the sound is clear and clean, with no noticeable sound pops, and does justice to the quippy fast delivered dialogue as well as Moore’s music.

For the hearing impaired, there are clean easy to read optional subtitles.

As an extra, you can listen to the isolated music and sound effects track, so you can enjoy the clever jazzy score and songs.

 

The Blu Ray cover sleeve shows us a photo of Cook as Spiggott (which for some reason reminded me of Peter Cushing in DR TERRORS HOUSE OF HORRORS (Paramount, Amicus,1965).

 

Twilight Time also commissioned a very fun illustration for a cover as well.

Julie Kirgo provides her always welcome liner notes in a separate booklet included with the disc, concentrating a great deal on director Donen.

Extras carried over from the 2007 FOX DVD are

Two trailers for the film,

A 2007 interview with director /comedian Harold Ramis, who directed the unnecessary 2000 remake of BEDAZZLED. Ramis waxes poetic about how wonderful the film and indeed the comic pair of Moore and Cook were.

An excerpt from THE PAUL RYAN SHOW , a 1977 British talk program ,where the pair of Moore and Cook reveal that there were tensions  between them  ,due to their different attitudes on dealing with things (oddly, IMDB.com only lists Moore and not Cook, but since Moore only appeared on the show once, we must assume episode 109 was the one featured here). One wishes there was the whole broadcast of this here, but we are grateful indeed to get a glimpse of this black & white rarity.

 

I cannot recommend this wonderful original comedy enough.

The press run is limited to only 3,000 copies, so get yours now- before George Spiggott makes all of them vanish on you.

Get BEDAZZLED 

HIGHEST RECOMMENDATION .

-Kevin G Shinnick

 

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ANNE OF THE THOUSAND DAYS (Twilight Time Blu ray)

ANNE OF THE THOUSAND DAYS (Twilight Time Blu Ray) Universal 1969 .Color. 145 minutes. English .2.0             DTS-HD MA sound .English Subtitles option . 1080p Hi Definition 2.35:1 REGION FREE(A,B,C). Special Features: isolated music audio track . Original Theatrical Trailer. Booklet.

https://www.twilighttimemovies.com/anne-of-the-thousand-days-blu-ray/

1969 was a year of change and turmoil. Woodstock . Altamont. Man landed upon the moon. The Stonewall riots. The Charles Manson murders. Nixon says that 25,000 troops will be withdrawn from Vietnam . My Lai massacre. Chappaquiddick . Robert R succumbs to a mysterious disease that will later be identified as HIV/AIDS.

 

Movies too were reflective of the changing chaotic times. Big budget Hollywood movies like HELLO DOLLY(Fox), TRUE GRIT (Paramount) and BATTLE OF BRITAIN(UA) were battling for audiences who were flocking to films like EASY RIDER (Columbia) or MIDNIGHT COWBOY (U.A).

 

Fitting into the former category is the epic ANNE OF THE THOUSAND DAYS . Costume spectacles , particularly those dealing with British royalty, seemed to do well both with audiences ,reviewers ,and awards. Films like BECKET (Paramount ,1964) ,MAN FOR ALL SEASONS (Columbia ,1966), and THE LION IN WINTER (Avco Embassy ,1968) , all based upon successful intelligent successful Broadway plays, all found receptive responses.

paperback movie tie -in 

 

Producer Hall Wallis had been Warner Brothers ‘ studio manager back in the late 1920s and early 1930s, overseeing a string of classics like LITTLE CAESAR (1931) to CASABLANCA (1942). He left W.B. to form his own production company ,and continued his movie Midas Touch with films such as SORRY WRONG NUMBER (Paramount ,1948) ,several Elvis Presley and Martin & Lewis films, and screen adaptations of Tennessee Williams’ works.

 

After producing the film adaptation of BECKET , Wallis  and Burton wanted to work together on another historical drama. Burton convinced Wallis to adapt the 1948 Maxwell Anderson blank verse play ANNE OF THE THOUSAND DAYS”.

 

The play ,which opened December 8,1948, was a huge success, running until October 8,1949 at the Shubert Theatre on Broadway. Part of that was due to the dynamic performances between Rex Harrison as Henry VIII and Joyce Redman as Anne Boleyn (I saw Ms. Redman in the superlative 1987 revival of PYGMALION that starred Peter O’Toole and Amanda Plummer, wherein she portrayed O’Toole’s mother). The other was it was considered daring (Anne admitted to having pre-martial sex!) ,a subject that would make the story impossible to get pass the Production Code of the time.

 

 

Polish Movie Poster ANNE OF THE THOUSAND DAYS

 

The late 1960s saw the relaxing of censorship and more daring subjects being brought to the screen ,and so Wallis hired three writers (Richard Sokolove ,adaptation; Bridget Boland and John Hale ,screenplay) to adapt the play for cinematic purposes. Gone was the blank verse, though the dialogue still had a nice dramatic sense of period . One wonders if Burton discussed playing Henry with Rex Harrison when the two filmed STAIRCASE (Fox) that same year ,where the two played not kings but a pair of bickering old “queens”.

 

The production was sumptuous (design by Maurice Carter ,who had also done the same on BECKET; costumes by Margaret Furse who costumed BECKET and THE LION IN WINTER) , with an opulence that truly captured how one felt the court of Henry VIII would feel.

 

Adding to the sweep and majesty was another magnificent score by George Delerue (he had composed the score to A MAN FOR ALL SEASONS, and would later write for Truffaut’s classic La Nuit Americaine (DAY FOR NIGHT,WB,1973)and win an Oscar for his work on the lovely A LITTLE ROMANCE (Orion/WB,1979).

The film was shot at such locations as Penshurst Place and Hever Castle (the childhood home of Anne Boleyn ) as well as on magnificent sets built at Pinewood and Shepperton Studios.

 

Lensing all of this was Arthur Ibbetson (director of photography on Chaplin’s last feature, A COUNTESS FROM HONG KONG, Universal, 1967) and later the childhood classics THE RAILWAY CHILDREN (Universal,1970) and WILLY WONKA AND THE CHOCOLATE FACTORY(Paramount,1971).

Director Charles Jarrott

 

Director Charles Jarrott had directed many intelligent productions for television with this being his first theatrical production. It is directed tastefully and without flash ,allowing the performances and story carry the movement. He was so successful that he was later tapped to direct MARY QUEEN OF SCOTS (Universal,1971) with the same finesse.

 

Henry VIII (Richard Burton) is unhappy that his wife ,Queen Catherine of Aragon (Irene Papas,THE GUNS OF NAVARONE,Columbia ,1961) has not born him a son to carry on his lineage. His affair with Mary Boleyn             ( Valerie Gearon, in one of her only four film appearances ) is also losing his interest (even though she is pregnant with his child)when he sees Mary’s 18 year old sister Anne (Genevieve Bujold, so marvelous  in KING OF HEARTS /le roi de Coeur,U.A,1966) at a ball.

 

Mary is engaged but Henry has his “fixer” and Lord Chancellor , scheming Cardinal Woolsey (Anthony Quayle, GUNS OF NAVARONE),break up the engagement. Mary’s father ,Thomas Boleyn (Michael Hordern, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM,U.A.,1966) is a political climber, willing to use his daughters to advance his own political career and agrees to end the engagement.

Anne is not as easily won as her sister ,and dares to insult the King, a dangerous thing to be sure, for it could mean her family losing it’s position and wealth , and even imprisonment and death.

 

Henry, however is smitten with this fiery woman, who unlike so many others, does not bend to his will. Thomas Cromwell (Canadian actor John Galicos, probably best known for playing Kor in the STAR TREK episode, “Errand Of Mercy”, Paramount, 1967 and then later as the evil Count Baltar on BATTLESTAR GALACTICA, Universal 1978-9) feels the girl can be a problem but Woolsey feels she is but another bauble for Henry to play with use and discard.

 

Anne is slowly seduced , not so much by Henry as by the power he offers. She refuses Henry’s advances, however, as any child that they have would be illegitimate. Henry says he will divorce Catherine so he can marry Anne, and instructs Woolsey to find a way. Woolsey protests , but the King will not be denied. The Pope denies the annulment ,and Woolsey is removed from office, his London palace given instead to Anne and his title given to Cromwell.

Cromwell comes up with the idea that Henry is the embodiment of the Church in England, and that people cannot pledge loyalty to both The Pope & The Church of Rome at the same time it pledges allegiance to a King who is supposed to be God’s appointed. People are asked to choose, loyalty to Henry and the Crown, or dismissal and worse if they do not recognize his new Church.

 

Finally won over, Anne finally makes love to Henry.She tells Henry that she is pregnant and a quick wedding is arranged.

Catherine ,however ,was very popular with the common people (and the Spanish Ambassadors also sew discontent among the masses ) so that Anne finds herself jeered at and called “the King’s Whore” by the masses . Catherine is banished from court ,spending her remaining years(3 years, 1533-36) at Kimbolton Castle, acknowledged as the Dowager Princess.

Henry is disappointed and enraged that once again he is father to another daughter (Princess Elizabeth. His previous wife, Catherine, bore him Princess Mary).

Once again, Henry ,disappointed by the lack of a male heir, starts looking elsewhere. Anne sees him cast his eye upon young Lady Jane Seymour (Lesley Patterson, who seems to have only appeared in one other film ,THE PRIME OF MISS JEAN BRODIE, Fox,1969),Anne arranges to keep the young woman from court.

Meanwhile ,the loyalty oath to the King continues . Sir Thomas More ( William Squire , Hammer’s A CHALLENGE FOR ROBIN HOOD, 1967) is still opposed to Anne’s claim as legitimate Queen (and thus the rights of Elizabeth to be a successor to the crown). In a rage, she lets Henry know she wants More done away with. A pre-determined trial finds the scholar guilty, and, denied the right to speak at his execution, he is beheaded. Shortly thereafter, like Catherine before her, Anne gives birth to a still born son .

Angrily, Henry turns to Cromwell to find a way for him to divorce Anne and leave him free to have a male heir. Cromwell invents a hideous lie, wherein he accuses Anne of sexual relations with several men, including her own brother. Her music teacher ,Mark Smeaton (Gary Bond, ZULU,Paramount,1964) ,being a commoner, is tortured into a confession by having a Garotte put around his head and tightened.

When they come to arrest her, Anne thinks that they are joking , but the charges are indeed ,deadly serious, amounting to High Treason.

Once again ,however , her intelligence and strong will come to the fore. At the trial, as Henry is hidden away listening, she gets the chance to question the poor tortured Smeaton. He repeats what he has been tortured into admitting, but when he looks upon Anne, he says that he has never been with her in any way but in friendship . The court is in disarray, but Henry enters the room, and tells Smeaton that he is condemned to die either way, so he is free to tell the truth. Smeaton asserts again that she is innocent. The court is in disarray,, as Anne smiles at Henry .Still, as Henry leaves, he says it may still be true.

 

Later,Henry goes to the tower to beg Anne to annul the marriage so he can wed Jane Seymour. Anne once again refuses ,as she says Elizabeth will be one of the great leaders of England, and Anne would rather die rather than deny her daughter her rightful place of history.

Anne is indeed found guilty, and in a tragic scene ,she is led to her death by beheading. Henry ,who was not there, but instead ,out hunting with several groomsmen, hears the cannons in the distance announce her execution. Henry urges his entourage to follow him ,and they set off to Jane Seymour’s home, the hunt once again begun for Henry to get a male heir.

The final shot shows young baby Elizabeth (Amanda Jane Smythe), hearing the cannons roar as well, and wanders sadly ,alone in a garden, as her mothers prophecy about her is repeated

 

“Elizabeth shall be a greater queen than any king of yours. She shall rule a greater England than you could ever have built. My Elizabeth shall be queen, and my blood will have been well spent.”

 

The film was given a wide release by Universal to mixed reviews. All reviewers ,however agreed upon one thing, the magnificence of Bujold’s performance.

It received numerous nominations at the 1970 Academy Awards, winning for Best Costume ; winning Golden Globes for Bujold (Best Motion Picture -Actress-Drama) ,Best Motion Picture – Drama, Best Director-Motion Picture(Jarrot) and Best Screenplay (Boland, Hale,Sokolove)

 

The film did well, though it did not crack the top 20 films for 1970 (it was released in December, 1969, but played throughout the next year ).

Three small  bits of trivia-Burton’s wife at the time, Elizabeth Taylor, made a cameo appearance as a courtesan. However, she is not noticed ,as her character is masked. Miss Taylor, while in costume, wore a gift from Burton, the La Peregrina Pearl ,one of the most valuable pearls in the world.

12 year old Kate Burton also had an uncredited cameo as a serving girl.

The expensive costumes and props were re-used for the 21st(!) CARRY ON film, CARRY ON HENRY (Rank,1971) ,which had an original alternative title of “ANNE OF A THOUSAND LAYS ” ,that sounds more like a porno version than the fun though bawdy film that resulted.

 

 

 

 

 

 

 

 

 

 

 

On video, the film was released on VHS in a very flat print that muted the colors and lost information on the sides of the picture ,as well as a flat mono sound.

 

Universal released it to DVD as a co-bill with MARY QUEEN OF SCOTS (Universal,1971)in a slightly improved version.

 

This TWILIGHT TIME release is the must have print to own. The 1080p Hi Definition 2.35:1 transfer is incredibly rich, with solid reds ,blues ,and skin tones. The film has not looked this good since it was originally unspooled theatrically in 1969.

 

The sound has also been upgraded with a 2.0 DTS-HD Master audio track. The sound is incredibly rich in this dialogue driven film, with the score and sound effects also clean and free of hiss or pops .

Extras are few , though one can enjoy Delerue’s magnificent isolated score on a separate track .

The original Decca Sound Track release

Also included is the original theatrical trailer, narrated by Hal Wallis himself. It has not been cleaned up, so you can get an idea of how rough some of the previous releases have looked.

Finally , an 8-page insert booklet with an essay by Julie Kirgo is included within the case.

Subtitles in English SDH are also available.

One would love to have had an audio commentary, perhaps with Ms. Bujold . That said, the magnificent print that TWILIGHT TIME has released is nothing to dismiss.

The film, like most of TWILIGHT TIME collectible releases , is limited to a press run of 3,000.

The film is a superb example of intelligent film-making ,wherein story and acting ruled over C.G.I. and mind-numbing sameness.

Hopefully, TWILIGHT TIME will release the original 1971 MARY QUEEN OF SCOTS (Universal) and perhaps the unjustly overlooked gem LADY JANE (Paramount ,1986) to be proper companion pieces to ANNE OF THE THOUSAND DAYS and  A MAN FOR ALL SEASONS (released by Twilight Time in 2015).

 

I highly recommend this film to people who enjoy historical dramas, as well as superlative acting and thoughtful storytelling.

 

I do wonder, however, now, in this time of the Me-Too Movement, how many will look favorably at the cavalier attitude of the men within this story, and their views of women .

Seriously, how many men would create an entire religion, just to have sex ???

 

Thoughts to ponder.

HIGHEST RECOMMENDATION.
-Kevin G Shinnick

 

 

 

I just wanted to make note of  very  sad news .

NICK REDMAN passed away January 17,2019 after a valiant two year battle with cancer. Mr. Redman co -founded Twilight Time in 2011. Mr Redman also was a film historian,documentarian, and sound track producer.

Our deepest condolences go out to his friends  and family , including his wife  Julie Kirgo  ,his brother, and his children .

 

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WUTHERING HEIGHTS (1970) Twilight Time Blu Ray

Wuthering Heights ,1970 A.I.P ( Twilight Time Blu-ray – limited pressing of 3,000 only)
Region free. Color . 1 hr 44 mins List Price: $29.95
https://www.twilighttimemovies.com/wuthering-heights-blu-ray/

AMERICAN INTERNATIONAL PICTURES never won an Academy Award. It was too busy making money on low budget features. While the larger studios saw their profits dipping due to changing audience demographics and the lure of television, A.I.P was able to make films that would appeal to certain demographics, seeing trends and making films cheaply and quickly.

Teenage themed -movies, horror movies, and later rebel outsider films were popular with the younger crowds who were filling drive -ins.

Then Roger Corman threw off their formula. He made a horror film, yes but it was as expensive as two of their regular films, in color and wide screen.

It made money. Lots of it. Better, it got good reviews. AIP was getting respectability.
It was a heady experience to finally stop being the Rodney Dangerfield of studios.

Oh, they kept grinding out Beach blankets stuffed into a wild bikini on wheels two headed transplants, but they also would continue to do, for them, a prestige picture, usually with the name of Edgar Allan Poe attached.

The zenith of these films was MASQUE OF THE RED DEATH (AIP ,1964) which was incredibly stylish (thanks to the magnificent cinematography of Nicholas Roeg).

 czech poster WUTHERING HEIGHTS 1970

AIP kept grinding out films, doing quite well but reviews were of the nature of “good for its kind”.

In 1970, they took a chance again on some “prestige” pictures, picking up for distribution the independent produced feature JULIUS CAESAR (1970) starring Charlton Heston, Jason Robards, John Gielgud, Diana Rigg, and many others. It flopped both financially and critically.

However, Louis M.” Deke” Heyward, who oversaw A.I.P. productions lensed in the U.K. (and whose career included the tv animated series WINKY DINK & YOU ,1953)pushed for something more ambitious.

Franco Zeffirelli ‘s ROMEO & JULIET (Paramount,1968) had been a huge cross over hit with both young audiences as well as their parents, and Heyward felt that he had a classic romance that would appeal to a similar cross over crowd.  Also in 1970 , M.G.M. was going to release a big historical romance ,RYAN’s DAUGHTER, so A.I.P. probably felt that this would a trend worth taking part in.

With one of the largest budgets ever accorded an American International film (publicity bragged about 3 million dollars, equivalent to what United Artists spent on their 1971 prestige period film THE MUSIC LOVERS by Ken Russell. In comparison, another U.K. production from AIP in 1970, SCREAM & SCREAM AGAIN, cost about $350,000.).

Emily Bronte’s only novel, WUTHERING HEIGHTS, was published in 1847 with a pseudonym used for the author (“Ellis Belle”). Emily Bronte died the following year at age 30 from tuberculosis. Charlotte edited the novel and had the novel published again under her sister’s proper name in 1850. By then the name Bronte was known due to the other sister’s works, Anne’s AGNES GRAY (1847, under the pen name Acton Bell then under her own name in 1850) and Charlotte’s JANE EYRE (1947 under the name Currer Bell, then the following year in the United States by Charlotte Bronte)

The tragedy of Emily’s early death adds an air of tragic Romanticism that already permeates the novel. The work was received with mixed feelings, some due to its criticism of Victorian mores. It was, however, a big seller, and has become required reading in many college literature classes.

To me, revisiting the book recently, it seemed to me to be a story of a dysfunctional destructive relationship that would not be out of place in a 50 SHADES OF GRAY story! Her playing with his affections and his obsessiveness destroys them both, with events of mental and physical abuse that make a modern reader ponder, so one can imagine how readers of that more gentile time reacted.

 

Still ,the basic story stayed popular with readers ,and it’s basic structure served as a frame work for future popular novels as GONE WITH THE WIND by Margaret Mitchell (1936 ,MacMillan) REBECCA by Daphne Du Maurier(1938 ,Victor Golanz,U.K.) and DRAGONWYCK by Anya Seton (1944,Houghton Miffin ).Incidentally ,Twilight Time has just released a magnificent must have Blue Ray of the film of DRAGONWYCK https://www.twilighttimemovies.com/dragonwyck-blu-ray/

 

The first film version of WUTHERING HEIGHTS was a 1920 British silent, now sadly lost.

 

In 1939, often called the greatest year for movies, Samuel Goldwyn produced the version now best remembered telling of the tale, with director William Wyler guiding a superlative cast and crew through a stirring moving version of the tale. Laurence Olivier became a movie matinee idol (though he had starred in several films before as well as being a star of the stage in two countries) due to his brooding portrayal of Heathcliff. The director and star often clashed, but in the end, Olivier was glad that Wyler how to truly focus as a film actor. Merle Oberon embodied Cathy, David Niven the good but weak Edgar, Donald Crisp, Geraldine Fitzgerald, Flora Robson…. An embarrassment of acting riches. Add to that a literate screenplay by FRONT PAGE creators Charles MacArthur & Ben Hecht, a beautiful Alfred Newman score and cinematography by the magnificent Gregg Toland, it is little wonder that the film in 2007 was selected for preservation by the National Film Registry.

Eliminated from this version was the son that Heathcliff fathered nor Cathy’s daughter, both of whom are major characters at the end of the novel. However, the ending of this film retains a powerful gothic and supernatural finale that leaves people weeping.

The BBC over the years has done various versions for tv and American television produced various adaptations , such as this heavily abridged production for CBS in 1950, starring a very stiff Charlton Heston as Heathcliff https://www.youtube.com/watch?v=XbiaEgjgJX8 .

 

The 1970 version had a screenplay by Patrick Tilley, who seemed to have had a limited career. An episode of an obscure U.K. tv series starring Patrick Allen called CRANE (1963-5, A.R.T.), additional dialogue for a 1968 caper film called ONLY WHEN I LARF(Paramount)and then this. Later he went on to write for Amicus /AIP the film THE PEOPLE THAT TIME FORGOT (1977), the disappointing THE LEGACY (Universal,1978) and another supernatural obscurity, GUN OF THE BLACK SUN (2011).

Like many previous versions, the second half of the book is jettisoned to concentrate on the obsessive love/hate relationship of Heathcliff and Cathy.


Chosen to oversee this adaptation was former art director turned director Robert Fuest. Fuest had mostly done television, helming several episodes of THE AVENGERS (A.B.C.,1961-9). He changed his style for his directorial debut to a more subtle one in his superlative thriller AND SOON THE DARKNESS (1970, Associated British/EMI) before moving on to WUTHERING HEIGHTS. A.I.P must have liked what he did, as they let him go back to his flashier style in the brilliant ABOMINABLE DR PHIBES (1971) and its sequel.

Composer Michel Legrand gave the film an extra feeling of class, as he had worked on such major films as ICE STATION ZEBRA (MGM ,1968). Here, he writes a classical theme that underlines the tragedy and romance of the piece.

His choice of cinematographer John Coquillon had a wonderful feel for period, as he lensed AIP/Tigon’s WITCHFINDER GENERAL in 1968. The color and cinematography help create the sense of mood, of isolation and madness. Coquillon would go on to be a director of photography on several later Sam Peckinpah films, including STRAW DOGS (ABC/Cinerama ,1971).

The opening shot right away sets up the film. A close shot of a beautiful field and babbling brook, then the camera tilts up and, in the background, we see a funeral taking place. We observe the sad mourners as the body is lowered into the grave. One of the mourners looks up and the camera shows a lone horseman silhouetted against the gray barren sky. This is our introduction to Cathy (already dead) and Heathcliff (and aloof figure apart from the rest).
After the titles (by Maurice Binder, not what we expect from the dazzling eye of the designer of the magnificent James Bond openings), we flash back to a family awaiting the return of their father.

The children are awaiting gifts, and even the servant girl as been promised something special. However, when Mr. Earnshaw (the marvelous Harry Andrews) finally arrives, he has with him a small orphan boy, looking almost wildly feral, that he claims that he found in London. Mrs. Earnshaw (Rosalie Crutchley) is angry, feeling that the husband has in fact brought home the result of one of his affairs (adding a dark hint of incest to the rest of the tale, if true). Mr. Earnshaw says no, but that he has named the child Heathcliff, in memory of a son they had who died some time before.

Turkish poster

Their son Hindley takes an instant dislike to Heathcliff, as he sees that a gift that his father has brought him is broken, blaming his new “brother”. The mother implores her husband that he not forget Hindley in his inheritance, and not favor the cuckoo in their family nest. Their young daughter Cathy seems fascinated by the young man.

 

Years later (the film, like the original tale, is set during the mid-1700s), Hindley (now played by Julian Glover) is master and treats Heathcliff (now portrayed by Timothy Dalton) as little more than a servant.

The resentment between the pair is palpable, but the only thing that keeps Heathcliff there is his love for Cathy (Anna Calder-Marshall). Fuest’s first shot of the now adult young woman hints already at her unstable nature, which will see grow as the story goes on.

When Hindley’s wife dies in childbirth, his already sadistic nature comes out full force, sending all his pain and anger towards Heathcliff. Hindley’s drinking exacerbates the problem.

Catherine accepts the proposal of wealthy neighbor Edgar Linton (Ian Ogilvy) but confides to servant Nelly (Judy Cornwall) that she still loves Heathcliff. However, because of the social stigma, she cannot marry someone below her station.

This drives Heathcliff to his vow of revenge, which ends up in destruction for the main characters, with Heathcliff cursing his love to haunt him forever.

While the 1939 adaptation had a sense of heightened almost operatic passion, the 1970 version due to it’s location filming, has a feeling of being more grounded. Therefore, though the film was rated G, the brutality seems more violent. Bucking the trend of many films of the time, the sex is not shown onscreen but that the destructive passion between the two leads is quite palpable, with Heathcliff becoming a brutal Stanley Kowalski in ruffles dealing with his mad paramour.

 

This was Timothy Dalton’s first leading film role, after making his screen debut in THE LION IN WINTER (Avco Embassy,1968) as the scheming King Phillip of France. He also played the weak Prince in the big budget CROMWELL(Columbia,1970) and the next year the weak Henry, Lord Darnley in MARY, QUEEN OF SCOTS (Universal ,1971). Here, he is a brooding, barely contained wounded animal, who slowly comes undone due to his obsession. While Olivier in the 1939 version always seemed to be thinking, Dalton is almost animalistic, with his moments of passion turning quickly into wounded anger, lashing out at all.

Anna Calder-Marshall is fascinating in her portrayal of Cathy. As mentioned, she hints at the inner demons that are growing within her, so when we see her eyes when she reappears at the end to tempt Heathcliff to his death, her eyes (in close ups shot during reshoots to patch up studio cuts) have an evil madness that would fit in perfectly with any Roger Corman Poe villainess. Sadly, she did not do a lot of film and television (she was a marvelous Cordelia to Laurence Oliver’s Lear in the 1983 ITV tv adaptation), seemingly satisfied to be married to David Burke (one of Jeremy Brett’s two t.v. Dr Watsons) and mother to actor Tom Burke.

The film was the first A.I.P. motion picture to premiere at the RADIO CITY MUSIC HALL. Critical reviews were mixed, and though the film did decently at the box office, it was not enough for A.I.P., and so several planned classic story adaptations were dropped.

 


When the film was released on VHS, the color was muted, and the image seemed compressed. Later, when MGM took over the A.I.P library, they released a much cleaner version of the film to DVD (including one that was sold along with the cliff notes of the book!!).

TWILIGHT TIME, once again, has released what perhaps is the best version of this film that we will ever see. The color palette seems to be a proper gray, brown and gray tone, conveying the feelings of the rustic and lonely wild countryside. The film is presented in 1:85:1 widescreen in a 1080p transfer.


The sound is 1.0 DTS-HD, which is fine for the film. There never were any major audio effects, but the music and sound are all crisp.

There are optional English subtitles that follow the dialogue and action and are quite easy to read.


Other extras include the isolated music score by Michel Legrand. Originally released on vinyl (on AIP’s short-lived AIR RECORDS, A-1039) and later a limited-edition CD from LA LA LAND, LLLCD 1087), you can now enjoy his beautiful score seeing how much it supports the imagery of the film.

 

The original theatrical trailer is also presented, where we are “introduced” to Timothy Dalton, and told Timothy Dalton is Heathcliff, Heathcliff is Timothy Dalton and Anna Calder-Marshall is Cathy while Cathy is Anna Calder-Marshall. Got that?

 


The greatest extra is the information packed running commentary by film historian Justin Humphreys (Interviews Too Shocking to Print, Bear Manor, 2016). While he gives some interesting background on the film’s history (including that director Curtis Harrington was originally developing the story before AIP moved him to WHOEVER SLEW AUNTIE ROO? (1971) and that Bryan Forbes of EMI recommended Fuest for the project, and that Ian Ogilvy and Hillary Dwyer are reunited after working on WITCHFINDER GENERAL), what is most fascinating is how he discusses the original cut of the film that seems no longer to exist.

Having a copy of the original screenplay, we are informed of sequences that makes us wonder why they were cut, while others we can understand their loss for clarity and running time. Sam Arkoff’s son does not think that a complete print exists, and that the original negative was cut to produce the version that stands. Humphreys also explains what is now missing, and that the voice overs were meant to patch over missing and reshot sequences.


Finally, once again Twilight Time provides us with a lovely booklet with an essay about the film by the always informative Julie Kirgo.

The disc is region free, and like most releases from the company, are a limited edition pressing of only 3,000.
Highly recommended for fans of classic Gothic Dramas.

Kevin G Shinnick

 

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PIRATES OF BLOOD RIVER (Twilight Time Blu Ray

 

PIRATES OF BLOOD RIVER (Hammer/Columbia,1962) Twilight Time Blu Ray. 87 min. Color. $29.95. Region Free (A/B/C). https://www.twilighttimemovies.com/pirates-of-blood-river-the-blu-ray/ Limited to 3,000 copies.

Hammer in the late 1950s had found a popular and financially profitable niche with their now classic horror films. The studio, however, also produced a wide variety of titles in other genres. Powerful War films (YESTERDAY’S ENEMY, Hammer/Columbia 1959), Comedies (WATCH IT, SAILOR! Hammer/Columbia ,1961), even crime dramas ( HELL IS A CITY, Hammer/Warner Pathe ,1960).
They even made movies for the popular family market U certificate films. In England, to get the “U” (Universally suitable for all) certificate, a film was thought generally acceptable for ages four and up.

SWORD OF SHERWOOD FOREST (Hammer/Columbia, 1960) was a surprise hit, and so Hammer decided more swashbucklers would do the same. Hammer had done a Robin Hood film back in 1954 (THE MEN OF SHERWOOD FOREST) but each of their Robin Hood tales were standalone stories. *

Oddly, Hammer waited two years to do another swashbuckler, but what they came up with was a winner. PIRATES OF BLOOD RIVER was paired with the Ray Harryhausen adaptation of Jules Verne’s MYSTERIOUS ISLAND, and upon its release in July,1962, quickly became the highest grossing double bill in the U.K. that year.

To get that important “U” rating, a gory filmed scene had to be excised. In the film, actress Marie Devereux unfortunately flees into a river filled with piranhas, and as the vicious killers swarm around her, she screams as the water around her turns red with blood. This scene was returned in later versions of the film, including its DVD release in a 2-disc set called ICONS OF ADVENTURE (Sony Home Entertainment,2008. The other titles were Hammer’s THE DEVIL SHIP PIRATES (1964), THE STRANGLERS OF BOMBAY (1959) and TERROR OF THE TONGS (1961)). In fact, PIRATES at various times was rated ‘U’, ‘A’ (Those aged 5 and older admitted, but not recommended for children under 14 years of age) and even an “X” certificate (Suitable for those aged 16 and older (enforced by all councils) due to what scenes were edited in or out of a release.

 

The film opens with a stock shot of a 17th Century sailing vessel (anyone recognize from what movie this was lifted,let me know) and then we are told via credit crawl that the island is a refuge for Huguenots fleeing religious persecution and settling upon an island they named Devon. “But in the years to come, the just laws of the Colony began to yield to greed and tyranny. Happiness became an echo of the past. Freedom-just a memory.”

Now Huguenots were mostly Northern French Protestants who fled for their lives after the St. Bartholomew’s Day Massacre of 24 August – 3 October 1572, wherein Catholics killed over 25,000 Huguenots in the country, only to have the murderers granted amnesty, as well as the edict of Fontainebleau in 1685 wherein the beleaguered religious sect had to convert to Catholicism or risk ruin, imprisonment of worse.

Devon is a British Iron age name derived from Dumnonia, so it is an odd name for French Settlers to choose. Then again, none of the islanders speak French nor even with an accent but sound very British indeed. Maybe they were some Huguenots who fled first from France to England and from there to the New World?

They are an island whose location is never exactly placed, but piranhas mostly reside in the Amazon and certain Brazilian or Venezuelan rivers. We can thus guess that this island is supposedly located in that general region. Not a wise area for the groups to settle, as the Spanish and Portuguese who occupied those countries were Catholics nations.

This, however could explain why they chose to remain so isolated, and established their harsh fundamentalist governing system. Then again, I am perhaps over thinking this fun romp, so back to the story.

Jonathan Standing (American actor Kerwin Mathews ,forever to be remembered for Columbia’s 1957 classic THE 7TH VOYAGE OF SINBAD ) is found with Maggie Mason (Marie Devereux in her final appearance in an Hammer film ),the wife of one of the town elders Godfrey Mason (Jack Stewart ,who had appeared in the early Hammer film A CASE FOR P.C. 49,1951), The religious leaders, led by Jonathan’s stern father Jason Standing (Andrew Keir, to me the best Professor Quatermass due to his performance in QUATERMASS & THE PIT for Hammer ,1967).They seek to arrest and punish the lovers but the poor Maggie flees into the river, suffering the fate of the piranhas mentioned earlier. Jason says that it is a judgement of God.

Jonathan is tried by the council, who, led by his father, sentences for him to be sent to a penal colony for 15 years. Jonathan’s sister Bess (Marla Landi, so good in Hammer’s HOUND OF THE BASKERVILLES,1959) tells her father that the council is using him. It seems that Henry (American actor Glenn Corbett, who had starred in William Castle’s HOMICIDAL the year prior) says sarcastically says that Jason’s grandfather who helped found the colony and whose carved likeness stands above the courtroom, would be so proud. Jonathan asks that Henry, besides watching over his sister with whom Henry is in love, also watch over Jason’s father until the tyranny is brought down.

 

We then see the cruelty of the mining operations wherein the prisoners are forced to work and be tortured, including leaving Jonathan punished by having his hands tied to a cross beam and dangling above the ground (a form of crucifixion Hammer also used in 1965’s THE SECRET OF BLOOD RIVER). Thank goodness this is family friendly?

Jonathan escapes with an older prisoner who drops dead from exertion. Jonathan flees into the swamps and is presumed killed by the guards. He however, was shot in the arm, and is found by Mack (the great Michael Ripper, who appeared in more Hammer films than any other actor) Hench (Peter Arne, THE HELLFIRE CLUB, Tempean Films,1961) and Brocaire (Oliver Reed, right after his starring role in Hammer’s CURSE OF THE WEREWOLF) and a group of pirates. They bring him to their boat (a wonderful Les Bowie glass matte) and to Captain LaRoche (Christopher Lee, who does speak with a French accent). LaRoche is a soft-spoken, intelligent character, adorned with an eye patch and withered arm and Lee makes the most of his performance. Eleven years later , he donned and eye patch once again and demonstrated his wonderful swordsman skills , with Oliver Reed now an international star in THE THREE MUSKETEERS (Salkind, 1973 ).

 

The pirates say that they would travel back to Jonathan’s colony, which has remained hidden for a 100 year, and help Jonathan establish a just rule, in exchange for a haven and a place they can safely refresh their supplies. They trudge through the river (Michael Ripper disappearing briefly below the surface, Lee trudging on, probably inwardly cursing once again being soaked and walking through muck in another film, like his end in THE MUMMY, Hammer ,1959). Brocaire gets into a fight in the water with another pirate, which is stopped by a stare from the Captain. Filmed in brackish water that smelt awful (Black Park), Oliver Reed got inflamed eyes while Lee got a stomach infection.

Of course, the pirates have no intention of a peaceful co-existence, believing that there is a hidden treasure within the colony. Can Jonathan and the settlers rid themselves of their occupiers?

The film is an exciting, thoughtful thriller. The underlying distrust of an oppressive religious leadership is heavy, considering this is again thought of a family film. Hammer would expand on the idea of Religious close mindedness in greater detail in their horror film TWINS OF EVIL (1971). For the most part, though, this is a thrilling and well-made period adventure piece, that once again Hammer’s wonderful technicians make look so much more expensive than their limited budgets should allow. Michael Ripper has a much larger role than many of his films, and you get to see what a truly fine actor he was. When drunk, he foolishly mocks his Captain, satirizing his bad eye and injured arm.

Now TWILIGHT TIME has released a magnificent blu ray of this fun Hammer action adventure.

The previous Sony DVD was fine, and a bargain when released with the other three titles.

This new Blu Ray release, however, is a revelation. A 1080p High Definition / 2.35:1 / Color print really shows off the Megascope cinematography (kudos to Arthur Grant ,who worked brilliantly at Hammer from 1957 to 1972 ). The colors are incredibly rich, and the sharpness makes this look like a new film rather than a 55-year-old movie.

The 1.0 mono DTS-HD Master Audio is surprisingly rich, with the dialogue, soundtrack and effects all quite clear and crisp.

As for extras,

the optional English SDH subtitles are clear and easy to read, following the action and dialogue perfectly.

There is an isolated music and effects track, wherein you can really enjoy how much both add to the enjoyment of this film. Composer Gary Hughes seemed to be Hammer’s going to man for their 60s swashbucklers, as he also composed their THE CRIMSON BLADE (1963), THE DEVIL-SHIP PIRATES (1964), THE VIKING QUEEN (1967) and A CHALLENGE FOR ROBIN HOOD (1967). You also appreciate how much care Hammer put into their sound design, with not only gunshots and screams added in, but so many tiny details that perhaps go unnoticed by most moviegoers that subconsciously make the scene stronger. Kudos to Alfred Cox (sound editor) and Jock May (sound recordist). They also knew when to pull back on sound, as during the wonderfully suspenseful scene between Hench and Brocaire, wherein both men are blindfolded and have a sword fight. It is without music, and the sounds are dropped down to those of clashing blades and items scattered during the conflict.

An informative audio commentary runs the length of the picture (taken from a previous DVD release) with film historian Marcus Hearn (THE HAMMER STORY, co written with Alan Barnes, Titan Books, 1997), who keeps things going by dropping in some wonderful facts, and prodding the memories of writer Jimmy Sangster (who passed away in 2011) and art director Don Mingaye (who is as of this writing, still alive at age 88).

 

They discuss their experiences with the studio, writing and budgeting, memories of various actors (look for Desmond Llewelyn, later gain fame as Q in the James Bond series) and crew, and having to write a pirate movie without a ship (save for the opening stock shot and glass matte). They also verify that director John Gilling was while a brilliant craftsman was subject to mood swings wherein he could be quite nasty. Christopher Lee even found him difficult to work with.The commentators attribute this to a head wound that Gilling had, which left him with a large scar. Gilling did give us several horror classics, such as FLESH & THE FIENDS (Regal 1959) and the Hammer “Cornish “horrors, THE REPTILE and PLAGUE OF THE ZOMBIES (both 1966). They also talk about how surprised Sammy Davis Jr, a huge Hammer fan, was when he visited the set of this film.

Julie Kirgo as always supplies a nice overview appreciation of the film in the booklet enclosed with the blu ray.

Finally, we get the original theatrical trailer.

Today, to do a pirate film costs over $200 million dollar and is CGI crazy to the point wherein the actors often become ciphers to the visual chaos. However, releases like this show you what talent before and behind the camera could do with a very small budget.

Recommended to fans of Hammer, Christopher Lee, and adventure fans of all ages (just watch out for those piranhas!).

-Kevin G Shinnick

 

*-the other Hammer Robin Hood film was A CHALLENGE FOR ROBIN HOOD (Hammer/Warner Pathe ,1967). WOLFSHEAD: THE LEGEND OF ROBIN HOOD was a failed tv pilot from 1969 that Hammer acquired but did not produce, and released theatrically as a B feature in 1973.

 

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STILL TIME TO ENTER TO POSSIBLY WIN A DVD/BLU RAY of BETTER WATCH OUT . December 1,2017 deadline. 

https://scarletthefilmmagazine.wordpress.com/2017/11/22/win-a-blu-ray-dvd-combo-of-well-go-u-s-a-s-horror-comedy-better-watch-out/

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HOUR OF THE GUN (Twilight Time Blu Ray)

HOUR OF THE GUN (U.A.,1967) Twilight Time Blu Ray. 1:41:26 length.  Color . $29.95  . Region Free (A/B/C).https://www.twilighttimemovies.com/hour-of-the-gun-blu-ray/

I grew up watching Westerns. During my childhood , the major channels and the syndicated ones all carried series that dealt with the Wild Frontier.  I found that I never cared for most of the ones wherein they battled the American Indians, feeling that the natives were just defending their lands from invaders ,but I was most fascinated with those tales  that were built around law and order ,and the attempts to enforce it and civilize the society.  ryan-slappin-leather-the-hour-of-the-gun

Often it was the American ideal, of one man ( or perhaps a small group) who took on lawlessness and injustice , and won. As the 1970s rolled around, westerns began to fade from popularity ,perhaps from oversaturation , perhaps from changing tastes. Still ,tales of the old west still resonate with our culture .

The story of the Earps and the O.K. Corral is one that is known by most, though the details for most are sketchy. They know there was a famous gun battle ,of which the Earps survived. The true facts are much more muddy .Wyatt Berry Stapp Earp was at different times a brothel keeper, gambler,  bar keep , miner, stage coach guard , as well as a lawman .

(Tombstone Today ,with the Gun battle recreated )

Earp and his brothers (James,Virgil, and their younger brother Morgan ) and their familes ended up in Tombstone in 1879 ,wherein they encountered “The Cowboys”,a gang of outlaws that included Tom  and Frank McLaury, and Ike & Billy Clanton , The Earps were lawmen ,and they were threatened with death over the course of their time in Tombstone. It resulted in the Earps , and friend,  a former dentist turned gambler dying of tuberculosis named John “Doc”Holliday. facing The Cowboys at the O.K. Corral on October 26,1881. The battle, which took all of 30 seconds with 30 shots being fired,resulted in Bill Clanton and the McLaury brothers dead,with Virgil ,Morgan, and Holliday all wounded. Clanton and Clairborne fled.

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Sheriff John Behan , who witnessed the shootout, charged the Earps and Holliday with murder. A  Tombstone judge found the men not guilty at trial a month later, ruling that they were “fully justified in committing these homicides”.

Virgil was later shot and crippled by hidden attackers, and Morgan was murdered by other killers  while  he was playing pool with his brother Wyatt.

Unable to get proper justice, Wyatt deputized Holliday, and with some other volunteers, tracked down and killed the men they felt responsible. Another local sheriff issued a warrant for the arrest of Earp and company on charges of murder. They fled to the New Mexico Territory. Earp arranged a pardon for Holliday ,who died of T.B. at the age of 36.5524g

Earp escaped punishment for the murders, and led a colorful life ,even becoming an unpaid consultant on silent westerns, before dying January 23,1929 at the age of 80. He spent most of his life defending his actions of the faithful shootout, which many in the press and friends of the Clantons and McLaurys sought to disparage the Earps.

Several books published about Earp (he could not get his own authorized biography published) turned him into the modern myth whom we know of today. That he was never wounded in any of the gunfights he took part in increases this legend.

Oddly, considering how popular Westerns were in the silent era (Edison’s 1903 THE GREAT TRAIN ROBBERY for one) and with Earp serving as advisor, it is surprising that the earliest film to deal with the legend of the infamous Tombstone shootout did not happen until 50 years after the event.

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LAW & ORDER was a 1932 Universal 75 minute sound film starring Walter Huston,written by his son John with additional dialogue by Tom Reed . Based upon the  novel SAINT JOHNSON(A.L.Burt Publishers,NY 1930) by  W.R. Burnett(who also wrote the book that LITTLE CAESAR (WB,1931) was based upon),Walter Huston plays Frame Johnson ,a stand in for Wyatt Earp. Harry Carey plays the Doc Holliday character ,whose death in the movie leads to the gunfight ! Huston is the only survivor, and he drops his badge and walks off, foreshadowing the ending of HIGH NOON (U.A.,1952) by 30 years.  The story was remade in 1940(Johnny Mack Brown) and 1953 (with Ronald Reagan).

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FRONTIER MARSHALL(Fox,1934) had George O’Brien as MICHAEL Earp. This version is apparently “lost”. It was remade in 1939 by Fox with  Randolph Scott finally playing a character named WYATT . Caesar Romero was Doc Holliday and John Carradine  is also in the flick .Both films are based upon the novel WYATT EARP FRONTIER MARSHALL   by  Stuart N. Lake (Houghton Mifflin Harcourt,NY 1931).Earp’s widow had sued the studio about the novel and the films, getting  a nice settlement.

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THE ARIZONIAN(RKO,1935,remade as THE MARSHALL OF MESA CITY (RKO,1939)) featured a shootout  inspired by the OK Corral events.  TOMBSTONE,THE TOWN TOO TOUGH TO DIE (Paramount,1942) had a fairly accurate recreation of the battle,with Richard Dix as Wyatt, the part he essentially played in THE ARIZONIAN.

MY DARLING CLEMENTINE (Fox,1946) is another inaccurate but immensely entertaining telling of the legend .As director John Ford had Carleton Young  later say in THE MAN WHO SHOT LIBERTY VALANCE (Paramount 1962) “No, sir. This is the West, sir. When the legend becomes fact, print the legend.” .Henry Fonda as Wyatt is out to avenge  the murder of his brother James ,and meets   hard drinking Doc Holliday (Victor Mature,who looks pretty healthy for a T.B. sufferer) who joins Wyatt in his final fight with the Clantons.

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On television , there was THE LIFE & LEGEND OF WYATT EARP (A.B.C.,1955-61) starring Hugh O’Brien in the title role.

The June 20,1961 episode called “Gunfight At The O.k. Corral” does a fairly accurate recreation that seems to mirror the actual events.  Also, and most unusual for a show from that era, it depicts the gunfight in slow motion. Hugh O’Brian had been a member of the United States Marine Corps, and he was actually the fastest quick draw of all his fellow actors on TV Westerns. He was able to draw at .08 of a second.

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The final episode “The Outlaws Cry Murder” ( June 27,1961 )deals with the trials and Johnny Ringo’s plot to kill the Earps.

O’Brien returned to the role for two t.v. movies, THE GAMBLER RETURNS( N.B.C,1991) where he cameos to the main story about Kenny Rogers’ gambler , and WYATT EARP : RETURN TO TOMBSTONE ( C.B.S, 1994) a film that lifts and colorizes various scenes from the t.v. series, and bridging new footage .

 

STORIES OF THE CENTURY “DOC HOLLIDAY” (Republic, March 25,1954) also covered the story in under 27 minutes. Kim Spalding  played “Doc” and James Craven as Wyatt .

GUNFIGHT AT THE OK CORRAL(Paramount,1957) is an exciting if inaccurate telling of the tale starring powerhouses Burt Lancaster, Kirk Douglas , and directed by  powerhouse John Sturges .

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 Lancaster is a hard drinking Wyatt (the real man was a non drinker) powerhouse ,while Kirk Douglas is a pretty healthy Doc Holliday (like Victor Mature , not bad for a man trying to fight consumption).John Ireland is great as fast gun Johnny Ringo. The real Ringo was a loose  associate of the Clantons ,who was suspected of having taken part in the shooting of several of the Earp family .  The final battle happens at sun up and last an exciting 8 minutes (the real battle took all of 30 seconds in the mid afternoon). Still , this is the film that most people thought of when they referenced the shoot out.

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Sturges obviously was drawn to the story, as ten years later , he convinced The Mirisch Corporation  to produce HOUR OF THE GUN (United Artists, 1967).

The picture is based on the non-fiction book   Tombstone’s Epitaph  (Univ of New Mexico Press, 1958), with a screenplay by Edward Anhalt (the Oscar nominated screenwriter of the 1964 screen adaptation of BECKET ( Paramount).

Lucien Ballard (RIDE THE HIGH COUNTRY,Fox ,1962 , and later THE WILD BUNCH ,WB,1969 ,both for Sam Peckinpah) was the director of photography ,and his work shines in this film.  The score was by  the great Jerry Goldsmith, and a good budget of $1,800,000 ( by comparison, BONNIE & CLYDE (WB,1967 ),another period film that same year , cost $2.5 million).5215823122_a17673f25a_b

Tombstone Arizona was not one of the locations used, although Sonoita,Elgin, and the Empire Ranch in Elgin were all used.  The rest of the film was shot in Mexico, including the famous Estudios Churubusco Azteca in Mexico City.

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The film opens with the famous gun battle (that in real life took place in a vacant lot next to a photography studio , not in the actual corral itself.It occurred in late afternoon, and unlike the hot sunny weather of the film, it had snow upon the ground) . Doc  ( a marvelous Jason Robards ,who had his own battles with alcoholism  ) and some of the Earp  brothers were wounded ,while a few of the Clanton gang are killed .Wyatt (a stoic James Garner) emerges unscathed (which is something that added to the real life legend .He was never shot in any of his gun battles.Indeed , he was better known for coldcocking his adversaries with the barrel of his Colt).913full-hour-of-the-gun-poster

Ike Clanton (Robert Ryan) does not draw his weapon during the battle ,and survives, and wants the local sheriff to charge his opponents with murder .In real life ,Ike was never the leader of the gang, but Ryan makes an imposing figure in the role.  The  movie changed the name of the County Sheriff from John Behan to Jimmy Bryan  (played by Bill Fletcher) but they accurately got the debate as to whether he could arrest the Earps and Holliday .hourofthegun_biggerandfasterthan_FC_470x264_071220160740

A trial is held , presided over by Judge Herman Spicer ( William Schallert ).Though false testimony is given by  several of the Clanton gang, the judge shows that they were in fact lying ,and finds Holliday and the Earps not guilty and had indeed acted within their authority.

Ike does not take well to the news and conspires to assassinate his opponents  When one of his brothers is again wounded and another murdered viciously as they are playing billiards, Earp decides that he will step outside the law and do what he must to stop the Clantons.320full-hour-of-the-gun-poster

The film deals with a lot of the issues that the Earps dealt with, such as that the Clantons had a lot of supporters,  local elections , and even how when they finally get permission to bring in the Clantons, they are told there is no money for deputies!

HOUR OF THE GUN is an exciting telling of the famous tale, with a wonderful group of supporting players taking on minor if important roles.  A young Jon Voight plays  Curly Bill Brocius  ,here shown as a minor gun slinger. In real life, Curly Bill, along with Johnny Ringo , led the “Cowboys” after old Man Clanton died in 1881. Voight was two years away from his career defining role in MIDNIGHT COWBOY (U.A.,1969) . In 1967 ,Voight was a guest star on an episode of the TV series “N.Y.P.D.”,that starred Frank Converse. Converse appeared in HOUR OF THE GUN  as Virgil Earp.

William Windom portrays a drunken gambler who owes Doc Holliday money ,while Monte Markham was Sherman McMasters. McMasters had once been a member of the “Cowboys” but switched sides and actually rode with Wyatt Earp in his vendetta.images

The film was not a success when it was first released ,and indeed is often called dull or slow moving.   This may have been due to the influx of the “Spaghetti Westerns” of Clint Eastwood ,and the changing styles of film making. Indeed HOUR OF THE GUN still harkens back in style to classic Hollywood. However, what sets it apart is that it concentrates on the causes and effects of the violence and with the passage of time, we can now appreciate these factors which makes the tale less a black and white good vs evil story.  24c052ff6d4737bc4d82434470078468--bill-obrien-guns

TWILIGHT TIME has given this film a marvelous Blu Ray release. The film film has been cleaned up with a 1080p resolution in an aspect ratio of 2.35.1 . The sound has been mixed in 1.0 DTS-HD MA . It is clear without any special sound mixing (though the gunshots did have me reaching to lower the volume ).6c17e591a70539f368c46e9e8bd2ba72--maverick-tv-western-movies

As for extras, they are rather spare .  The original theatrical trailer is here and gives you an idea how the film looked in the past. The effects and Jerry Goldsmith’s score can be heard together on a separate track . Julie Kirgo supplies some nice facts in the enclosed booklet  The film itself is the real reason you should pick up this disc.

For anyone who thinks that TOMBSTONE (Touchstone ,1993) was the most accurate telling of the tale of the Earps, I suggest that you check out THE HOUR OF THE GUN .

RECOMMENDED.

 

-Kevin G Shinnickgiphy (2)

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EVERYTHING YOU WANTED TO KNOW ABOUT SEX -Woody Allen-Twilight Time Blu Ray

Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (U.A.,1972) (TWILIGHT TIME Blu Ray ) $29.95 .Region Free A/B/C release July 18,2017 https://www.twilighttimemovies.com/everything-you-always-wanted-to-know-about-sex-but-were-afraid-to-ask-blu-ray/ . Limited to 3,000 units.

Sex Sells. The maxim in advertising is often quite true. People are shocked and titillated, offended and fascinated, intrigued and repulsed by it. Due to that, interest in it never waivers. Back in the 1948 & 1953, the two books that became known as THE KINSEY REPORTS were published. These dry data filled books shocked people , as it let the general public know that their neighbors were doing it, how they might be doing it, some kinks they might have . Masters & Johnson also published their scientific studies, that showed such far out ideas as women might actually enjoy sex .


The freer society of the late 1960s led to the publication of the book EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX* (*BUT WERE AFRAID TO ASK) by David Rueben ,M.D. Published by McKay in June 1969, the book became a world wide best seller. His how to manual seemed a must have .

When it was announced that Woody Allen was going to make a film based upon the non fiction book, people were surprised. Allen ,who had begun as a writer for the Colgate Comedy Hour on television, and written short humor pieces for magazines like The New Yorker. He stepped out and began his successful stand up comedy career , which led to his guest appearances on several popular T.V. shows.

 

His first play, DON’T DRINK THE WATER , was a hit that ran for 598 performances, and introduced the author to Lou Jacobi and Tony Roberts, the latter who became strongly associated with Allen’s films of the 1970s and 1980s.

 

A year earlier , he had written and taken a small role in the popular film WHAT’S NEW ,PUSSYCAT ? (U.A.,1965) .

His next film ,co written with writing partner Mickey Rose was the redubbed Japanese spy thriller International Secret Police: Key of Keys(Toho),with all the dialogue re-dubbed into an hysterical plot about the world’s best egg salad, and the new version was called WHAT’S UP TIGER LILLY?(AIP,1966),hoping to cash in on the success of Allen’s previous movie.

Disappointed by studio interference , Allen vowed to direct and retain creative control on his next films.
His play PLAY IT AGAIN ,SAM in 1969 was another hit, and brought actress Diane Keaton into both his professional and personal life.

Working with Mickey Rose again on a screenplay , Allen also directed and starred in TAKE THE MONEY AND RUN (Cinerama,1969). The modest film doubled it’s investment ,leading U.A. to sign him to a long term (though not exclusive) deal. BANANAS(U.A.,1971) made five times its production costs ,and his play PLAY IT AGAIN SAM (which he wrote & co-starred, but did not direct for Paramount 1972) also did fairly well . Diane Keaton, Jerry Lacy and Tony Roberts also reprised their Broadway roles.


So ,Allen ,who played a nebbishy character often obsessed with but failing at sex, seemed to be ready for the ultimate sex romp. But how to turn the book into a comedy ?

His solution was  to turn the film into an omnibus, with seven stories that all work separately,all dealing with sex.

Do Aphrodisiacs Work?

They definitely do for the Fool (Allen) who has fallen for the Queen(Lynn Redgrave). While his Bob Hope style one liners fail to thrill the King (Anthony Quayle),the Fool definitely has an interest in the lovely Queen(Vanessa Redgrave) that involves more than jokes.

While walking the parapet, the Fool  has an encounter with his father’s ghost (Allan Caillou,probably best known to many as The Head on the short lived tv series QUARK (Columbia,1977-78).A very funny exchange parodying Hamlet ensues.

The ghost sends him to the Sorcerer (played with glee by Geoffrey Holder) who give him a love potion

The potion definitively gets her in the mood. Their amour is stopped by her chastity belt,of which her husband The King has the key. Let us say it ends with Fool  losing his head over sex. A very Decameron inspired tale,by way of Woody Allen. ”It’s great to be back here in the palace!”

WHAT IS SODOMY?


Gene Wilder is Dr Ross,a general practitioner. A new patient ,Stavros Milos ( Titos Vandis,who had starred on Broadway in the original ON A CLEAR DAY YOU CAN SEE FOREVER,1965)),has a problem. He was a lonely shepherd who feels that his sheep Daisy no longer loves him. Shocked at first, Dr Ross is smitten by her sheep eyes, and persuades Milos to leave her with him.This leads to the doctor’s downfall,as he is discovered with the animal, ending in his divorce ,a nervous breakdown,his career shattered ,and him drinking Woolite. Wilder is superb and very sympathetic, so it makes the ending somewhat sad rather than funny.

Why Do Some Women Have Trouble Reaching an Orgasm?

Woody returns in this spoof of Italian films. Here he is Fabrizio ,a husband of six weeks. His lovely blonde wife Gina (played by Allen’s real life second ex-wife Louise Lasser)is unable to climax during sex. Talking with friends provides no help ,until one day when he kisses her in a store ,she gets excited and they begin having sex in public.


The film is an hysterical satire of the popular films that were filling the art-house theatres . The clean lines ,camera set ups, and dialog marvelously send up the films of Fellini and Antonioni. The dialogue is even in Italian with English subtitles.

Are Transvestites Homosexuals?


Lou Jacobi is brilliant as a man who is at a dinner party at a friend’s home, when he decides to try on some of the wife’s outfits. The episode kind of ends abruptly,making it one of the more unsatisfying episodes,plus it never answers the question posed. For the solution  ,one needs to seek out the works of Ed Wood (the answer, by the way ,is no.Not all transvestites are homosexual).

The author of the original book, by the way, seemed to be anti homosexual.He found gay male sex life as loveless anonymous encounters,and also called a trans woman as a “surgically mutilated male homosexual”.

What Are Sex Perverts?


This segment is made to look like the popular game show “What’s My Line?” as if taken from an old black & white kinescope. Jack Barry plays himself ,as the host moderator of “What’s My Perversion?”. In real life ,Barry had been involved in the game show scandals of the 1950s . Among the real life celebrities who had careers on panel shows guessing  portraying themselves are Regis Philbin, Robert Q Lewis,and Pamela Mason, as well as Toni Holt(now infamous for strong support of Donald Trump). There are a few jokes about child molesters and rape that may offend .

Are the Findings of Doctors and Clinics Who Do Sexual Research and Experiments Accurate?


This is my favorite segment of the film. An hysterical send up of low budget horror films. Heather MacRae               ( daughter of Sheila & Gordon MacRae) portrays Helen Lacey , an investigative journalist whose car breaks down .Luckily, she meets Dr Victor (Allen) who is going to the same destination,the home of mad scientist ,Doctor Bernardo (John Carradine, in an uproarious send up of a role he had often portrayed). He and his hunchback assistant Igor (Ref Sanchez,whose make up resembles Karkov in TERROR IN THE WAX MUSEUM(Cinerama,1973),a film that also starred- John Carradine!!)are taking part in strange sexual experiments, among them one of which an unconscious woman is being given nothing but silicone for a whole year.

”She used to be flat chested .Give me another year, and watch out”cries Carradine,the thought of which starts him slobbering and smacking his lips insanely.

 

Karkov in TERROR IN THE WAX MUSEUM

 

Dr Bernardo  plans to use Helen in his next sexual experiment ,but a fight breaks out ,and the equipment explodes and goes into overdrive . The result is that the silicone woman is turned into a giant deadly breast that begins to terrorize the countryside.

The film has the look of so many of the drive in films of the period ,including the stilted explanatory dialogue, the few pieces of mad scientist equipment, and oh yes John Carradine!

 

What Happens During Ejaculation?

Production Designer Dale Hennesy takes an early stab at the look that he will use for Allen’s next futuristic film, SLEEPER (U.A.,1973). In this segment, the set and the sequence at times resembles the 1966 science fiction classic FANTASTIC VOYAGE (Fox,1966) .The brain of our unseen protagonist is run by The Operator (Tony Randall) his assistant Switchboard(Burt Reynolds),and Brain Control ( Oscar Beregi,Jr) .They discuss the latest string of sexual failures, and The Operator checks out their current date (played by Erin Fleming. Fleming is perhaps best known as the woman who helped thrust Groucho Marx in his later years back into the spotlight, only to be sued by the comedian’s family after his death).

They are unsure if this date will result in sex until she says she went to New York University . “We’re in!”crows The Operator confidently.

The various parts of the body are contacted, trying to help get an erection( operated in a room filled with sweaty shirtless men trying to raise a hand cranked crane).

The sperm gather ,as if they are parachuters in a World War II film. One of them is Allen, who fears what’s out there, as you hear about guys hitting against a rubber wall,or perhaps it is an homosexual encounter!

The film is very funny , though some may be offended by some of the humor(rape jokes,gay humor, lines like “This is what we call a beaver shot”. ). That said, if you are going to see an R rated film with this title, you shouldn’t really be surprised .

The film was again a big hit for Allen, making a profit 9 times it’s $2 million dollar budget.

The film had formerly been available on VHS on Key Video .In 2000, MGM released with an acceptable Region 1 print.

The Twilight Time print seems sharper than the film has looked for years, though there is strong grain in the original negative . The film is presented in a 1080p High Definition ,1.85.1 ratio . The audio is English only 1.0 DTS-HD MA. The sound is clean and acceptable,with the dialogue clean and clear. There are also optional English subtitles,that follow the dialogue and action perfectly. This comes in handy if you wish to listen to Mundell Lowe’s score on an isolated track.It is a perfectly serviceable though hardly memorable film score.Still , it is nice that the option is offered.

Julie Kirgo has written a nice essay enclosed in a lovely booklet that is a Twilight Time specialty,wherein she points out that the film was a hit with almost everyone—except Dr David Reuben. Some people just don’t have a sense of humor.

I am aware that Arrow Academy in the U.K. released a region B only version in September ,2016. I do not have access to that print, but I do know it lacks the isolated music track.

If you are a fan of Woody Allen (as I am ) or enjoy wild comedies, you would be well advised to pick up TWILIGHT TIME’s Blu Ray of EVERYTHING YOU WANTED TO KNOW ABOUT SEX .

Recommended.
Kevin G Shinnick

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