1940s, Blu Ray, CLASSIC, Classic Hollywood, Coleen Gray, crime drama, cult, film, FILM HISTORY, FILM NOIR, Fox, genre, New York City, review, reviews, Richard Widmark, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Twilight Time, Twilight Time Blu Ray, Uncategorized, Victor Mature

KISS OF DEATH (Twilight Time Blu Ray)

KISS OF DEATH. (Twilight Time Blu Ray) 20th Century Fox 1947. B&W. 99 minutes. Region Free. $29.95 .Limited to pressing of 3,000 discs. https://www.twilighttimemovies.com/kiss-of-death-blu-ray/

People who have never seen the complete film know of it due to the iconic scene of a giggling insane Tommy Udo (essayed by Richard Widmark in his stunning film debut) pushing a helpless wheelchair bound woman (Mildred Dunnock) down a flight of stairs as she screams in abject horror.

 

KISS OF DEATH is a classic example of film noir that needs to be in every film lovers collection. Dark storytelling with the sense that violence and death permeates the entire story. Shot mostly in New York City at many actual locations (though, in my humble opinion, I think the interior apartment scenes and stairwells are sets, as knowing the size of the old Mitchell 35mm cameras, as well as lights needed, that is a heck of a lot of equipment and people to squeeze into such small spaces, not to mention loading in and out). around the city.

Ex con Nick Bianco (Victor Mature, at the height of his stardom) and three others botch a jewel robbery that results in Nick getting arrested.

Rather than turn on his accomplices, Nick is sentenced to twenty years at Sing Sing Prison. Nick thinks that his accomplices will protect his family, but three years into his stretch, Nick’s wife commits suicide and his two daughters are sent to an orphanage. Nick tries to make a deal with the Assistant D.A. D’Angelo (Brian Donlevy) but too much time has passed to make a deal. However, if Nick will help the A.D.A. on another case, Nick will get paroled.

 

 

 

On the streets, Tommy Udo(Widmark)who served time with Nick, tracks down the mother of Rizzo. Rizzo, who is unseen in the film, was supposed to guard Mrs. Bianco, but instead it was hinted that he raped her, which resulted in her committing suicide. Tommy looks up to Nick (and many critics feel an almost homoerotic passion) and so when Rizzo’s mother (Dunnock) lies to him, we end up with the famous stairwell killing.

Udo tries to show off to Bianco, taking him to various establishments and talks freely about his previous crimes, to impress his “friend”. Nick, however, turns the info over to the Assistant District Attorney, who indicts Udo and grants Nick his pardon.

Nick tries to restart his life on the straight and narrow, marrying friend Nettie Cavallo (Coleen Gray ) who used to baby sit his daughters when he first went to prison. However, despite evidence, Udo is acquitted and wants revenge.

The film when it was first released was not an enormous success, but over the years its status has grown to where it is now acknowledged as one of the great film noirs of all time.

The film has been available on video and DVD in previous releases from Fox Video, but TWILIGHT TIME has really gone all out with its definitive release of this classic piece of cinema.

First off, the 1080p High Definition scan has increased the sharpness of the imagery, showing off the beautiful cinematography of Norbert Brodine. Brodine began working in the silent era (including Lon Chaney’s A BLIND BARGAIN, Goldwyn,1922), and during the early sound period he hopped around from major studios to independents (Bela Lugosi’s THE DEATH KISS, KBS,1932; DELUGE, Tiffany 1933) before finding a home at Hal Roach (TOPPER ,1937; OF MICE & MEN,1939; ONE MILLION B.C.,1939).

By the mid-1940s, he went over to Fox, where he had prior to KISS OF DEATH had lensed the noirish HOUSE ON 92nd STREET (1945).and the overlooked gem SOMEWHERE IN THE NIGHT (1946). His black and white photography has deep blacks and various shades of gray.

The sound is mono (DTS-HD Master Audio 2.0) and there is really no need for surround sound, as the music dialogue and sound effects are crisp and crackle free. David Buttolph’s music is sparse but always efficient when used.

As to extras:

There are two audio commentary tracks that are well worth listening to.

Original to this release are popular Twilight Time Film Historians Julie Kirgo and Nick Redman, who have a more conversational style and while knowledgeable, still have the joy of fans.

Kirgo, for example, points out that she grew up in NYC and recalls how it looked somewhat as the film presented it. They also go into the homoerotic feelings that Widmark’s character may have had for Mature (“Ya can’t have fun with dames about”).and how Widmark originally thought the script hilarious (!) and read the script to friends in the voice he used in the movie. It made me wonder if the erotic undertone was added by Widmark, similar to  what Stephen Boyd did years later to Charlton Heston in BEN HUR (MGM,1959).

Ported over from the prior Fox Film Noir series DVD release is the Audio Commentary with Film Historians James Ursini and Alain Silver has a more scholarly tone but never monotonic while delivering so much information on the making of the film and behind the scenes going ons (for example, Miss Dunnock had to be flung down the stairs TWICE because the cameraman was not ready!). They also discuss the (loose )1995 remake.

The music score is also available on a separate audio track. The trailer features legendary columnist Walter Winchell praising the film with hyperbole that must have made the publicity team go crazy about. The optional white English subtitles are clean and easy to read, and follow the dialogue and action.

Get it and add it to your collection or Tommy may have to visit you!

 

HIGHLY RECOMMENDED

Kevin G Shinnick

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THE MAD MAGICIAN (Twilight Time Blu Ray)

 

The Mad Magician 2D/3D (Columbia,1954) Twilight Time Blu Ray $29.95   B&W .72min. https://www.twilighttimemovies.com/mad-magician-the-3d-blu-ray/

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Classic horror fans and Vincent Price fans will want to add this often overlooked film.

Created to cash in on the huge success of HOUSE OF WAX (W.B.,1953), this Columbia film not only used 3-D ,but also borrowed the same star and set their plot in the same period. The decision to shoot the film in black and white may have been a cost saving decision (or as is said on one of the Blu Ray extras, an artistic choice),but it may be why this film is not as popular as Price’s previous period horror film with modern audiences.

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In the film’s favor was a superb cast ,led by Price and a director who knew his way around period thrillers. That director was John Brahm. Brahm had directed two of the best Jack The Ripper inspired films of all time ,THE LODGER (Fox,1944 ) and HANGOVER SQUARE(Fox ,1945),both starring Laird Cregar.

The screenplay was by former actor Crane Wilbur (he had co-starred with Pearl White in the original silent serial PERILS OF PAULINE (General Film Co.,1914)turned playwright and screenwriter.

Wilbur had written a Broadway thriller called OUIJA BOARD in 1920 , but his next play is better known.

THE MONSTER (1922) was later adapted into a Lon Chaney film for MGM . Wilbur hopped back and forth from actor to writer to director on stage and screen before settling down as a script writer. He worked on the screenplay for the spooky thriller THE SPIRITUALIST/THE AMAZING MR X (Eagle Lion,1948) (influenced by his early play OUIJA BOARD?), before working for producer Bryan Foy on the political thriller I WAS A COMMUNIST FOR THE F.B.I. (W.B,1951).

Foy obviously liked his work, as he hired Wilbur to write HOUSE OF WAX . Wilbur wrote for Price one more time with his adaptation of the old stage play THE BAT (A.A.,1959).

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Wilbur may have been responsible for Lenita Lane appearing in THE MAD MAGICIAN, as she was his wife in real life. She also appeared in other screenplays by him. A fine actress in her own right, it is a shame we did not see her in more films (her final appearance was in her husband’s THE BAT, which he also directed).

At the end of the 19th Century, Don Gallico (Vincent Price) works for Illusion Incorporated Company, owned by Ross Ormond (Donald Randolph, later General Mark Ford in THE DEADLY MANTIS(Universal,1957)). The company creates stage effects for magicians, and Gallico has decided that he would like to strike out on his own as an illusionist. He is told, however that even though he created the illusions on his own time ,their contract has proprietary rights to any effects that Gallico creates. Ormond has little respect for his valued employee, having cuckolded Gallico by wooing away his wife Claire (Eva Gabor ,most famous for the tv series GREEN ACRES (Filmways ,1965-71)who had tied of being poor.

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To add insult, Gallico is forced to demonstrate his newest creation, a buzz saw that apparently decapitates anyone placed upon tithe Great Rinaldi (John Emery, who portrayed Dr. Karl Eckstrom in ROCKETSHIP X-M (Lippert ,1950) and in real life was often rumored to be an illegitimate son of John Barrymore!) feels that this is just the piece he wants for his act.

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After Rinaldi leaves, Gallico snaps and kills Ormond with the buzz saw device (the murder is not shown just the insane glee on Price’s face ). Luckily, Gallico is also a master of disguise (and obviously the innovator of slip rubber life masks!) and makes himself up to resemble Ormond to set up an alibi and get rid of the remains.

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When Ormond does not appear after a few days ,the police begin to investigate. By coincidence (or screenwriter Wilbur) Detective Alan Bruce (Patrick O’Neal, later himself to star as the baddie in a HOUSE OF WAX inspired period tv film that was released theatrically, CHAMBER OF HORRORS (WB,1966), who is investigating the mystery, is also the boyfriend of Karen (Mary Murphy, the ‘good girl’ from THE WILD ONE, Columbia,1953) Gallico’s assistant.

Gallico commits a few more murders in various disguises ,disposing of one body in a bonfire (similar to a major sequence in John Brahm’s own HANGOVER SQUARE) . The murders also draw the attention of a plucky female writer ,Alice Prentiss (Lenita Lane).Who will survive the vengeance of THE MAD MAGICIAN ?

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A fun ,quick (72 minutes), there is a strong sense of déjà vu if you had seen HOUSE OF WAX, but the film also solidifies the template for the later Price “Vengeance” horror films like THE ABOMINABLE DR PHIBES(AIP,1971) and THEATRE OF BLOOD(U.A.,1973) with elaborate murders and disguises.

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Price relishes his role, and gives it his all. It is odd seeing Patrick O’Neal as a hero in this his film debut (the Actor’s Studio trained actor had appeared on television prior) but he acquits himself nicely. Lenita Lane is sort of an gay 90s version of Lois Lane . The entire supporting cast fills their roles marvelously .

The direction by Brahm is solid ,though many feel he doesn’t take full advantage of the three dimensional process. I and many others feel he used it sparingly to emphasize certain images by dramatic placement rather than always throwing things into the lens(which he also does ,though, during Price’s magic acts).

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TWILIGHT TIME has done an amazing job with this disc. The 50GB Blu Ray is REGION FREE ,and limited to a pressing of only 3,000 . The 1.85:1 1080p transfer is incredibly sharp in either 2 or 3D. The Grayscale is very rich and compliments the cinematography of Bert Glennon (also from HOUSE OF WAX). The film seems to have strong grain but that appears to be from the original negative . The DTS-HD MA 1.0 mono track sound is clear and hiss free.

There are a lot of extras on this disc :

-First off , as mentioned ,the film can be watched either 3-D(you need a monitor and Blu Ray Player that allows this) or in regular 2-D.

Audio Commentary :There is a wonderful running audio commentary by David Del Valle and Steve Peros   , discussing the behind the scenes production of the film and the careers of many of those involved , as well as the 3-D phenomenon of the era. You can hear in their voices that they are truly enjoying this film (and who can blame them?) .

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Isolated Music Score : You can hear the score by Arthur Lange (composer ,music director ,and orchestrator of over 200 scores, often uncredited) and Emil Newman ( brother of Alfred & Lionel Newman, and composer in his own right on such films as UNDYING MONSTER (Fox,1942)),as well as the Theremin played by Dr. Samuel Hoffman, the former violinist whose eerie playing of Léon Theremin ‘s invention graced the scores of films since SPELLBOUND (Selznick Intenational,1945). Dr. Hoffman’s work appeared in films both big budget (THE DAY THE EARTH STOOD STILL, Fox ,1951) to low budget (BILLY THE KID VS DRACULA, Embassy 1966), usually uncredited.

 

51332560aefeb575e790ed3e7429bc17Master of Fright :Conjuring “The Mad Magician”- Ballyhoo Motion Pictures, under direction by Daniel Griffith, have been providing some of the best making of bonus features for Shout Factory. Now , also working for TWILIGHT TIME, they continue the superb must watch documentaries that they are noted for .Between this and the audio commentary, you get a wonderful history of this film.

Two THREE STOOGES 3-D Short subjects : SPOOKS and PARDON MY BACKFIRE (both Columbia 1953)normal-randall-spooks

SPOOKS was the 148th of the 190 short subjects that the comedy team made for the studio. The boys (Moe & Shemp Howard, plus Larry Fine) are private eyes whose search for a missing girl (this was actress Norma Randals largest role of note) brings them into contact with Dr. Jeckyl (character actor Phillip Van Zandt, who was Muller in HOUSE OF FRANKENSTEIN, Universal 1944) and his brutish helper Mr. Hyde (former boxer Tom Kennedy who was often the heavy to comic greats The Marx Brothers, Laurel & Hardy, and Bob Hope, among others). There is also, of course ,a gorilla (an uncredited Steve Calvert)

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PARDON MY BACKFIRE has the team working as mechanics who capture some on the lam convicts that have the misfortune of pulling into their garage .stooges_pardon_my_backfire

Maybe it was the horror connection, but I felt SPOOKS was the more entertaining of the two. Both films work in 2 as well as three dimension (with hypos, bats, fire, water, and knives being hurled at the audience). The picture and sound quality on both are superb.spookstitle2

-The Original Trailer. Lots of Ballyhoo (That” House of Wax” Man).

themadmagician3d_bdbookletcover_highres__47771_1481961658_1280_1280-Booklet: Once again, TWILIGHT TIME provides another well written information booklet (kudos once again to Julie Kirgo).

THE MAD MAGICIAN leaps to the top of the list for any fan of classic film fans. classic horror fans, 3D lovers, and, of course, Vincent Price followers.

I suggest you order ASAP, as I think that this collectible disc is going to sell out fast!

 HIGHEST RECOMMENDATION.

Kevin G Shinnickmad-magician-debonair

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BOSTON STRANGLER/PRETTY POISON Twilight Time Blu Rays

2-coversTHE BOSTON STRANGLER ( 1968 Fox)116min        http://www.twilighttimemovies.com/boston-strangler-the-blu-ray             / PRETTY POISON (1968 Fox)89min         http://www.twilighttimemovies.com/pretty-poison-blu-ray/Twilight Time Blu Rays      $29.95 each Limited to 3000 pressings each

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1968 was a banner year for movies: 2001: A SPACE ODYSSEY(MGM), OLIVER(Columbia), ROMEO & JULIET(Paramount), ROSEMARY’S BABY (Paramount), PLANET OF THE APES(Fox). Among those films were two marvelous murder thrillers, both from 20th Century Fox, one a box office and critical success (BOSTON STRANGLER) the other a box office failure that has developed a strong cult following that continues to grow (PRETTY POISON).600full-the-boston-strangler-poster

First, we have THE BOSTON STRANGLER.

 

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THE BOSTON STRANGLER was a big budget ($4.1 million) film released October 16,1968. Critical reaction was mixed for director Richard Fleischer (20,000 LEAGUES UNDER THE SEA(Disney,1954) and his then daring split screen and multiple images to show various points of views at the same time (also used in GRAND PRIX (MGM,1966) as well as THE THOMAS CROWN AFFAIR (U.A.,1968)). There was a more unanimous consensus of praise for Tony Curtis and his daring and solid performance as split personality Albert DeSalvo. Curtis won a Golden Globe for Best Actor, which must have been thrilling for him, considering that he was not considered able to play the role, but had to win the role by taking photos of himself in makeup and having director Fleischer slip them to the studio head, who said that was the type that they were looking for!

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                                                                   (old VHS  print from Key Video)

 

Based upon Gerold Frank’s best-selling well researched non -fiction book of the same title (Hardcover, New American Library,1966), there was difficulty in finding the right screenplay adapter. The original choice, Playwright Terrence Rattigan who wrote stage plays like THE WINSLOW BOY(London,1946) was a friend of producer Robert Fryer. However, the screenplay that he turned into a comedy! Luckily, cooler heads prevailed and writer Edward Anhalt (winner of an Oscar for the adaptation he co-wrote with his wife Edna for PANIC IN THE STREETS (Fox ,1950) produced a script that was more faithful in feeling to the Gerald Frank book.

 

Henry Fonda portrays John S Bottomly, who leads the investigation into a series of Strangle Murders in Boston. The police get so desperate they even resort to a Psychic to aide them. The killings continue unabated until plumber Albert DeSalvo is apprehended for attempted breaking and entering. A series of incidents and clues lead them to believe that DeSalvo is killer whom they have been seeking.fg11295-the-boston-strangler
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Tony Curtis is superb playing the family man who has a dual life and even a dual personality. The fractured screen shots and isolated images also perfectly encapsulate the isolation and separation that DeSalvo seemed to be suffering from. That he was not nominated for an Academy Award (the best actor award going to Cliff Robertson for portraying another person suffering from mental problems in CHARLY (Cinerama,1968)) is one of the major shames in the whole award process mentality, as he gives a superlative performance.reel-vs-real

Besides Fonda, other great performances are given by George Kennedy (a year after his best supporting actor Oscar win for COOL HAND LUKE(WB,1967)) and Murray Hamilton (who had performed on stage with Fonda, but is perhaps best known as playing the Mayor in JAWS(Universal,1975)as two of the detectives who piece together the various bits of evidence, as well as various members of law enforcement and society being portrayed by William Marshall(BLACULA,AIP,1972),Sally Kellerman (MASH,Fox,1970),Hurt Hatfield (forever Dorian in THE PICTURE OF DORIAN GRAY,MGM 1945),Jeff Corey (SECONDS,Paramount,1966),James Brolin (still a struggling contract player at Fox at the time before rising to fame as a T.V. heartthrob on MARCUS WELBY,M.D.(Universal,1969-1976) ,and many more .wm-marshall

William Marshall

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(William Hickey as a suspect )

 

 

 

 

The 1080P transfer Region Free transfer is sharp and clean. Audio is an optional 2.0 or 3.0 DTS-HD Master. There are optional English (SDH)subtitles.

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Extras on the Blu Ray reviewed include:

-An isolated music and sound effect track. The score by Lionel Newman (COMPULSION, Fox, 1959) is effective, but, to me, not memorable on its own.boston-strangler-2

-An informative and nonstop Audio Commentary with Film Historians David Del Valle and Steven Peros that covers both the production history of the film as well its cinematic style, as well as a lot of information about the actual murders, the doubts that exists that if DeSavlo was the killer of all the victims, and where the film deviates from the facts of the case.e284dd9161031cb9263860acc4bf01ef

– “Real Killer, Fake Nose”- is over a half hour long documentary about the making of the film, and how innovative its cinematography and editing was for the time. Interviews include Sally Kellerman (who plays one of the victims) and Mark Fleischer (the director’s son) and D.P. Richard H Kline.9208-2284hqdefault

– “Split Screen Personality” -has director William Friedkin (THE FRENCH CONNECTION,Fox 1971) discuss the real-life events and the film, plus how the film influenced his style.f7242f42ecf78b86b83c9636bd8

-Original Theatrical Trailers (approximately 4 minutes)tony

-An 8-page booklet by Julie Kirgo about the film

Two extras ported over from the Fox 2004 DVD release are

– “AMC Backstory: The Boston Strangler”- a nice overview of the film made for The American Movie Classics channel when it was still about movies.

A Fox Movietone News clip (roughly 3 ½ minutes) from the era about Albert DeSalvo.desalvo

Like Most of Twilight Times releases, this is limited to a print run of 3000.boston_strangler_mug_shot

Highly recommended.

 

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Next we have PRETTY POISON.
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PRETTY POISON was and is a quirky little thriller that failed to find an audience when first released. The screenplay by Lorenzo Semple Jr (fresh from T.V.’s BATMAN (Fox,1966-68)) is a fairly faithful adaptation of the short novel “She Let Him Continue “by Stephen Geller (first edition: Hardcover E.P. Dutton,1966), save for a reduction of the pill taking so prevalent in the book.e-p-dutton-1st-edition-1966hardcover

 

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            (note,this paperback edition says filming for EMBASSY PICTURES!)

 

Director Noel Black had only had a short film released by U.A. before he was given his feature film debut. He had seen Tony Perkins on Broadway, and thought he would be perfect for the part of Dennis Pitts, a young man who had killed his aunt when he set fire to their home when he was 15. So, sure that Perkins was right for the role, that Black waited at Perkins’ request until the play closed before filming began.6ku

Dennis Pitts, after his release, is stuck in a dead-end job at a local chemical company. To break up the monotony, he thinks of young Sue Ann Stepanek (Tuesday Weld, who had been acting since age 13 in ROCK ROCK ROCK (DCA,1956)). Weld was a perfect choice for this role of the young innocent who it turns out is not as innocent as she first appears.s-l225

Dennis tells Sue Ann that he is secretly a CIA operative spying on the factory for dumping chemicals into the river. His harmless fantasies however fuel an amoral side to Sue Ann, who becomes the dominant partner in both sex, wanton destruction, and finally murder, starting with her mother (Beverly Garland, star of many Roger Corman 1950s films).sddefault

Weld supposedly hated her director, and would often refuse to do as he asked or would break down in tears. Perkins had no such problem with Black, and the finished film was affected by the behind the scenes dramas. Weld & Perkins would work together again in PLAY IT AS IT LAYS (Universal,1971), another wonderful film that was also a box office failure.prettypoison_toppage

Though not hired with it in mind, it is hard to escape the idea that this is a variant of Norman Bates for Perkins. Indeed, parts of it could be a template for PSYCHO II (Universal ,1983). The film also seems to me to be a precursor of Terrence Malik’s BADLANDS (WB,1973), albeit with a darker sense of humor than that latter film.

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Shot over 30 days on location in Massachusetts, with only an additional day of studio work, the film was brought in for a 1.3-million-dollar budget.dolce-veleno-italian-poster-by-enzo-nistri

Sadly,1968 was a year when random gun violence was on the rise, with the murders of Robert Kennedy and Martin Luther King Jr happening earlier. The studio, which didn’t seem to have much faith in the finished film, dumped it into 42nd Street double bills. However, when Pauline Kael and Rex Reed championed it, the studio gave it a more halfhearted art-house release, again with little support.nxcgmsszzyldoylqfq4dhklhxil

Director Noel Black never seemed to have ever gotten the chance to ever match this film. Several aborted projects, some barely released (MIRRORS,1978, First American Films), and a lot of tv work.

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His biggest theatrical success was the teen sex comedy PRIVATE SCHOOL(Universal,1983). Towards the end of his life, Anthony Perkins tried in vein to get Noel Black as director for PSYCHO IV, which eventually was directed by Mick Garris from an awful Joseph Stefano script (Universal TV,1990).

 

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It was only when PRETTY POISON began showings on t.v. in a heavily edited edition that a wider group of people began to discover the movie. A rather bland vhs release and a no frills 2006 DVD from Fox (the region 2 DVD at least had a commentary by director Black) were also both released without fanfare.

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TWILIGHT TIME, once again, has gone all out on bringing this gem to the attention of the movie loving public, and what a wonderful job that they have done.

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First, we have the beautiful 1080p High Definition transfer. The magnificent cinematography by
David Quaid (whose previous work varied from SANTA CLAUS CONQUERS THE MARTIANS(Embassy,1964) to THE SWIMMER(Columbia,1968)) gets a proper framing and clean sharp images.

The original mono sound can be heard in crisp 1.0 DTS-HD MA, with optional English SDH subtitles.

As for extras:
At this point (January ,2017), I think of those who worked on PRETTY POISON, only producer Lawrence Turman (age 90!) is still with us. Turman’s latest production was the 2011 remake of THE THING(Universal), so we are lucky that TWILIGHT TIME could get him for the audio commentary. With him are film historians Lem Dobbs and Nick Redman. The trio keep up a lively commentary.

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Also included is the audio commentary from the 2004 region 2 DVD. This has director Noel Black and film historian Robert Fischer discussing the history and tribulations of the film,

Johnny Mandel’s music and the films effects sound track are given an isolated sound track on the disc. Mandel’s score strikes the right balance between a thriller and a romance.

Optional English Subtitles are also available.

Julie Kirgo once again supplies an informative 8-page booklet about the film.

The BluRay sleeve is reversible with a stylized drawing of Perkins & Weld.

Also included is the audio commentary from the 2006 region 2 DVD. This has director Noel Black and film historian Robert Fischer discussing the history and tribulations of the film,

An interesting extra is a text script scene that was deleted that has commentary by Black and Fischer.

This TWILIGHT TIME release is limited to only 3,000 units.

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Once again, I must say, HIGHLY RECOMMENDED. I may just have to save time at this rate and say TWILIGHT TIME -HIGHLY RECOMMENDED for all future reviews.

Kevin G Shinnick

 

1996

(Did I mention the 1996 remake?I didn’t? Good, because it was pretty bad.) 

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Tony Rome & Lady in Cement (Fox) (TWILIGHT TIME BLU RAY)

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Tony Rome & Lady in Cement (Fox) (BLU RAY) original release Nov 10,1967 and November 20,1968 respectively. Blu Ray. Region Free. August 16,2016. Twilight Time. (color) Rated M (now PG). 203 MINUTES. $29.95. Limited to 3,000 print run.

http://www.twilighttimemovies.com/tony-rome-lady-in-cement/

I must admit that I am not a person who is blown away by Frank Sinatra. I know it is nearly blasphemous for anyone who lives next to Hoboken, NJ (Ol’ Blue Eyes birthplace) to admit this. There was always something about him that I just found off putting.

However, as I have gotten older, I am discovering what an amazing natural actor. His performance in THE MANCHURIAN CANDIDATE (U.A., October 24,1962) is superb, and he holds his own in this classic political thriller. Sinatra also shows strong acting chops and his own strong persona works in his favor in these two Tony Rome stories, as well as the unrelated THE DETECTIVE (20th Century Fox, May 28,1968), not included in this release. The three films were released previously in nice but frill free DVDs from Fox.tonyromeposter

Sinatra had a certain no-nonsense style and weariness when he played detectives, ending with THE FIRST DEADLY SIN (Filmways, October 3,1980), which was also his final starring role in a film. He turned down the role of Dirty Harry due to fibromatosis crippling his hand. It’s interesting to think of how he might have played the part. Another bit of trivia: thee was a sequel written to THE DETECTIVE written by its author Richard Thorp in 1979. It was called NOTHING LASTS FOREVER (W.W. Norton & Co.,1979). Sinatra turned down the idea of the sequel when it was broached to him. It was finally made in 1988 as a film starring Bruce Willis (who had an uncredited bit in THE FIRST DEADLY SIN) called DIE HARD (Fox, July 20,1988).

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• Now TWILIGHT TIME has given TONY ROME and LADY IN CEMENT a marvelous 1080p/AVC MPEG-4 single disc Blu Ray release.

Tony Rome is an ex Miami cop who has seen it all. He now spends as much time as he can on his boat, making money by doing private detective work. His ex-partner Ralph (Robert J. Wilke,an actor who was best known for appearing in westerns, having appeared in films since 1936.He was one of the outlaws from HIGH NOON ( U.A. July 24,1952)) asks Rome to escort a young woman, Diana Pines (Sue Lyons ,the original LOLITA(MGM,June 13,1962) home after she was left passed out in a hotel room.

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Her father, Rudolph Kostleman (Simon Oakland, best known as Vincenzo, the boss of Kolchak from T.V.’s THE NIGHT STALKER (ABC, January11,1972) is a powerful rich man who is worried about his daughter. She has been acting strangely of late, and he hires Rome to find out why. Diana and her stepmom Rita (Gena Rowlands, soon to win a well-deserved Oscar nom for her star turn in A WOMAN UNDER THE INFLUENCE (Cine-Source, November 18,1974) also hire Rome to fins a missing piece of jewelry.bt2ee7ymrwhpsd81c3vbxhemjxn6q

Rome ends up getting beaten up, a murder takes place, and Rita is almost killed as well. Can Rome solve the case, and perhaps end up with the lovely Ann Archer (Jill St. John, who had appeared previously with Sinatra in the comedy COME BLOW YOUR HORN (Paramount, June 5,1963))?

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TONY ROME was based upon the novel MIAMI MAYHEM by Marvin H Albert (New York: Pocket Books, 1960.). Screenwriter Richard L. Breen (Oscar winner for his screenplay for the 1953 TITANIC (Fox, April 11,1953)) did a faithful adaptation of the story, with all its little twists and turns.

Director Gordon Douglas was a former child actor who could jump genres with a straightforward no nonsense style (THEM, WB, June 19,1954; STAGECOACH, Fox, June 15,1966; SKULLDUGGERY, Universal, March 6,1970). Obviously, he and Sinatra got along, as he directed TONY ROME, LADY IN CEMENT, as well as THE DETECTIVE.

Extras for this feature include an audio commentary by film historians Lee Pfeiffer, Scarlet friend Paul Scrabo and Anthony Latino. The three keep up a fact filled dialogue about the film as well as director Gordon Douglas (who had directed Sinatra in the comedy ROBIN & THE 7 HOODS (WB, June 24,1964) as well as Sinatra’s film career. They drop little tidbits as that Sinatra was performing at the Fontainebleau Miami Beach at night, and that they used it as a location during the day. That hotel still exists, but it seems many of the other locales are gone.

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The original sound track is available to hear on an isolated music and sound effects track. Composer Billy May had worked with Sinatra since his album, COME FLY WITH ME (January 6,1958, Capitol Records), and the soundtrack has that reflects that brassy sound. Daughter Nancy Sinatra sings the title song.

The original Theatrical Trailer is also an extra.

Sadly, some of the behind the scenes documentaries shot at the time are not added as extras, perhaps due to legal reasons or poor source material. They are available to see on YOUTUBE:
https://www.youtube.com/watch?v=A-AS1OT-aQA with Shecky Greene, who plays Catleg in the film, is a behind the scene look at filming. Shecky was a comic who played a lot of club circuits.

Also, a brief b&w silent sequence exists:
https://www.youtube.com/watch?v=Gr8RoJYxCxw

By the way, future LAND OF THE GIANTS (Fox,1968-1970) star Deanna Lund, who appears on the poster, was so embarrassed by her role that she asked for her name to be removed from the credits.

TONY ROME was successful enough for the studio to make a sequel a year later.

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LADY IN CEMENT was based upon Marvin H Albert’s second Tony Rome novel (LADY IN CEMENT, Robert Hale, London, 1961. hard cover) was adapted for the screen by Albert and Jack Guss (this seems to be his only theatrical screenplay, working mostly on television shows like DANIEL BOONE (1964-1970, Arcola/NBC. Arcola was one of the producers of the Tony Rome films, so that may be how he connected to the project. Indeed 70 minutes into LADY IN CEMENT, you see DANIEL BOONE playing on a hotel T.V. set.).

Sadly, this film is a big drop in quality from the previous film. While sexism was more to the forefront of the detective films of the period, LADY IN CEMENT seems to revel in it as well as strong homophobia. The film manages to be sleazier yet less interesting than the first film.

In this one, Rome(Sinatra) and a police man friend go diving from Rome’s boat looking for treasure. What Rome finds is a dead nude blonde woman (Christine Todd, of whom this seems to be her only film appearance) underwater, her feet encased in cement.img_20161115_092137img_20161115_092039img_20161115_091942

He alerts the authorities and think his involvement is done. However, a big ex con Waldo Gronsky (Dan Blocker, best known as “Hoss” for T.V.’ s BONANZA (NBC FILMS,1959-1972)*) wants to hire Rome to find Sandra Lomax, who happens to be the dead woman .Gronsky is a likeable lug, and the plot at times echoes FAREWELL MY LOVELY by Raymond Chandler (Alfred A. Knopf ,1940). Indeed, Blocker is one of the best things in the film, and makes the film worth watching until the end.mqdefault

Also in the film is tough guy Richard Conte (returning from TONY ROME as Police Lt. Dave Santini),Richard Deacon (known from T.V.’s DICK VAN DYKE SHOW, Sheldon Leonard Productions,1961-66)as a pervy artist, singer actress Lanie Kazan as a stripper who ends up dead after talking to Rome , and the main reason people remember this film, Raquel Welch. Welch was now an international sex symbol, due to her appearances in FANTASTIC VOYAGE and ONE MILLION YEARS BC (both Fox,1966). Here, she is given little to do but look beautiful, which she does.suq6tbvtza9r9dgjh2wmcugwrro

The soundtrack by Hugo Montenegro (best known for scoring such shows as THE PARTRIDGE FAMILY(Paramount,1970-74), to put it mildly, is grating and repetitive of the level of elevator music ( https://www.youtube.com/watch?v=5ywuJh19U5w) and distracts from the action rather than moving it along.

The film just kind of lurches along until the ending with the actors trying gamely to make something of it. The budget was estimated to be about $3,500,000(a bit more than the previous film) and had mixed reviews and middling box office. Due to that, a third Tony Rome novel MY KIND OF GAME (New York, N.Y.: Dell, 1962) remains unfilmed.

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The only extra for LADY is the original theatrical trailer.

TWILIGHT TIME’s BLU RAY does a superb job with the two films. TONY ROME looks a bit sharper, with LADY IN CEMENT appearing a bit grainier. The sound is superb and hiss free. Once again, Twilight Time’s subtitles are clear and follow the action precisely.

Julie Kirgo once again provides nice info in a small enclosed booklet ,illustrated with some fine photos and posters .lady-in-cement2

Limited to only a 3,000 disc printings, I would recommend it mostly because of TONY ROME to fans of hard boiled detectives and Sinatra fans.

Kevin G Shinnick

*Another in -joke, they have BONANZA ‘s opening playing on T.V. with Dan Blocker watching. Indeed, both films are full of in jokes.lady-in-cement-movie-poster-1968-1020206873

Please like and share SCARLET THE FILM MAGAZINE reviews on Facebook and WordPress.If you order items reviewed by us, let them know that SCARLET sent you.-kgs-

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1980s, Action Adventure, Blu Ray, cult, fantasy, Fred Ward, genre, Joel Grey, Orion Pictures, The Destroyer, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Twilight Time Blu Ray

REMO WILLIAMS ( Blu Ray from Twilight Time)

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REMO WILLIAMS: THE ADVENTURE BEGINS (Twilight Time) Blu-Ray Regions: A/B/C $29.95 -1985, color, PG-13 Action-Adventure ,121 minutes. http://www.twilighttimemovies.com/remo-williams-the-adventure-begins-blu-ray/

 

From 1978 until 1999, Orion Pictures was a studio that made several brilliant films that sometimes-won awards and nominations (AMADEUS,1984; THE SILENCE OF THE LAMBS,1991) but also had many box office failures and behind the scene intrigues that prevented it from becoming a new United Artists.

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In fact, several of Orion’s board were former U.A. executives who were looking around for a successful action franchise along the lines of James Bond.   The series that they decided upon were “The Destroyer “book series created by Warren Murphy and Richard Sapir. The series continues to this day (145 and counting) with Murphy’s son Will picking up the mantle.

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In the books, Remo Williams was a Newark cop falsely sentenced to die in the electric chair. His death is faked and he is spirited away and trained to become an assassin for CURE, a secret government organization. He is trained by Chuin, a master of Martial Arts. Many feels that the series hit its stride with the third book (Chinese Puzzle, 1972, Pinnacle Books). That is when Sinanju fighting style is mentioned and developed. Williams is taught that a gun is unnecessary (though he does occasionally use standard weapons when needed) and that he himself is the ultimate weapon.                                      (The Duo also appeared in Comic Book Form as well)

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The idea for a film was shopped around by producer Larry Spiegel (he had written several episodes of tv’s RETURN TO PLANET OF THE APE series (Fox -tv,1975) as well producing John Huston’s little seen horror thriller PHOBIA(Paramount,1980)) and he presented the Orion executives what they thought would be a lucrative series.

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To keep the idea of being a competitor to the Bond films, they hired director Guy Hamilton (GOLDFINGER,1964, U.A.) and screenwriter Christopher Wood (THE SPY WHO LOVED ME,1977, U.A.).

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Fred Ward was relative unknown when cast as Remo Williams (he had starred in TIMERIDER (Jensen Farley ,1982) as well as embodying Gus Grissom in the superb THE RIGHT STUFF (Ladd Company/WB,1983)). Ward, feeling this film series could raise his level of visibility, through himself into the role, doing as many of the physical stunts himself.

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Cast as Chiun was Tony Award winning Broadway star Joel Grey (winning the Best Supporting Oscar for role of the M.C. in CABARET (Allied Artists,1972). Grey was attracted to the mysticism of the role but feared offending the Pan-Asian community, particularly the Korean.  He researched and made sure that his character respected that history and he decided to take the role on the strength of the superlative make-up by Carl Fullerton.

REMO WILLIAMS: THE ADVENTURE BEGINS, Fred Ward, Kate Mulgrew, 1985. ©Orion Pictures Corp

REMO WILLIAMS: THE ADVENTURE BEGINS, Fred Ward, Kate Mulgrew, 1985. ©Orion                                                   Pictures Corp

The closest thing to a female lead in the film was the casting of Kate Mulgrew as Major Fleming. This was her first lead in a major film release (her debut was opposite Richard Burton in the barely released LOVESPELL(Paramount,1981) but there was not much there for the stage trained actress to work with.

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The film was lensed in New York City, Coney Island New York, Washington D.C., and various locations in Mexico.

 

With all the expectations, the film, released October ,1985, received mixed reviews and worse, did not even cover its production costs.   Adding insult to injury, the May release of A VIEW TO A KILL (U.A.) continued to outdraw REMO.
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The film started to receive cult status when it became a staple of H.B.O. and other premium channels.  Remo’s bad luck sadly continued when a t.v. pilot starring different actors was mostly pre-empted by a Presidential Speech in 1989, and then unseen until it began to pop up on some cable channels in 2009.

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Now, TWILIGHT TIME goes above and beyond with their release of the film. Limited to a print run of only 3,000, Twilight Time has given us a 1080p Hi Def print in its original 1.85:1 ratio (it seems director Guy Hamilton was not a fan of Panavision). The image is sharp, showing off the cinematography of Andrew Laszlo (THE WARRIORS, Paramount,1979).

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Sadly, the film betrays some cost cutting (or some money not making it to the screen. Shooting in Mexico to cut costs, they had superlative craftsmen, but they had not budgeted extortion that was a daily factor at the time in the Mexican Film Industry of the time). While the Statue of Liberty recreation is superb, some of the interior sets look like they were left over from a Jess Franco spy thriller (it seems some of the sets were unfinished when the filmmakers had to use them).japanese-posteer

 

The English 2.0 DTS-HD MA sound is rich, with hiss free dialogue.   The optional English subtitles are all very easy to read and follows the dialogue and describes the action perfectly.

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The Disc has an abundance of Superb Extras:

 

  The original theatrical trailer

 

MGM   90TH Anniversary Trailer (MGM had acquired many of the Orion titles in one of their many acquisitions)

 

-A poster /still gallery

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Craig Safan’s isolated score-  the synth sound dates the film as being from the 1980s, but it is a fun inventive work, mixing in traditional heroic orchestrations as well as a Korean Orchestra and even gun shots worked into the fabric of the compositions.(Remo Williams -Main Theme YouTube                                                     https://www.youtube.com/watch?v=uxAjVfDOTs4 ).

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Audio Commentary by Film Historians Eddy Fiedfeld, Lee Pfeiffer, and( friend of Scarlet) Paul Scrabo.  This has got to be one of the most interesting commentary tracks in quite a while, as two of the three up front basically say that the film is not one of their favorites, and while they are quick to point out its many wonderful qualities, they seem to go into detail in pointing out its flaws.

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The only other commentary track that I recall being this belittling of its subject was Retromedia’s out of print Tenth Anniversary DVD of JACK-O (Tri-boro, original Direct to video release,1995). On that film, producer Fred Olen Ray’s ribbing angered filmmaker Steve Latshaw so much that the Latshaw stormed out of the recording!!!

 

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Ballyhoo Pictures once again outdoes themselves with their special mini documentaries.

 

Subjects covered are:

 

CREATED, THE DESTROYER: Writing Remo Williams. This part goes into detail about the many novels, and their history, plus interviews with author Will Murray and  others.   Devin Murphy (son of  Warren Murphy )has taken over production of the series .

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UNARMED & DANGEROUS -Producing Remo Williams. Interviews with many of the people who shepherded the film from pre-production into the final release, including producer Larry Spiegel and some of his team.

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SECRETS OF SINANJU: Training Remo Williams – A nice interview with star Joel Grey. He talks about how he approached the role, and the work that he put into it.  He seems (rightfully) very proud the part and has great affection for the character.   Sadly, neither Fred Ward or Kate Mulgrew appear in an of the interviews.  For Miss Mulgrew, it is perhaps no surprise, as it was a thankless role, but that Ward did not make himself available is a bit of a surprise/disappointment.

 

 

BALANCE OF POWER: Designing Remo Williams –  Production Designer Jackson DeGovia gives a very informative interview (well-illustrated with production sketches) on the important job that he and his team did on making REMO WILLIAMS, plus the behind the scenes problems and some disappointments.

 

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ASSASSIN’S TUNE: Composing Remo Williams- Composer Craig Safan talks about his ideas that went into making his memorable soundtrack. Plus, as a bonus, he composes on the spot a villain’s theme, which the film he feels lacked.      Here he is a few years ago conducting his Remo Williams Suite without synths. What do you think?    https://www.youtube.com/watch?v=WdoeKTv40qs

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All in all, a quite enjoyable disc given a remarkable first class release.  If you are a fan of this film, then this a definite must have.  If you have never seen it, this is a superb introduction to the characters.

 

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Every few years, it is announced that someone else is going to attempt a new Remo Williams film. Before that happens, you should seek out this film.  It may not be a classic, but it is fun.  Kudos once again to TWILIGHT TIME.

 

 

Kevin G Shinnick

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  (this article was corrected and updated on October 27,2016 thanks to welcome information provided by author Devin Murphy.Kevin had incorrectly said Will Murray ,not Devin Murphy was the son of Warren Murphy . The above pressure point was applied to Kevin ,and he is truly sorry for his error !Agh!)

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1950s, Blu Ray, british, Christopher Lee, Classic Hollywood, crime drama, cult, Film Detective, genre, Hammer Films, Horror, Peter Cushing, review, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Twilight Time Blu Ray, Uncategorized

HOUND OF THE BASKERVILLES (TWILIGHT TIME BLU RAY)

HOUND OF THE BASKERVILLES (TWILIGHT TIME BLU RAY)

 

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      http://www.twilighttimemovies.com/hound-of-the-baskervilles-the-blu-ray/
TWILIGHT TIME has gone all out with their release of Hammer’s classic adaption of Sir Arthur Conan Doyle’s classic Sherlock Holmes story  THE HOUND OF THE BASKERVILLES. Issued previously on DVD by MGM, the new Blu Ray cleans up both sound and image to make this hound appear as if it was made recently.

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Peter Cushing is Sherlock Holmes. Before Jeremy Brett, Cushing was perhaps the closest to the character ever put on film. Rathbone and Bruce had gone further and further from the novels though they had been (and to many still are) the template in many people’s minds of what the Great Detective and his Boswell were like. In strong support was Andre Morell as Watson. Gone was the bumbling but lovable blustery Nigel Bruce and in his place was a man whom you felt had been a soldier, and while not as clever as Holmes, was at least an intelligent sounding board who had been a doctor.

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Hammer was riding high from their back to back hits reinventing of Dracula and Frankenstein, and so they looked around for another popular character that might fit into their technicolor blood and thunder stylish thrillers. Their choice fell onto adapting perhaps the most famous mystery of all time877083538.3.l.
First serialized in nine parts from August 1901 until April 1902 in The Strand Magazine, the complete novel was first published as THE HOUND OF THE BASKERVILLES: ANOTHER ADVENTURE OF SHERLOCK HOLMES on March 25,1902 by George Newnes with a print run of 25,000 copies at 6 shillings each. 15,000 more copies were printed for India and the British Colonies on April 2,1902, with the American edition coming out at $1.25 on April 15th (print run of 70,000). Illustrations were done by the man most identified with drawing the Dynamic Detecting Duo, Sidney Paget.hounde by paget

 

http://www.historytoday.com/richard-cavendish/publication-hound-baskervilles

HOUND has proven to be the most enduring of the Holmesian tales, which is interesting because Holmes disappears for about half the middle section of the book and Watson taking the lead. Still it’s Gothic atmosphere with dark moors, castles, curses and hell hounds still stirs the imagination of readers over 114 years later. The tale has been adapted onto radio, comics, stage and of course film adaptations.

 

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To me, the Hammer film leads the pack (see what I did there?). Casting, script, direction, music, set design, every aspect of the film from beginning to end is a treat for any longtime fan of the Great Man as well as a perfect way to introduce new fans to the tales.

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The Hammer Hound begins back in the 1700 s as the original Sir Hugo Baskerville (David Oxley ,
 who also appeared as The Doctor in Hammer’s YESTERDAY ENEMY (1959) and it is sad that he was not used in more of their films) has kidnapped a young woman for obviously unsavory pleasures during their debauched hunting party (a reference to the notorious Hellfire Club, perhaps). The poor woman escapes and the Lord glowers over a bannister and in a tight close-up says “The BITCH has escaped!” (a phrase that I am sure gave censors coronaries). They takeoff after the poor unfortunate who struggles through the deadly bog, only to be caught, and on an ancient site of sacrifice, he pulls out a dagger and stabs her to death. Moments later, a low growl is heard, and the man turns to the camera as a look of horror crosses his face.

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Jump to Baker Street and we see that we are being told the tale of the Baskerville curse by a friend of the family, Dr. Mortimer (Francis De Woolf, who had been Black Ben in CORRIDORS OF BLOOD (MGM,1958) asks,” What do you think, Mr Holmes?’ A quick cut, and we see Cushing, deep in thought, a hand across his face as he sits splayed out in an armchair, then suddenly cries “’AH!” but not to the case but a chess move he had been puzzling. This is one of the finest introductions that Holmes has ever had on screen and Cushing does not disappoint in his well studied charactization for a moment. His Holmes is intense, so even when not moving, you have a sense that he is a coiled spring, ready to set off at a moments’s notice. Balancing him superbly as Dr Watson is Andre Morell, who played Cushing’s nemesis in the controversial BBC adaptation of NINETEEN EIGHTY-FOUR (1954) that propelled Cushing to national fame (he would later be Cushing’s antagonist in the superb CASH ON DEMAND (Hammer/Columbia ,1961 ,as well as appearing in 10 RILLINGTON PLACE, also released on Blu Ray previously reviewed here on the Street https://scarletthefilmmagazine.wordpress.com/2016/04/08/10-rillington-place-twilight-time-blu-ray/).

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Christopher Lee plays an aloof Sir Henry Baskervilles, who softens when he gets to Baskervilles Hall and meets Marla Landi (and who would later meet with pirate Chris Lee in Hammer’s THE PIRATES OF BLOOD RIVER (Columbia,1962)). Other superlative actors in the film are scene stealer Miles Malleson (who portraying a befuddled undertaker nearly cracks Peter Cushing up in HORROR OF DRACULA (Hammer/Universal,1958) as a Bishop who is also an amateur Arachnologist, John Le Mesurier (Dr Tranter in JACK THE RIPPER, Embassy 1959) a marvelous proper Barrymore the Butler, and Ewan Salon (also in JACK THE RIPPER as Sir David) is a wonderful Stapleton.High-Def-Digest-www.highdefdigest_.com-Blu-ray-Reivew-Hound-of-the-Baskervilles_3_

 

I don’t wish to go into too many details, especially if you have seen it there is no need and if you haven’t you will want to enjoy discovering the wonderful story on its own.

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Production values are top notch ,with Bernard Robinson wonderfully redressing and adding to prior set pieces from Hammer ( it is often fun to watch Hammer Films just to see how brilliantly sets were dressed and redressed to such great effect from film to film), Jack Asher’s Technicolor photography has never looked so colorful as it does in this new Blu Ray release , and James Bernard’s score once again is quite stirring .The screenplay by Peter Bryan ,while not entirely faithful to the Doyle novel , is quite faithful in tone and spirit (Bryan ,a former camera operator ,would also pen Hammer’s PLAGUE OF THE ZOMBIES(Hammer /Fox,1966) as well as the original story for TROG (WB,1970))and Hammer’s treasure director Terrence Fisher deftly guides his ensemble through an engrossing and entertaining 86 minutes.13533200_1608127842850264_617244119448671006_n

The sound is in crisp clear 1.0 DTS-HD, with no noticeable pops or hiss, and the hound’s first howl and growl are quite chilling with the proper speakers. Subtitles are in English and follow the dialogue almost exactly.

Extras on this Blu Ray, besides the glorious region free 1080p High Definition / 1.66:1 / Color transfer, include
-An Isolated Music and effects track, you can enjoy Bernard’s score as well as seeing which sound bites are foleyed in.800__hound_baskervilles_06_blu-ray__blu-ray_
-An audio commentary with Film Historians David Del Valle and Writer /Director Steven Peros, who have infectious respect for the film and its place in Hammer History.
-A Second Audio commentary moderated by friend of SCARLET film historian and filmmaker Paul Scrabo, Lee Pfeiffer, and Hanker Reineke, who cover both the film and where it varies from the Holmesian canon.

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-A video interview with Margaret Robinson, who discusses her involvement with the film, in particular making the mask used on the Hound. Though warned the dog might bite her, the lovely woman recalls that the dog decided that she was alright and never had a problem with it.
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A nice overview booklet on the film written by Julie Kirgo.

Ported over from the previous MGM DVD release are
-Actor’s Notebook: An interview with actor Christopher Lee

Christopher Lee reading excerpts from the original Novel.
-The Theatrical Trailer.

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Limited to only 3,000 copies, I would suggest that any fan of Holmes, Hammer, Cushing and company, or just great filmmaking should snap this film up!

HIGHEST RECOMMENDATION.
Kevin G Shinnick

Note: The U.K. Arrow release of this film has a lot of extras not available here, including historian Marcus Hearn commentary, commentary by Kim Newman and Mark Gatis, a documentary on Andre Morell, and a 1986 documentary called THE MANY FACES OF SHERLOCK HOLMES. That it has both the Margaret Robinson interview and Lee reading Hound excerpts, it is a shame that the other wealth of extras from ARROW had not been ported over. Still, with the wealth of extras that TWILIGHT TIME has given us, this is petty nitpicking and most important, they have given us perhaps the finest presentation of this classic that we are likely to see.

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