1980s, Blu Ray, british, Drama, film, https://www.facebook.com/scarletthefilmmagazine/, independent, independent film, nudity, review, reviews, SCARLETTHEFILMMAGAZINE.WORDPRESS.COM, sex, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Twilight Time, Twilight Time Blu Ray, Uncategorized

HUSSY (Twilight Time Blu Ray)

 

HUSSY (TWILIGHT TIME Blu Ray,2019) original theatrical release UK-Watchgrove Films,1980. Color. Rated R. 95 min. 1080p High Definition / 1.85:1 English 1.0 DTS-HD MA.\No subtitles. REGION FREE. Extras -Original Theatrical Trailer. $29.95  https://www.twilighttimemovies.com/hussy-blu-ray/

 

In the 1970s, Joan Collins starred in two low budget soft core porn films, THE STUD (Brett Walker,1978) and THE BITCH (Brett Walker,1979). Both were low budget films, but based upon steamy novels by Joan’s sister Jackie, and done with style and enough sex scenes provided by Ms. Collins, the films were enormously profitable, especially when they were some of the first films licensed for the brand-new home video market.

 

Other producers looked at the profits and tried to come up with films of a similar nature. HUSSY seems to be a film that came into being with that idea, but the producers got a film with a lot more depth than they expected.

Writer /Director Matthew Chapman is the great great grandson of Charles Darwin, and who has written extensively on the creation-evolution debate, and in 2007 co-founded ScienceDebate.org, which has been trying to get Presidential Figures to discuss scientific issues (something the current occupant would fail dreadfully).

What he created for his first film was more of gritty drama than a seedy sex romp. Then 35-year-old
Helen Mirren, a naturalist at heart, had no problem with nudity, have appeared in the controversial 1979 Penthouse film CALIGULA. She also brought her usual intelligence and lots of character shading to her part of Beaty, the “hussy “of the title.

 

Actor John Shea (WINDY CITY, Fox,1984) had appeared on Broadway in YENTL opposite Tovah Feldshuh. HUSSY was his film debut, portraying Emory, a member of stage crew at the cabaret where Beaty works, and where he falls in love with her.

Basically, Beaty (Mirren) works as a call girl in this seedy club, where she falls in love for Emory (Shea). Complicating matters is that Beaty has a young son as well as a psycho strong arm pimp /ex-lover Alex (Paul Angelis, who in 1968, provided the voices of Ringo and the chief Blue Meanie in United Artists’ animated YELLOW SUBMARINE!), who is fresh out of prison. Meanwhile Emory’s friend Max (Murray Salem , who later wrote the screenplay for KINDERGARTEN COP ,Universal ,1990,died of AIDS complication at only age 47. ) wants Emory to join him on an upcoming drug deal.

Paul Angelis

 

Alex finds out about the deal and muscles his way in, further endangering Emory and Beaty’s future and safety. The result will end up in murder, but of whom?

 previous DVD release 2006

HUSSY had been released on DVD in 2006 in a rather dull flat print. This new Blu Ray from TWILIGHT TIME has given the film a 1080p High Definition clean up, with colors and images being much sharper, showing cinematographer Keith Goddard ‘s work to good advantage (this film seems to have been his biggest credit).

The 1.0 DTS-HD MA (English only) sound is clear, with dialogue and sound clear and free from pops and hiss. The score by George Fenton (DANGEROUS BEAUTY, WB,1998), his second theatrical soundtrack, is a mixture of club music and songs, as well as disco influence, very much a product of it’s time.

There are no subtitle options.

The only extra is the original theatrical trailer.

Limited to ONLY 2,000 copies,
This Blu Ray is recommended to
Those who like
British Noir and
Helen Mirren fans

 

 

 

Kevin G Shinnick

 

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THE BELIEVERS (Olive Films Blu Ray and DVD releases)

THE BELIEVERS (Orion 1987) (0live Films,2019) R- Color. Region A. 114 minutes. 1:85:1 aspect ratio https://olivefilms.com/product/the-believers/ Available on Blu Ray $29.95 and DVD $24.95

THE BELIEVERS is a fascinating though at times frustrating film. The movie itself deals with religious beliefs and the supernatural beliefs in a modern, more secular world while the production tries to be a Val Lewtonesque film dealing with the subject but with flashes of modern grue effects to keep the punters paying attention.

The film’s pedigree made this a higher than normal profile project for the genre. Directed by John Schlesinger, C.B.E. (Oscar winning director of MIDNIGHT COWBOY, 1969, U.A.) with a screenplay by television writer Mark Frost (who two years later would change that media as co-creator, with David Lynch, with their groundbreaking TWIN PEAKS, Lynch/Frost Productions, 1990-91). The film was based upon the 1982 novel THE RELIGION (Dutton, written by Nicolas Conde. Conde is a pseudonym for the writing team of Robert Rosenblum and Robert Nathan).

 

The critical response, however, was less than kind. Roger Ebert gave the film one and a half stars, writing :

“I’m getting tired of the dingy tenements in Spanish Harlem with the blood-soaked chicken feathers on the floor, and the scenes where the shrink realizes he needs a witch doctor to save his child.”-June 10,1987.

How many films did he see that had such scenes? The only movie that even remotely comes to mind is the overlooked THE POSSESSION OF JOEL DELANEY (Paramount ,1972).

 

THE BELIEVERS also generated controversy by making some of its more sinister events tie in with Santería (a Spanish word meaning “follower of saints”), a religion in NYC that is a mixture of Christianity and Afro-Cuban religious ideals.

When Lisa Jamison (Janet-Laine Green) is electrocuted in a home accident before her horrified son’s eyes, her husband Carl (Martin Sheen, THE DEAD ZONE, Paramount, 1983) moves himself and the young boy Chris (Harley Cross, MRS SOFFEL, MGM,1984) to New York City.

Cal is a police psychologist (an anthropologist in the novel), so he doesn’t have much time to grieve, for soon after he arrives in the city, he is drawn into a savage murder mystery.

Undercover Police Officer Tom Lopez (Jimmy Smits, RUNNING SCARED, MGM,1986) is acting very irrationally after he finds the body of a young boy murdered by a religious cult. The cult knows who the officer is, and he is terrified. It turns out he is also a member of the group.

 

As Jessica Halliday (Helen Shaver, THE COLOR OF MONEY, Touchstone, 1986), the Jamison landlord, becomes more romantically involved, strange items start to appear in the apartment, left by the maid Carmen (Carla Pinza, who also acted as the film’s cultural advisor).

 

About the same time, Carl & Chris come across an animal sacrifice in Central Park. While Carl is distracted, Chris picks up an item left at the scene.

 

Things get more complex when a Haitian named Palo (Malick Bowens, OUT OF AFRICA, Universal,1985) arrives in the city with mysterious powers.

Meanwhile, Tom Lopez is in terrible pain, and goes to a Santeria shop, where he grabs a knife and stabs himself repeatedly in the stomach.

Police Lt McTaggert (the always reliable Robert Loggia, PRIZZI’S HONOR, Fox, 1985) along with Cal attend the autopsy, and are shocked and horrified to find that Tom Lopez’ stomach is full of squirming live snakes.

 

The mystery goes deeper ,with the religion being connected with local politics (out of towners saying, “Yeah well it is New York” ) , and the further they get involved , the more it endangers the lives of Cal ,his son and Jessica (who gets a very disturbing “pimple” ).

New York is a good setting for a mysterious religious cult. One of the most modern cities in the world, it still holds 6000 churches (2,000, with at least 4,000 unofficial places of worship), It is so busy, that a hidden cult can easily thrive in the impersonal activities of Manhattan and its boroughs.

“Wait. This Isn’t THE OMEN?”

 

THE SEVENTH VICTIM (RKO,1943), ROSEMARY’S BABY (Paramount ,1968), the already mentioned THE POSSESSION OF JOEL DELANEY -all make good use of this. THE BELIEVERS also does, but, like THE POSSESSION OF JOEL DELANEY, there is also the clash of cultures added within the mix.

OLIVE FILMS has given the film a sharp new 1080p release. Comparing it to my old MGM DVD, the colors are much sharper and the flatness of the image has been replaced with a much more vibrant one (note ,my review is based upon Olive Films Blu Ray ).

The sound also has been cleaned up as a DTS-HD Master Audio 2.0. The dialogue and sound mix are clean with no noticeable pops or hiss.

There are also optional English Subtitles.

THE BELIEVERS, Martin Sheen, Lee Richardson, Harley Cross, Harris Yulin, 1987, (c) Orion

RECOMMENDED for Horror fans, Martin Sheen fans, fans of voo-doo thrillers, NYC based thrillers.

Kevin G Shinnick

 

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Island Monsters from Planet Films

 

 

Planet Films UK produced about 5 films between 1951 to 1967 , the first two being gang/crime films(THE SIX MEN,1951 ;  THE MARKED ONE,1963)  while their last three were horror films   (DEVILS OF DARKNESS,1964, being the  first  of   their terror tales .).

The final two were  both directed by Terence Fisher ( Why they didn’t hire Fisher for there vampire film is a mystery , both had Peter Cushing ,were set upon an isolated island ,and featured short squat monsters. However that is where the similarity ends.

The monster/creatures in ISLAND OF TERROR ( 1966. Other titles considered earlier being The Night the Silicates Came and The Night the Creatures Came ) were terrifying , being giant cancer cells that drained the bones from victims, leaving an empty flesh husk by way of a tentacle which also sucked the essence from one in a very noisy fashion.

 

They even divide like cells,(producing what looks like commissary chicken soup goop ),  increasing their number.

ISLAND OF TERROR got a release from Universal often co -billed with another Universal British pick up ,THE PROJECTED MAN.

 

The 1967 film NIGHT OF THE BIG HEAT was based upon a 1959 novel that had been adapted in 1960 for ITV television).

ITC play of the week NIGHT OF THE BIG HEAT

 

Even though N.O.T.B.H. had Fisher and Cushing ,as well as Christopher Lee ,Patrick Allen , Sarah Lawson ,and Jane Merrow ,the final result was for the most part a rather tamer affair in comparison with it’s predecessor . The threat here was a form of early global warming, with the creatures raising temperatures upon the island. It had a strong story and a good cast, but investors pulled out as the film began production ,which resulted in creatures which were kept hidden for most of the film . It needed a little more blood and thunder ,such as ISLAND OF TERROR possessed.

It was retitled for US release by a small distribution company ,Maron Films, as ISLAND OF THE BURNING DAMNED, and paired as the bottom half of a co- bill with GODZILLA’S REVENGE (Toho).

Later for television, it was retitled once again as ISLAND OF THE BURNING DOOMED, so as not to offend sensitive souls.

In March ,1967, another science fiction blob creature appeared on tv for Desilu/Paramount‘s STAR TREK.

Called “The Horta“. the creature appeared in the episode” The Devil In The Dark“. That creature had a corrosive acid it exuded , and dwelt among silicon nodules.

One wonders if it was the interplanetary futuristic off spring of the two creatures from the Planet Films !

 

ISLAND OF TERROR is currently available on Blu Ray from SHOUT FACTORY,region A only . Odeon Entertainment has released the UK Blu Ray.

NIGHT OF THE BIG HEAT is available from Odeon Entertainment in an All Region Blu Ray .

 

Kevin G Shinnick

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BEDAZZLED (Twilight Time Blu Ray) Fox 1967

BEDAZZLED (Twilight Time Blu Ray) 20th Century Fox,1967 Color. 104 mins. Region Free (A/B/C) $29.95

https://www.twilighttimemovies.com/bedazzled-blu-ray/

“You fill me with inertia !”

 

 

1967 was a year for wonderfully twisted comedies. THE PRODUCERS (Embassy)THE FEARLESS VAMPIRE KILLERS(MGM), THE GRADUATE (Embassy,1967), and GUESS WHO’S COMING TO DINNER(Columbia) were among the gems released that year.

 

Perhaps the most twisted and yet still funny as all get out film of the bunch was BEDAZZLED. Peter Cook and Dudley Moore were two giants of the boom in British comedy and satire in the 1960s, with anti-establishment humor endearing them to the young of the time

The pair of Peter Cook and Dudley Moore first shot to international fame with their performances in both the U.K. and ten a successful two-year run in NYC in a satirical review called BEYOND THE FRINGE. Also, n the cast was playwright Alan Bennett (the play THE MADNESS OF KING GEORGE) and Jonathan Miller (later to run the Old Vic Theatre).

The four intelligent young men were the heirs of absurdist humor previously popular in England due to programs like THE GOON SHOW (Spike Milligan, a very young Peter Sellers, Harry Secombe, and Michael Bentine) and their creative intelligent wit mixed with surreal silliness made them the forerunners of MONTY PYTHON’s FLYING CIRCUS.

 

Several popular appearances on the BBC, with shows like NOT ONLY…BUT ALSO (1964,1966,1970) helped increase their popularity. The pair also successfully appeared major supporting roles in the big budget comedy THE WRONG BOX (Columbia ,1966), and so studios were open to the idea of pairing them in a starring project.

 

Meanwhile, American director Stanley Donen (who passed away two days after this Blu Ray release) had been MGM ‘s top director of musicals in the 1950s (SINGIN’ IN THE RAIN.1952 and SEVEN BRIDES FOR SEVEN BROTHERS ,1954). After leaving MGM to free-lance at other studios, Donen spent the 1960s living in England, directing and producing several films there.

 

 

After a few box office disappointments, Donen was back on track with CHARADE (Universal,1963), a fun thriller often referred to as “the Best Hitchcock movie that Hitchcock never made”, starring Cary Grant and Audrey Hepburn. He followed this with the similar ARABESQUE (Universal,1966) starring Gregory Peck and Sophia Loren, which was nearly as successful as the previous film.

These two hits allowed him to experiment a bit, and so he did TWO FOR THE ROAD (Fox, 1967) and the film under review here, BEDAZZLED (Fox,1967).

 

With a screenplay by Peter Cook (based upon a story by Cook and Moore), director Donen (no stranger to devils, having directed DAMN YANKEES in 1958 for Warner Brothers) gets into the style and mood of the swinging sixties to tell this modern reworking of the Faust legend. Moore and Cook build upon their established persona from previous routines, with Moore being the slower witted, usually taken advantage of by the fast talking, gleam in his eye Cook.

 

Stanley Moon (Moore), a short order cook, moons over Margaret Spencer (Eleanor Bron, most famous for appearing in the Richard Lester Beatles vehicle HELP, U.A. 1965, as well as appearing in Donen’s ONE FOR THE ROAD that same year), a waitress who barely acknowledges his existence at the Wimpy’s Burgers Restaurant at which they both works. Indeed, one of her gentlemen pick her up from work just as Stanley gets the courage to ask her out, driving the Stanley to abject despair.

 

Poor Moon  doesn’t notice the customer with the small sunglasses and wearing an opera cape sitting at one of the tables, watching all this with great intensity.

Returning home, Moon wants to hang himself from a pipe in his ceiling, and only succeeds in breaking the pipe, causing water to fall into his tiny flat. Stepping into the apartment comes the stranger from the restaurant, who identifies himself as George Spiggott (Cook).

 

Spiggott then admits that is but one of the many names he has, for he is the Devil himself. To prove it, he will grant Moon one wish, save for Margaret Spencer. Thinking Stanley asks for an ice lolly. Sure enough, they go board a bus, and, using Stanley’s money, purchases an ice lolly. Not believing that Spiggott is anything more than a looney, Spiggott sighs and with the magic phrase “Julie Andrews”, they are whisked across London to a less reputable part of town, melting the ice lolly in transit. It is here that Spiggott has his seedy club that he works out of.

The bouncer, Anger (Robert Russell, superlative a year later as Vincent Price’s evil sidekick in WITCHFINDER GENERAL; Tigon/AIP,1968), tosses Stanley out, but Spiggott escorts him back in. Within the club, Stanley will also meet among others Envy (Barry Humphries, before he donned drag to gain international fame as Dame Edna. Cook had befriended and even helped support Humphries early in his career), Vanity (Alba), who walks around with a mirror in front of him, and of course, Lust (personified with a Southern Belle accent by Raquel Welch, the actress being featured upon almost all the advertising and posters).

 

Japanese film poster

Basically, Spiggott offers Moon the standard contact of seven wishes upon which to win his true love. Sadly, for Stanley, the Devil is truly in the details, as each attempt at a new life to win Margaret Spencer ends in disaster for the love besotted chef.

 

 

Along the way, it seems that the police believe that Moon has succeeded in his suicide attempt, with Inspector Clarke (Michael Bates, later the sadistic Chief Guard Barnes in the Stanley Kubrick masterpiece, A CLOCKWORK ORANGE, WB,1971) starting to woo the young Miss while they try and find Moon’s corpse!

 

The wonderfully whacky film also explores with fittingly fiendish delight the modus operandi of the Devil, whether it be scratching records before they are sent off to sale, or exploring good and evil .Along the way, a strange friendship develops between Moon and Spiggott ,though in the end they both know after the seven wishes granted to Stanley his soul will belong to Spiggott. Spiggott must gain 100 Billion souls to regain his entryway into Heaven and sit again as God’s favorite. The friendship works in a mysterious twist at the end, costing Spiggot to lose is bet with the Almighty. The film ends with an unseen God laughing in a deep voice, almost insanely as the end credits roll. Maybe the Devil indeed has a right to be angry.

 

A few bits from earlier sketches by the pair are woven into the episodic storyline , the most famous and obvious being from NOT ONLY…BUT ALSO , “The Leaping Nuns of the Order of St Berylhttps://www.youtube.com/watch?v=JiO_9UIUx7M .

 

 

 

The film sparkles with wit as well as silliness (to get out of a failed wish, Stanley needs to make a “raspberry “sound) that keeps it moving swiftly over the course of 103 minutes.

 

 

Austin Dempster had been camera operator on ARABESQUE and TWO FOR THE ROAD for director Donen, but BEDAZZLED was his first credit as cinematographer. At one point, the film switches to black and white to recreate an early television studio broadcast (as well as perhaps reference films like A HARD DAY’S NIGHT (UA,1964)). This leads into one of the most fun sequences, where fans including an awe-struck Margaret Spencer go nuts for rock star Stanley (who basically screams “Love MEEEE”), until Drimble Wedge and the Vegetation sing an emotionless version of “Bedazzled “. The fickle fans run to the latest flavor of the moment and abandon poor Stanley ,trying to blow a razzberry as fans nearly trample him to reach their new idol. The music, by the way, for the film was composed by Dudley Moore. Several artists have done covers of the “Bedazzled” song, most notably Nick Cave and Anita Lane: https://www.youtube.com/watch?v=jPJWkQudhPo .

 

The film when released received mixed reviews but made a profit in the United States.

Since its release, BEDAZZLED has continued to increase its cult following due to late night tv showings as well as various releases on Beta, VHS and in 2007 on DVD by Fox Entertainment.

Now TWILIGHT TIME has released the best-looking release of this film on home media, perhaps even since its original release. Another marvelous 1080p HD transfer, some of the colors are more vibrant than I’ve ever seen in this film, particularly the red of Spiggott’s inner cape lining or Raquel Welch’s tiny bra and panties she wears while hopping into bed with Stanley. Some reviewers have mentioned a slight elongation of the figures, but I didn’t notice any of this when I viewed the film.

 

The disc has two English only audio selections: DTS-HD Master Audio 2.0 and DTS-HD Master Audio Mono, the sound is clear and clean, with no noticeable sound pops, and does justice to the quippy fast delivered dialogue as well as Moore’s music.

For the hearing impaired, there are clean easy to read optional subtitles.

As an extra, you can listen to the isolated music and sound effects track, so you can enjoy the clever jazzy score and songs.

 

The Blu Ray cover sleeve shows us a photo of Cook as Spiggott (which for some reason reminded me of Peter Cushing in DR TERRORS HOUSE OF HORRORS (Paramount, Amicus,1965).

 

Twilight Time also commissioned a very fun illustration for a cover as well.

Julie Kirgo provides her always welcome liner notes in a separate booklet included with the disc, concentrating a great deal on director Donen.

Extras carried over from the 2007 FOX DVD are

Two trailers for the film,

A 2007 interview with director /comedian Harold Ramis, who directed the unnecessary 2000 remake of BEDAZZLED. Ramis waxes poetic about how wonderful the film and indeed the comic pair of Moore and Cook were.

An excerpt from THE PAUL RYAN SHOW , a 1977 British talk program ,where the pair of Moore and Cook reveal that there were tensions  between them  ,due to their different attitudes on dealing with things (oddly, IMDB.com only lists Moore and not Cook, but since Moore only appeared on the show once, we must assume episode 109 was the one featured here). One wishes there was the whole broadcast of this here, but we are grateful indeed to get a glimpse of this black & white rarity.

 

I cannot recommend this wonderful original comedy enough.

The press run is limited to only 3,000 copies, so get yours now- before George Spiggott makes all of them vanish on you.

Get BEDAZZLED 

HIGHEST RECOMMENDATION .

-Kevin G Shinnick

 

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An interview you wish to share?  Contact Kevin at scarletthefilmmag@yahoo.com 

 

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BLUE MOVIE(1971) Cult Epics Blu Ray/DVD combo release

BLUE MOVIE (CULT EPICS Blu Ray DVD Combo, Feb 2019) Dutch,1971 89 mins. Color. Dutch, with optional English subtitles.
https://www.paypal.com/webapps/hermes?token=1E9409251B771762H&useraction=commit&mfid=1552229982906_40b8158c54ef8

 

                          “This is Holland Today.” -Michael (Hugo Metsers, BLUE MOVIE)

BLUE MOVIE is an interesting motion picture that became one of the most successful Dutch films ever made (it is still listed as number 5). Its importance cannot be overlooked, as it was a film that showed that an intelligent thoughtful film could be made that contained actual (as well as simulated) sex within it.

Indeed, were it not for films like BLUE MOVIE helping break down and through the censorship that films endured both in Europe and the U.S., it is doubtful that Catherine Breillat, Gaspar Noe, and Lars Von Trier would probably not being creating their works today.

A “blue movie” was one that was considered racier than the standard film of the time. Andy Warhol had done a film also called BLUE MOVIE (1969), which became the first film with explicit sex that received a wide theatrical release in the U.S. and began what became in the 1970s as “porn chic”.

 

 

The 1971 film being reviewed here could have played like a comic sex romp similar to the popular Robin Askwith films from England that followed in the decade, such as CONFESSIONS OF A WINDOW CLEANER (Columbia, 1974), were it not for the thoughtful direction, script and performances. That said, the filmmakers do sometimes see the humor in the various couplings, with one sequence within an elevator showing the couple going at it within the box, while frustrated people gather below wondering what is holding up the lift.

 


Michael (Hugo Metsers*, at age 28 ,starring in his first feature after just two t.v. appearances) has been released from prison after five years ,due to having sex with an under-aged girl .His parole officer Eddie (Helmert Woudenberg )escorts Michael (oddly none of the characters seem to  have a last name, not even those who are married seem to have a surname) to a sterile modern apartment block. Michael’s small apartment seems almost as small as a prison cell, barely furnished. Eddie tells Michael that he will be keeping an eye upon him.

 

 

Still, Michael has urges, and, one night, peers around his balcony and watches his neighbors have sex. Later, he meets with the neighbors, and becomes sexually involved with the wife Elly (Carry Tefsen). He soon finds others within the building are open to sexual exploration, and he is soon having flings with several within the complex, including one amusing bit wherein a husband walks in on his wife and Michael, only to jump in and join them!

 

Michael, however, starts developing actual feelings for Julia (Ine Veen) ,an unmarried mother within the complex. He cares for her but skips a date with her rather than possibly hurting her.

 

He continues exploring the sexual mores of the time, and soon comes upon the idea of making money off the obvious fixations within the complex. He starts a private sex club and his neighbors stand about staring at black & white porn films (which have the most graphic sex of a few seconds that are depicted within Blue Movie), and later nude models walk about and finally a doctor is invited who examines the guests who wish to take part in an orgy .

One of the guests, Newman (Bill van Dijk, later to star on Broadway in the title role of CYRANO THE MUSICAL ,1994 as well as international pop star) commits suicide by leaping from the balcony of the apartment . Things start to fall apart, but Michael realizes that he truly has feelings for Julia. Can sex be truly satisfying without an emotional connection?

 

One of the Dutch Sex Wave, these films helped change how films were reviewed and censored. The producers released several other films that continued and expanded the trail blazed by BLUE MOVIE, and CULT EPICS has several of them available (see trailers mentioned below).

Though low budget, the film shows true talent both in front of and behind the camera.

The most notable is the director of photography is Jan de Bont .Mr. de Bont, after hopping back and forth from other European productions (most notably THE 4TH MAN ,Rob Houwer Productions,1983)and low to mid budget U.S. films ( CUJO, 1983;Sunn Classics/Taft) , he got major notice for his works on such blockbusters as DIE HARD (Fox,1988) before becoming a director himself on the megahit SPEED (Fox 1994),

 

The soundtrack by Juergen Drews (he played a street singer in the giallo SHORT NIGHT OF THE GLASS DOLLS (Deter Geissler Filmproduktion ,1971) is a simple effective score, which at times reminds me of the music used in MIDNIGHT COWBOY (U.A.,1969) .

 

CULT EPICS has done a phenomenal job with their restoration.

A 1080p HD transfer (thanks to the Eye Institute in Amsterdam, using original 16mm and 35mm negative elements), the picture is clean ,with outdoor scenes having a strong blue tinge . This seems to be more due to the color stock used than any intentional referencing to the title. The film is as sharp as it has probably ever looked.

The DTS-HD Master Audio 2.0 mono track on the blu ray Dolby Digital dual Mono sound is crisp and clear, with no noticeable pops in the Dutch language only soundtrack. Optional English subtitles are easy to read.
Extras on the discs include

-A 1971 Interview from the director Wim Verstappen (who passed way in 2004) who discusses (in Dutch, with burnt in English subtitles) about making the film, dealing with censors, raising funds outside of the country, and plans for a thriller.

-A 2018 interview with producer Pim de la Parra while he was attending a retrospective of the “Dutch Sex Wave “. We learn that the director based his film upon sexploitation films that he had seen when he had visited New York.

 

-Another 2018 interview (in English) with Hugo Metsers Jr, son of the lead actor. He talks about seeing this film when he was quite young, and how seeing his father was the star destroyed any eroticism the film might have had upon him. He also recalls his father is happier with stage work over film.

 

– A short piece on, the Eye Film Institute. The organization is dedicated to the preservation of film, particularly Dutch works. Also, in their collections are rare film books, posters, and publicity material, as well as screening rooms. By the way, should you wish to check out their website in English, https://www.eyefilm.nl/en . The structure, built near the river in Amsterdam, looks like the Sydney Opera House mated with the MOMA in New York!

– A poster and photo gallery for BLUE MOVIE.

-Four trailers for films by the same production team (Pim & Wim’s Scorpio Films), including

BLUE MOVIE (which gives you an idea of how the film may have looked before the restoration),

OBSESSIONS (1969 ,which shows a strong Hitchcock influence as well as a Bernard Herrmann score that he used from pieces he created back in 1957 for the CBS Music Library!) available from Cult Epics http://www.cultepics.com/product-detail/obsessions/

 

FRANK & EVA (1973, also starring Metsers) http://www.cultepics.com/product-detail/frank-eva/ ,

and MY NIGHTS WITH SUSAN, SANDRA, OLGA and JULIE (1975 ,that appears to be a more erotic variant of THE BEGUILED ,Universal, 1971) ,currently not listed as available from Cult Epics.

Recommended, especially for fans of foreign films, art house, and erotica.

Kudos to Cult Epics for the care that they give to these films.

Kevin G Shinnick

*- there is another Dutch actor, also named Hugo Metsers, who was only about 3 when BLUE MOVIE was made.

 

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1980s, Blu Ray, CAROLINE MUNRO, cult, exploitation, film, genre, gore, Horror, https://www.facebook.com/scarletthefilmmagazine/, independent film, JOE SPINELL, review, reviews, SCARLETTHEFILMMAGAZINE.WORDPRESS.COM, thriller, TOM SAVINI, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, WILLIAM LUSTIG

MANIAC -Blue Underground 3 disc Ltd Edition Blu ray

                                                

 

                                                                MANIAC     

                                                     3 Disc Ltd Edition BLU RAY
-Blue Underground December 11,2018.

1980, originally released by Analysis Film Releasing Corp.87 min. Color .

Available as a 3-disc Limited Edition /4 K remaster (2BD plus 1 CD) $39.95 REGION FREE.

http://www.blue-underground.com/product.php?product=291

Back in the early 1980s, horror films were massive money makers. For relatively low costs, filmmakers of various skills could get a camera, an effects person, and maybe some women willing to shed their clothes, and even the feeblest efforts could get a theatrical release.

Then there were films that were done with the same miniscule budgets but with a bit more skill, darker tone perhaps, better actors, direction, and technical skills

MANIAC falls into that latter category. The film was inspired by the infamous Son of Sam. David Berkowitz began his wave of terror that terrorized the city of New York on Christmas Eve ,1975 with what was at first were considered random stabbings.

His first murder (and first use of his weapon of choice, a .44 calibre, thus his being dubbed at first the .44 Calibre Killer) was on July 29,1976. He finally was arrested on August 7,1977 after avoiding the biggest manhunt in NYC history, sending taunting letters to both the police and the press, having killed six people and wounded seven others by July 1977. When apprehended, he confessed but adding he was being ordered to telepathically by his neighbor Sam’s dog Harvey (thus, the ”son” of Sam.). Later ,he admitted he made up the dog story, but the legend continues.

When people found out that publishers were offering huge sums of money for his story, the Son of Sam Law, which was designed to keep criminals from further profiting from their crimes.

This did not stop newspapers, book publishers, television shows ,and even movies from cranking out their own money making attempts to exploit the story , one of the earliest is the nearly unwatchable ANOTHER SON OF SAM (1977, which began in 1975 as a cheapie called HOSTAGES ).

 

Filmmaker William Lustig had grown up enjoying the exploitation smorgasbord offered up in the 1950s,60s and 70s that played in the grindhouses of 42nd Street. After taking some film classes, he found work on both mainstream film (as a P.A. on DEATH WISH,Paramount,1974) before moving into the profitable adult film market, where he worked as editor, producer, and director (and probably a lot of other jobs too) .

 

He saw the money that films like FRIDAY THE 13th (Paramount ,1980) were making ,and thus, taking his share of his latest adult title , he decided to make his own horror movie.

 

He was wise enough to get the wizard who created the effects that had made FRIDAY THE 13TH so memorable, namely Tom Savini . Lustig also cast actor Joe Spinell, who also co-produced ad co wrote the script. Spinell was a hard- working character actor who had worked in supporting roles in major films but this would be his first starring role. Finally, they hired actress Caroline Munro (after their first choice had dropped out), who had starred in several horror and fantasy films throughout the 1970s, as well as being featured in major films like THE SPY WHO LOVED ME ,U.A.,1977).

 

The film is a gritty time capsule of New York City. Tourists were afraid to come to the city, never mind walk the streets at night. Hookers, pimps and drug dealers stood aside sleazy motels and grind house movie theatres, trying to lure in the unwary to sample their wares – or simply rob them.

 

Cinematographer Robert Lindsay, who had worked with Lustig on his previous adult movies, perfectly captures that sense of dread and moral decay.

     (Warning – plot spoilers)

Frank Zito (a completely believable full on psycho performance by Joe Spinell) wanders the city and kills young women who he is aroused by, then scalping them and then taking his bloody souvenir home and attaching it to one of the many mannikins he has littering his apartment. It seems that he was abused as a child by his hooker mom and so he finds that beauty is punishable by death.

One couple is killed in their car when Frank jumps upon the hood of the vehicle and point- blank fires a double- barreled shotgun blast into the passenger (Tom Savini, who not only played the victim, but used his own sculpted head to blow apart. Savini also doubled for Frank and used an actual shotgun to blow up the sculpture, having the odd honor of shooting himself on camera! Since they did not have permits, Savini then tossed the gun into a waiting truck and was driven away in case of police investigating the reports of gunfire) before killing the young woman also in the vehicle.

Frank talks to his mannequins and sobs and wails when he sees the coverage of his latest murders upon his television. He is truly Norman Bates on speed in this film. Still, Spinell, while creepy and often veering dangerously close to overacting, never loses a sense of reality in his portrayal.)

Somehow, he meets a beautiful photographer, Anna (Caroline Munro), after she takes his photo. They oddly become friendly while Frank continues his killing spree, killing a nurse as well as one of Anna’s models, adding their scalps to his growing collection. Frank is starting to lose the small grip that he has on reality, for when he kills the mode, he first begins talking to her as his deceased mother.

 

Still, Anna goes out with Frank, stopping off at the graveyard where his mother was buried. Frank finally attacks Anna, but she bashes him with a shovel and escape. He tries to pursue her but suddenly imagines that his mother is rising from her grave. Terrified, he flees home. His apartment proves no safe sanctuary , however , as the mannequins come alive and throw him onto his bed, where they tear his head from his body!

The film has been a constant for collectors ever since VHS was the market staple.

This new BLU RAY is the must have version for collectors.

MEDIA VHS release

 

The movie is in its original aspect ratio of 1.85:1 with a magnificent 4k 1080p transfer. For a low budget film, the film has some superb cinematography, and this release does justice to its color photography. What is more amazing is when you realize the film was shot in 16mm and then blown up to 35mm. For decades, the original 16mm negatives were missing but now, they have been found. Prior prints were from a 35mm dupe, with all the inherit flaws that involves. The original camera negative used here seems less grainy (save for the usual grain of the format) and increases the sharpness of the images.

 

Comparing it to an old DVD release, the sharper clarity is so easy to see.

The original film was one of the first indies to use Dolby Stereo, but this release makes full use of the process. I heard no pops or hiss on the soundtrack, and the music, dialogue and sound effects are clear and make good use of the separate speakers on my system. I only listened to the 2.0 DTS-HD track, but you are offered the choice also of Dolby Digital 2.0 (which perhaps would reflect the original release sound) as well as 7.1 DTS-HD.

 

You can also experience the film in Dolby Digital 2.0 French, Italian, German, and Spanish audio, as well as Optional subtitles in English, French, German, Italian, Japanese, Portuguese,
Spanish, Dutch, Danish, Finnish, Korean, Swedish, Russian, Mandarin, Cantonese, and Thai (phew!).

There are six standard audio tracks on this Blu-ray release: English: DTS-HD Master Audio 2.0, English: DTS-HD Master Audio 7.1, French: Dolby Digital 2.0, Italian: Dolby Digital 2.0, German: Dolby Digital 2.0, and Spanish: Dolby Digital 2.0. Optional English SDH, French, German, Italian, Japanese, Portuguese, Spanish, Danish, Dutch, Finnish, Korean, Russian, Swedish, Mandarin (Simplified), Mandarin (Traditional), Cantonese, and Thai yellow subtitles are provided for the main feature.

That would be more than enough for most major studio releases, but BLUE UNDERGROUND has piled on the extras to truly make this a special collectible 3- Disc Edition.

 

On the first disc, along with the film, we get a running audio commentary with Lustig and Producer Andrew W. Garroni. This is a newly recorded commentary full of little insights as well as the how well the film holds up 38 years (!) later.

 

Also on the first disc is a second commentary track lifted from the previous 2007 DVD release from Blue Underground. On this track are Lustig, Tom Savini , film editor Lorenzo Marinelli and Joe Spinell’s assistant Luke Walter (Spinell sadly dying way too early in 1989 ,at age 52). There are a lot of fond memories and humor as well as technical details on the making of the film.

 

This first disc also has the original Theatrical trailer, as well as tv and radio spots. One wonders if trailers such as this which show such graphic violence could be shown nowadays https://www.youtube.com/watch?v=Ya7lVHk-qD8 .

Where else would you hear CALIGULA (Penthouse /1979) and MANIAC in the same sentence? https://www.youtube.com/watch?v=TCCsMzpBQqA

 

Disc Two
There are several more extras that fill this second disc. The first two are newly made especially for this release. The others are ported over from the MANIAC 30th Anniversary of 2010 or previous DVD releases.

OUTTAKES- rough footage and alternate takes give a glimpse of the behind the scenes making of MANIAC. The outtakes are not restored nor cleaned up and thus seem a bit more grainy but are a treat nonetheless.

 

RETURNING TO THE SCENE OF THE CRIME- on camera interview with William Lustig.
He talks about the making of the film with an obvious pride and enthusiasm.

ANNA & THE KILLER- Caroline Munro talks about her career and working on this flick as well as other films with Spinell .

THE DEATH DEALER- Tom Savini (who else?) Always fun to see and hear Tom talk about his magic.

 

DARK NOTES- Composer Jay Chattaway talks about this Jazz Musician came about getting his first film score and how he tried to get into the head of a psychopath to create his score.

MANIAC MEN -Michael Sembello and Dennis Matkosky discuss the song that the film inspired and later popularized in the Paramount film FLASHDANCE (1983).

THE JOE SPINNELL STORY- this is ,for me ,the highlight of the extras as this nearly an hour long documentary covers the actor’s life with personal memories , home movies and appearances on ‘The Joe Franklin Show”. Success seemed to have hurt Spinnell and been somewhat responsible for his early demise. (Copyright-2001).

 

 

MR ROBBIE: MANIAC 2 PROMO REEL– Buddy (COMBAT SHOCK, Troma ,1986) Giovinazzo had planned a warped sequel of sorts, with Spinell as a children’s show host with a disturbing secret. Imagine Spinell as Krusty The Clown and you can imagine how warped that it is. They never were able to raise the funds.

PUBLICITY – featurette. Interviews with the cast and crew.

MANIAC CONTROVERSY – Like SNUFF (Monarch,1975) before it, the filmmakers used the complaints and horrific reactions to the film to get the curious into the cinemas and see what all the fuss was about. Unlike SNUFF, they got a powerful that wasn’t just hype.

Third Disc- MANIAC original Motion Picture Soundtrack cd. This is a big bonus, as the soundtrack by itself sells for about $20 at least at horror conventions.

Bonus Booklet by Michael Gingold (Fangoria, Rue Morgue)- a short essay about the production .

The film is to this day very hard to watch for many, due to its gritty atmosphere which captures the sense of NYC at the time , as well as it’s still powerful effects .It also does have a strong sense of misogyny that is hard to ignore but it does also capture the mind set of the character. Joe Spinell’s daring performance both repels us while he fascinates us, lifting the feature above the other stalk and slash films of the era.

 

JUMP TO 2018 –

Before Alek Minassian killed 10 people, the majority of them women, by driving his van into pedestrians on a Toronto street Monday, he posted on Facebook praising mass murderer Elliot Rodger and called for an “Incel Rebellion,” an uprising of men who are angry women won’t have sex with them.

https://www.usatoday.com/story/news/2018/04/26/incel-rebellion-alek-minassian-sexual-entitlement-mens-rights-elliot-rodger/550635002/

Perhaps MANIAC was predicting a movement, a hidden dark secret, that we back then could not even imagine??

RECOMMENDED for fans of 80’s horror, JOE SPINELL, CAROLINE MUNRO, TOM SAVINI, WILLIAM LUSTIG, stunning effects.

Kudos to BLUE UNDERGROUND for this super -deluxe must have 3-disc collector’s edition.

-Kevin G Shinnick

 

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ANNE OF THE THOUSAND DAYS (Twilight Time Blu ray)

ANNE OF THE THOUSAND DAYS (Twilight Time Blu Ray) Universal 1969 .Color. 145 minutes. English .2.0             DTS-HD MA sound .English Subtitles option . 1080p Hi Definition 2.35:1 REGION FREE(A,B,C). Special Features: isolated music audio track . Original Theatrical Trailer. Booklet.

https://www.twilighttimemovies.com/anne-of-the-thousand-days-blu-ray/

1969 was a year of change and turmoil. Woodstock . Altamont. Man landed upon the moon. The Stonewall riots. The Charles Manson murders. Nixon says that 25,000 troops will be withdrawn from Vietnam . My Lai massacre. Chappaquiddick . Robert R succumbs to a mysterious disease that will later be identified as HIV/AIDS.

 

Movies too were reflective of the changing chaotic times. Big budget Hollywood movies like HELLO DOLLY(Fox), TRUE GRIT (Paramount) and BATTLE OF BRITAIN(UA) were battling for audiences who were flocking to films like EASY RIDER (Columbia) or MIDNIGHT COWBOY (U.A).

 

Fitting into the former category is the epic ANNE OF THE THOUSAND DAYS . Costume spectacles , particularly those dealing with British royalty, seemed to do well both with audiences ,reviewers ,and awards. Films like BECKET (Paramount ,1964) ,MAN FOR ALL SEASONS (Columbia ,1966), and THE LION IN WINTER (Avco Embassy ,1968) , all based upon successful intelligent successful Broadway plays, all found receptive responses.

paperback movie tie -in 

 

Producer Hall Wallis had been Warner Brothers ‘ studio manager back in the late 1920s and early 1930s, overseeing a string of classics like LITTLE CAESAR (1931) to CASABLANCA (1942). He left W.B. to form his own production company ,and continued his movie Midas Touch with films such as SORRY WRONG NUMBER (Paramount ,1948) ,several Elvis Presley and Martin & Lewis films, and screen adaptations of Tennessee Williams’ works.

 

After producing the film adaptation of BECKET , Wallis  and Burton wanted to work together on another historical drama. Burton convinced Wallis to adapt the 1948 Maxwell Anderson blank verse play ANNE OF THE THOUSAND DAYS”.

 

The play ,which opened December 8,1948, was a huge success, running until October 8,1949 at the Shubert Theatre on Broadway. Part of that was due to the dynamic performances between Rex Harrison as Henry VIII and Joyce Redman as Anne Boleyn (I saw Ms. Redman in the superlative 1987 revival of PYGMALION that starred Peter O’Toole and Amanda Plummer, wherein she portrayed O’Toole’s mother). The other was it was considered daring (Anne admitted to having pre-martial sex!) ,a subject that would make the story impossible to get pass the Production Code of the time.

 

 

Polish Movie Poster ANNE OF THE THOUSAND DAYS

 

The late 1960s saw the relaxing of censorship and more daring subjects being brought to the screen ,and so Wallis hired three writers (Richard Sokolove ,adaptation; Bridget Boland and John Hale ,screenplay) to adapt the play for cinematic purposes. Gone was the blank verse, though the dialogue still had a nice dramatic sense of period . One wonders if Burton discussed playing Henry with Rex Harrison when the two filmed STAIRCASE (Fox) that same year ,where the two played not kings but a pair of bickering old “queens”.

 

The production was sumptuous (design by Maurice Carter ,who had also done the same on BECKET; costumes by Margaret Furse who costumed BECKET and THE LION IN WINTER) , with an opulence that truly captured how one felt the court of Henry VIII would feel.

 

Adding to the sweep and majesty was another magnificent score by George Delerue (he had composed the score to A MAN FOR ALL SEASONS, and would later write for Truffaut’s classic La Nuit Americaine (DAY FOR NIGHT,WB,1973)and win an Oscar for his work on the lovely A LITTLE ROMANCE (Orion/WB,1979).

The film was shot at such locations as Penshurst Place and Hever Castle (the childhood home of Anne Boleyn ) as well as on magnificent sets built at Pinewood and Shepperton Studios.

 

Lensing all of this was Arthur Ibbetson (director of photography on Chaplin’s last feature, A COUNTESS FROM HONG KONG, Universal, 1967) and later the childhood classics THE RAILWAY CHILDREN (Universal,1970) and WILLY WONKA AND THE CHOCOLATE FACTORY(Paramount,1971).

Director Charles Jarrott

 

Director Charles Jarrott had directed many intelligent productions for television with this being his first theatrical production. It is directed tastefully and without flash ,allowing the performances and story carry the movement. He was so successful that he was later tapped to direct MARY QUEEN OF SCOTS (Universal,1971) with the same finesse.

 

Henry VIII (Richard Burton) is unhappy that his wife ,Queen Catherine of Aragon (Irene Papas,THE GUNS OF NAVARONE,Columbia ,1961) has not born him a son to carry on his lineage. His affair with Mary Boleyn             ( Valerie Gearon, in one of her only four film appearances ) is also losing his interest (even though she is pregnant with his child)when he sees Mary’s 18 year old sister Anne (Genevieve Bujold, so marvelous  in KING OF HEARTS /le roi de Coeur,U.A,1966) at a ball.

 

Mary is engaged but Henry has his “fixer” and Lord Chancellor , scheming Cardinal Woolsey (Anthony Quayle, GUNS OF NAVARONE),break up the engagement. Mary’s father ,Thomas Boleyn (Michael Hordern, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM,U.A.,1966) is a political climber, willing to use his daughters to advance his own political career and agrees to end the engagement.

Anne is not as easily won as her sister ,and dares to insult the King, a dangerous thing to be sure, for it could mean her family losing it’s position and wealth , and even imprisonment and death.

 

Henry, however is smitten with this fiery woman, who unlike so many others, does not bend to his will. Thomas Cromwell (Canadian actor John Galicos, probably best known for playing Kor in the STAR TREK episode, “Errand Of Mercy”, Paramount, 1967 and then later as the evil Count Baltar on BATTLESTAR GALACTICA, Universal 1978-9) feels the girl can be a problem but Woolsey feels she is but another bauble for Henry to play with use and discard.

 

Anne is slowly seduced , not so much by Henry as by the power he offers. She refuses Henry’s advances, however, as any child that they have would be illegitimate. Henry says he will divorce Catherine so he can marry Anne, and instructs Woolsey to find a way. Woolsey protests , but the King will not be denied. The Pope denies the annulment ,and Woolsey is removed from office, his London palace given instead to Anne and his title given to Cromwell.

Cromwell comes up with the idea that Henry is the embodiment of the Church in England, and that people cannot pledge loyalty to both The Pope & The Church of Rome at the same time it pledges allegiance to a King who is supposed to be God’s appointed. People are asked to choose, loyalty to Henry and the Crown, or dismissal and worse if they do not recognize his new Church.

 

Finally won over, Anne finally makes love to Henry.She tells Henry that she is pregnant and a quick wedding is arranged.

Catherine ,however ,was very popular with the common people (and the Spanish Ambassadors also sew discontent among the masses ) so that Anne finds herself jeered at and called “the King’s Whore” by the masses . Catherine is banished from court ,spending her remaining years(3 years, 1533-36) at Kimbolton Castle, acknowledged as the Dowager Princess.

Henry is disappointed and enraged that once again he is father to another daughter (Princess Elizabeth. His previous wife, Catherine, bore him Princess Mary).

Once again, Henry ,disappointed by the lack of a male heir, starts looking elsewhere. Anne sees him cast his eye upon young Lady Jane Seymour (Lesley Patterson, who seems to have only appeared in one other film ,THE PRIME OF MISS JEAN BRODIE, Fox,1969),Anne arranges to keep the young woman from court.

Meanwhile ,the loyalty oath to the King continues . Sir Thomas More ( William Squire , Hammer’s A CHALLENGE FOR ROBIN HOOD, 1967) is still opposed to Anne’s claim as legitimate Queen (and thus the rights of Elizabeth to be a successor to the crown). In a rage, she lets Henry know she wants More done away with. A pre-determined trial finds the scholar guilty, and, denied the right to speak at his execution, he is beheaded. Shortly thereafter, like Catherine before her, Anne gives birth to a still born son .

Angrily, Henry turns to Cromwell to find a way for him to divorce Anne and leave him free to have a male heir. Cromwell invents a hideous lie, wherein he accuses Anne of sexual relations with several men, including her own brother. Her music teacher ,Mark Smeaton (Gary Bond, ZULU,Paramount,1964) ,being a commoner, is tortured into a confession by having a Garotte put around his head and tightened.

When they come to arrest her, Anne thinks that they are joking , but the charges are indeed ,deadly serious, amounting to High Treason.

Once again ,however , her intelligence and strong will come to the fore. At the trial, as Henry is hidden away listening, she gets the chance to question the poor tortured Smeaton. He repeats what he has been tortured into admitting, but when he looks upon Anne, he says that he has never been with her in any way but in friendship . The court is in disarray, but Henry enters the room, and tells Smeaton that he is condemned to die either way, so he is free to tell the truth. Smeaton asserts again that she is innocent. The court is in disarray,, as Anne smiles at Henry .Still, as Henry leaves, he says it may still be true.

 

Later,Henry goes to the tower to beg Anne to annul the marriage so he can wed Jane Seymour. Anne once again refuses ,as she says Elizabeth will be one of the great leaders of England, and Anne would rather die rather than deny her daughter her rightful place of history.

Anne is indeed found guilty, and in a tragic scene ,she is led to her death by beheading. Henry ,who was not there, but instead ,out hunting with several groomsmen, hears the cannons in the distance announce her execution. Henry urges his entourage to follow him ,and they set off to Jane Seymour’s home, the hunt once again begun for Henry to get a male heir.

The final shot shows young baby Elizabeth (Amanda Jane Smythe), hearing the cannons roar as well, and wanders sadly ,alone in a garden, as her mothers prophecy about her is repeated

 

“Elizabeth shall be a greater queen than any king of yours. She shall rule a greater England than you could ever have built. My Elizabeth shall be queen, and my blood will have been well spent.”

 

The film was given a wide release by Universal to mixed reviews. All reviewers ,however agreed upon one thing, the magnificence of Bujold’s performance.

It received numerous nominations at the 1970 Academy Awards, winning for Best Costume ; winning Golden Globes for Bujold (Best Motion Picture -Actress-Drama) ,Best Motion Picture – Drama, Best Director-Motion Picture(Jarrot) and Best Screenplay (Boland, Hale,Sokolove)

 

The film did well, though it did not crack the top 20 films for 1970 (it was released in December, 1969, but played throughout the next year ).

Three small  bits of trivia-Burton’s wife at the time, Elizabeth Taylor, made a cameo appearance as a courtesan. However, she is not noticed ,as her character is masked. Miss Taylor, while in costume, wore a gift from Burton, the La Peregrina Pearl ,one of the most valuable pearls in the world.

12 year old Kate Burton also had an uncredited cameo as a serving girl.

The expensive costumes and props were re-used for the 21st(!) CARRY ON film, CARRY ON HENRY (Rank,1971) ,which had an original alternative title of “ANNE OF A THOUSAND LAYS ” ,that sounds more like a porno version than the fun though bawdy film that resulted.

 

 

 

 

 

 

 

 

 

 

 

On video, the film was released on VHS in a very flat print that muted the colors and lost information on the sides of the picture ,as well as a flat mono sound.

 

Universal released it to DVD as a co-bill with MARY QUEEN OF SCOTS (Universal,1971)in a slightly improved version.

 

This TWILIGHT TIME release is the must have print to own. The 1080p Hi Definition 2.35:1 transfer is incredibly rich, with solid reds ,blues ,and skin tones. The film has not looked this good since it was originally unspooled theatrically in 1969.

 

The sound has also been upgraded with a 2.0 DTS-HD Master audio track. The sound is incredibly rich in this dialogue driven film, with the score and sound effects also clean and free of hiss or pops .

Extras are few , though one can enjoy Delerue’s magnificent isolated score on a separate track .

The original Decca Sound Track release

Also included is the original theatrical trailer, narrated by Hal Wallis himself. It has not been cleaned up, so you can get an idea of how rough some of the previous releases have looked.

Finally , an 8-page insert booklet with an essay by Julie Kirgo is included within the case.

Subtitles in English SDH are also available.

One would love to have had an audio commentary, perhaps with Ms. Bujold . That said, the magnificent print that TWILIGHT TIME has released is nothing to dismiss.

The film, like most of TWILIGHT TIME collectible releases , is limited to a press run of 3,000.

The film is a superb example of intelligent film-making ,wherein story and acting ruled over C.G.I. and mind-numbing sameness.

Hopefully, TWILIGHT TIME will release the original 1971 MARY QUEEN OF SCOTS (Universal) and perhaps the unjustly overlooked gem LADY JANE (Paramount ,1986) to be proper companion pieces to ANNE OF THE THOUSAND DAYS and  A MAN FOR ALL SEASONS (released by Twilight Time in 2015).

 

I highly recommend this film to people who enjoy historical dramas, as well as superlative acting and thoughtful storytelling.

 

I do wonder, however, now, in this time of the Me-Too Movement, how many will look favorably at the cavalier attitude of the men within this story, and their views of women .

Seriously, how many men would create an entire religion, just to have sex ???

 

Thoughts to ponder.

HIGHEST RECOMMENDATION.
-Kevin G Shinnick

 

 

 

I just wanted to make note of  very  sad news .

NICK REDMAN passed away January 17,2019 after a valiant two year battle with cancer. Mr. Redman co -founded Twilight Time in 2011. Mr Redman also was a film historian,documentarian, and sound track producer.

Our deepest condolences go out to his friends  and family , including his wife  Julie Kirgo  ,his brother, and his children .

 

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