PATIENT ZERO (2018)

PATIENT ZERO (Vertical Entertainment) R -now playing limited theatrical and available as V.O.D. 87 Min. Rated R. horror/science fiction.

https://www.youtube.com/watch?v=Mn-wBZwQdRA

Imagine if you will Bub from Romero’s DAY OF THE DEAD (1985, U.F.D.) were fully cognizant of his situation, and able to have a full conversation about it (MY DINNER WITH BUB? ). Throw in a bit of 21 DAYS LATER (2002, Fox) and you have a pretty good idea of what to expect from PATIENT ZERO.

Filmed in 2015 by Screen Gems, it sadly sat on a shelf until now. Why? Screen Gems opened the abysmal ULTRAVIOLET (2006) wide, and that was nowhere near as good as PATIENT ZERO.

In 2013, Mike Le’s script for PATIENT ZERO was called “the Most Liked “unmade script of the year in the annual Black List poll. A bidding war between several studios took place, with Screen Gems winning the rights to make a feature of the script. Matt Le had prior only worked on a few reality shows and later some forgotten thrillers like AMNESIAC (2014, XLrator) (get it? forgotten? Amnesiac?) and DARK SUMMER (2015, IFC). The frenzy was no doubt due to Paramount’s mega zombie blockbuster WORLD WAR Z that came out that year.

Director Stefan Ruzowitzky had directed the German horror thriller AUTOPSY (Sony,2000) and won the 2007 foreign language Oscar for his film THE COUNTERFEITERS (released in the US by Sony)and so there a bit of buzz around his second English language film (his first ,ALL THE QUEENS’S MEN ,2001,Sony,starred Matt LeBlanc & Eddie Izzard ,was a fun little film that came & went).

Adding to the buzz was the casting of Matt Smith (popular from DOCTOR WHO, portraying the character from 2010-13, with a guest appearance in 2014, BBC) and Natalie Dormer (GAME OF THRONES, appearing from 2012 to 2016 in the HBO series) and Stanley Tucci (Oscar nominated for THE LOVELY BONES ,2009, Dreamworks).

The majority of the film was shot in a massive set at Shepperton Studios that was built to resemble an underground military missle silo built into caverns.

In the near future, a new pandemic has broken out, driving people into a bloodthirsty rage. The world is so caught off guard by how quickly this spreads that a large group of survivors, men, women and children, take refuge in said underground military bunkers. There, they work frantically to try and seek some sort of cure, and if they can, discover Patient Zero, the first of the infected (Odd Doctor Who trivia (Matt Smith’s first full episode as the Doctor, “The Eleventh Hour”, he spent a good bit of time looking for PRISONER zero. Back to the review.).

Morgan (Matt Smith, sporting a Midwestern accent) has been bitten but unlike many, has not turned into one of the rampaging creatures (referred to as “the infected”). Instead, he can communicate with the transformed in their own language (that this is never explored in more detail made me wonder if the film had been drastically cut down) as well as using music to set off the murderous victims of the plague.

Then one day, they bring in The Professor (Stanley Tucci), who not only is unaffected by the music, but also speaks in a calm clear manner. However, we also feel that underneath his demeanor is this seething rage, waiting to get out, and tear out the throats of all around.

The scenes between Smith and Tucci work wonderfully well, as if in a zombie film version of the Clarice /Hannibal Lector scenes from SILENCE OF THE LAMB (1991, Orion).

Scientist Dr Rose (Natalie Dormer) is trying to get Morgan to hurry up while trying to placate Col. Knox (Clive Standen, star of the recent NBC Universal series TAKEN (2017-18) based upon Luc Bresson’s films) whose attitude is shoot them all let god sort it out.

Morgan also wants to find a cure, not only for himself but also his wife Janet (model /actress Agyness Deyn). Can they before the bunker is overrun by the ever increasing infected? Plus, watch out for those damn raging rats!!!

I don’t understand the general dismissal of this film. The cast is good, and the production values are decent.

The accent that Matt Smith uses is a bit jarring, and since most of the cast is British, why didn’t they just set the story in the U.K.?

Also, as I mentioned, there are a lot of very interesting ideas brought up but then never fully developed in the finish film, making me feel that there was some drastic editing to the movie.

However, once Stanley Tucci shows up, PATIENT ZERO hums along quite nicely, with the exchanges between Morgan and The Professor holding our attention. The idea that the disease is merely releasing the rage contained in all of us is a good one and adds a bit of brains to the usual zombie fare.

I don’t think you will be disappointed if you watch this film without comparing it to films like DAWN OF THE DEAD (1978, UFD). It is a nice variation to the apocalyptic zombie film, with some novel additions.

I do hope that a Blu Ray with commentary track is in its future, as I would love to hear about the behind the scenes of PATIENT ZERO.

Currently, director Ruzowitzky is working on The Last Voyage of the Demeter, which is based on Bram Stoker‘s Dracula . I look forward to his new additions to genre films.

Check out PATIENT ZERO.
–Kevin G Shinnick

ZOMBIES
Apocalypse
Matt Smith
Natalie Dormer
Stanley Tucci

BOSS (Kit Parker Blu Ray/DVD combo)

BOSS (Kit Parker Blu Ray/DVD combo)
Dimension ,1975 color. Rated PG .87 mins. Region A/1. Release August 28,2018. Also known as BOSS NIGGER; THE BLACK BOUNTY HUNTER

https://www.amazon.com/Blu-ray-Williamson-DUrville-William-Armstrong/dp/B07C5K53N4/ref=tmm_blu_swatch_0?_encoding=UTF8&qid=&sr=.

If you ever wondered what BLAZING SADDLES(1973,W.B.) might have looked like done as a straightforward film, BOSS should give you an idea.

Fred “The Hammer ” Williamson, the former football star’s initial forays into acting were in such films as M*A*S*H (1970, Fox) as well as Diane Carroll’s boyfriend on T.V.’s JULIA (1968-71, Fox/NBC). The Larry Cohen actioner BLACK CAESAR (1973, AIP) featured him as a man who climbs his way up in the underworld, and THREE THE HARD WAY (1974, A.A.) solidified his status as an action star.

 

 

Williamson decided the first film he would co-produce himself would be based upon 20-page treatment he showed to director Jack Arnold (they had worked together on the Warner Brother actioner BLACK EYE,1974). Dimension Pictures decided to release the film and so production began on a town set left over from the big budget Gene Kelly film THE CHEYENNE SOCIAL CLUB (1970, National General) in Santa Fe New Mexico.

 

 THE CHEYENNE’S SOCIAL CLUB set used for BOSS

Boss (Williamson) and his sidekick Amos (D’Urville Martin, who directed DOLEMITE, Dimension,1975) a former slave, are two bounty hunters who decide to become the law in a small town when they save a woman named Clara Mae (Carmen Hayworth) from a pack of outlaws. On one of the men they killed while saving her they find a letter from the mayor of the town of San Miguel that invites the possessor of the letter to become the new sheriff. The bounty hunters also find out that a man they are tracking, Jed Clayton (cult baddie William Smith, best known for playing Falconetti on the miniseries RICH MAN POOR MAN ,1976, Universal TV, as well as the vampire hunting son in GRAVE OF THE VAMPIRE ,1972, Millenium), also spends time in the town and so they decide to escort Clara Mae there.

Boss gives the letter to the mayor (western great R.G. Armstrong) who is forced to accept them as the new law. They set upon their task with zeal as they confront members of Clayton’s gang, killing and wounding several of them.

 

 

The new laws that the bounty hunters post does not make them popular with the racists town folk, resulting in a few well-dressed town folk (including the bank President) having to pay a fine or a stay in the cell in the sheriff’s office. The “N” word is tossed about as readily as at a trump rally, but the two bounty hunters put their bigoted butts behind bars or make them pay for their words. Not everyone is a racist in town, exemplified by local school marm Miss Pruitt (Barbara Leigh, who later co-starred with William Smith in SEVEN,1979,AIP).

 

Things escalate as they always do with a final showdown between boss and Clayton.

Black westerns were nothing new (going back as least as far as Norman Film Manufacturing Co’s CRIMSON SKULL ,1922), but in the 1960s and 1970s, they went from black only cinemas to mainstream theatres. Films like SGT. RUTLEDGE (1960, WB) began to finally acknowledge that people of color made up a lot of the history of the American West. Indeed, the character of The Lone Ranger may have been inspired by the exploits of the first black Marshall Bass Reeves.

The 1970s though allowed black stars to shine and take the lead in a variety of films, including westerns.

No longer the sidekick, black performers were front and center of the action.

Williamson was born to play the action hero, with his good looks and natural athleticism, one could readily accept him facing down the bad guys. He was wise enough to surround himself with familiar western faces like R.G. Armstrong (PAT GARRETT & BILLY THE KID, 1973.MGM, as well as numerous Sam Peckinpah films) and Don “Red” Barry (star of many Republic Westerns, here playing a bad guy).

The direction by Jack Arnold is effective , using creativity to make his film look as exciting as possible. One example was clever editing when a horse was to run over a small child.

 

BOSS was released previously by VCI /Sprocket Vault /Kit Parker in 2008. This Kit Parker BLU RAY has been given a 1080p resolution release, with an aspect ratio of 2.35:1. The film has been cleaned up, but there are still some color shifts due no doubt from the negative fading. A full restoration for this film probably would have been prohibitively expensive, and the print is quite watchable, and I am sure in much better condition than the worn-out prints shown in many grindhouse and drive in theatres of the period.

The audio is an English 2.0 mono track. It is clear, and the dialogue is easy to understand, along with all the sound effects and music. For the hard of hearing, there is an optional white lettering subtitle in English.

The extras on this Kit Parker BLU RAY release are all ported over from the VCI release.

A CONVERSATION WITH FRED “THE HAMMER” WILLIAMSON with Joel Blumberg. Shot ten years ago, it is amazing that Williamson appears to have hardly aged in the 33 years since he shot the film. He brags that a film he did for Universal ,THAT MAN BOLT (1973), was the first major studio film to have a black action star, forgetting MGM produced SHAFT in 1971. Still, he was among the first, and indeed with his own production company (PO BOY) was able to call the shots that he was the hero and got the girl.

 

A BOSS MEMORY (8 min) with producer/ director & UCLA film prof Myrl A. Schreibman ( he was the associate producer on BOSS).Schreibman got into film working with Jack Arnold .After Arnold had directed BLACK EYE, Arnold brought Schreibman aboard for this film .He talks about their filming the big fight scene between Smith (who as cast because he looked like he would be an equal match in a fight) & Williamson while a dust devil storm raged outside with ho

wling winds.

JACK ARNOLD TRIBUTE by producer Myrl Schreibman– For any fan of 1950s science fiction, Jack Arnold was the go -to guy in the 1950s (CREATURE FROM THE BLACK LAGOON,1954, Universal )before he transitioned to TV on such shows as GILLIGAN’S ISLAND ( 1964-1967,CBS).Schreibman lets us know that Arnold began as actor, but when in the Army ,trained in their film division under famed filmmaker Robert Flaherty(NANOOK OF THE NORTH, 1922,Pathe) .Returning to civilian life, he did a documentary called WITH THESE HANDS (1950 ,ILGWU ) about the Triangle Shirtwaist Fire. The featurette was Oscar nominated, which led to his career at Universal. https://www.youtube.com/watch?reload=9&v=1OKcJcJ4TfA

 

The disc also has the original theatrical trailer :  https://www.youtube.com/watch?v=fWDTw7IjeiI

 

The BLU RAY also has a reversible cover, using the more politically safe version, or the or original poster and art.

This is a fun action adventure and a good addition to any fans of
–Westerns
-Blaxploitation
-Fred Williamson.

–Kevin G Shinnick