2000s, Anita Page, Athena Demos, CAMP, cult, diy filmmaking, dvd, fantasy, film, genre, gore, Horror, independent, killer brain, Nazi, nudity, Randal Malone, review, Ron Ford, SCIENCE FICTION, Stephanie Beaton, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, wierd

THE CRAWLING BRAIN

 

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THE CRAWLING BRAIN (2002) released 2016.Blood Banquet Theatre.
$10.99. DVD. Color. Shot on Video. Available from
http://bbtheatre.xyz/collections/1423514-blood-banquet-theatre-distribution-dvd-titles/products/18388604-the-crawling-brain-dvd

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   “Has he health insurance?”Behind the scenes photo

 

If Andy Milligan (GURU THE MAD MONK, Nova Int.,1970) made movies for Independent International that were produced by John Waters, it would give you an idea of the craziness that is THE CRAWLING BRAIN.

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The term “camp” was made for films such as this. The film is a loving if inept tribute to classic b movie camp like THEY SAVED HITLER’S BRAIN (Paragon/Gold key ,1968), BRAIN OF BLOOD(I.I.,1971) MAD DOCTOR OF BLOOD ISLAND(Hemisphere,1968) and most obviously, FIEND WITHOUT A FACE (MGM,1958). Gore and nudity are sprinkled liberally throughout.

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The story has Stefan (Randal Malone) finding out his grandmother is the former nurse/lover of Franz Kindler (the name of the Nazi from Orson Welles classic THE STRANGER(RKO,1946)), a mad Nazi scientist who has his spine and brain placed into a tank until a new body can be found for him.

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        (Young Anita Page Ziegfeld Follies;92 year Ms Page in this film)

 

The grandmother Anita is portrayed by then 92-year-old Anita Page, who starred in the first sound film to win an Academy Award for Best Picture, BROADWAY MELODY (MGM,1929). She passed away in 2008, her last film being released posthumously in 2010, FRANKENSTEIN RISING (Sterling), which also starred Malone.

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The brain suddenly decides to take over Stefan, who manipulates his brother (Mark Shady) into helping him. Every once and awhile the brain crawls from its tank and takes things into its own-err— spinal column, and kills people itself.

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People visit the house end up being used as experiments for surgery, until a new nurse named Jillian (Heather Beaton, EYES OF THE WEREWOLF, Leo Films,1996) arrives to care for Grandma. Jillian, it seems, looks exactly like Anita did when she was young (also played in flashback by Beaton) and it seems once the evil brain finds a new body for itself, Anita may have herself a new host body as well.

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The whole film has a “Hey I got a camcorder, let’s make a movie” feel to it. Shot on video, the entire budget wouldn’t stretch to craft services for one meal on a T.V. show. That said, the film is unlike a lot of s.o.v. product at least competently put together, though the dialogue suffers at times from microphones being too far away.

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Hey there IS a script!

 

Music (credited to Ronald Stein) sounds like it is mostly lifted from DEMENTIA 13(AIP,1963) with certain sounds effects taken directly from FIEND WITHOUT A FACE.

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As to the “acting”, always a major bugaboo of mine in these s.o.v. films:

Randal Malone, who it seems has more than 50 films to his credit, minces through his part like a bitchy Divine wannabee.randal-malone

At the other end of the spectrum we have Stephanie Beaton, who never seemed to get a film that truly showcased her actual acting talent.

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The effects are a fun throwback to the onset physical effects of the films that inspired them (at points reversing the film has the spinal column appear to wrap around its hapless victims).

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(Because You’re Mine, I’ll steal your spine ….)

A well -staged car crash surprised me, although I was left wondering did they just do the stunt and leave?

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               (How dis-arming !)

Indeed, I wish there was a commentary track from those involved, to hear what it was like on set and their thoughts of the final product (and indeed, how they got Anita Page to be in their film).

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Extras are limited to an alternate opening (full nudity as it stands now, topless nudity in the alternate, both supplied by actress Athena Demos) and an alternately edited flashback sequence (which I admit I saw no difference).

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Also included is an over the top trailer that would have put people into their local drive ins had it been made in the 1970s. Finally, there are trailers for other films to be released by BLOOD BANQUET (including DEVILS’ NIGHTMARE(French,1971)).img_20170117_114835
Blood Banquet also sells a 3D version of MANIAC (Roadshow,1934), GRAVE OF THE VAMPIRE (Ent.Pyramid,1972), as well as other S.O.V. titles by Ron Ford.

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Should you wish to see a modern-day exploitation film, leave your brain outside as you watch THE CRAWLING BRAIN.

Trailer.
https://www.youtube.com/watch?v=RMBNzl1tIsc

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Kevin G Shinnick

              (note:some photos courtesy BLOOD BANQUET,some Frame Grabs from the DVD).

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Win a free Blu Ray/DVD Combo of DEATH RACE 2050

UPDATE : January 18,2017. CONTEST OVER.  

WINNERS!!!!!!

Here are the winners of the UNIVERSAL /SCARLET DEATH RACE 2050 Blu Ray Contest .

Death Race 2000 was based on the short story “The Racer” by Ib Melchior.

The people who were picked with the correct answer were:

Sean Fernald
Los Angeles, CA

Allison Bennett
Peoria, AZ

Ken Sleeth
Lusby, MD 20657
Mike Shields
Prescott Valley, AZ

Joe Covert
Baton Rouge, LA

Congrats ! Universal‘s representative in the contest has been contacted with the winner’s mailing information .Their prize ,each to receive one blu ray combo of DEATH RACE 2050, is being sent. .

Thank you for all the entries.

DEATH RACE 2050 is AVAILABLE NOW FOR PURCHASE .
https://www.youtube.com/watch?v=NGOI1v-WXIM

Like & Follow  SCARLET THE FILM MAGAZINE REVIEWS for upcoming articles and contests!!

Update: January 17th, contest over. Winners to be announced!!!!  death-race-2050-blu-ray

UNIVERSAL PICTURES and SCARLET THE FILM MAGAZINE REVIEWS would like you to win one of five copies of the BLU RAY/DVD combo release of the new sci fi action adventure film DEATH RACE 2050 .

How to win :
Answer : What story and by what author was the original DEATH RACE 2000 based upon?

just send an email to scarletthefilmmag@yahoo.com
in the heading ,put DEATH RACE 2050 contest .

In the body of the letter,
put your answer
and
you name and mailing address .

Contest ends January 15th,2017 .

Five winners will be pulled from all entries .

Open to readers within the continental United States .

LEGENDARY FILMMAKING ICON, ROGER CORMAN RETURNS
TO PRODUCE THE MOST EPIC DEATH RACE EVER
AS PRINCIPAL PHOTOGRAPHY BEGINS IN PERU

ROGER CORMAN’S DEATH RACE 2050

The MSRP is $26.98 for Blu-ray and $22.98 on DVD.
AVAILABLE JANUARY 17,2017.

MALCOLM MCDOWELL STARS IN THE SENSATIONAL ACTION-PACKED FILM
DEBUTING ON BLU-RAY™, DVD AND DIGITAL HD
IN 2016 FROM UNIVERSAL PICTURES HOME ENTERTAINMENT

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Universal City, California, February 18, 2016 – An outrageous action-packed film and reboot of the original Death Race 2000, Roger Corman’s Death Race 2050 began filming February 8 in Peru. Filled with the full-throttle mayhem and black-hearted humor, this all-new film drops the flag on a phalanx of automotive gladiators who earn points for killing pedestrians — and their fellow drivers. Roger Corman’s Death Race 2050 is an original release from Universal 1440 Entertainment, a production entity of Universal Pictures Home Entertainment. The film will be available exclusively on Blu-ray™, DVD and Digital HD in 2017.

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The Original DEATH RACE 2000

In the decades since well-known independent film pioneer and Academy Award® winner Roger Corman first put the iconic anti-hero Frankenstein into the driver’s seat in Death Race 2000, this over-the-top cult classic has hurtled headlong toward cinematic immortality. Among the most enduring of the prolific producer’s legion of memorable films, Death Race 2000 has inspired a growing fan base that continues to propel the popular franchise as it marks the 40th anniversary of its original release.Death Race 2050

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“This is an amazing opportunity for me and millions of Death Race 2000 fans to experience the intensity, thrills and dark humor of the original, fueled by a terrific young cast, spectacular vehicles and side-splitting action, literally” said Corman, the trailblazing writer, director and producer. “Roger Corman’s Death Race 2050 puts the pedal to the metal to bring this enduring franchise to a whole new level.”

 

Roger Corman’s Death Race 2050 stars Manu Bennett (The Hobbit franchise) as Frankenstein, as well as Malcolm McDowell (A Clockwork Orange) as the Chairman, Burt Grinstead (“NCIS”), Marci Miller (Viper), Folake  Olowofoyeku (The Beaver), Anessa Ramsey (Footloose), Yancy Butler (Hard Target) and Charlie Farrell (Cantar).Death Race 2050 (2016)

The film is directed by G.J. Echternkamp (Hard Candy)  from a script by Matt Yamashita (Sharktopus vs. Pteracuda) and G.J. Echternkamp, and produced by Roger Corman (Death Race 2000) and Luis Llosa (Anaconda).

 SYNOPSIS
In the not-too-distant future, America is controlled by an all-powerful corporate government that keeps the masses placated with violent virtual-reality entertainment. The event of the year is the Death Race, where a motley assortment of drivers compete in a cross-country road race, scoring points for running down pedestrians and killing each other. The reigning champion and popular favorite is half-man, half-machine Frankenstein — but little does he know he’s taken on a rebel spy as his co-pilot.Death Race 2050

BLU-RAYTM, DVD AND DIGITAL HD’s exclusive BONUS FEATURES:

  • The Making of 2050 – This featurette goes behind the scenes of Roger Corman’s Death Race 2050 to explore why, over four decades later, the original Death Race 2000 has been remade, including what made this project appealing to cast and crew, what changes have been made, and what fans of the original will still love. Discover the movie magic behind the deaths, stunts and of course — the cars! Includes interviews with stars, director G.J. Echternkamp and Corman himself._aaa8012-4
  • Cars! Cars! Cars!Death Race 2050 Go on the set with the drivers of Death Race 2050 as they introduce their one-of-a-kind killing machines: Frankenstein and his Monster, Perfectus and his Piece of Art, Tammy and the Tank, Minerva and her Sound Box and ABE.
  • The Look of 2050 – An insider look at how the film’s visual style came together, including how shooting in Peru helped set the tone of the picture and how the costumes became stars in and of themselves.Death Race 2050 (2016)

The Blu-ray Combo Pack includes a Blu-ray, DVD and Digital HD with UltraViolet.

  • Blu-ray features a pristine high-definition picture, theater quality sound and  extras.
  • DVD offers the flexibility and convenience of playing movies in more places, both at home and away.
  • DIGITAL HD with UltraViolet™ lets you watch movies anywhere, and plays on your mobile devices.

Death Race 2050

 

About Universal 1440 Entertainment:
The Universal 1440 Entertainment banner develops and produces live-action and animated non-theatrical productions directly for distribution in all media worldwide. Since its formation in 2005, the group has assembled an exceptional roster of animated family fare, including the Daytime Emmy®–winning Curious George television series for PBS KIDS; the latest installment of the beloved The Land Before Time series, The Land Before Time: Tale of the Brave; as well as a string of hugely popular Barbie and Monster High movies, based on the world-renowned Mattel-branded properties. The group also has successfully built upon some of Universal’s highly celebrated live-action franchises, Scorpion King, Death Race, Jarhead, The Man With The Iron Fists and the terrifying Chucky movies, as well as debuting the Tony Award®–nominated hit touring stage production Bring It On: The Musical and the epic sci-fi adventure hit Tremors 5: Bloodlines. Among projects currently readying for release are the explosive action-adventure Jarhead 3: The Siege; the adrenaline-fueled actioner Hard Target 2, and the high-energy dance drama Honey 3.Death Race 2050

Universal 1440 Entertainment is a production entity of Universal Pictures Home Entertainment (UPHE). Universal Pictures Home Entertainment (UPHE) is a unit of Universal Pictures, a division of Universal Studios (www.universalstudios.com). Universal Studios is part of NBCUniversal. NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. NBCUniversal is a subsidiary of Comcast Corporation.Death Race 2050

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Two Stocking Stuffers- RAY HARRYHAUSEN FAIRY TALES/STRANGE & UNUSUAL CHRISTMAS FILMS

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RAY HARRYHAUSEN’S FAIRY TALES
– COLOR http://www.oldies.com/product-view/7875D.html

STRANGE AND UNUSUAL CHRISTMAS FILMS-Color/b&w -http://www.oldies.com/product-view/7871D.html

$7.98 each. Oldies.com

Just in time for the Christmas Season come two fun stocking stuffers from OLDIES.COM.

The first is probably the one that people will feel is the must have . Ray Harryhausen is a god to anyone who grew up watching fantasy films made between 1953 (BEAST FROM 20,000 FATHOMS (WB)) through 1981 (CLASH OF THE TITANS,MGM). You were at some time enthralled and in awe of the stop motion wizardry that this one man special effect auteur brought to the cinema screen. While ILM and others can do the same thing now via computer, recall that Harryhausen for most of his work was creator, camera person, and director ,single handedly doing what now takes teams of CGI experts to try and emulate.

However, unlike Athena born fully grown from the skull of Zeus, Ray Harryhausen’s artistry came from experimenting . Some of these experiments are to be found on RAY HARYHAUSEN’S FAIRY TALES.

After working as an animator on a George Pal Puppetoon (TULIPS WILL GROW,Paramount,1942),Ray continued to refine his talents as both cinematographer and animator on shorts produced for and by the U.S. Army.red-stare

After his service, he returned to his family home, where he got a 16mm camera and some Kodachrome color film to produce a series of shorts. It was a family affair, with his parents helping with costuming and set building. He completed five of his Fairy Tales between 1946 and 1953 ( a final film not on this collection ,TORTOISE & THE HARE, was started in 1952, but never completed when Harryhausen began making features. That is , it remained unfinished until 2002, when Ray and two fans who worked on tv’s ROBOT CHICKEN (Cartoon Network,2005-2015)decided to complete it.).

The films were released to schools as well as television filler but while they probably did not make Ray much money, he was able to learn his trade and improve his technique on each film .

The first film, THE MOTHER GOOSE STORY (1946) consists of very short vignettes, silent save for some public domain classical music. The influence of George Pal’s animated shorts is quite obvious in the style of puppetry design. The faces use a variation of Pal’s system of substitution faces rather than animating the features. A quick dissolve is used to smooth the transition of facial reactions.

The next film ,THE STORY OF LITTLE RED RIDING HOOD (1949) ,showed more confidence ,experimenting with camera movements ,and lighting. It also boasted a voice over narration by actor Hugh Douglas.

hanselTHE STORY OF HANSEL & GRETEL (1951)was once again narrated by Hugh Douglas ,has more reassured camera moves, and even uses some rear projection for a giant oven fire mixed with the stop motion animation figures .

THE STORY OF RAPUNZEL (1951), this time narrated by Del Moore ,seems a bit more stilted than the previous effort ,and the witch figure seems to be just a repainting of the witch from the previous film.

THE STORY OF KING MIDAS (1953),the final of Harryhausen’s short stories on this disc, is the most assured. Once again narrated by Del Moore, the character work on the faces is much more assured, and the villain of the piece is a marvelous piece of villainous design.midas

As a bonus, we get a variation of Little Red Riding Hood, this time via a short 1949 color film of the Wahmann Hand Puppets. The film was released by Encyclopedia Britannica Films, and was produced by Helen Wahmann Lanthop and Lee Wahmann Keel, co-founders of the Children’s Artist Series and the Children’s Theatre of Charlotte, North Carolina (still in existence today). It is a straightforward recording of a well rendered puppet show telling of the familiar tale.

Back in 2005, RAY HARRYHAUSEN: EARLY YEARS (Sparkhill /Global Entertainment) was a two disc Special Edition that included the Harryhausen shorts on this disc, as well as a completed TORTOISE & THE HARE and many other extras. That collection is out of print and selling for over $100 . The Alpha/OLDIES.COM Collection is an affordable alternative to that release, and their prints are quite clean and acceptable.rh-the-early-years-collection-dvd-pal
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Next up is the well named STRANGE & UNUSUAL CHRISTMAS FILMS. The films are an odd mash up of color and black & white shorts made between 1945 through 1961. Many of them have been used and featured in recent Rifftrax Comedy Christmas specials, and once you see them, you will know why .

behind-scens-xmas-dreamThe 1945 Czech made “Vánoční sen” was released in the U.S. to tv and home video by Castle Films in 1948 as A CHRISTMAS DREAM . This was the first film that director Karl Zeman mixed live action and stop motion animation . He later become world famous for fantasy films like THE FABULOUS WORLD OF JULES VERNE (Czech: Vynález zkázy /The Deadly Invention,1958,released by WB in 1961).Consider that this short was made when there was devastating rationing due to Nazi occupation until April,1945, it is astounding that the film has such a magical feel.In effect, a young girl neglects her old toy for a new toy,and the older one comes to life.

The English dubbing, however, makes the film enter into the realm of creepy. The high pitched voice of the doll will make a younger generation think of Mr Hankie from tv’s SOUTH PARK (Comedy Central,1997-still running) .

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Next up is SANTA CLAUS‘ STORY (Board of Education,Buffalo,1945).In this story,Santa appears to two little children and tells them “A story you‘ ll always remember“ – about monkeys. That’s right, lots of footage of monkeys. Did I mention monkeys? These first two films have been satirized by the Rifftrax team during their various Christmas specials .

THE NIGHT BEFORE CHRISTMAS(Castle Films,1946) is a live action telling of the the classic Clement C Moore tale, with bits of cartoon animation thrown in. The only thing wierd about it is how it haphazardly jumps from cartoon animation to live action, but is probably the most “normal“ film on the disc.

SANTA IN ANIMAL LAND (Art Reels Production/Official Films,1948)- A bunch of big headed animals get together and go to the North Pole to ask Santa Claus for gifts. This is basically a puppet show that was filmed. However, the behind the scenes history is very interesting. Puppeteer Alfred Wallace (1914-1985) was a Native American puppeteer who had a strong career in the nightclubs during the 1930s through the 1950s. His specialty seemed to have been political satire ,using puppets such as FDR as a baby, or a Senator puppet with two faces. This production seems more like a work for hire piece.

 

 

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The 1945 Czech made “Vánoční sen

 

 

SANTA & THE FAIRY SNOW QUEEN(Sid Davis Productions 1951)is probably the longest film in the collection(26 minutes) and the first in color .Sid Davis is a man best known for his public scare films, mostly about not talking to strangers ,running with scissors or you’ll impale yourself ,or the ‘dangers ‘of homosexuality .fairy Here, he seems to be showing you the dangers of community theatre telling a Christmas tale . Using public domain music , several annoying toys come to life(someone stop Jack In The Box,please!),an  female Elf named Snoopy and a drunk sounding Santa encounter a thick accented Snow Queen. This episode too has been spoofed by the Rifftrax team, but here you can experience it in all it’s bizarre glory.sfq100

THE ELF & MR. LITTLE (1953)seems to be a short made for local television (due to the chroma-key titles) Christmas tale shot in Arizona . It features marionettes by Rex Crum,better known as Rex Castle,who while Arizona based,toured and performed all over the world,even on Cruise ships and Las Vegas Night Clubs.In this a toymaker and his wife meet a Christmas elf.

 

SILENT NIGHT: THE STORY OF THE CHRISTMAS CAROL (Coronet ,1953)is a live action telling of how the famous song came into being.Though shot in color, the print appears at times to have faded almost to black and white.

THE LITTLE MATCH GIRL (CASTLE FILMS,1954)- Hans Christian Anderson’s 1845 story was shot as a live action French short in 1952,that Castle Films re-dubbed and sold on 16mm as well as to television syndication. While many of us think of a the Danish story teller as making lively children’s stories, a lot of his tales are damn depressing ! The Brave Tin Soldier has the title character melted with his ballerina love, the Little Mermaid in its original incarnation had the title character wanting to murder the Prince to get his blood , and then there is this ,the most depressing and saddest of all his stories.

A little barefoot Match Girl is forced into the cold by her (unseen) father to sell her wares. Hungry and cold, she lights her matches for warmth to no avail.As she dies, she sees a vision of the Virgin Mary (in the original story, it is her grandmother who greats her )who floats her off to Heaven. Actually, Anderson was ,like his contemporary Charles Dickens ,was pointing out the inequities of the poor and wanted to show how we neglect our fellow humans.

THE LITTLE LAMB: A CHRISTMAS STORY (Castle Films/United World 1955) is a live action film where a mother (Maureen O’Sullivan), after having her brood of five children say their prayers, tells them a story of a lost lamb and the Nativity. Morris Ankum, known mostly for playing generals and judges, here plays Azur The Shepherd. Not so much strange as a straightforward Christian tale.

CHRISTMAS FAIRY TALE (1961), seems to be a Canadian made film about a little girl who looks at a book and suddenly it dissolves to barely moving clockwork mechanisms. In fact, over 6 minutes of its nearly ten-minute running time is footage is of a revolving diorama with non-moving figures that have a narrator filling in the story!hqdefault

If you want another interesting animated stocking stuffer ,check out also the just released                                                                                 LOST COLD-WAR PROPAGANDA CARTOONS-Color –                                                                       http://www.oldies.com/product-view/7874D.html

 

Kevin G Shinnick

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     (Go Home,Santa, you’re drunk !)

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Shape Of Things To Come(79)Blu Ray – Blue Underground

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SHAPE OF THINGS TO COME (1979)98 mins. Color. BLUE UNDERGROUND BLU-RAY. ALL REGION. Release Date: September 27, 2016 PRICE: $29.98 http://www.blue-underground.com/product.php?product=272

Many years ago, John Mathews (the News Hound) & I took a 45-minute walk to a now long demolished theatre in Hackensack NJ to see a new Science Fiction film. It was the height of the great science fiction craze that had exploded in movies, books, comics and television since STAR WARS( Fox ,1977) hit the scene.images
We should have known something was up when the two of us were the ONLY audience members. However, we settled back to have our private showing, hoping for the best. Well, we enjoyed, but for all the wrong reasons. Remember the audience reaction in THE PRODUCERS(Embassy,1967)? tumblr_n2evlqgunn1sbf1mqo5_500I am sure that our faces somewhat resembled that. About 45 minutes in, the screen suddenly went black, and the manager came down and said if we would take two tickets for a future film, they could all go home early. John & I happily accepted.

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Now, in 2016, I finally get to see the entire film. There was no offer for a refund this time, though, even though I got through the entire picture.
H.G. WELL’S THE SHAPE OF THINGS TO COME, to give the film it’s full onscreen title, was a film that referenced the great writer’s 1935 treatment that became the Alexander Korda THINGS TO COME. *

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Released in 1936, the film was the 16th most popular U.K. film of 1935-36. However, the film fared less well at the U.S. box office and so was viewed as a box office failure. Now it acknowledged as a classic and admired for how prophetic Wells was at his prediction of a second World War (he was only off by a few months).
The 1979 film was a Harry Alan Towers (international film producer whose product ran the gamut  of quality from classic TEN LITTLE INDIANS(WB,1965) to dire (SHE,Prophecy,2001)production funded using private investors and the Canadian Capital Cost Allowance of 1974.

 

This allowed investors to deduct 100% of their investment in feature films that were certified Canadian. To earn that designation, a film had to be at least 75 minutes long, have at least one producer and 2/3 of the “above the line” creative team be Canadian as well as 75% of production and post be done in the country. **

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Canada had had some science fiction tv in the 1950’s (a young James Doohan starred briefly in SPACE COMMAND(CBC,1953) which also had a guest appearance by William Shatner! ) but for the most part there was not a lot of Canadian film science fiction product. Their previous science fiction “epic”, STARSHIP INVASIONS (1977, Hal Roach/W.B.) had an inflatable spaceship and Christopher Lee in a very unflattering spandex outfit and Robert Vaughn missing the high standards of TEENAGE CAVEMAN (A.I.P.,1958).f468f96c9cdb160d7b6f0e0a576be273-1

Photo: Andrew AnthonyPhotography Date: November 1953.

Photo: Andrew AnthonyPhotography Date: November 1953.

 

 

SHAPE OF THINGS TO COME was not a lot better. The film has almost NOTHING to do with Wells, except having a Dr. John Caball (Barry Morse), wherein there was Raymond Massey as John Cabal/Oswald Cabal (one” L”).

 

The “plot” set in the future has Earth recovering from devastating war, forcing the human race to flee and inhabit the moon. To survive mankind needs an anti-radiation drug called ‘Raddic-Q2”, produced only on a faraway planet called DELTA 3 (as opposed to spice from Dune?).

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A cargo ship from Delta 3 is deliberately crashed into New Washington by self-proclaimed New Emperor Omus (Jack Palance, who must have been in deep to H.A. Towers, having worked for him since 1969’s JUSTINE(AIP) and later in the misogynistic GOR (Cannon,1987)).

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The master computer Lomax (voiced by the Laurence Olivier of Canadian theatre, William Hutt) feels a counter -strike would be imprudent.screen-shot-2010-10-25-at-3-27-33-pm Senator Smedley (John Ireland, THE HOUSE OF SEVEN CORPSES, Int. Amusement Corp,1974 ),however, secretly disagrees , and sends a crew off in the space vessel Starstreak to stop Omus .

The crew is made up of  Dr Caball(Barry Morse ,who had appeared in the Canadian WESTWORLD(MGM, 1973) rip-off ,WELCOME TO BLOOD CITY(EMI,1977)with Palance, but is best known for chasing Richard Kimble on t.v.’s THE FUGITIVE (Q.Martin,1963-1967) and, perhaps the reason he was hired for this film, SPACE 1999 (1975-77,ITC ) ),hqdefault-1Caball’s son Jason (Nicholas Campbell, later quite effective in David Cronenberg’s THE DEAD ZONE ,Paramount,1983)and Smedley’s daughter Kim (Anne-Marie Martin billed here as Eddie Benton .Later Ms. Martin starred in the cult horror film THE BOOGENS(Taft Int.,1981)).

 

Caball is accidentally exposed to radiation within the ships reactor room but keeps this information to himself as to not jeopardize the mission.
Also on the ship is “Sparks”, a malfunctioning robot rescued from the crashed spaceship from Delta 3. Sparks ranks among the most annoying robots in film history, or as a friend called him,”the Jar Jar Binks of mechanicals“.vlcsnap-00005
Starstreak malfunctions (this film is full of malfunctioning machinery, making one suspect that writers Martin Lager, Mike Cheda, and Joseph Glazner were secret neo-Luddites) and the vessel is forced to land upon Earth. There they find  children who have survived on Earth  after the Robot Wars. Finishing their repairs, the space voyagers  promise to return once their mission is complete.

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Meanwhile, back on Delta 3, the rightful Governor Nikki (Carol Lynley, a long way from THE POSEIDON ADVENTURE, Fox,1972) is trying to lead a revolt against Omus and his robots.the-shape-of-things-to-come-20 However, her inept fighters are soon overcome by the clunky collection of clanking  robots controlled by the evil Omus.
Starstreak is racing towards Delta 3 at light speed, when it encounters a space anomaly that threatens to destroy the ship. The weightlessness scene does not even go for wire work, but instead as a slightly tilted camera angle as the actors WALK to the other side of the shot.shape_05
They survive (you doubted it?) and finally reach their destination, only to be surrounded by Omus’ robots, while a giant Hologram of Omus appears in the sky above them (an effect that appears as if a video camera was used as Palance sat in a chair slowly spinning in a chair reciting his threats).shapeofthingstocome3 Caball demands to meet with Omus and the villain surprisingly agrees. Caball is bought to Omus who does stock villain rant #3 that fails to move the Doctor to join the dark side. So, Omus dons a helmet and turns torture device whose sound will painfully kill Caball. The device- a spinning disco light (no kidding).

Jason & Kim get to Caball too late to save the Doctor, but Kim discovers that the scientist had radiation sickness and would soon have died anyway (that makes it better??) Jason is captured by Omus and his robots and was about to be subjected to the same torture disco ball when suddenly Sparks has all of the robots turn on Omus. Donning the helmet, Jason gives Omus get a dose of his own medicine until he discovers that the planet is about to explode.the-shape-of-things-to-come-61

Sparks teleports onto one of Omus’ ships to take over the control system .Sparks takes the cargo ship full of Raddic -Q2 off as explosions begin to rip through the city. The remaining humans get back to the Starstreak just in time and lift off as the planet explodes, taking care of Omus and his evil robots.

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But wait, it has also destroyed the only planet where Raddic -Q2 comes from? What will happen when the cargo ship’s supply runs out? Oh well, don’t think on that, just run the end credits.

The film is definitely a product of the 1970s, with the jumpsuit outfits, the square computer buttons and green computer screens. The space ship model work is surprisingly good shape_07(Wally Gentleman had worked on 2001(MGM ,1968)), but the robots, however, are throwbacks to the arm waving cardboard wearing creations from THE PHANTOM EMPIRE(Mascot,1935), only with less charm in their design.

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shape_11The film has the flat white look of a lot of tv science fiction of the time, most notably the Saturday morning SPACE ACADEMY (Filmation,1977-79, with Jonathan Harris) or JASON OF STAR COMMAND (Filmation,1978, starring —James Doohan).
The acting goes from competent(Campbell) to better than the role  deserves (Ann-Marie Martin) to “I’m just here for the paycheck” (John Ireland) to “Oo I see scenery I’m chewing it “(Palance and Morse).

 

That could be blamed on the indifferent direction by George McGowan (who also directed the cult classic FROGS(AIP,1972) as well as the so so horror film SHADOW OF THE HAWK (Columbia,1976).

 

The music is definitely disco era by Paul Hoffert (who wrote a much more effective score for GROUNDSTAR CONSPIRACY (1972, Universal)), even to the damn drum machines.

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Now, to the Blu Ray, BLUE UNDERGROUND has done an exceptionally fine job of making this film look as sharp and as clear as it has ever looked or sounded. They have created an all new Hi Def print from the original negative and a 5.1. surround sound mix DTS-HD & DTS-HD Mono. There are also optional subtitles in English, Spanish & French.

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Blu Ray Extras include:
JASON’S JOURNEY-Interview with star Nicholas Campbell. (made for the Blu Ray release). The still active actor has fond memories of going from acting with Laurence Olivier to working on this film, with a special note about Jack Palance and his need for “weed”.

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SYMPHONIES IN SPACE- Interview with composer Paul Hoffert (made for the blu ray release) The composer talks proudly of his score, and how his floating in space theme is still used by ice skaters, as well as his use of a then new toy drum machine.

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Additional extras ported over from the DVD release of 2004 are
A French Trailer
A Film Ventures TV Spot (rated PG).
A Posters & Still Gallery

There are those who will appreciate the campy charm of the film and its cheesy effects and hammy acting by some of the stars.

I, for one, am not one of them.
Kudos, though, to Blue Underground for their usual high caliber restoration of an obscure title.

-Kevin G Shinnick

*Wells screenplay of Things to Come was based on two of his books, “Shape of Things to Come “(1933) and “The Work, Wealth and Happiness of Mankind” (1931). He originally titled the screen treatment “Wither Mankind?”.

*- the CCA was reduced to 50% in 1982 and the Canadian film boom was over.

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1970s, 1980s, 1990s, 2000s, ALPHA NEW CINEMA, CAMP, cult, diy filmmaking, documentary, dvd, fantasy, genre, George Stover, Horror, humor, obscure, OLDIES.COM, rare, review, SCIENCE FICTION, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized

NO STOPPING THE STOVER

NO STOPPING THE STOVER – (ALPHA NEW CINEMA,2016). Color /B&W. 91 minutes. Documentary /DVD. $7.98
Available at

http://www.oldies.com/product-view/1100D.html

 

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2016 is shaping up to be the year of the Stover. Retromedia just released a limited edition of THE ALIEN FACTOR (reviewed recently https://scarletthefilmmagazine.wordpress.com/2016/07/08/the-alien-factor-1978-limited-edition-blu-ray-1000-copies-only/ )

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and he has at least nine (!) films that he appears in awaiting release or currently filming, including MANOS RETURNS, NIGHT OF THE LIVING DEAD: GENESIS (which stars Judith O’Dea from the original N.O.T.L.D (Continental,1968)) and RETURN OF THE DEVIL BAT (which co-stars Lynn Lowry (THE CRAZIES, Cambist Films1973), Ruby LaRocca (FLESH FOR THE BEAST, Media Blasters,2003), and Conrad Brooks (Ed Wood star). Now for his 70th birthday, we have a documentary of the life of the Baltimore Maryland cult film actor.

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One of the nicest and modest people whom you might ever wish to meet, George was in the forefront of self-publishing genre fanzines, publishing the tiny wonder BLACK ORACLE.BLACK O                                           For ten issues, this ¼ size fanzine sold bloody hair hunksBloodyHunksRev                     as well as wonderful articles overlooked by a lot of the larger genre magazines. cinemacabre7Later he followed it up with another slicker fanzine called CINEMACABRE that published at least seven issues.

Having acted in a college school authorized production of a STAR TREK play called ‘One Cube or Two?”, wherein he played an alien in heavy makeup, Star-TrekStover continues to appear in off beat film roles. His first was in John Waters classic FEMALE TROUBLE (Saliva Films,1974) and he soon became a staple in Maryland Indie filmmaking, while supporting himself working in a regular 9 to 5 job.

He endeared himself to genre fans when he began appearing in films by fellow fanzine publisher(CINEMAGIC) Don Dohler. He appeared in Don’s first feature length film THE ALIEN FACTOR (Cinemagic Visual Effects, 1978) and appeared in all of Dohler’s films in roles of various sizes throughout.

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  (I think my favorite Stover performermance in a Dohler produced film ,STAKES ,2002 Timewarp Films)

In February,2012, George was attacked and robbed in his own home by a career criminal who rather than just leaving, shot George and left him for dead. Even though he was in hospital, he made sure that he called the director of a film that he was working on (DANGEROUS DECEPTION, Lee Doll ,2012) to apologize that he would not be on set! Hearing the actual phone message is quite chilling and yet also shows the professionalism of Stover. Luckily, George survived this real life horror, and is still with us, still sharing his joy of appearing in films.

(You can read local coverage after the event here: 

http://www.baltimoresun.com/news/maryland/baltimore-county/towson/ph-tt-george-stover-1128-20121127-story.html   )

 

Several filmmakers and fellow performers are interviewed to talk about working with The Stover, including director Fred Olen Ray (ATTACK OF THE SIXTY FOOT CENTERFOLD, Concorde ,1995), writer director Mark Redfield (THE DEATH OF POE (Alpha New Cinema ,2006) and many others who have had the pleasure of knowing and working with the man himself.

jj northCenterfold(  George and the charming  J.J. North on set of 60 FT CENTERFOLD )

If you’d like to have a good idea of what it is like to work in low budget films, find out why there is NO STOPPING THE STOVER.

Recommended.9848bf_2c5af2d3381a4f409d509b65ec1873e8

-Kevin G Shinnick

(Full disclosure -I have known of George since subscribing to his original fanzine Black Oracle, and have had the pleasure of meeting him on many occasions.).

If you have a completed  film seeking distribution, contact BRIAN KREY at  briank@oldies.com .Alpha New Cinema has released films by cult directors such as Brett Piper  Mark Redfield to great success.

 

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1950s, ALPHA NEW CINEMA, Bert I Gordon, Brett Piper, CAMP, Classic Hollywood, diy filmmaking, dvd, fantasy, genre, Horror, OLDIES.COM, review, SCIENCE FICTION, STOP MOTION ANIMATION, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized

TRICLOPS

TRICLOP0S BIG

TRICLOPS– Alpha New Cinema / Oldies.com – Director Brett Piper– released May 17 ,2016 -80 min- Color DVD Region 0 – $ 7.98

http://www.oldies.com/product-view/1098D.html

Brett Piper is the Bert I. Gordon of the New Millennium. Like Mr. Big, Brett writes, directs, does cinematography, edits, and does the effects in his films. Doing Bert one better, Brett is an accomplished special effects stop motion animator (no enlarged iguanas* or grasshoppers here).

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Even more impressive, his average film budget** is about the same (or even less ) than that spent by Mr. Gordon on his first film in 1954 (that film was KING DINOSAUR, shot for $15,000 in black and white ,released by Lippert Pictures ).

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Brett’s latest effort is perhaps his most loving tribute to Bert ,the king of Do-it-Yourself Filmmakers . The film TRICLOPS is basically an homage/remake of B.I.G.’s THE CYCLOPS (Allied Artist,1957).

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Not to be confused with Brett’s earlier effort, PSYCLOPS (Edgewood Entertainment, MTI ,2002), TRICLOPS concerns Samantha Katzman (Erin Waterhouse) who is searching for her lost fiancé Glenn Edwards. Edwards’ plane supposedly crashed in a mysterious crater, and so she gets a team to help her in the manhunt. Flying over the crater, the plane is swarmed by a strange flock of bat like creatures that forces the plane] down. Landing, they find a lot of other freakish mutated bugs, killer plants and creatures.

TRICLOP

Searching the area, they encounter the Triclops (Kurt Jordan, though producer Mark Polonia donned the outfit on occasion), a gigantic three eyed mutants. Could this be Edwards?

The film is a love letter to the films Brett grew up with, containing visual and verbal references to many effects films from the 1950s and 1960s. Keeping his already tiny budget low, Brett recycles many animation models from previous films to populate the irradiated canyon.

To me, the Triclops is a bit of a disappointment. Since Brett is such a wonderful animator, I had hoped that her would animate the title creature. For time and to save himself the extra work, he put a mask and gloves upon a performer. Supposedly the makeup went through various permutations before the one used was picked.

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The actors in the film have appeared in previous films for Piper, except for Miss Warehouse’s gamely goes through the wringer for director Piper, and will be appearing in his next film, OUTPOST EARTH (currently in post-production).
The film is more entertaining than the majority of the films that I have come across on the SY FY channel, and with often better effects.

The DVD boasts an audio commentary with Piper and the cast (with Miss Waterhouse phoning in literally her comments). Also included is a blooper reel.

If you are one of those who says why can’t they make monster films like they used to, then seek out TRICLOPS.

-Kevin G Shinnick***

ALPHA NEW VIDEO

For any D.I.Y. filmmakers seeking distribution, ALPHA New Cinema is looking for your films.

In the last few years, they have distributed films as varied as DOCTOR MABUSE (2013), AMICUS HOUSE OF HORRORS, SAM Z ARKOFF FANEX FILES, ASTRO ZOMBIES M3 CLONED, COLD HARBOR, THE DEATH OF POE, MAGDALEN, THE SERPENT’S TONGUE, SEX LOVE & FANTASY, TALES OF DRACULA, and many more.

Contact Brian Krey at briank@oldies.com on how to submit your work for review.

*- I know it sounds like a sexual euphemism

**-THEY BITE (1996,MTI) was rumored to have had a budget of $130,000.

***- full disclosure – I appeared in Brett’s film SCREAMING DEAD(EI) in 2003.

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1930S, 1940s, 1950s, CAMP, Classic Hollywood, cult, documentary, dvd, forrest tucker, john carradine, t.v., tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized

John Carradine Goes Fishing

089218777591JOHN CARRADINE GOES FISHING (1947) (Alpha Video/Oldies.com) $7.98 color /B&W http://www.oldies.com/product-view/7775D.html

Definitely one of the most unique titles that I have ever reviewed, the title basically tells all.

FISH STORY (1947 F.B. Mannon) color-
Carradine and reporter “Tubby” Toms and “wizard of the casting rod” “Stu” Pritchard go off into the Wisconsin woods and we see every detail of their trip set to jaunty cartoony stock music.

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1947 was the year John’s son Christopher was born to Carradine and his second wife Sonia. He appeared in only one film that year, THE PRIVATE AFFAIRS OF BEL AMI (U.A.). In late December he would appear on Broadway for six performances as the Inquisitor in the Charles Laughton starring vehicle, GALILEO. He also appeared in his first television role as Ebenezer Scrooge in A CHRISTMAS CAROL (Dumont Network, December 25th). Along the way he supplemented his income by doing road company theatre tours.

 

         Carradine doing theatre 1960scarradine 1961

This oddity has to be one of the most unique in the Carradine oeuvre. See John Fly Fishing. Hear him sing. See him in Kodachrome color in a red and black checkered shirt. Have him respond to his fellow fishermen who mouth such inanities as “I never thought of actors as people. Tell me how it feels to be a movie star.” Have him thrill in Mock Shakespearean tones and then switch to a cockney accent? See John in huge rubber waders. See him give his SAG (Screen Actors Guild) card over to one of the fishermen. Carradine seems to be having fun, but the other two are very stiff on camera.

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If you are a fisher person, this film will probably thrill you, but as a fan of Carradine, it is an interesting (if staged) part of his private life that you would rarely get a chance to see. FISH STORY is so rare that IMDB does not even list it so kudos to ALPHA on rescuing this film. I could find nothing on the distributor F.B. Mannon and so do not know how widely this piece was ever shown.

 

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CRUNCH & DES: “Spare The Rod” – B&W
Next up is CRUNCH & DES starring Forrest Tucker as Crunch Adams and Sandy Kenyon as Des Smith. This was a 39 episode half hour NBC -TV series that was shot on location in Bermuda and at the RKO-PATHE studios in California. Crunch and Des have adventures aboard their sail fishing craft the Poseidon. In this episode, a young boy (Pud Flanagan) who feels neglected by his businessman dad (Alan Heath) becomes friends with the two stars and they take him aboard and teach him to fish. However, the young man steals then loses Crunch’s prized fishing rod. Lots of great location shots mixed with rear screen and very cramp studio sets. This was Tucker’s first television series, and he takes the show seriously. Des is his sad sack Gilligan, who seems to have little to with the story or its outcome. Another interesting rarity that I had not heard of until now.

Three further documentaries then fill up the rest of the disc:

BATTLING SILVER KINGS (Van Buren Corporation,1931) B&W -is an early sound film that continues the fishing theme of the disc. Sound is a bit muffled and the print scratchy but considering its rarity (Van Buren was best known for his animation studio, but also released travelogues like Frank Buck’s BRING EM BACK ALIVE ,1932). His films
were released through RKO until the studio dropped him to distribute animation rival Walt Disney.

DEMONS OF THE DEEP(Pictoreel,1944) B&W- Such “exotic” species as turtles, reptiles (pronounced “reptill” by the narrator), sting rays, moray eels, and the like are shown. Pictoreel seems to have been a home movie film distribution company, but I could find no info on their history.

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DEEP SEA ADVENTURE (Castle Films /United World Films,1953) killer clams, skin diving, and fishing. See humans stalk and destroy aquatic life. Print is quite scratchy but again rare. This was created for the 16mm home movie collector.

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This is an indeed an offbeat though rare collection of short subjects. I feel that many of these scream out for the MYSTERY SCIENCE THEATRE 3000/RIFFTRAX treatment but it is indeed nice that ALPHA/OLDIES.COM have saved these films for a new generation.

the-face-of-marble-movie-poster-1946                                                           Carradine’s last Monogram film, made a year before FISH STORY

-Kevin G Shinnick

check out the other reviews here including
THE GIRL FROM RIO/ THE MILLION EYES OF SU MURU
FANTASTIC FILMS OF THE DECADE VOL 1 THE SILENT ERA
CITY OF THE DEAD
10 RILLINGTON PLACE
COUNT YORGA VAMPIRE
BROKEN HERO
COMIN’ AT YA!
AMERICAN HORROR PROJECT

and many more

plus articles like
Boris “Frankenstein” Karloff lives on in KARLOFF The Play!
and
JOAN FONTAINE :THE LIONESS IN WINTER

and interviews like
STILL ROCKIN’ ON MUSCLE BEACH! A Conversation with the First Mr. Olympia, Larry Scott By Rod Labbe

 

Feel free to “like” SCARLET THE FILM MAGAZINE REVIEWS on Facebook  and /or

https://scarletthefilmmagazine.wordpress.com

 

comments welcome at scarletthefilmmag@yahoo.com

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                   SON OF FURY (1942) Tyrone Power-John Carradine

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