1960s, 2000s, 2017, Blu Ray, CAMP, cult, documentary, Drama, exploitation, film, FILM HISTORY, genre, Horror, independent, independent film, monsters, obscure, reviews, Synapse Films, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, wierd

The Creep Behind The Camera (Synapse S.E. Blu Ray)

The Creep Behind the Camera (Color,111 min .2014)/The Creeping Terror (B&W,75 min.1964) / (Blu-ray) (Synapse )All-Region $24.99 s.r.p.
http://synapse-films.com/synapse-films/creep-behind-the-camera-the-blu-ray-special-edition/

 

Back in the late 1960s, I caught this awful science fiction film on an UHF channel. At that time, you had to adjust antennas to get a good signal ,as weather could affect your receiving a broadcast. I thought that film was going to be THE CREEPING UNKNOWN (1956, aka THE QUATERMASS XPERIMENT,Hammer).

The film I experienced was another matter entirely. I mean, it had a spaceship and a creature, but– this seemed awfully inept . And the sound ! Where was the sound for long stretches ? Adjusting the antenna did nothing to bring it in.Oh there it is-narration?? Dubbed voices?? I realized I was watching an American made cheapie, but in those pre VTR days ,as a Monster Kid, you sat and watched what you could get.

For a short film ,it seemed mercilessly drawn out , with nothing happening for what seemed like ages. When it ended ,I remember thinking well I’ll never watch that again.

 

Wrong. Years later it was released by several Public Domain companies (as well as more reputable ones ) who would find a poor 16mm dupe of films and put them onto VHS for a hungry new video market. Ah, while working at a video store, how often it would be brought to the counter and I’d stay silent unless asked for my opinion.

The Creepie Crawlie Meets the Troops

 

Later, the film was “discovered” by a larger audience when Mystery Science Theatre 3000 “riffed the show in their sixth season (episode 606 ,September 17,1994) . The inept film had finally found its audience ,who all laughed at the pictures dreadfulness.

What the majority of us were unaware of was that the true monster was not the carpet creature, but the sadistic sociopath who convinced many that he was the next Orson Welles ,while abusing and using women and possibly even being involved with child pornography.                                                                                         Vic Savage

Writer/Director Pete Schuermann (who directed the comedy Star Trek Spoof ,HICK TREK:THE MOOVIE(1999,ATOZ Films) was someone fascinated by the film THE CREEPING TERROR ,and started to look into the history of the film.

What began as a straightforward documentary developed into a hybrid recreation/documentary/true life film on the project and it’s insane creator Vic Savage .

BOBBY

 

Savage was a perfect moniker for him, as he was seemed to be the poster boy for Anti Social Personality Disorder (ASPD). Those who have this may show symptoms as far back as childhood.Those with ASPD tend to lie, break laws, act impulsively, all with a lack of regard for the well being of others or them selves. That seems to be Savage to a T”.

Born in was born August 14 ,1933 in Bridgeport, Connecticut as Arthur Nelson White , one of the lies he would tell people is that he was born in Oklahoma of Cherokee descent .

Somehow, he met actor Joseph Sargent ,and for some reason Savage gave Sargent his first opportunity to direct . Savage co-produced the film (under his real name Arthur N. White) with Karl Kappel while co-writing the screenplay with Lois White (his long suffering spouse?? ).Savage also cast himself in a supporting role as a 26 year old street punk in the film STREET FIGHTER (1959,Joseph Brenner Associates).

The film ,shot in Savage’s own Bridgeport Connecticut , tells the story of an arrogant teen gang leader who when his girlfriend is murdered, decides to clean up his life .

Star Dora Conn seemed to have appeared only in this one film but actress Ann Atmar appeared in INCUBUS (Contempo III Productions ,1966 , itself a film that was briefly lost )as well as a COLD WIND IN AUGUST(U.A.,1961). Ahmed Bey had appeared in an Arabic film, EL zanati Khalifa in 1952, and was a boxing champ.

Director Sargent went on to direct television episodes of STAR TREK (Paramount,1966-1969) and feature films like COLOSSUS THE FORBIN PROJECT (Universal,1970).

STREET FIGHTER the  film is practically lost. In an odd footnote, in October 2014 , Savage’s ex-wife placed her VHS copy of the film up for auction. The original film print was destroyed by her after it was transferred to this VHS copy, supposedly the only existing copy of the movie . I could not find if this print had been sold .

 

                                                                                               Old DVD cover

Savage bummed around for awhile ,until he got the idea of making a monster movie ,originally to be called ‘Dangerous Charter”. Here ,his con man skills sparked into full gear, fooling nearly everyone that he was a star producer ,getting people to donate materials ,locations, and most of all money to his project .

He also slept around ,often in front of his terrified and abused bride , basking in her helplessness. He also was drugging himself to fuel his excesses, and may have also been involved with creating children pornography. All facts that will make it harder to now sit and laugh through the resultant mess that was and is THE CREEPING TERROR (released by Crown International in 1964).

Pete Schuermann with his THE CREEP BEHIND THE CAMERA creates an appropriately interesting hybrid film, interviewing certain surviving members of the film which are inter-cut with the dramatic recreation of the insanity and terror behind the scenes.                                                                               (A weird fetish of the director ? )

The film definitely holds your attention, thanks in no small part to the powerful performance of actor Josh Phillips. A working actor , this film is a showcase for Phillips, as he goes from goofy to terrifying, often within the same scene. One hopes he was not as method as Daniel Day Lewis, for to be around a personality like that would be too much ,especially on a low budget film.

 

He is matched by the performance of Jodi Lynn Thomas, who suffers more abuse than anyone should or could imagine. That the real life Lois survived and indeed is interviewed for the film is a testament to her inner strength .She even co-wrote a book (HOLLYWOOD CON MAN by Lois Schwartz and Janice Wenger ,iUniverse (January 4, 2001))wherein she changes names of many of the people but tells a sad compelling tale of physical and mental abuse since childhood.

Thinking she found love when she married, she soon realized that another even more vicious abuser had her in his control. That she escaped and is now happily remarried is a reassurance about her but makes you wonder how many thousands of others go through such hell on a daily basis ?

The technical aspects of the film are fine with the early 1960s well recreated ,again on a low budget. The photography and sound are sharp and serve the story, rather than drawing attention to themselves.

Imagine if you will a much darker ED WOOD (Touchstone,1994) and it will give you an idea of what to expect from THE CREEP BEHIND THE CAMERA .

 

                                                                             (Model kit of the Creepie Crawlie)

The Synapse single disc Blu Ray release of THE CREEP BEHIND THE CAMERA is a hi-definition 1080p (1.78:1)presentation with a super sharp image and DTS-HD MA 5.1 surround sound .

Synapse has not skimped on the extras on this release.

They include :

-An all new 2K Scan of the original THE CREEPING TERROR. Having only seen this film in dupey washed out prints ,it is nice to see it as how it probably looked upon its original release. That said, there is nothing that can be done about the QUALITY of the actual acting and storytelling.

-An informative running commentary by Schuerrmann, along with Producer Nancy Theken and actors Josh Phillips and Jodi Lynn Thomas. The group seem to enjoy recalling the making of their film with a lot of laughter as well as awe for the work that was put into their project .

-A Behind The Scenes – MAKING OF documentary

                                                                          (Another VHS box cover )

HOW TO BUILD A CARPET MONSTER– this multi part doc shows the progress of creating their recreation of the infamous thingie,though done with materials that were probably unavailable to the original creators.

Breaking Down Art’s Death Scene

Monster Movie Homages

ONE MICK TO ANOTHER Byrd Holland (the original Sheriff from CREEPING TERROR ) and Allan Silliphant (screenwriter, later known for directing /writing /producing the successful 3-D nudie cutie THE STEWARDESSES (Hollywood Films, 1969) over 50 years later about their experiences and lives since CREEPING TERROR.

                                                                                  And another VHS Cover

Alternate Ending

The Original Theatrical Trailer

SCREAMFEST Promo Trailer

SCREAMFEST Q&A with Frank Conniff (TV’s Frank from MST3K ).An interesting talk with the director and two stars ,with Josh looking like he is auditioning to join the band THE MISFITS !

 

                                                                                   (Annnnnd another VHS release)

Removable SDH English subtitles .They seem to follow the dialogue fairly closely.

As I am writing this review, Harvey Weinstein  of Miramax /Weinstein  fame is becoming a Pariah due to his long history of sexual misconduct and abuse. He says his attitude was due to the work enviornment of the 1960s.  Vic Savage would smile in sadistic delight.

 

HIGHLY RECOMMENDED!

Kevin G Shinnick

Advertisements
Standard
1960s, Action Adventure, Blu Ray, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Twilight Time, Twilight Time Blu Ray, Uncategorized, UNITED ARTISTS, Western, westerns

HOUR OF THE GUN (Twilight Time Blu Ray)

HOUR OF THE GUN (U.A.,1967) Twilight Time Blu Ray. 1:41:26 length.  Color . $29.95  . Region Free (A/B/C).https://www.twilighttimemovies.com/hour-of-the-gun-blu-ray/

I grew up watching Westerns. During my childhood , the major channels and the syndicated ones all carried series that dealt with the Wild Frontier.  I found that I never cared for most of the ones wherein they battled the American Indians, feeling that the natives were just defending their lands from invaders ,but I was most fascinated with those tales  that were built around law and order ,and the attempts to enforce it and civilize the society.  ryan-slappin-leather-the-hour-of-the-gun

Often it was the American ideal, of one man ( or perhaps a small group) who took on lawlessness and injustice , and won. As the 1970s rolled around, westerns began to fade from popularity ,perhaps from oversaturation , perhaps from changing tastes. Still ,tales of the old west still resonate with our culture .

The story of the Earps and the O.K. Corral is one that is known by most, though the details for most are sketchy. They know there was a famous gun battle ,of which the Earps survived. The true facts are much more muddy .Wyatt Berry Stapp Earp was at different times a brothel keeper, gambler,  bar keep , miner, stage coach guard , as well as a lawman .

(Tombstone Today ,with the Gun battle recreated )

Earp and his brothers (James,Virgil, and their younger brother Morgan ) and their familes ended up in Tombstone in 1879 ,wherein they encountered “The Cowboys”,a gang of outlaws that included Tom  and Frank McLaury, and Ike & Billy Clanton , The Earps were lawmen ,and they were threatened with death over the course of their time in Tombstone. It resulted in the Earps , and friend,  a former dentist turned gambler dying of tuberculosis named John “Doc”Holliday. facing The Cowboys at the O.K. Corral on October 26,1881. The battle, which took all of 30 seconds with 30 shots being fired,resulted in Bill Clanton and the McLaury brothers dead,with Virgil ,Morgan, and Holliday all wounded. Clanton and Clairborne fled.

robards-as-doc

Sheriff John Behan , who witnessed the shootout, charged the Earps and Holliday with murder. A  Tombstone judge found the men not guilty at trial a month later, ruling that they were “fully justified in committing these homicides”.

Virgil was later shot and crippled by hidden attackers, and Morgan was murdered by other killers  while  he was playing pool with his brother Wyatt.

Unable to get proper justice, Wyatt deputized Holliday, and with some other volunteers, tracked down and killed the men they felt responsible. Another local sheriff issued a warrant for the arrest of Earp and company on charges of murder. They fled to the New Mexico Territory. Earp arranged a pardon for Holliday ,who died of T.B. at the age of 36.5524g

Earp escaped punishment for the murders, and led a colorful life ,even becoming an unpaid consultant on silent westerns, before dying January 23,1929 at the age of 80. He spent most of his life defending his actions of the faithful shootout, which many in the press and friends of the Clantons and McLaurys sought to disparage the Earps.

Several books published about Earp (he could not get his own authorized biography published) turned him into the modern myth whom we know of today. That he was never wounded in any of the gunfights he took part in increases this legend.

Oddly, considering how popular Westerns were in the silent era (Edison’s 1903 THE GREAT TRAIN ROBBERY for one) and with Earp serving as advisor, it is surprising that the earliest film to deal with the legend of the infamous Tombstone shootout did not happen until 50 years after the event.

MPW-88417

LAW & ORDER was a 1932 Universal 75 minute sound film starring Walter Huston,written by his son John with additional dialogue by Tom Reed . Based upon the  novel SAINT JOHNSON(A.L.Burt Publishers,NY 1930) by  W.R. Burnett(who also wrote the book that LITTLE CAESAR (WB,1931) was based upon),Walter Huston plays Frame Johnson ,a stand in for Wyatt Earp. Harry Carey plays the Doc Holliday character ,whose death in the movie leads to the gunfight ! Huston is the only survivor, and he drops his badge and walks off, foreshadowing the ending of HIGH NOON (U.A.,1952) by 30 years.  The story was remade in 1940(Johnny Mack Brown) and 1953 (with Ronald Reagan).

La_20horaesp

FRONTIER MARSHALL(Fox,1934) had George O’Brien as MICHAEL Earp. This version is apparently “lost”. It was remade in 1939 by Fox with  Randolph Scott finally playing a character named WYATT . Caesar Romero was Doc Holliday and John Carradine  is also in the flick .Both films are based upon the novel WYATT EARP FRONTIER MARSHALL   by  Stuart N. Lake (Houghton Mifflin Harcourt,NY 1931).Earp’s widow had sued the studio about the novel and the films, getting  a nice settlement.

hqdefault

THE ARIZONIAN(RKO,1935,remade as THE MARSHALL OF MESA CITY (RKO,1939)) featured a shootout  inspired by the OK Corral events.  TOMBSTONE,THE TOWN TOO TOUGH TO DIE (Paramount,1942) had a fairly accurate recreation of the battle,with Richard Dix as Wyatt, the part he essentially played in THE ARIZONIAN.

MY DARLING CLEMENTINE (Fox,1946) is another inaccurate but immensely entertaining telling of the legend .As director John Ford had Carleton Young  later say in THE MAN WHO SHOT LIBERTY VALANCE (Paramount 1962) “No, sir. This is the West, sir. When the legend becomes fact, print the legend.” .Henry Fonda as Wyatt is out to avenge  the murder of his brother James ,and meets   hard drinking Doc Holliday (Victor Mature,who looks pretty healthy for a T.B. sufferer) who joins Wyatt in his final fight with the Clantons.

Hour-of-the-Gun

On television , there was THE LIFE & LEGEND OF WYATT EARP (A.B.C.,1955-61) starring Hugh O’Brien in the title role.

The June 20,1961 episode called “Gunfight At The O.k. Corral” does a fairly accurate recreation that seems to mirror the actual events.  Also, and most unusual for a show from that era, it depicts the gunfight in slow motion. Hugh O’Brian had been a member of the United States Marine Corps, and he was actually the fastest quick draw of all his fellow actors on TV Westerns. He was able to draw at .08 of a second.

hero_EB19671024REVIEWS710240301AR

The final episode “The Outlaws Cry Murder” ( June 27,1961 )deals with the trials and Johnny Ringo’s plot to kill the Earps.

O’Brien returned to the role for two t.v. movies, THE GAMBLER RETURNS( N.B.C,1991) where he cameos to the main story about Kenny Rogers’ gambler , and WYATT EARP : RETURN TO TOMBSTONE ( C.B.S, 1994) a film that lifts and colorizes various scenes from the t.v. series, and bridging new footage .

 

STORIES OF THE CENTURY “DOC HOLLIDAY” (Republic, March 25,1954) also covered the story in under 27 minutes. Kim Spalding  played “Doc” and James Craven as Wyatt .

GUNFIGHT AT THE OK CORRAL(Paramount,1957) is an exciting if inaccurate telling of the tale starring powerhouses Burt Lancaster, Kirk Douglas , and directed by  powerhouse John Sturges .

giphy

 Lancaster is a hard drinking Wyatt (the real man was a non drinker) powerhouse ,while Kirk Douglas is a pretty healthy Doc Holliday (like Victor Mature , not bad for a man trying to fight consumption).John Ireland is great as fast gun Johnny Ringo. The real Ringo was a loose  associate of the Clantons ,who was suspected of having taken part in the shooting of several of the Earp family .  The final battle happens at sun up and last an exciting 8 minutes (the real battle took all of 30 seconds in the mid afternoon). Still , this is the film that most people thought of when they referenced the shoot out.

giphy (1)

Sturges obviously was drawn to the story, as ten years later , he convinced The Mirisch Corporation  to produce HOUR OF THE GUN (United Artists, 1967).

The picture is based on the non-fiction book   Tombstone’s Epitaph  (Univ of New Mexico Press, 1958), with a screenplay by Edward Anhalt (the Oscar nominated screenwriter of the 1964 screen adaptation of BECKET ( Paramount).

Lucien Ballard (RIDE THE HIGH COUNTRY,Fox ,1962 , and later THE WILD BUNCH ,WB,1969 ,both for Sam Peckinpah) was the director of photography ,and his work shines in this film.  The score was by  the great Jerry Goldsmith, and a good budget of $1,800,000 ( by comparison, BONNIE & CLYDE (WB,1967 ),another period film that same year , cost $2.5 million).5215823122_a17673f25a_b

Tombstone Arizona was not one of the locations used, although Sonoita,Elgin, and the Empire Ranch in Elgin were all used.  The rest of the film was shot in Mexico, including the famous Estudios Churubusco Azteca in Mexico City.

86431fad49bdced27916173cf005ac51--tuck-everlasting-wyatt-earp

The film opens with the famous gun battle (that in real life took place in a vacant lot next to a photography studio , not in the actual corral itself.It occurred in late afternoon, and unlike the hot sunny weather of the film, it had snow upon the ground) . Doc  ( a marvelous Jason Robards ,who had his own battles with alcoholism  ) and some of the Earp  brothers were wounded ,while a few of the Clanton gang are killed .Wyatt (a stoic James Garner) emerges unscathed (which is something that added to the real life legend .He was never shot in any of his gun battles.Indeed , he was better known for coldcocking his adversaries with the barrel of his Colt).913full-hour-of-the-gun-poster

Ike Clanton (Robert Ryan) does not draw his weapon during the battle ,and survives, and wants the local sheriff to charge his opponents with murder .In real life ,Ike was never the leader of the gang, but Ryan makes an imposing figure in the role.  The  movie changed the name of the County Sheriff from John Behan to Jimmy Bryan  (played by Bill Fletcher) but they accurately got the debate as to whether he could arrest the Earps and Holliday .hourofthegun_biggerandfasterthan_FC_470x264_071220160740

A trial is held , presided over by Judge Herman Spicer ( William Schallert ).Though false testimony is given by  several of the Clanton gang, the judge shows that they were in fact lying ,and finds Holliday and the Earps not guilty and had indeed acted within their authority.

Ike does not take well to the news and conspires to assassinate his opponents  When one of his brothers is again wounded and another murdered viciously as they are playing billiards, Earp decides that he will step outside the law and do what he must to stop the Clantons.320full-hour-of-the-gun-poster

The film deals with a lot of the issues that the Earps dealt with, such as that the Clantons had a lot of supporters,  local elections , and even how when they finally get permission to bring in the Clantons, they are told there is no money for deputies!

HOUR OF THE GUN is an exciting telling of the famous tale, with a wonderful group of supporting players taking on minor if important roles.  A young Jon Voight plays  Curly Bill Brocius  ,here shown as a minor gun slinger. In real life, Curly Bill, along with Johnny Ringo , led the “Cowboys” after old Man Clanton died in 1881. Voight was two years away from his career defining role in MIDNIGHT COWBOY (U.A.,1969) . In 1967 ,Voight was a guest star on an episode of the TV series “N.Y.P.D.”,that starred Frank Converse. Converse appeared in HOUR OF THE GUN  as Virgil Earp.

William Windom portrays a drunken gambler who owes Doc Holliday money ,while Monte Markham was Sherman McMasters. McMasters had once been a member of the “Cowboys” but switched sides and actually rode with Wyatt Earp in his vendetta.images

The film was not a success when it was first released ,and indeed is often called dull or slow moving.   This may have been due to the influx of the “Spaghetti Westerns” of Clint Eastwood ,and the changing styles of film making. Indeed HOUR OF THE GUN still harkens back in style to classic Hollywood. However, what sets it apart is that it concentrates on the causes and effects of the violence and with the passage of time, we can now appreciate these factors which makes the tale less a black and white good vs evil story.  24c052ff6d4737bc4d82434470078468--bill-obrien-guns

TWILIGHT TIME has given this film a marvelous Blu Ray release. The film film has been cleaned up with a 1080p resolution in an aspect ratio of 2.35.1 . The sound has been mixed in 1.0 DTS-HD MA . It is clear without any special sound mixing (though the gunshots did have me reaching to lower the volume ).6c17e591a70539f368c46e9e8bd2ba72--maverick-tv-western-movies

As for extras, they are rather spare .  The original theatrical trailer is here and gives you an idea how the film looked in the past. The effects and Jerry Goldsmith’s score can be heard together on a separate track . Julie Kirgo supplies some nice facts in the enclosed booklet  The film itself is the real reason you should pick up this disc.

For anyone who thinks that TOMBSTONE (Touchstone ,1993) was the most accurate telling of the tale of the Earps, I suggest that you check out THE HOUR OF THE GUN .

RECOMMENDED.

 

-Kevin G Shinnickgiphy (2)

Standard
Uncategorized

THE STENDAHL SYNDROME (Blue Underground Limited edition 3 disc set)

BLU-BD-8013_l

THE STENDAHL SYNDROME ( aka La sindrome di Stendhal )1996 Limited Edition 3 disc set (1 Blu Ray,2 DVDs) (BLUE UNDERGROUND) 120 min.Unrated. Color.released Jul 25, 2017  $39.98   https://www.amazon.com/Stendhal-Syndrome-3-Disc-Limited-Blu-ray/dp/B071LFWMMV/

 

The symptom “Stendhal Syndrome” was named after Marie-Henri Beyle (1783–1842), better known by his pen-name Stendhal.Though considered  psychosomatic  by mental health experts,the staff at Florence’s Santa Maria Nuova hospital are accustomed to dealing with tourists suffering from dizzy spells and disorientation after experiencing the beautiful creations on display within the city.

stendahl;

Dario Argento & frequent collaborator Franco Ferrini found the basis for this 1996 release in the scientific study  La Sindrome di Stendahl,Firenze(Milan ,1989) by Doctor Graziella Maghaerini. She had interviewed several patients who suffered from fainting ,etc when viewing great pieces of Art ,and while she worked at the Santa maria Nuova Hospital coined the phrase “Stendahl Syndrome”.

340859-giallo-the-stendhal-syndrome-wallpaper

In Argento’s film ,after viewing some of the exhibits at the Uffizi Museum , a young woman (Asia Argento, one of the director’s daughters ,and now a director in her own right as well as actress) suffers a fugue state (also called dissociative  fugue )wherein the sufferer develops reversible amnesia ,including loss of personal identity and memory . Slowly her memory returns in surreal flashes that have her at times enter into the artwork as she discovers who she is and what she was doing in the city.

What she discovers connects her with a sadistic rapist serial killer ,as well as having her take on another personality .

stendhalsyndrome01

I wanted to try to not give away too much on this film ,as its mazes and turns are worth discovering on one’s own. At times , it harkens to Hitchcock (VERTIGO,Paramount, 1958)by way of the more extreme violent  giallo .

stendhalsyndromeav-03

This was Argento’s return to Italian cinema ,after his two American efforts (TWO EVIL EYES(Taurus,1990)  and TRAUMA(Overseas Film Group,1993) were victims of indifferent distribution , harsh critical reviews and indifferent audiences.  This film HAD been planned to be shot in the U.S. starring Bridget Fonda ,but terms could not be worked out and so the director returned to his home country.

 

The film is also notable as the first Italian film to use computer-generated imagery (C.G.I.).As such, much of it has a somewhat cartoonish effect ,though at times it also adds to the hallucinogenic feel of the film and the sense of disassociation . There are also the physical live action effects by Sergio Stivaletti ,that includes a fish that Asia Argento kisses!

paging mr limpett(Ever been jealous of a fish before?)

 

The photography by Giuseppe Rotunno is a return to the color and style which we associate with Argento . Sadly, Rotunno would retire the following year after making a documentary .Ennio Morricone provides his first Argento film score since FOUR FLIES ON GRAY VELVET (Paramount ,1971) ,building it on childlike melody that runs through the movie.

Some may have a difficult time watching the film due to its barrage of violent rapes ,though Argento was not trying to use them for mere titillation as many films of the period did, but an extension of the dehumanizing attack by the stalker, often ending in murder. That said, it is somewhat disturbing to think that the man behind the camera is the father of the lead actress.

thomas-kretschmann-asia-argento-e-dario-argento-sul-set-di-la-sindrome-di-stendhal-100

The film ,though successful in it’s native Italy (and one Argento’s most expensive productions up to that time) the project languished with American distributor Miramax for nearly two years before getting a token release (more like escape).  Troma released the film to VHS and DVD in a somewhat muddy muted color print.

stendhalsyndrome-troma1

Blue Underground in 2007 released a DVD with much richer color and sharper image than the previous version followed by a Blu Ray in 2008. All these releases were the Uncut English language print.

Now in 2017 ,BLUE UNDERGROUND has gone super deluxe in its release of this neglected film by the horror maestro .  They have released a THREE DISC LIMITED EDITION of the title ,that consists of one BLU RAY and two DVDs.  (The title is also available as a separate Blu Ray from 2008,with some noticeable differences  ) .

MSDSTSY EC002

I recall that as I opened the blu ray to watch it I thought this was really the last Argento film that many would consider “great” ,so I chuckled as I heard Troy Howarth make almost the same observation shortly into his new audio commentary (more about the commentary shortly). Troy’s commentary is just one of the many extras and special care that makes this such a highly recommended release.

 

 

Blue Underground has released  the film in 1:85:1 aspect ratio after discovering previous versions were made with certain imagery pushed to 1:66:1. It has had a major cleanup and a 1080p scan shows the fantastic photography to its fullest extent ,at times its colors rivaling I feel those of SUSPIRIA (Fox,1977).

The sound is presented in DTS-HD Master Audio 7.1,Dolby Digital 5.1Ex and DTS-HD Master Audio 2.0 (the Italian track is only in D.D. 5.1 Ex).The sound and music is clear, with some room shaking surprises that made me jump to lower the volume to spare my neighbors !

The subtitles are clear and quite easy to read (English, English SDH, French, Spanish).

stendhalnew4_original

As to the extras:

The audio commentary that I mentioned by Troy Howarth (author of the must have book “SO DEADLY, SO PERVERSE :50 YEARS OF ITALIAN GIALLO FILMS” ; Midnight Marquee Press, 2015) is a clear easy to listen to yet quite informative running exposition. A scholarly track by someone who is also a fan, and both sides come across during the film’s running time.  Indeed, it is one of the most listenable discourses that I have heard on a blu ray .

SHARP AS A RAZOR is an interview with fx makeup man Franco Casagni.

asia_argento_stendhal_syndrome_by_th_c                              THREE SHADES OF ASIA is an interview with Asia Argento who discusses her experiences on the making of the film ,and what a difficult shoot it appears to have been  though how she states she learned a lot working with her father.

PRISONER OF ART has co-scriptwriter Ferrini discuss the genesis of the project, expanding on ideas from Graziella Magherini’s book into a workable screenplay ,working with Argento, and a different ending idea.

stendhalsyndrome

The English Language trailer, and a still gallery finish the extras on both the Blu Ray and the first DVD in this set.

Another DVD is a bunch of extras from the 2007 DVD release from Blue Underground.

On this extras only  DVD disc :019030_12

Dr  Graziella Magherini talks about working in Florence and certain pieces of artwork that seem to provoke such strong reactions ,and how the cases are treated.

Dario Argento is interviewed at length on how he came across a review of the non fiction book while he was in the U.S. to create TRAUMA ,and the development of the story as well as filming with his daughter (there are some clips from a behind the scenes doc shot during production).

stendhalold2Sergio Stivaletti, perhaps the greatest effects artists to work in Italian fantasy films since the 1980s ,is interviewed about his history of work with Argento and how he taught himself how to do C.G.I.,and the problems of using an animatronic fish in actual ocean rather than a studio tank.

 

Luigi Cozzi (perhaps best known for his personal project STARCRASH,New World,1978) worked for and with Argento since FOUR FLIES ON GRAY VELVET. He discusses the various projects as well as his work on STENDAHL.

Sindrome 2

A background in painting made the project a joy for Production Designer Massimo Antonello Gelling ,bridging the live action footage to the C.G.I. by special sets, as well as creating a lot of the massive art pieces seen in the film.

Finally ,an informative 14 page booklet written by Troy Howarth is included within the Blu Ray/DVD case. The case’s slipcover artwork is reversible.

This is a must have if you are a fan of Argento or Giallo films.  Argento has experienced a bit of a slump in recent years, but with his involvement working on the screenplay for the 2017remake of SUSPIRIA (Amazon Studios)as well his post production on his next project THE SANDMAN  (funded through Indiegogo!   http://www.thesandmanfilm.com) it is wonderful that we can revisit the writer/ director’s previous works and re evaluate him.

1999: DARIO ARGENTO, FILM DIRECTOR

                                                                Highly Recommended.

 

                                                                 -Kevin G Shinnick-

e4a1733ecb655537d52b3205b0137f48

 

Standard
2017, Action Adventure, Adventure, Art house, Blu Ray, crime drama, cult, Drama, Foreign, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized

THE PRISON (blu ray) contest from WELL GO USA (update: CONTEST OVER.CONGRATS TO THE WINNERS-9.2O.2017)

CONTEST OVER.CONGRATS TO THE WINNERS-9.2O.2017

Win one of 4 blu rays of WELL GO USA ENTERTAINMENT‘s HE PRISON.

After a fatal accident, Yu-gon, a former police inspector, is sentenced to hard time in a prison he once helped fill. Once inside, he discovers the entire penitentiary is no longer controlled by the guards, but by a vicious crime syndicate that breaks out at night, using their prison sentences as the perfect alibi to commit intricate heists. Looking for revenge against the system that placed him inside, Yu-gon joins the syndicate… but with every man out for himself, how long can the perfect crime last?

Director: Na Hyun Producer:Lee Sung-Hun
Cast:
Choi Sung-Won, Joo-Wan Han, Han Suk-Kyu
Genre: Action & Adventure, Foreign
Run Time:125 mins.
Korean with English subtitles

See the trailer here :
https://www.youtube.com/watch?v=WFoLR2ARyBY

“The Prison is a ferociously effective genre film from Korea that feels like the kind of movie Hollywood will remake in its own image. But adding star power and the English language won t necessarily improve things, as The Prison is brutally entertaining just the way it is.” –Fort Worth Star-Telegram

To enter, merely like and follow both

https://www.facebook.com/SCARLETreviews/

and

https://www.facebook.com/WellGoUSA/ ,

then send an email with the heading

Take Me to THE PRISON
to

scarletthefilmmag@yahoo.com

Include your name and mailing address in the body of the letter.

Deadline is September 19th,2017.

Four winners will be drawn at random .

THE PRISON will be released on BLU RAY from WELL GO USA ENTERTAINMENT on September 19th.

$29.95 value

 

 Thanks to WELL GO USA ENTERTAINMENT for sponsoring this contest .

(update : CONTEST OVER.CONGRATS TO THE WINNERS-9.2O.2017)

 

Standard
1970s, Action Adventure, AGFA, Blu Ray, crime drama, cult, dvd, exploitation, film, genre, gore, Horror, independent film, Mystery, obscure, rare, reviews, Serial Killer, SOMETHING WIERD, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, wierd

THE ZODIAC KILLER (AGFA /SOMETHING WEIRD Blu-ray released July 25,2017) ANOTHER SON OF SAM $34.95

THE ZODIAC KILLER (Prudential Pictures ,1971) (AGFA /SOMETHING WEIRD Blu-ray released July 25,2017) Color 86 minutes /plus bonus feature ANOTHER SON OF SAM color 67 minutes $34.95

https://www.amazon.com/Zodiac-Killer-Blu-ray-DVD-Reed/dp/B06Y1C49BD/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1491924197&sr=1-2&keywords=zodiac+killer

 

Back in the early 1980s, I worked in a film storage company . While many television suppliers would keep their 16mm prints with us for broadcast, and studios would have their 35mm theatrical prints (mostly weekend children matinees ,like MAGIC OF LASSIE (Int. Picture Show Co, 1978) ,a large majority of our films sat in boxes and rotting film cans.

 

Located in a pier in Edgewater NJ , our storage facility had the original negative of THE HOUND OF THE BASKERVILLES (Fox,1939) as well as NIGHT OF THE GHOULS (Ed Wood ,filmed in 1957, no known release). How these two California produced films negatives ended up in our facility is a mystery. Both were in containers with only lab numbers,without identifying titles.

 

Shipping errors, mislabeling, human mistakes, hundreds of titles ended up misplaced in storage facilities around the country. Some prints were not returned at all ,and ended up remaining in movie theatres, in the hands of private collectors , or buried in cement .

 

 

Add to that film rot (deterioration ) and color shifts (prints turning pink) – it is little wonder that so many films vanish .

 

While major studios have started to preserve their heritage , the independent film, those made outside the system ,or taken by smaller distributors with either shady practices or /and firms that went belly up, a lot of film prints and original elements lay unclaimed in various film labs due to unpaid services or forgotten . Corruption of the film stock had many turn to jelly or dust ,others tossed due to storage fees unpaid.

 

 

Luckily ,in 1990 the late Mike Vraney began the painstaking and time consuming task of finding films in horror and sexploitation ,among the many genres, that he found ,saved from literal oblivion, and released onto the home video market .His hard work turned grind-house filmmakers like Herschell Gordon Lewis and Doris Wishman into cult figures .

 

The incredibly friendly Mike and his lovely wife Lisa Petrucci ,equally friendly as well as his business partner and who wrote up many of the synopses and designed the various covers, were always welcome dealers at various conventions across the country.

 

When he passed , Lisa continued the company , and has kept the legacy of SOMETHING WEIRD alive (check out https://www.somethingweird.com/ ) and now has teamed up with newcomer AGFA ( The American Genre Film Archive ) to restore and release some titles in her catalog onto Blu Ray .

AGFA is a 501(c)(3) non-profit located founded in 2009 in Austin, Texas. AGFA exists to preserve the legacy of genre movies through collection, conservation, and distribution. (Want to donate? http://americangenrefilm.com/about )

 

After a successful Kickstarter campaign ,they are releasing THE ZODIAC KILLER . This is promised to be the first of dozens of titles that AGFA and SOMETHING WEIRD plan to release .

THE ZODIAC KILLER is an incredibly unique film . Created by Tom Hanson who was not involved in film making prior (owning a chain of successful Pizza Man Restaurants) ,his idea was not to make money or for any artistic ambition. Tom felt that his cinematic effort would be a huge aid in helping to capture the Zodiac Killer .

 

The infamous Zodiac Killer claimed his first known victims on December 20,1968 and his last known one on October 11,1969. There are other suspected deaths that are suspected to be the victims of the unknown assassin (he was never apprehended) that go back to 1963 and up to 1970 . The infamous executioner was self named due to a series of taunting and cryptic letters which they sent to the police and newspapers(that continued until April 24,1978) , signed with an enigmatic sketch that resembles a cross hair of a rifle.

 

Hanson thought that if he made a film about the events , the Zodiac Killer would be drawn to see the film ,at which point the filmmaker and friends would perform a citizen arrest!!

 

The plan was the following. Tom Hanson rented out the Golden Gate Theater in San Francisco and premiered the movie on April 7, 1971 (the killer had written his Los Angeles Times letter just three-and-a-half weeks earlier). They thought that his ego would draw him moth-like to a flame to see how his story was portrayed.

Somehow ,he got Kawasaki to donate a motorcycle for a prize giveaway.Entrants would fill out questionnaires with the statement “I think the Zodiac Kills because …” and see if an of the entries matched the handwriting of the Zodiac.

To that end, they constructed elaborate and inane traps with which to apprehend their subject ,including a fake ice cream freezer which had an accomplice of Hanson’s within supposedly ready to leap out at the appropriate moment . He must have consulted Wile E Coyote ‘s beloved Acme products, as the person within the box nearly passed out due to insufficient air holes!

Hanson feels that the had indeed captured the mad man at one of the screenings,but had to let them go due to lack of evidence .

The film was also later handled by an unscrupulous distributor and so Tom Hanson ,needing to make money again, stepped away from the maverick world of indie film making. The film was reportedly shot for $13,000,an incredibly small sum to shoot a film even back in 1970.

 

What we are left with is this incredible document of the time .

 

The motion picture you are about to see was conceived in June 1970. Its goal is not to win commercial awards but to create an “awareness of a present danger”. Zodiac is based on known facts. If some of the scenes, dialogue, and letters seem strange and unreal, remember — they happened. My life was threatened on Oct. 28, 1970 by Zodiac. His victims have received no warnings. They were unsuspecting people like you…
Paul Avery. Reporter
San Francisco Chronicle

 

That is the opening credit to give the film it’s bona fides. Paul Avery was a real life police reporter for the San Francisco Examiner who was drawn into the investigation when he received a Halloween card with the cryptic symbol with the warning”you are doomed” . Avery was later heavily involved with covering the Patty Hearst kidnapping .

 

Having his name associated with the film was meant to lift it up from mere exploitation. The result ,however,while sincere ,is brought down by bad acting and inept technical aspects. That does not mean that the film is without merits.

For one thing, the killings are pretty brutal and sudden . The film also has a dark sense of evil lurking everywhere ,with the killer having the last words :”I’ll be seeing you”.

While claiming to be the true life events of the serial murders, certain facts are played with and a lot of characters who are not involved with the events were invented for the story line .

 

The film is in the end, in spite of all its good (?) intentions , an exploitation film (not that there’s anything wrong with that!!).

 

SOMETHING WEIRD had released THE ZODIAC KILLER prior with two other films on DVD , THE SEX KILLER (Barry Mahon,1967 ,about a Times Square psycho ) and ZERO IN & SCREAM (Lee Frost,1971,a man kills women who reject him in Hollywood). That release is now out of print .

 

This new Blu Ray is a 4K scan 1080p HD transfer from the surviving16mm blow up elements (it was shot in 16mm to be transferred to 35 for theatrical release). The audio is a DTS-HD Master Audio 2 channel track . While the picture quality and sound is improved ,AGFA is taking great pride in not altering or punching up sounds or pictures ,to give the closest presentation to the original release (take that George “let me C.G.I. the soul of it it “Lucas) . Therefore, flaws in the 48 year old film elements remain (some hazing common in 16mm blow ups,and a hair in the gate when it was printed. The sound too isn’t played to jump around your sound system.

 

Other extras on this AGFA/SOMETHING WEIRD release are

 

A brand new commentary track with several of the surviving creative team like Director /Producer Tom Hanson ,Producer Manny Nedwick and several of the AGFA team .

 

A four minute film interview with Nedwick and Hanson have the two discuss how the film came together is material covered in the audio track but it is interesting to put faces to the voices .

 

Finally, a second feature fills out the extras. Whether you think this is a bonus or not depends how much you enjoy ANOTHER SON OF SAM (1977). This film was given a new 2K scan from a 35 mm print.

This film’s most interesting moments are the long list of serial killers going back to Jack The Ripper. I mean it goes on for quite a while. QUITE A WHILE . Almost as if they are trying to delay the start of the movie as long as possible. It finally runs out of murderers to name(though I kept expecting another title to pop up during the course of the film ,reading : “Oh we forgot to mention…”)and we take a leisurely journey down a river, to a couple’s boat house ,and then to a night club where a singer named Johnny Charro,portraying himself , in full lounge lizard attire ,sings “I Never Said Goodbye” ,a tune that rates with “The Words Get Stuck In My Throat”from WAR OF THE GARGANTUAS (Toho,1966) as most responsible for killing nightclubs. Johnny ,by the way ,is still with us and performing .http://www.johnnycharro.com/about.htm

 

“L-l-l-ladies….Johnny Charro”

Finally, just when we think we are watching someone’s vacation films , we cut to a local mental institution . Our killer named Harvey (not a killer bunny) breaks free of his restraints (I wonder if Rob Zombie saw this to inspire his Halloween remakes ?) after receiving electro shock and a sedative (did he hear Johnny Charro??) . A quick flashback implies that Harvey was sexually abused by his mom, causing him to go off on a murder spree.

Somehow ,we try to follow a group of college girls ,whose lives meet up with the killer, and swat teams are called in, and a lot of running around happens ,a few odd freeze frames happen while the sound continues , and mother is called in to confront her son at a police stand off, where he is killed by multiple gun shots (with some of the most obvious blood packs ever used on screen).

The end.

Really.

I watched it twice just to make sure that I didn’t miss something. If anything it seemed more confusing the second time around. Were it not for the sync sound in certain scenes ,I might have thought it was made by Hal Warren of MANOS THE HANDS OF FATE ( Emerson ,1966 ) infamy. It was that level of ineptness. Warren ,however ,had an excuse as he had never made a film before (or after).

ANOTHER SON OF SAM (shot under the title HOSTAGES) was written,produced ,and directed by stunt man Dave A Adams ,who also handled the stunt co ordination .Adams had at least been on film sets before (TRUCKER’S WOMEN ,1975 ,which was released regionally,then on Paragon Video,before Troma picked it up), but you would never know it. Filmed in Charlotte,North Carolina , the film seemed to have been shot in 1975 before finally getting a nominal theatrical in 1977.

 

It is just 67 minutes but it seems ten times longer .This is a film that is crying out for a Rifftrax treatment.

 

 

ANOTHER SON OF SAM is at least much clearer than the old Neon Video VHS copy that was around for years at video stores. That said, poor sound work cannot be improved and this film suffers from a lot of that (though with some of the dialogue,maybe that is a blessing. “No,you can’t come into the shower with me,Henry!”may sound like something sexy is about to happen but the character is talking to a stuffed plush animal!!).

Kudos to AGFA and SOMETHING WEIRD for saving these film obscurities , though your enjoyment will depend upon your enjoyment of
SERIAL KILLER FILMS
1970s EXPLOITATION CINEMA

I assume that if you have read this far, then this Blu Ray /DVD combo is needed for your collection.

This Is Not The End (well actually it is ).

-Kevin G Shinnick

Standard
2017, film, Horror, Netflix, review, streaming, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized

CLINICAL (2017)

CLINICAL (Campfire/Netflix) Now Streaming on Netflix since January 13,2017. 1 hour 44 minutes.color. Horror.

The movie CLINICAL is a 2017 horror/thriller done so well that it will have the viewers at the edge of their seats, feeling the terrified emotions of central protagonist Dr. Jane Mathis, played by talented actress Vinessa Shaw who hasn’t aged since she played Allison in the 1993 movie, Hocus Pocus (Walt Disney Pictures). For those who are into intense emotional horror movies, this film, available on Netflix is definitely worth your time.

Dr. Jane Mathis is a psychiatrist who treats patients who experience trauma. One of her young patients, Nora, brilliantly portrayed by India Eisley who does creepy really well, breaks into Jane’s office, while Jane is there, and uses broken glass to first attack Jane, and then cut her own throat, right in front of Jane, who is too wounded and scared to stop her. Nora survives her self-assault and is institutionalized, while Jane is emotionally traumatized, despite making a full physical recovery from the attack.

 

Time passes. Jane begins seeing a psychiatrist of her own, to deal with what has happened. She is still plagued by nightmares about Nora, while furthermore emotionally haunted by the self-doubt of her failure to effectively reach Nora, which makes Jane question her own abilities and methodology as a psychiatrist. This helps make Jane a highly relatable character to people who have ever felt less than successful in their profession.

Nestor Serrano as Dr Saul

Jane takes on a new client, Alex, a man who has been disfigured and is emotionally suffering, too, convincingly portrayed by Kevin Rahm. While Jane has serious apprehension about trying to treat Alex, he persuades her to continue. Jane uses the controversial, yet popular strategy of trying to help her patient recover from his trauma by first recalling and acknowledging the cause of his trauma, even if he is trying to repress the painful memory. Dealing with Alex, however, is dredging up Jane’s memories of her horrific incident with Nora, making it rather ironic that Jane’s strategy for her client is having an adverse impact on Jane, as it becomes unintentionally applied to her own situation.

The story goes on with twists and surprises that will startle, intrigue, and entertain the viewers, who can make their own conjectures as to what will happen next and how the story will resolve itself. For those who easily become squeamish with depictions of blood and gore, there are some scenes that may be difficult to take, but you will still find this excellently done horror movie worth your time.

I highly recommend it.
-Sean Fallon

 

Hey,isn’t that William Atherton too? Cool.

Standard
1970s, Blu Ray, CLASSIC, comedy, john carradine, sex, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Twilight Time, Twilight Time Blu Ray, Uncategorized

EVERYTHING YOU WANTED TO KNOW ABOUT SEX -Woody Allen-Twilight Time Blu Ray

Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (U.A.,1972) (TWILIGHT TIME Blu Ray ) $29.95 .Region Free A/B/C release July 18,2017 https://www.twilighttimemovies.com/everything-you-always-wanted-to-know-about-sex-but-were-afraid-to-ask-blu-ray/ . Limited to 3,000 units.

Sex Sells. The maxim in advertising is often quite true. People are shocked and titillated, offended and fascinated, intrigued and repulsed by it. Due to that, interest in it never waivers. Back in the 1948 & 1953, the two books that became known as THE KINSEY REPORTS were published. These dry data filled books shocked people , as it let the general public know that their neighbors were doing it, how they might be doing it, some kinks they might have . Masters & Johnson also published their scientific studies, that showed such far out ideas as women might actually enjoy sex .


The freer society of the late 1960s led to the publication of the book EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX* (*BUT WERE AFRAID TO ASK) by David Rueben ,M.D. Published by McKay in June 1969, the book became a world wide best seller. His how to manual seemed a must have .

When it was announced that Woody Allen was going to make a film based upon the non fiction book, people were surprised. Allen ,who had begun as a writer for the Colgate Comedy Hour on television, and written short humor pieces for magazines like The New Yorker. He stepped out and began his successful stand up comedy career , which led to his guest appearances on several popular T.V. shows.

 

His first play, DON’T DRINK THE WATER , was a hit that ran for 598 performances, and introduced the author to Lou Jacobi and Tony Roberts, the latter who became strongly associated with Allen’s films of the 1970s and 1980s.

 

A year earlier , he had written and taken a small role in the popular film WHAT’S NEW ,PUSSYCAT ? (U.A.,1965) .

His next film ,co written with writing partner Mickey Rose was the redubbed Japanese spy thriller International Secret Police: Key of Keys(Toho),with all the dialogue re-dubbed into an hysterical plot about the world’s best egg salad, and the new version was called WHAT’S UP TIGER LILLY?(AIP,1966),hoping to cash in on the success of Allen’s previous movie.

Disappointed by studio interference , Allen vowed to direct and retain creative control on his next films.
His play PLAY IT AGAIN ,SAM in 1969 was another hit, and brought actress Diane Keaton into both his professional and personal life.

Working with Mickey Rose again on a screenplay , Allen also directed and starred in TAKE THE MONEY AND RUN (Cinerama,1969). The modest film doubled it’s investment ,leading U.A. to sign him to a long term (though not exclusive) deal. BANANAS(U.A.,1971) made five times its production costs ,and his play PLAY IT AGAIN SAM (which he wrote & co-starred, but did not direct for Paramount 1972) also did fairly well . Diane Keaton, Jerry Lacy and Tony Roberts also reprised their Broadway roles.


So ,Allen ,who played a nebbishy character often obsessed with but failing at sex, seemed to be ready for the ultimate sex romp. But how to turn the book into a comedy ?

His solution was  to turn the film into an omnibus, with seven stories that all work separately,all dealing with sex.

Do Aphrodisiacs Work?

They definitely do for the Fool (Allen) who has fallen for the Queen(Lynn Redgrave). While his Bob Hope style one liners fail to thrill the King (Anthony Quayle),the Fool definitely has an interest in the lovely Queen(Vanessa Redgrave) that involves more than jokes.

While walking the parapet, the Fool  has an encounter with his father’s ghost (Allan Caillou,probably best known to many as The Head on the short lived tv series QUARK (Columbia,1977-78).A very funny exchange parodying Hamlet ensues.

The ghost sends him to the Sorcerer (played with glee by Geoffrey Holder) who give him a love potion

The potion definitively gets her in the mood. Their amour is stopped by her chastity belt,of which her husband The King has the key. Let us say it ends with Fool  losing his head over sex. A very Decameron inspired tale,by way of Woody Allen. ”It’s great to be back here in the palace!”

WHAT IS SODOMY?


Gene Wilder is Dr Ross,a general practitioner. A new patient ,Stavros Milos ( Titos Vandis,who had starred on Broadway in the original ON A CLEAR DAY YOU CAN SEE FOREVER,1965)),has a problem. He was a lonely shepherd who feels that his sheep Daisy no longer loves him. Shocked at first, Dr Ross is smitten by her sheep eyes, and persuades Milos to leave her with him.This leads to the doctor’s downfall,as he is discovered with the animal, ending in his divorce ,a nervous breakdown,his career shattered ,and him drinking Woolite. Wilder is superb and very sympathetic, so it makes the ending somewhat sad rather than funny.

Why Do Some Women Have Trouble Reaching an Orgasm?

Woody returns in this spoof of Italian films. Here he is Fabrizio ,a husband of six weeks. His lovely blonde wife Gina (played by Allen’s real life second ex-wife Louise Lasser)is unable to climax during sex. Talking with friends provides no help ,until one day when he kisses her in a store ,she gets excited and they begin having sex in public.


The film is an hysterical satire of the popular films that were filling the art-house theatres . The clean lines ,camera set ups, and dialog marvelously send up the films of Fellini and Antonioni. The dialogue is even in Italian with English subtitles.

Are Transvestites Homosexuals?


Lou Jacobi is brilliant as a man who is at a dinner party at a friend’s home, when he decides to try on some of the wife’s outfits. The episode kind of ends abruptly,making it one of the more unsatisfying episodes,plus it never answers the question posed. For the solution  ,one needs to seek out the works of Ed Wood (the answer, by the way ,is no.Not all transvestites are homosexual).

The author of the original book, by the way, seemed to be anti homosexual.He found gay male sex life as loveless anonymous encounters,and also called a trans woman as a “surgically mutilated male homosexual”.

What Are Sex Perverts?


This segment is made to look like the popular game show “What’s My Line?” as if taken from an old black & white kinescope. Jack Barry plays himself ,as the host moderator of “What’s My Perversion?”. In real life ,Barry had been involved in the game show scandals of the 1950s . Among the real life celebrities who had careers on panel shows guessing  portraying themselves are Regis Philbin, Robert Q Lewis,and Pamela Mason, as well as Toni Holt(now infamous for strong support of Donald Trump). There are a few jokes about child molesters and rape that may offend .

Are the Findings of Doctors and Clinics Who Do Sexual Research and Experiments Accurate?


This is my favorite segment of the film. An hysterical send up of low budget horror films. Heather MacRae               ( daughter of Sheila & Gordon MacRae) portrays Helen Lacey , an investigative journalist whose car breaks down .Luckily, she meets Dr Victor (Allen) who is going to the same destination,the home of mad scientist ,Doctor Bernardo (John Carradine, in an uproarious send up of a role he had often portrayed). He and his hunchback assistant Igor (Ref Sanchez,whose make up resembles Karkov in TERROR IN THE WAX MUSEUM(Cinerama,1973),a film that also starred- John Carradine!!)are taking part in strange sexual experiments, among them one of which an unconscious woman is being given nothing but silicone for a whole year.

”She used to be flat chested .Give me another year, and watch out”cries Carradine,the thought of which starts him slobbering and smacking his lips insanely.

 

Karkov in TERROR IN THE WAX MUSEUM

 

Dr Bernardo  plans to use Helen in his next sexual experiment ,but a fight breaks out ,and the equipment explodes and goes into overdrive . The result is that the silicone woman is turned into a giant deadly breast that begins to terrorize the countryside.

The film has the look of so many of the drive in films of the period ,including the stilted explanatory dialogue, the few pieces of mad scientist equipment, and oh yes John Carradine!

 

What Happens During Ejaculation?

Production Designer Dale Hennesy takes an early stab at the look that he will use for Allen’s next futuristic film, SLEEPER (U.A.,1973). In this segment, the set and the sequence at times resembles the 1966 science fiction classic FANTASTIC VOYAGE (Fox,1966) .The brain of our unseen protagonist is run by The Operator (Tony Randall) his assistant Switchboard(Burt Reynolds),and Brain Control ( Oscar Beregi,Jr) .They discuss the latest string of sexual failures, and The Operator checks out their current date (played by Erin Fleming. Fleming is perhaps best known as the woman who helped thrust Groucho Marx in his later years back into the spotlight, only to be sued by the comedian’s family after his death).

They are unsure if this date will result in sex until she says she went to New York University . “We’re in!”crows The Operator confidently.

The various parts of the body are contacted, trying to help get an erection( operated in a room filled with sweaty shirtless men trying to raise a hand cranked crane).

The sperm gather ,as if they are parachuters in a World War II film. One of them is Allen, who fears what’s out there, as you hear about guys hitting against a rubber wall,or perhaps it is an homosexual encounter!

The film is very funny , though some may be offended by some of the humor(rape jokes,gay humor, lines like “This is what we call a beaver shot”. ). That said, if you are going to see an R rated film with this title, you shouldn’t really be surprised .

The film was again a big hit for Allen, making a profit 9 times it’s $2 million dollar budget.

The film had formerly been available on VHS on Key Video .In 2000, MGM released with an acceptable Region 1 print.

The Twilight Time print seems sharper than the film has looked for years, though there is strong grain in the original negative . The film is presented in a 1080p High Definition ,1.85.1 ratio . The audio is English only 1.0 DTS-HD MA. The sound is clean and acceptable,with the dialogue clean and clear. There are also optional English subtitles,that follow the dialogue and action perfectly. This comes in handy if you wish to listen to Mundell Lowe’s score on an isolated track.It is a perfectly serviceable though hardly memorable film score.Still , it is nice that the option is offered.

Julie Kirgo has written a nice essay enclosed in a lovely booklet that is a Twilight Time specialty,wherein she points out that the film was a hit with almost everyone—except Dr David Reuben. Some people just don’t have a sense of humor.

I am aware that Arrow Academy in the U.K. released a region B only version in September ,2016. I do not have access to that print, but I do know it lacks the isolated music track.

If you are a fan of Woody Allen (as I am ) or enjoy wild comedies, you would be well advised to pick up TWILIGHT TIME’s Blu Ray of EVERYTHING YOU WANTED TO KNOW ABOUT SEX .

Recommended.
Kevin G Shinnick

Standard