Blu Ray, comedy, CONTEST, Creative, cult, dvd, DVD /BLU RAY COMBO, film, Horror, https://www.facebook.com/scarletthefilmmagazine/, humor, SCARLETTHEFILMMAGAZINE.WORDPRESS.COM, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, virginia madsen, WELL GO USA

(contest now over and closed)Win a BLU RAY/DVD combo of Well Go U.S.A.’s Horror Comedy BETTER WATCH OUT

 

Thanks to WELL GO USA ( http://wellgousa.com/better-watch-out) ,we are having a contest for the horrordays.

One lucky SCARLET reader will win a Blu Ray/DVD combo of the horror comedy BETTER WATCH OUT .(Region 1). See the trailer here   https://www.youtube.com/watch?v=b88Z3Xa9v4s

VARIETY described it as ‘Home Alone” meets “The Bad Seed” , and a clever black comedy-cum-horror pic .

http://variety.com/2017/film/reviews/better-watch-out-review-1202465391/

The cast includes VIRGINA MADSEN (HIGHLANDER,CANDYMAN, and as Madeline Hawthorne in the 2016 season of AMERICAN HORROR STORY) and PATRICK WARBURTON (star of Netflix‘s THE TICK ) .

 

                                       (update DECEMBER 4, 2017   this contest is now over and closed)                                        

To win : write a short scene to turn a classic Christmas movie or tv special into a horror film.

Ever wonder about the ghosts in A CHRISTMAS CAROL ?

How about IF the kids in A CHRISTMAS STORY were in STRANGER THINGS ?

What is the dark secret lurking in Bedford Falls for IT’S A WONDERFUL LIFE ?

What if the grinch’s heart had not grown two sizes that day in HOW THE GRINCH STOLE CHRISTMAS?

These are just a few suggestions .

This is your chance to have fun and possibly win this blu ray/dvd combo pack of WELL GO USA‘s BETTER WATCH OUT (Region 1).

You can submit several times but each entry must be different .

If you want, you  can even shoot a short  video scene, storyboard , an audio recording ,or do a fake poster .

BE CREATIVE & HAVE FUN .

Deadline is December 1,2017. Winner will be announced on December 5,2017.

Send your entry to Kevin at Scarletthefilmmag@yahoo.com , with BETTER WATCH OUT CONTEST in the heading

One entry will be picked from those submitted.  (this contest is now closed -DECEMBER 4,2017)

BETTER WATCH OUT combo Blu Ray DVD (region 1) is available for December 5,2017 purchase at https://www.amazon.com/Better-Watch-Out-Blu-ray-Combo/dp/B075YL65W8/ref=sr_1_4?ie=UTF8&qid=1511365586&sr=8-4&keywords=BETTER+WATCH+OUT

and other fine stores .

 

Follow and like SCARLET for future contests, articles and reviews.

https://scarletthefilmmagazine.wordpress.com

and on Facebook  https://www.facebook.com/SCARLETreviews/

Feel free to share info with friends. HAPPY HORRORDAYS ALL .

 

 

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1980s, 2000s, Art house, Blu Ray, BLUE UNDERGROUND, cult, dvd, film, Foreign, genre, gore, Horror, humor, international, New York City, nudity, obscure, review, reviews, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized

DE LIFT/THE LIFT and DOWN(THE SHAFT) Blu Ray/DVD Combo packs from Blue Underground

THE LIFT/DE LIFT 1983(Ltd Ed Blu Ray/DVD combo)Blue Underground $39.98 region 0
Color / 99 min. Dutch /English

https://www.amazon.com/Lift-Limited-Combo-Blu-ray-Stapel/dp/B074BNZP7G/

DOWN -2001 (Ltd Edition Blu Ray /DVD combo ) Blue Underground $39.98 region 0
Color /111 minutes English
https://www.amazon.com/Down-Shaft-Limited-Combo-Blu-ray/dp/B074BNB14B/

Back in 1982, ‘Twilight Zone” by Golden Earring was a music video in constant rotation on the new channel MTV. The catchy tune  referenced the
popular TV.series as a suspected spy is caught and interrogated . Several music video directors went on to make popular fantasy films ,such as David Fincher ,Russell Mulcahy, and Alex Proyas.

Also among them was Dutch director,writer,producer, and musician Dick Maas. Since then he has given us many Dutch thrillers and horror films like AMSTERDAMNED(1988,also available from BLUE UNDERGROUND https://www.amazon.com/Amsterdamned-Limited-Combo-Blu-ray-Stapel/dp/B071GW2L2Z/ ), SINT (SAINT) 2010,up to 2016’s PROII (PREY). His films are marked by their style as well as dark humor that permeates them.

His first film that drew him to international attention was DE LIFT . In a modern apartment building in Amsterdam, strange things are happening ,most of which seem to involve the bank of elevators . The company who are responsible for the maintenance of the three conveyers (or lift of the title ) send Felix Adelaar (Huub Stapel ,later to star in MaasAMSTERDAMNED )to check out the systems.

While working, he runs into reporter Mieke de Boer (Willeke van Ammelrooy, star of the art house hit and Oscar winning ANTONIA’s LINE ,1996)who is investigating the strange events.

Among the occurrences are two drunken couples who are trapped in an elevator while the heat increases to dangerous levels , a blind man who falls into an empty shaft (and which the building owners declare is a suicide) ,and the gruesome decapitation of a security guard .

The more the Felix & Mieke investigate, the more strange things become. Is the company RISING SUN,who provides microprocessors for the system ,somehow involved with the strange things?

 

Their detection leads to Adelaar’s wife leaving him and taking the children, thinking that he is having an affair with the journalist. His boss also suspends him. Felix has nothing to lose as he goes to building one final time to find out what is happening and confront the evil within.

DE LIFT seemed to have done well in Europe, but it was not as well received in the United States.

Released to a limited number of theaters in July ,1985 , critics were indifferent to the foreign title ( “Mr. Maas leaves the elevator’s potential fiendishness largely unexploited.”-NY Times,July 4,1985)and 6 year old distributor Island Alive folded shortly after .)

Luckily ,video stores were booming and Media Home Entertainment released it on VHS in 1986 in a dubbed version, and in 1988 through their foreign film division Cinematheque Collection in a Dutch language subtitled print.

Maas continued to create wonderfully off kilter films through his First Floor Features .He creates three popular Dutch comedies and a T.V. series (FLODDER)as well as the marvelous already mentioned AMSTERDAMNED (1988) and even an episode of the THE YOUNG INDIANA JONES CHRONICLES (‘Transylvania Transmission”).

It seems that for years people kept after Maas to do a sequel or a remake to DE LIFT. Finally in 2000, Maas raised sufficient funds (fifteen million Euros) for a larger version that expands on several of the ideas from the original film, and hires American actors as the leads as well as several marvelous character roles.

While set in New York City , the majority of the film was shot in Holland on some of the biggest sets ever built for a Dutch film .Some street scenes and aerial photography were the bulk of the American footage. The blending is for the most part flawless, and even the Dutch actors blend in convincingly in this English language film.

In DOWN (also known as THE SHAFT ,which makes one expect it to be a film about Richard Roundtree ), the setting is in a modern NYC skyscraper. In the Millennium Building, one of the elevators malfunctions and traps a group of pregnant women ,overheating the air and several of them give birth !

The building managers call in the Meteor company that maintains the elevators, who send Jeff (Eric Thal ,Sam Nevins in Buena Vista’s adaptation of Robert Heinlein’s THE PUPPET MASTERS,1994 ) and his new young assistant Mark Newman (James Marshall ,who is best known for portraying James Hurley in the original and revival of TWIN PEAKS )to check them out. Newman wants to do a more in depth review of the systems ,but his partner feels that will be too much of an inconvenience to the building, and expensive. Mr Milligan (Edward Herrmann, LOST BOYS ,W.B. 1987),the building owner, agrees.

Not long after that , a blind man and his seeing eye dog fall (literally) victim to the killer machines. One of the security guards who finds the corpses hanging in the shaft gets his head caught in the door and decapitated when the elevator descends .

Reporter Jennifer Evans (Naomi Watts, later to star in Peter Jackson’s epic KING KONG ,Universal,2005) starts to investigate, and she interviews Newman ,quoting him in her article as saying “ 9 out of 10 people make it out of an elevator alive.”

Newman is chewed out by his boss ,Mitchell (the always wonderful Ron Perlman, HELLBOY,Columbia,2004). Shortly thereafter, another bizarre death happens ,when a skateboarder is pulled supernaturally into an elevator and within seconds hurled up to the 86th floor, and then flung out violently ,through a glass partition and off to the ground below .

A press conference is held by Milligan and Police Lt McBain (Dan Hedaya,THE USUAL SUSPECTS, MGM,1996). The official statement is that the skateboarder committed suicide, and that it had nothing to with the previous accidents .

Evans does not believe it ,and she visits Newman’s home .She has gotten several surveillance tapes, and it shows the skater’s death. Most mysterious, the elevator trip, which should take at least 40 seconds, is accomplished in less than two!

Jeff refuses to believe them ,and so they go to Evan’s newspaper office . Their research keeps bringing up the name of a researcher named Gunther Steinberg (Michael Ironside, forever typecast as a villain thanks to his brilliant work in SCANNERS,Avco Embassy ,1981). Gunther ,who had worked with the army on mixing dolphin brain mass with electronic circuits ,was hired by the elevator company to develop microchips .

The next morning Milligan is horrified when he has the body of Jeff drop through the ceiling of the elevator he was occupying. Jeff had probably been checking the elevators but Milligan and company use his death as a means of scapegoating. At the conference, they call Jeff deranged and say that he had been responsible for all the events, and probably died trying to set up another incident.

The story is believed and the building conducts business as usual. That is ,however, until one elevator speeds upward, the bottom dropping out and passengers, including a small child, fly helplessly downward to their doom . Those who hang on are not safe, as the container hurls at extreme speed through the roof ,stopping with a crushing Impact.

The President of The United States holds a White House press conference ,where he announces he feels that the events are due to terrorists and a terrorist team is sent to protect and prevent any further incidents.

Evans and Mitchell continue to investigate the bizarre history of the building, and the experiments of Steinberg .

Since the Army let him go, it seems that he has continued,only now their may be human DNA ,and the chips have become sentient, and evil.

Can they get in the building, pass the militia and Steinberg to stop the evil ? The film ends like a supernatural DIE HARD (Fox,1988)

DOWN was given a token release by Buena Vista International on May 20,2001. It seems to have come and gone quickly ,and the home video rights were acquired by Artisan . It seemed to have also made little impact on the dwindling video store market ,and with fandom .

Now BLUE UNDERGROUND has done stellar work on finding the best material possible on these two films, and put them on Blu Ray.

THE LIFT is a 1080p HD resolution print 2 K restoration from the original negative , presented in 1:66:1 wide-screen.The film is available in it’s original Dutch Language (5.1 DTS-HD or 2.0 DTS-HD) or English (2.0 DTS-HD). The sound is very clean and clear, with sound effects and original music jumping out at certain points.

Dick Maas also composed the score , and it is one of those now dated sounding synth scores as well as electronic whooshes and sounds .

The English track uses terms like “lift” (a direct translation of the title)rather the more common American usage.

The subtitles seem to be based upon a direct translation of the Dutch dialogue ,as it does not always match the English language dialogue. They are clear and easy to read. There are also English SDH and Spanish subtitles as well.

Other extras are :

-A running commentary by director Dick Maas and editor Hans van Dongen who talk about the difficulties of making this film on a 350,000 Euros budget.

-”Going Up” an interview with star Huub Stapel

-”Long Distance”-a short 4 minute short that has the feel of a Twilight Zone episode ,wherein a father who has had a car accident, calls his home and speaks to his daughter . Beautifully filmed and acted.

-Trailers from the U.S. and Holland

-A poster and still gallery .

-a nice newly written essay booklet by by writer /filmmaker Chris Alexander . He nicely covers the film ,plus discusses the more relaxed mores of European filmmakers about sex and nudity as well as comparisons to Stephen King works about machines gone wrong. He prefers the original film to the 2001 remake.

For DOWN , the film is also a brand new 2K restoration from the original negative, 1080p HD Resolution , presented in a 2.35.1 wide-screen all region print .

The audio is available in the original English as well as French in both 5.1 DTS-HD or Dolby Digital Stereo .

The sound is more mixed for multi speaker presentation (due no doubt to it’s larger budget ),with sounds being very crisp and clean.

The Yellow Subtitles are easy to read, though whomever wrote them , they need to learn the difference between “Your “ and “You’re” .

Spanish subtitles are also available.

Other extras include :

A running audio commentary with Maas and stunt coordinator Willem de Beukelaer . Maas at times seems to have forgotten how certain scenes were done ,but is reminded by de Beukelaer (an example is the opening shot that moves from C.G.I.  and model shots to the live action.On the extras ,we see how the shot was accomplished.More on that later.). It is fascinating to hear the two say how they have worked together since AMSTERDAMMED ,and the difficulties of doing a film like this. The recreations of New York interiors is perfect ,and it seems the diner was actual functional (too bad they didn’t move it to an actual building.I am sure it would have been a hit with tourists to have an American diner in Amsterdam!).

The same director of photography (Marc Felperlaan )worked on both films ,and they recreate some shots ,while using a little C.G.I. to blend between the real actors and effects(such as the beheading in the elevator).

The director seemed to have had disagreement with Marshall on the exact tone of the film, but it does not come across in the finished production.

Director Maas mentions that the film opened the weekend before 9/11, but he is referring to the European opening. It seems it opened well, but after the events, the film did no business.

It is easy to see why. A New York Skyscraper ,people falling to their death, the President referring to terrorists (dialogue was actually copied from President Bill Clinton referencing the Feb 26,1993 bomb attack on the Twin Towers). It is quite creepy ,and not in the way the film intended. Needless the film ended up being a financial failure.

The use of Aerosmith’s “Love In An Elevator” was a big expense but is a nice button to the film.

Other extras are

The Making of Down : a behind the scene look at the making of the film, including the construction of the huge sets, and the mix of CGI and live action,as well as the various stunts.

The Blu Ray exclusive is a more detailed behind the scenes documentary.

-There is also the American teaser and theatrical trailers.

-A poster and still Gallery

– A Collectible booklet with a new essay by Michael Gingold.

 

Both films have much to recommend them . The original has a nice gritty quality to it , though oddly, I lean more to the slicker American remake. It is probably because of the expanded story-line plus the dark humor comes more to the fore . The remake does seem to fluctuate as to whether there is a supernatural element or is it a sci fi A.I. story (or both) , but it doesn’t take away from the film.

Maas handles possessed machinery better than Stephen King film adaptations like MAXIMUM OVERDRIVE (1986,D.E.P.). It also predated supernatural skyscraper films like the little seen  DARK TOWER (Sandy Howard, 1987 ;directed by Freddie Francis (as Ken Barnett), Ken Wiederhorn  (as Ken Barnett)(!!) starring Jenny Agutter and Michael Moriarty) and elevator terror films like DEVIL (Universal,2010) or ELEVATOR ( Inception ,2011) .

 

I would definitely recommend both films ,especially if you wish to see an example where a foreign director remakes his film in English and doesn’t mess it up (a la THE VANISHING (Argos Films,1988  and  Fox,1993).

Both Recommended.
.
-Kevin G Shinnick

Feel free to share our reviews.

 

 

Make sure you follow us on  https://scarletthefilmmagazine.wordpress.com

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1950s, Academy Award Winner, Art house, Blu Ray, CLASSIC, Classic Hollywood, cult, genre, humor, Ireland, John Ford, John Wayne, Maureen O'Hara, OLIVE FILMS, Republic, review, romance, studio history, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, Victor McLaglen

THE QUIET MAN ( Olive Films Signature Blu Ray)


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THE QUIET MAN (1952) –Olive Films Signature Series Blu Ray $39.95 Color 129 minutes. Region 1. 1.37:1 mono release date October 25,2016 .
http://store.olivefilms.com/Drama.56/Olive_Films.38/The_Quiet_Man___Olive_Signature__Blu-Ray_.6308.html     

One of the most beloved films of all time gets a wonderful and superlative release from OLIVE FILMS as part of their  inaugural ‘Signature “releases (along with HIGH NOON, covered previously( https://scarletthefilmmagazine.wordpress.com/2016/09/26/high-noon-olive-films-blu-ray-and-dvd-signature-release/      ) and the quality and respect that these masterpieces have received from the studio should make movie lovers rejoice.

 

Coming from the original camera negative, the transfer received a 4 K scan and the results are amazing.

 

The Technicolor no longer has that slightly muddy look that the film had for many years. Maureen O’Hara ‘s fiery red hair blazes with the passion that also illuminates her performance. The greens fields make you want to pack your bag and ‘teacht ar ais go hÉirinn” (“come back to Ireland”).

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The story by Maurice Walsh first appeared in the February 11,1933 edition of the Saturday Evening Post, and was later published in a collection called The Green Rushes (1935, Frederick A. Stokes Co.) .
http://dukefanclub.weebly.com/uploads/1/0/9/9/10994017/the_quiet_man.pdf

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downloadJohn Ford ‘s love of the story involved him having to first do a western for Republic (RIO GRANDE 1950). That film was successful enough that the studio approved location filming in County Mayo and County Galway while shooting in the more expensive Technicolor (most of their color films were shot in the cheaper Tru Color Process). Then interiors were shot back at the studios in Hollywood.

 

the-quiet-man-french-movie-poster-1952

American Sean Thornton (Shawn Kelvin in the original story), played to perfection by John Wayne, returns to his ancestral home in Inisfree. He begins to fall for the beautiful colleen, Mary Kate Danaher (Maureen O’Hara), but she wishes to observe the local matchmaking principals, and obstacles and cultural differences keep getting in the way.

 

 

Also, a huge block is her brutish protective brother, Squire ‘Red “Will Danaher (Victor McLaglen, Oscar winner in 1935 for RKO’s John Ford classic THE INFORMER, wherein he played another slow witted but brutish fellow during the Irish Revolution). He cannot stop the couple from falling in love but he can deny them her dowry. Instead, the Squire challenges Thornton to fight, but the Yank walks away. Mary Kate thinks that Sean is a coward, but as the film unfolds we find out he has a dark secret.

 

The film ends with one of the best and most exciting and funny fight scenes ever committed to celluloid.the-quiet-man-005

 

Onto this slim framework, John Ford (via a screenplay adaptation by Frank S. Nugent, who wrote some of Ford’s best films) populates the film with almost every Irish character actor from Hollywood as well as several locals. The film makes the countryside also as much a character, and when the storms and rains hit, we are treated to one of the most electric screen kisses of all time.thyat-kiss

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In 2013, OLIVE FILMS released the film on BLU RAY and DVD. While the film has hardly been out of the public eye since its release (a yearly March must show on television, as well as various releases on VHS by Republic as well as DVD releases by Artisan), the current incarnation from OLIVE FILMS is the must own version.

 

quie2

As mentioned, the film has been given a beautiful video upgrade. I do not have the previous Olive Films release for comparison, but must reiterate that this print is flawless. Colors leap out and the mono sound is ultra clean and hiss free.

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The English optional subtitles follow the action and dialogue precisely. Kudos to whomever is charged with this important option for the hard of hearing audiences.

 

Ported over from the previous 2013 release is
The Making of The Quiet Man – a documentary that originated in the 2002 Artisan release. Leonard Maltin as always guides us through the history of this classic film in his usual fun and informative style.

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New to this release is

Audio Commentary Track by Joseph McBride, author of two John Ford books. The love of his subject comes throughout his feature, dropping facts and info in an easy and informative fashion. It is so informative about the film and Ireland in 1951 that this is a track you will want to listen to it  several times to get the full effect.2995768_orig

Free Republic – a brief little history of the studio as to how a film processing company got into producing no nonsense and profitable films but somehow made films like Orson WellesMACBETH (1948, coming from Olive Films on Blu Ray    http://www.olivefilms.com/films/macbeth-%E2%80%93-olive-signature/         ) and of course THE QUIET MAN. This short is hosted by by Marc Wanamaker, a co-author (along with E.J. Stephens) of EARLY POVERTY ROW STUDIOS (Arcadia Publishing,2014). Mr. Wanamaker is also a founder of the Hollywood Heritage Museum.

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A Tribute to Maureen O’Hara – actresses Juliet Mills, Hayley Mills, and Ally Sheedy share their memories and tributes to the actress. Besides her beauty, they make sure that people are aware of her strong personality, her charm, her career, her grace, and most of all her great talent. The warmth of their memories is truly moving.

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The Old Man- Director Peter Bogdanovich (TARGETS, Paramount,1968) shares his thoughts on Ford and his career. From interviewing Ford for Esquire, the two directors developed a lasting friendship. I enjoyed Bogdanovich’s story of visiting Ford just before his death, along with Director Howard Hawks, and instead of hello Ford barked out how could Hawks stand all the questions that Bogdanovich’s had!

 

 

Don’t You Remember ,Seánín?
– A visual essay using footage from the film by quite voiced Tag Gallagher, film and John Ford expert. I do love his opening comment: “Every Irishmen is an actor “said John Ford, “And how flamboyant they are about it. Exhibitionists, like dancers. Their body language makes emotions vivid, palpable.”

 

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The booklet enclosed has a few photos but no real information besides the cast listing, chapter stops on the disc and listing of the extras.

 

 

The slipcover can be reversed to show a beautiful black and white photo of the courting ride through town. The cover is a shot of the same sequence, with the two lovers walking in front of the carriage driven by Barry Fitzgerald. That shot captures the beauty and the romance of the film, and kudos for this original choice. It is also used for the hardcover cardboard case that it comes in.

 

 

The only way that I could see this release being any better is if they had also added a second disc to include the 2010 documentary DREAMING THE QUIET MAN (available from OLIVE FILMS http://www.olivefilms.com/films/john-ford-dreaming-the-quiet-man-blu-ray/ ) .

 

dreaming

I could go on and on as to why this film deserved to be chosen by the U.S. National Film Registry by the Library of Congress in 2013, but if you have ever seen the film you have no need for convincing.

 

MOLADH AIRDE! (HIGHEST RECOMMENDATION!)

Kevin G Shinnick

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1930S, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, cult, Film Detective, FILM NOIR, friend, genre, Hammer Films, Hitchcock, Horror, humor, RICHARD VALLEY, Uncategorized

NINE YEARS ON

NINE YEARS ON

It is hard for me to grasp still but that it has been nine years since writer, playwright, editor, publisher, actor, and friend RICHARD VALLEY passed away.

richard-valley

What I wrote quickly then
http://scarletstreet.yuku.com/topic/4623/SADDEST-NEWS-I-VE-HAD-TO-POST-HERE?page=1#.V_47YvkrLIU

kevin g shinnick
SADDEST NEWS I VE HAD TO POST HERE-

Posts: 15257
Oct 12 07 11:37 AM

RICHARD VALLEY, SCARLET STREET EDITOR, has passed away at age 58.

He leaves behind a beloved mother, and his love of over a quarter century,
Tommy Amorosi.

scarlet-st-1

Since then, many other fanzines have ceased publications, many other friends in the genre have gone on to join him in the great beyond, and many of the issues that were important to him have become political fodder once again.

To me, though, it is a personal loss of a man who was a great true and loyal friend who could irritate the hell out of me and then move one with his extreme generosity and kindness.

I have been lucky to have had four truly great friends in my existence, and though now two have departed, I still cherish them all.

I hope that each and every one of you is fortunate enough to know or have known such a shining presence in your life.
-Kevin G Shinnickscarlet-issue-55

Feel free to share any memories that you have of Richard and SCARLET STREET.

I hope you enjoy the https://scarletthefilmmagazine.wordpress.com/    and share it with your friends.

richard-valley

BIG THANKS to JOHN C STOSKOPF for preserving SCARLET STREET and painstakingly scanning them to post them online for people to enjoy the work of Richard and so many contributors.  http://scarletstreetmagazine.blogspot.com/

https://scarletthefilmmagazine.wordpress.com/2015/10/13/remembering-where-we-come-from-rest-in-peace-richard-valley/?preview_id=2richardvalley

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1970s, 1980s, 1990s, 2000s, ALPHA NEW CINEMA, CAMP, cult, diy filmmaking, documentary, dvd, fantasy, genre, George Stover, Horror, humor, obscure, OLDIES.COM, rare, review, SCIENCE FICTION, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized

NO STOPPING THE STOVER

NO STOPPING THE STOVER – (ALPHA NEW CINEMA,2016). Color /B&W. 91 minutes. Documentary /DVD. $7.98
Available at

http://www.oldies.com/product-view/1100D.html

 

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2016 is shaping up to be the year of the Stover. Retromedia just released a limited edition of THE ALIEN FACTOR (reviewed recently https://scarletthefilmmagazine.wordpress.com/2016/07/08/the-alien-factor-1978-limited-edition-blu-ray-1000-copies-only/ )

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and he has at least nine (!) films that he appears in awaiting release or currently filming, including MANOS RETURNS, NIGHT OF THE LIVING DEAD: GENESIS (which stars Judith O’Dea from the original N.O.T.L.D (Continental,1968)) and RETURN OF THE DEVIL BAT (which co-stars Lynn Lowry (THE CRAZIES, Cambist Films1973), Ruby LaRocca (FLESH FOR THE BEAST, Media Blasters,2003), and Conrad Brooks (Ed Wood star). Now for his 70th birthday, we have a documentary of the life of the Baltimore Maryland cult film actor.

MANOSRETURNS

One of the nicest and modest people whom you might ever wish to meet, George was in the forefront of self-publishing genre fanzines, publishing the tiny wonder BLACK ORACLE.BLACK O                                           For ten issues, this ¼ size fanzine sold bloody hair hunksBloodyHunksRev                     as well as wonderful articles overlooked by a lot of the larger genre magazines. cinemacabre7Later he followed it up with another slicker fanzine called CINEMACABRE that published at least seven issues.

Having acted in a college school authorized production of a STAR TREK play called ‘One Cube or Two?”, wherein he played an alien in heavy makeup, Star-TrekStover continues to appear in off beat film roles. His first was in John Waters classic FEMALE TROUBLE (Saliva Films,1974) and he soon became a staple in Maryland Indie filmmaking, while supporting himself working in a regular 9 to 5 job.

He endeared himself to genre fans when he began appearing in films by fellow fanzine publisher(CINEMAGIC) Don Dohler. He appeared in Don’s first feature length film THE ALIEN FACTOR (Cinemagic Visual Effects, 1978) and appeared in all of Dohler’s films in roles of various sizes throughout.

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  (I think my favorite Stover performermance in a Dohler produced film ,STAKES ,2002 Timewarp Films)

In February,2012, George was attacked and robbed in his own home by a career criminal who rather than just leaving, shot George and left him for dead. Even though he was in hospital, he made sure that he called the director of a film that he was working on (DANGEROUS DECEPTION, Lee Doll ,2012) to apologize that he would not be on set! Hearing the actual phone message is quite chilling and yet also shows the professionalism of Stover. Luckily, George survived this real life horror, and is still with us, still sharing his joy of appearing in films.

(You can read local coverage after the event here: 

http://www.baltimoresun.com/news/maryland/baltimore-county/towson/ph-tt-george-stover-1128-20121127-story.html   )

 

Several filmmakers and fellow performers are interviewed to talk about working with The Stover, including director Fred Olen Ray (ATTACK OF THE SIXTY FOOT CENTERFOLD, Concorde ,1995), writer director Mark Redfield (THE DEATH OF POE (Alpha New Cinema ,2006) and many others who have had the pleasure of knowing and working with the man himself.

jj northCenterfold(  George and the charming  J.J. North on set of 60 FT CENTERFOLD )

If you’d like to have a good idea of what it is like to work in low budget films, find out why there is NO STOPPING THE STOVER.

Recommended.9848bf_2c5af2d3381a4f409d509b65ec1873e8

-Kevin G Shinnick

(Full disclosure -I have known of George since subscribing to his original fanzine Black Oracle, and have had the pleasure of meeting him on many occasions.).

If you have a completed  film seeking distribution, contact BRIAN KREY at  briank@oldies.com .Alpha New Cinema has released films by cult directors such as Brett Piper  Mark Redfield to great success.

 

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1930S, 1940s, 1950s, 1960s, book, BOOK REVIEW, books, cult, Encyclopedia, fantasy, genre, Horror, humor, McFarland, obscure, rare, review, rpg, SCIENCE FICTION, Silent, SILENTS, t.v., tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, Western, westerns, wierd

Encyclopedia Of Weird Westerns -a SCARLET book review

wierd westerns cover

ENCYCLOPEDIA OF WEIRD WESTERNS by Paul Green (McFarland, publication February 2016) 320 pages-softcover $39.95 www.mcfarlandpub.com .

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Ever since seeing PHANTOM EMPIRE (1935, Mascot) on television, I have enjoyed westerns that not your typical gunslinger tale. It seems that I am not alone in my enjoyment of these genre mash ups, as author /comic artist Paul Green has tracked down horror, fantasy, sci fi tales of the Old West (or western tinged tales).

Green casts a wide lasso to hog tie in film, stories, games, and comic books that touch on these hybrid tales.

Some of the titles may raise a few eyebrows for their inclusion (STAR WARS, Fox 1977) as Space Westerns, and a few for their omission (THE TERROR OF TINY TOWN, Principal 1938) though the author clarifies why he feels certain titles don’t fall under the definition “Weird Western”. However, where is GHOST TOWN (Empire,1988)? He lists several other Charles Band produced films so I am surprised he missed this one.

 

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(GHOST TOWN disappeared from the book )

Most fascinating was how far back in literature these oddball oaters went. In 1868, “The Huge Hunter or The Steam Man of the Prairies “by Edward Sylvester Ellis was published, featuring a steam powered robot (true STEAM punk!) . Dime novels, pulps, and magazine serials all spun out tales of when the uncanny went West.

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I do recall in the 1960s a lot of comic books have science fantasy and outright horror stories mixed in with the six gun slinging chronicles. Many of these inspired big (and not so big) budget films and tv series such as COWBOYS & ALIENS (Universal ,2011).

THE DARK

There are even several role playing games for those so inclined ,such as DEADLANDS (Pinnacle Entertainment Group,1996 )and it’s follow ups.

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Author Green choses some pretty choice illustrations for the comic art, giving small bios on artists like John Severin who did a lot of work in the craft. Likewise, he provides some rare lobby cards and photos from the cinematic world.

All and all, a pretty good research book on this subgenre of sage brush strangeness.

Kevin G Shinnick

SpaceWestern40

 

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BOOK REVIEW, fantasy, humor, Uncategorized

BROKEN HERO by Jonathan Wood

broken hero

A Scarlet the Film Magazine Book review

BROKEN HERO -by Jonathan Wood. (Titan Books http://www.TITANBOOKS.COM )429 pages $14.95 U.S. /$ 19.50 Canada/ £ 7.99 U.K. available at http://www.barnesandnoble.com/w/broken-hero-jonathan-wood/1121090537

“And you know how you can be fairly certain that the agency retreat has gone awry? When the giant mechanical robot smashes through the floor and starts to destroy everything in sight. That is exactly when.  ”  – from Broken Hero .

A fun, funny, and fast paced read, BROKEN HERO is James Bond style story where the hero has stumbled into the world of Douglas Adams’ HITCHHIKERS GUIDE TO THE GALAXY.

Arthur Wallace is an agent of MI37, a super-secret agency that the British Government has created to deal with issues that fall outside the regular parameters of other agencies (think Torchwood).

In this, his fourth and supposedly final adventure, Arthur is now fighting Nazi Robots, The Uhrwerkmann, with the elderly Nazis not only wanting to destroy the world but are even bickering among two factions. Oh, and one faction has a reality bomb. A lot of pub hopping, fighting, more pubs, and near end of the world confrontations ensue.

 

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The writing is crisp, and the story is exciting while never taking itself seriously. I think I am going to seek out the previous books in the series (NO HERO, YESTERDAY’S HERO, ANTI-HERO, as well as the short story “The Nyarlathotep Event “(referred to as Arthur Wallace 1.5), that appears in the collection THE BOOK OF CTHULHU II. All but the THE BOOK OF CTHULHU II are available from http://www.TITANBOOKS.COM .

 

Nazi Robots by AdamRyomaTazi                                                (art Nazi Robots by AdamRyomaTazi  )

 

-Recommended read.

-Kevin G Shinnick

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