2018, Blu Ray, crime drama, David Tennant, Dean Devlin, dvd, Electric Entertainment, film, Horror, https://www.facebook.com/scarletthefilmmagazine/, independent, Mystery, review, SCARLETTHEFILMMAGAZINE.WORDPRESS.COM, Serial Killer, streaming, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized

BAD SAMARITAN

giphy (1)

 

BAD SAMARITAN is a superior example of the serial killer thriller genre.

Opening in 2000 theatres in May 2018, the film did not do well in its three week run ( making only $3,435,047 ) . It’s distributor , Electric Entertainment, who produced several television  and theatrical  co productions) has released three motion pictures ,all of which had high profile stars (BLACKWAY starring Anthony Hopkins in 2016; LBJ directed by Rob Reiner and starring Woody Harrelson in the title role in 2017; and now this film) but have not registered a blip on the radar financially.  The real shame is that two of them films(I have not seen BLACKWAY to honestly comment) are superb motion pictures.

BAD-SAMARITAN-Dean-Devlin2-300x200

 

Back to BAD SAMARITAN . Directed by Dean Devlin (INDEPENDENCE DAY) with  true style , and a clever screenplay by actor writer Brandon Boyce ( his skill as a thriller writer were in full view in  his adaptation of Stephen King‘s APT PUPIL ,Columbia,1998), the film, set in present day Portland Oregon ,makes full use of modern technology .

 

Bad-Samaritan-Robert-SheehanAmateur photographer Sean Falco      (Irish  actor Robert Sheehan , who appeared in Devlin‘s noisy but empty  GEOSTORM ,WB/Electric ,2017)  also  works with his best friend Derek (Carlito Olivero , who began in show biz  as a lead singer in a revamped Menudo ) parking cars at an upper class restaurant. This job also allows them to pilfer the homes of those in the eatery, since it is obvious that they are not home, often using the victim’s own cars to drive to and from the burglary! Sean takes mostly items that won’t be noticed ,such as photographing a gift card’s info and number, as  the card itself isn’t needed to purchase items online.

 

Screen-Shot-2018-02-07-at-12.00.52-PM-1200x520

 

One day a rich self centered Cale Erendreich  (an absolutely terrific David Tennant, making one forget his DR WHO persona for BBC TV from 2005-2010) drives up in a $200,000 Maserati ,and his attitude spurs  Sean to go to Cale’s home and rob it.  However, when he breaks in, he finds a woman bound and gagged (Irish actress Kerry Condon ,from AMC tv‘s BETTER CALL SAUL ,2015-present). He ungags her but she points out that the house is wired to be control and surveilled remotely by Cale from his phone . In a moment, Sean gets fearful and yells I’m sorry to the imprisoned woman ,and flees.

bad-samaritan-2

         Ah, the glamorous life of a film actress. 

Getting the car back to a waiting Cale, a guilt ridden Sean contacts the police, which brings him to the attention of Cale . Cale decides that Sean needs correcting ,and thus begins to systematically destroy everything that the young man cherishes , while the police find Sean’s stories less than credible, especially when they check out Cale’s home and discover nothing. Bad-Samaritan

 

The tale becomes then one where not only must Sean try and save the unknown woman, but he must also try and hang onto his own existence. Bad-Samaritan-movie

 

Interestingly, three of the main leads are from the U.K., with Tennant and Condon  mastering American accents, while Sheehan is allowed to use his natural Irish accent).

Bad-Samaritan-1-600x400

Cinematography by David Connell (who had worked with Devlin on the tv series, THE LIBRARIANS( Electric , 2014-8) is sharp ,and makes marvelous use of cold blues as well as sterile clean white rooms . The music by Joshua LoDuca   ( tv’s ASH VS THE EVIL DEAD  , Renaissance/Starz,2015-18)is quite superb at underlining  and supporting the suspense ,with several well placed stings to accentuate jump moments.

 

Dean-Devlin-Bad-Samaritan-interview

 Is he more creepy dead eyed and emotionless? 

david-tennant-bad-samaritan

or more creepy smirking ?

 

91ycMi9TkHL._SX385_The film is definitely worth seeking out, and has been released on DVD and Blu Ray from Sony Home Entertainment.  The Blu Ray is Region A ,and features a running audio commentary by Devlin and Boyce, as well as deleted scenes as well as optional subtitles.

Bad_Samaritan_-_4

It can also be rented/ purchased on AMAZON PRIME (available for free viewing to Amazon Prime Subscribers.  https://www.amazon.com/Bad-Samaritan-David-Tennant/dp/B07F1P5L19/ref=tmm_aiv_swatch_0?_encoding=UTF8&qid=&sr=

image4

Seek out the BAD SAMARITAN, and pray that he does not seek YOU out.

Screen-Shot-2018-04-12-at-4.02.07-PM

-HIGHLY RECOMMENDED.

Kevin  G Shinnick

 

Like & /or Follow SCARLET THE FILM MAGAZINE REVIEWS HERE

https://scarletthefilmmagazine.wordpress.com/

or and on FACEBOOK  https://www.facebook.com/SCARLETreviews/

To keep up with new articles ,reviews, and contests .

Feel free to share our articles and reviews.

tenor

 

Advertisements
Standard
1960s, 1970s, Boris Karloff, cult, dvd, exploitation, fantasy, film, Foreign, genre, Horror, https://www.facebook.com/scarletthefilmmagazine/, Jack Hill, Karloff, mexican, monsters, obscure, rare, review, reviews, SCARLETTHEFILMMAGAZINE.WORDPRESS.COM, SCIENCE FICTION, Serial Killer, Spanish, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, V.C.I., wierd

BORIS KARLOFF COLLECTION (VCI)

3D-Boris-Karloff-Collection-500x500

 

BORIS KARLOFF COLLECTION (VCI,2 discs, DVD) Released September 2018. Color.  $14.99

https://www.vcientertainment.com/index.php?route=product/product&product_id=1104

Many years ago, when the late great Boris Karloff passed away in February 2,1969, Jim Warren’s and Forrest J Ackerman’s FAMOUS MONSTERS OF FILMLAND provided two fitting tributes.

One, was issue #56 of FMOF with a beautiful  Basil Gogos cover of Karloff as his most famous role.

download

The other was a paperback by FJA called THE FRANKENSCIENCE MONSTER (Ace,1969, a cover not by Gogos but paperback cover artist Verne Tossey.). At the time,before the ability to google, this was the source for any monster news. Many of us though that Karloff’s final film was a classic of modern cinema, Peter Bogdanovich’s   TARGETS  (August 1968,Paramount).

karloff_cult_02_dvd

However, thanks to Uncle Forry , we found out that 80 plus year old Karloff had signed with producer Luis Enrique Vergara and Azteca Films of Mexico (who in turn had a distribution agreement with Columbia Pictures) for a four-picture deal at a salary of $400,000. The actor could have said no to the projects and easily retired, having a comfortable sum saved up over the years. No one could have blamed him, either, as his lungs were barely functional (due to years of smoking as well as damage from pneumonia he contracted in Italy filming BLACK SABBATH,1963,AIP , leaving him dependent on oxygen tanks to aid his breathing) as well as crippling arthritis that made walking difficult.

karloff_at_01_dvd

Still, as he often said, he wanted to die with his boots on, doing the job he loved if audiences wanted to see him. An example was when he filmed an episode of THE RED SKELTON SHOW (“He Who Steals My Robot Steals Trash” aired September 24,1968, CBS), rather than do the show before the live audience in a wheel chair as rehearsed, he willed himself to walk with the aid of a cane rather than have the people see him so confined.

Thus, the quartet of Mexican horror films were jobs that he readily accepted, feeling fortunate that audiences still wished to see him.

karloff_dod_01_dvd

Difficulties for the productions arose when it was discovered that Karloff’s health would not permit him to film in Mexico, and his sequences were shot in a small studio in Santa Monica, California in April/May 1968, while the rest of the films were completed in Mexico, often with a double for the star.

karloff_tort02_dvd

The four films were to be made over a 5-week period, so this extra expense of two crews, duplicating sets, and flying up some of the Mexican cast to work with Karloff must have frayed the already low budgets.  Juan Ibáñez directed the Mexican main unit, while cult director Jack Hill (SPIDER BABY,1967, American General) handled the American Karloff unit, as well as contributing to the screenplays.

c

Hill it seems was hampered because the producer wanted to use an early form of video playback by tying a primitive video camera to the top of the 35mm Mitchells used to film the movie. Jerry Lewis had pioneered the idea and it is now the common practice, but Hill felt that it slowed down his process.

z

 

With all these problems somehow the four films were filmed and completed. Karloff did not live to see the release of these films, which seemed to have been held back until 1971 for their limited distributions (Cannon also got around to distribute Karloff’s 1967 Spanish lensed CAULDRON OF BLOOD the same year, which got a wider release in the U.S. than the four Mexican thrillers).

 

Over the years, the films have been released on various video labels, including MPI and United American budget label, as well as several of the titles getting a DVD release by Fred Olen Ray’s Retromedia label.

 

VCI has now for the first time put all four films together in an affordable (less than the cost of some single DVD releases) two-disc collection.

karloff_cult_05_dvd

The four titles in the collection are

menu_boris_karloff_m01_blu-ray.

(Disc One)

DANCE OF DEATH (aka HOUSE OF EVIL, SERENADA MACABRA)

TORTURE ZONE (edited version of FEAR CHAMBER)

menu_boris_karloff_m02_blu-ray.

(Disc Two)

ALIEN TERROR (filmed as THE INCREDIBLE INVASION, Invasión siniestra)

CULT OF THE DEAD (edited version of ISLE OF THE SNAKE PEOPLE, La muerte vivente)

 

The discs seem to be sourced from the old MPI videos, with the same video generated titles (©1987 by the Parasol Group). The prints of the four movies are a bit dark and sometimes the color is a bit off.  The copy  of TORTURE ZONE seemed in the worst condition, with several visible splices.

fear_chamber_1968___5a53f0e99d7d4.mp4

 

It is a shame that they did not seek out the Retromedia or Elite release of FEAR CHAMBER, as both of those are in the original aspect ratio with sharp picture and color quality, as well as extras such as an audio commentary by Jack Hill and a deleted scene.MPI’s TORTURE ZONE is an edited version of this film ,so all of the nudity Is eliminated .

Fear Chamber 14

Only TORTURE ZONE was set in present day, with the rest set at around the turn of the 20th Century. ALIEN TERROR was supposedly the last one filmed, and the only one NOT starring Julissa, giving actress German actress Christa Linder a chance.

images (1)

The 2.0 Dolby Digital sound for the films is clear with no noticeable loss in quality of dialogue or the sound effects.

There are no extras to the discs, but again, to get these four films together at such a low price, one should not expect any special edition treatment.

While we would all like to get the best possible and most complete versions, certain films have limited audiences and the profitability is to say the least, narrow.

brightcove_proxy

One wonders, for example, if VCI had gone out of their way to get new prints, cleaned up and loaded with extras, would fans shell out $29.95 for each of these films?

macabre

DANCE OF DEATH -this film is perhaps the most traditional horror film, with obvious influences of the Roger Corman Poe films. The film even claims to be based upon a Poe story, though none that I am familiar with.hoise of evil                                                  original Spanish language credit

 

Wealthy toymaker Matthais Morteval (Karloff) summons his family to his mansion to discuss how his estate will be divided. Recent murders in the nearby hills has a macabre touch, wherein the victims have had their eyes removed makes Matthais suspect that a member of his family is the killer.

MVCOM-HOUSE-OF-EVIL-1

Karloff has an ancestral portrait that looks exactly like him (these old families have strong genes), and Karloff gets to play huge pipe organ. Matthais supposedly suffers a fatal heart attack half way into the film, and shortly thereafter, one by one his greedy relations die. Keeping with the Corman Poe- like feel, the film ends with a huge fire, as Matthais, obviously not dead, plays his final concerto as the walls burn around him. It is quite amazing that the octogenarian actor is working so close to such huge plumes of flames, controlled or not  .

firebug

 

Karloff perhaps passed away before being able to loop dialogue, or the final lines were an afterthought , but they are not his voice.

People who dismiss the Karloff Mexican quartet of films have obviously not seen them, as DANCE OF DEATH was quite entertaining.

FEAR CHAMBER POSTER

TORTURE ZONE – (which in the original titles also claimed to be Poe inspired, though I would say more Lovecraft, like Karloff’s own DIE, MONSTER DIE! 1965 ,A.I.P. ). This one is a bit of a mess, no two ways about it. Psychedelic zooms & colors, and jump cut edits do not make this film any more interesting, and indeed, show how little sense the plot has.  A living rock is discovered within the depths of the earth. Scientist Karl Mantell (Karloff), who spends much of this film either sitting behind his office desk or behind a lab computer table, discovers that the creature feeds on the blood of young women, particularly those who are frightened. Naturally, our loveable scientist and his staff create a fear chamber to terrorize young women who come seeking employment. The rock (no, no that one) starts to grow tentacles, and only then does Mantell seek to stop it.

fearchamber1

Mantell is supposed to be a kindly scientist, but his actions here are in opposition to that appearance. Still, at least, Karloff gets to survive to the end credits. The topless scenes that are edited out of this print were probably shot later, added to try and keep audience attention. Probably one of Karloff’s worst movies, though, as always, he is worth watching.                                                                              .firrreee

Karloff tries to blow up all prints of FEAR CHAMBER .

220px-The_Incredible_Invasion

ALIEN TERROR– Another period piece, this one is another science fiction/horror hybrid. In an 1890s European country, Professor John Mayer (Karloff) is working on a new power source, when a lab accident sends a pulse off into space, attracting the attention of an alien spaceship passing by. The alien comes across a Jack the Ripper style killer and takes over his body. More killings continue as the alien tries to get to the professor’s invention and destroy it. Mayer uses his invention to defeat the killer, and later, when the alien hops into his niece, he uses the machine again to drive it from her. Mayer lets the machine destroy itself and, in the process, burns down his home.c3f80e4ebb33139abba0d67198ef960c

 

The final shot of the surviving cast members watching the house burn has an obvious Karloff stand in facing away from the camera with hair that looks like it was streaked with shoe polish.

A confusing picture, as if two different scripts were dropped into a blender, yet it held one’s interest and it tried to be original. As mentioned, this was Karloff’s last work in a motion picture.karloff_at_03_dvd

An alien Spaceship, lit and designed to look like a Dario Argento sequence !

snakepeopel mexi

CULT OF THE DEAD – On the island of Korbai, Carl Van Molder (Karloff) is a major plantation owner. A police captain comes to Korbai to try and bring order when it is discovered that voodoo is rampant. This is a much more entertaining film than Karloff’s earlier film VOODOO ISLAND (1957, U.A.), which was one of the only roles I felt the great actor seemed to walk through.

tumblr_p5xlc3h6vT1v85sfao2_1280

In this film, Karloff seems fully invested in the part and brings his great screen presence to each scene.  The voodoo scenes are well staged, though once again at the end of the film, a voice not Karloff’s is used for the line: “I’m dying! “followed by some sputtering coughs. The picture ends with a big explosion as the hero and heroine escape with their lives. This too was an entertaining piece of cinema fluff and does not deserve all the scorn heaped upon it.

SNAKEPEOPLE9

 

To sum up, two of the films (DANCE OF DEATH and CULT OF THE DEAD) I would say are quite entertaining, a third (ALIEN TERROR) is just odd enough to hold your interest with a feeling of “WTF?” throughout and only one (TORTURE ZONE) is close to a complete disaster. Karloff is always giving his all in each work, and for that alone these are well worth seeing.

Snake-People-674x1024

 

Are the prints the best? No.  However, unless some deep pocket cinema collector seeks out original negatives, gives them a 2 K scan and restores them, and licenses the Elite and Retromedia commentaries, this VCI set will be the best way of getting affordable copies of these final films by the Master of Horror, Boris Karloff.

 

FearChamber02

Recommended for – Karloff completists. Fans of Mexican Horror. Cult films lovers.

 

-Kevin G Shinnick

 

Please like & follow us here at scarletthefilmmagazine.wordpress.com

Also like and follow us on Facebook at https://www.facebook.com/SCARLETreviews/

Keep up to date on current contests and reviews and articles

Feel free to share .

 

 

Standard
1970s, Action Adventure, AGFA, Blu Ray, crime drama, cult, dvd, exploitation, film, genre, gore, Horror, independent film, Mystery, obscure, rare, reviews, Serial Killer, SOMETHING WIERD, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, wierd

THE ZODIAC KILLER (AGFA /SOMETHING WEIRD Blu-ray released July 25,2017) ANOTHER SON OF SAM $34.95

THE ZODIAC KILLER (Prudential Pictures ,1971) (AGFA /SOMETHING WEIRD Blu-ray released July 25,2017) Color 86 minutes /plus bonus feature ANOTHER SON OF SAM color 67 minutes $34.95

https://www.amazon.com/Zodiac-Killer-Blu-ray-DVD-Reed/dp/B06Y1C49BD/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1491924197&sr=1-2&keywords=zodiac+killer

 

Back in the early 1980s, I worked in a film storage company . While many television suppliers would keep their 16mm prints with us for broadcast, and studios would have their 35mm theatrical prints (mostly weekend children matinees ,like MAGIC OF LASSIE (Int. Picture Show Co, 1978) ,a large majority of our films sat in boxes and rotting film cans.

 

Located in a pier in Edgewater NJ , our storage facility had the original negative of THE HOUND OF THE BASKERVILLES (Fox,1939) as well as NIGHT OF THE GHOULS (Ed Wood ,filmed in 1957, no known release). How these two California produced films negatives ended up in our facility is a mystery. Both were in containers with only lab numbers,without identifying titles.

 

Shipping errors, mislabeling, human mistakes, hundreds of titles ended up misplaced in storage facilities around the country. Some prints were not returned at all ,and ended up remaining in movie theatres, in the hands of private collectors , or buried in cement .

 

 

Add to that film rot (deterioration ) and color shifts (prints turning pink) – it is little wonder that so many films vanish .

 

While major studios have started to preserve their heritage , the independent film, those made outside the system ,or taken by smaller distributors with either shady practices or /and firms that went belly up, a lot of film prints and original elements lay unclaimed in various film labs due to unpaid services or forgotten . Corruption of the film stock had many turn to jelly or dust ,others tossed due to storage fees unpaid.

 

 

Luckily ,in 1990 the late Mike Vraney began the painstaking and time consuming task of finding films in horror and sexploitation ,among the many genres, that he found ,saved from literal oblivion, and released onto the home video market .His hard work turned grind-house filmmakers like Herschell Gordon Lewis and Doris Wishman into cult figures .

 

The incredibly friendly Mike and his lovely wife Lisa Petrucci ,equally friendly as well as his business partner and who wrote up many of the synopses and designed the various covers, were always welcome dealers at various conventions across the country.

 

When he passed , Lisa continued the company , and has kept the legacy of SOMETHING WEIRD alive (check out https://www.somethingweird.com/ ) and now has teamed up with newcomer AGFA ( The American Genre Film Archive ) to restore and release some titles in her catalog onto Blu Ray .

AGFA is a 501(c)(3) non-profit located founded in 2009 in Austin, Texas. AGFA exists to preserve the legacy of genre movies through collection, conservation, and distribution. (Want to donate? http://americangenrefilm.com/about )

 

After a successful Kickstarter campaign ,they are releasing THE ZODIAC KILLER . This is promised to be the first of dozens of titles that AGFA and SOMETHING WEIRD plan to release .

THE ZODIAC KILLER is an incredibly unique film . Created by Tom Hanson who was not involved in film making prior (owning a chain of successful Pizza Man Restaurants) ,his idea was not to make money or for any artistic ambition. Tom felt that his cinematic effort would be a huge aid in helping to capture the Zodiac Killer .

 

The infamous Zodiac Killer claimed his first known victims on December 20,1968 and his last known one on October 11,1969. There are other suspected deaths that are suspected to be the victims of the unknown assassin (he was never apprehended) that go back to 1963 and up to 1970 . The infamous executioner was self named due to a series of taunting and cryptic letters which they sent to the police and newspapers(that continued until April 24,1978) , signed with an enigmatic sketch that resembles a cross hair of a rifle.

 

Hanson thought that if he made a film about the events , the Zodiac Killer would be drawn to see the film ,at which point the filmmaker and friends would perform a citizen arrest!!

 

The plan was the following. Tom Hanson rented out the Golden Gate Theater in San Francisco and premiered the movie on April 7, 1971 (the killer had written his Los Angeles Times letter just three-and-a-half weeks earlier). They thought that his ego would draw him moth-like to a flame to see how his story was portrayed.

Somehow ,he got Kawasaki to donate a motorcycle for a prize giveaway.Entrants would fill out questionnaires with the statement “I think the Zodiac Kills because …” and see if an of the entries matched the handwriting of the Zodiac.

To that end, they constructed elaborate and inane traps with which to apprehend their subject ,including a fake ice cream freezer which had an accomplice of Hanson’s within supposedly ready to leap out at the appropriate moment . He must have consulted Wile E Coyote ‘s beloved Acme products, as the person within the box nearly passed out due to insufficient air holes!

Hanson feels that the had indeed captured the mad man at one of the screenings,but had to let them go due to lack of evidence .

The film was also later handled by an unscrupulous distributor and so Tom Hanson ,needing to make money again, stepped away from the maverick world of indie film making. The film was reportedly shot for $13,000,an incredibly small sum to shoot a film even back in 1970.

 

What we are left with is this incredible document of the time .

 

The motion picture you are about to see was conceived in June 1970. Its goal is not to win commercial awards but to create an “awareness of a present danger”. Zodiac is based on known facts. If some of the scenes, dialogue, and letters seem strange and unreal, remember — they happened. My life was threatened on Oct. 28, 1970 by Zodiac. His victims have received no warnings. They were unsuspecting people like you…
Paul Avery. Reporter
San Francisco Chronicle

 

That is the opening credit to give the film it’s bona fides. Paul Avery was a real life police reporter for the San Francisco Examiner who was drawn into the investigation when he received a Halloween card with the cryptic symbol with the warning”you are doomed” . Avery was later heavily involved with covering the Patty Hearst kidnapping .

 

Having his name associated with the film was meant to lift it up from mere exploitation. The result ,however,while sincere ,is brought down by bad acting and inept technical aspects. That does not mean that the film is without merits.

For one thing, the killings are pretty brutal and sudden . The film also has a dark sense of evil lurking everywhere ,with the killer having the last words :”I’ll be seeing you”.

While claiming to be the true life events of the serial murders, certain facts are played with and a lot of characters who are not involved with the events were invented for the story line .

 

The film is in the end, in spite of all its good (?) intentions , an exploitation film (not that there’s anything wrong with that!!).

 

SOMETHING WEIRD had released THE ZODIAC KILLER prior with two other films on DVD , THE SEX KILLER (Barry Mahon,1967 ,about a Times Square psycho ) and ZERO IN & SCREAM (Lee Frost,1971,a man kills women who reject him in Hollywood). That release is now out of print .

 

This new Blu Ray is a 4K scan 1080p HD transfer from the surviving16mm blow up elements (it was shot in 16mm to be transferred to 35 for theatrical release). The audio is a DTS-HD Master Audio 2 channel track . While the picture quality and sound is improved ,AGFA is taking great pride in not altering or punching up sounds or pictures ,to give the closest presentation to the original release (take that George “let me C.G.I. the soul of it it “Lucas) . Therefore, flaws in the 48 year old film elements remain (some hazing common in 16mm blow ups,and a hair in the gate when it was printed. The sound too isn’t played to jump around your sound system.

 

Other extras on this AGFA/SOMETHING WEIRD release are

 

A brand new commentary track with several of the surviving creative team like Director /Producer Tom Hanson ,Producer Manny Nedwick and several of the AGFA team .

 

A four minute film interview with Nedwick and Hanson have the two discuss how the film came together is material covered in the audio track but it is interesting to put faces to the voices .

 

Finally, a second feature fills out the extras. Whether you think this is a bonus or not depends how much you enjoy ANOTHER SON OF SAM (1977). This film was given a new 2K scan from a 35 mm print.

This film’s most interesting moments are the long list of serial killers going back to Jack The Ripper. I mean it goes on for quite a while. QUITE A WHILE . Almost as if they are trying to delay the start of the movie as long as possible. It finally runs out of murderers to name(though I kept expecting another title to pop up during the course of the film ,reading : “Oh we forgot to mention…”)and we take a leisurely journey down a river, to a couple’s boat house ,and then to a night club where a singer named Johnny Charro,portraying himself , in full lounge lizard attire ,sings “I Never Said Goodbye” ,a tune that rates with “The Words Get Stuck In My Throat”from WAR OF THE GARGANTUAS (Toho,1966) as most responsible for killing nightclubs. Johnny ,by the way ,is still with us and performing .http://www.johnnycharro.com/about.htm

 

“L-l-l-ladies….Johnny Charro”

Finally, just when we think we are watching someone’s vacation films , we cut to a local mental institution . Our killer named Harvey (not a killer bunny) breaks free of his restraints (I wonder if Rob Zombie saw this to inspire his Halloween remakes ?) after receiving electro shock and a sedative (did he hear Johnny Charro??) . A quick flashback implies that Harvey was sexually abused by his mom, causing him to go off on a murder spree.

Somehow ,we try to follow a group of college girls ,whose lives meet up with the killer, and swat teams are called in, and a lot of running around happens ,a few odd freeze frames happen while the sound continues , and mother is called in to confront her son at a police stand off, where he is killed by multiple gun shots (with some of the most obvious blood packs ever used on screen).

The end.

Really.

I watched it twice just to make sure that I didn’t miss something. If anything it seemed more confusing the second time around. Were it not for the sync sound in certain scenes ,I might have thought it was made by Hal Warren of MANOS THE HANDS OF FATE ( Emerson ,1966 ) infamy. It was that level of ineptness. Warren ,however ,had an excuse as he had never made a film before (or after).

ANOTHER SON OF SAM (shot under the title HOSTAGES) was written,produced ,and directed by stunt man Dave A Adams ,who also handled the stunt co ordination .Adams had at least been on film sets before (TRUCKER’S WOMEN ,1975 ,which was released regionally,then on Paragon Video,before Troma picked it up), but you would never know it. Filmed in Charlotte,North Carolina , the film seemed to have been shot in 1975 before finally getting a nominal theatrical in 1977.

 

It is just 67 minutes but it seems ten times longer .This is a film that is crying out for a Rifftrax treatment.

 

 

ANOTHER SON OF SAM is at least much clearer than the old Neon Video VHS copy that was around for years at video stores. That said, poor sound work cannot be improved and this film suffers from a lot of that (though with some of the dialogue,maybe that is a blessing. “No,you can’t come into the shower with me,Henry!”may sound like something sexy is about to happen but the character is talking to a stuffed plush animal!!).

Kudos to AGFA and SOMETHING WEIRD for saving these film obscurities , though your enjoyment will depend upon your enjoyment of
SERIAL KILLER FILMS
1970s EXPLOITATION CINEMA

I assume that if you have read this far, then this Blu Ray /DVD combo is needed for your collection.

This Is Not The End (well actually it is ).

-Kevin G Shinnick

Standard