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TWO EVIL EYES (Blue Underground Blu Ray 3 Disc Limited Edition)

TWO EVIL EYES (Blue Underground 3-disc Ltd Edition Blu-Ray/4K Restoration) $49.99 Special Edition Release Date October 29,2019 Region A.

Original Theatrical release U.S.A. -Taurus Entertainment ,1990.

Color.  120 mins.
https://www.amazon.com/Evil-Eyes-Blu-ray-Harvey-Keitel/dp/B07VGTYMKB/

 

  • Warning -review illustrated with gruesome effects shots. No animals and we suspect few actors were harmed

 

When TWO EVIL EYES came out, George Romero had just worked with a major studio on MONKEY SHINES (Orion,1988) but had a bad experience wherein his work was edited without his permission. *

Argento ‘s last feature OPERA (aka TERROR AT THE OPERA) was a huge success in his native Italy but was denied a theatrical release in the U.S. by Orion, instead letting the small video company Southgate release the film in an R and Unrated version.

The two filmmakers decided to go independent again to retain control of the final product and picked two different Edgar Allan Poe tales to adapt.

 

 


Romero chose “The Facts in the Case of M. Valdemar” (published simultaneously in The American Review and Broadway Journal ,December 1845) . The story had been adapted previously in an Italian short film (Il caso Valdemar,Italy,1936 https://www.youtube.com/watch?v=U3qGwCPKhdI ) as well as segments in the portmanteau films MASTERWORKS OF TERROR (Argentina ,1959, redubbed and released by Jack H Harris as MASTERS OF HORROR ,1965) ,Roger Corman’s TALES OF TERROR (AIP,1962) and on the Spanish horror series Historias para no dormir (Stories to Keep You Awake, Televisión Española 1966). It also is one of the stories in the recent EXTRAORDINARY TALES (Mélusine Productions 2015 ).

a 1969 Japanese Illustration, inspired by TALES OF TERROR

 

The Black Cat by Alphonse Legros 1860

Argento chose “The Black Cat” (first published August 19, 1843 in The Saturday Evening Post). The story has been adapted with varying degrees of faithfulness, starting in 1934 with both Universal’s THE BLACK CAT as well as MANIAC (Roadshow), Universal again in 1941, AIP’s TALES OF TERROR again, the 1966 THE BLACK CAT (Falcon) ,Lucio Fulci’s 1981 version(Italian Int.) and recently a marvelous independent short in 2012 https://www.youtube.com/watch?v=GKN_I6ouswg .

 

The film :

Warning -turn your sound down for the opening credits of Pino Donaggio’s dissonant title theme.


The film opens with a succession of quick shots of Edgar Allan Poe’s statue, one of the great author’s home and burial plot, as a narrator intones: “To Edgar Allan Poe, whose stories have inspired this motion picture.”

 

We then immediately go to

THE FACTS IN THE CASE OF M. VALDEMAR (screenplay by Romero ; Dir of Photography  Peter Reniers, who has worked on such television series as LAW & ORDER: SPECIAL VICTIMS UNIT, Dick Wolf /Universal ,1999- ).


Jessica Valdemar (Adrienne Barbeau, returning to work with Romero again after CREEPSHOW, Laurel/WB ,1982) is hoping to inherit the money from her mortally ill husband Ernest (the wonderfully named Bingo O’Malley ,who also appeared in CREEPSHOW, and sadly in real life passed away June 2 ,2019).

 

To that extent, she gets Dr Robert Hoffman (Ramy Zada, tv’s DARK JUSTICE, Lorrimar,1991) to hypnotize the sickly Ernest to better control him. Dr Hoffman is most willing to do so, partly from a past relationship with Jessica, and partly from the desire to share in the millions that she will inherit. The problem is that Jessica has been taking money from Ernest’s account, so much so that if anything were to happen to her husband over the next three weeks, the police will surely investigate the wife.

E.G. Marshall as a lawyer warning Barbeau

Of course, Ernest dies, and the pair dump his body into a basement freezer. During the night she hears moaning and discovers that due to the hypnosis, the spirit of her dead husband is trapped between worlds, and that other entities wish to use his corpse to enter our sphere!

 

THE BLACK CAT (Screenplay by Argento & Franco Ferrini, who worked together on OPERA ; director of Photography Beppe Maccari, who was the camera operator on the Visconti classic THE LEOPARD, Titanus 1963)-
Argento’s take on the famous tale is a delirious and trippy over the top gorefest that references several other Poe tales.

Keitel in a Corman-like dream sequence with an Argento touch

 

 

Rod Usher (Harvey Keitel, TAXI DRIVER, Columbia,1976) is a police crime scene photographer who we first meet when he is taking pictures at a murder scene. This killing  was a bit extraordinary, since it is a scene of a nude women bifurcated by a huge pendulum blade. To Usher, it is just work as usual, and he tries to frame the scenes with a sense of aesthetics that belie the horror of the scene.

 

At home, his girlfriend Annabel (Madeline Potter ,THE SUICIDE CLUB, Angelika Films ,1988) has brought in a black cat that Rod takes an instant dislike to. This mutual hatred comes to its zenith when Rod viciously and cruelly strangles the animal during a photo shoot. Rod, however, in a sort of A BUCKET OF BLOOD (AIP,1959) moment, decides that the murder deserves to be the over of his newest photo collection.

Sally Kirkland has a new kitty for Rod .

When Annabel sees the cover some time later in a store window, she realizes what has happened, and rushes home to confront Rod. Rod , in the interim , has been given a cat that is identical to the one he killed ).He takes the animal home to destroy it once and for all, but Annabel comes home ,saves the creature but she herself is killed gruesomely.

Rod conceals the body behind the wall, but suspicion continues to grow against him, resulting in more murders and gore before Rod receives poetic justice.

John Amos as a detective who grows suspicious of Usher

 

A huge title assures us that none of the animals were harmed in the making of the film as the picture’s end credits roll.

The film, which reportedly cost over $ 9 million to make,  opened in only 150 theatres throughout the U.S. for just one week, taking in only $349,000.

 

It was released on VHS through various companies (Anchor Bay, budget label Video Treasures) as well as DVD and Blu Ray previously by Blue Underground.

Now , Blue Underground has gone back to the original camera negatives and given it a 4K 1080p restoration. The colors, especially in the Argento segment, really seem to jump out.

 

Martin Balsam  & Kim Hunter,Spanish Lobby Card

The audio is available in either English: 7.1 DTS-HD, or to duplicate the theatrical release sound, English: 2.0 DTS-HD (or in French: Dolby Digital Mono). Again, watch that opening bit of music in the beginning!
Optional subtitles are English SDH, French or Spanish.

Where this becomes the must have edition of TWO EVIL EYES is the immense number of extras, some ported over from BLUE UNDERGROUND’s previous release of the title, but many brands new and exclusive to this limited edition.

Extras include

Disc One Blu Ray- a brand new audio commentary by Troy Howarth (author of the upcoming book “Murder By Design: The Unsane Cinema of Dario Argento “). Troy has done audio commentaries on other Blu ray releases, and his love and well researched talks always have the feel of a well-informed fan joyfully sharing his thoughts and insights throughout the running time of a film, and this one is no different.

Theatrical Trailer

Poster & Still Gallery

Disc 2 Blu Ray
Two Masters’ Eyes – Interviews with Directors Dario Argento & George Romero, Special Make-Up Effects Supervisor Tom Savini, Executive Producer Claudio Argento, and Asia Argento. These are ported over from the 2003 Blue Underground 2-disc Blu Ray release.

Savini as a Poe like character who digs up corpses to steal teeth.Or is it just his character from THE RIPPER (United Ent.,1985 ) reprised?

Savini’s EFX – A Behind-the-Scenes look at the film’s Special Make-Up Effects. Also, from the 2003 release, Savini takes us on a behind the scene tour of how some of the effects work was done.

At Home With Tom Savini – A personal tour of Tom Savini’s home. From 2003, this segment is not only a master of his craft but also a fan sharing with fellow fans.

Adrienne Barbeau on George Romero.- From 2003. The still lovely and charming actress shares her thoughts about working with the director.

Tom Atkins makes a horrific discovery

 

NEW! Before I Wake – Interview with Star Ramy Zada. The actor talks about his career and working with Romero.

NEW! Behind The Wall – Interview with Star Madeleine Potter. The very busy actress, who shuttles back and forth from the U.S. and London to perform, talks about Harvey, Dario and cats.

NEW! One Maestro And Two Masters – Interview with Composer Pino Donaggio. Subtitled. The composer talks about his career

NEW! Rewriting Poe – Interview with Co-Writer Franco Ferrini, who has often worked with director Argento, as well as upon the screenplay ONCE UPON A TIME IN AMERICA (W.B.,1984) .

NEW! The Cat Who Wouldn’t Die – Interview with Assistant Director Luigi Cozzi (who also directed the cult hit STAR CRASH, New World, 1978).

 

NEW! Two Evil Brothers – Interview with Special Make-Up Assistant Everett Burrell (who has worked with Savini several times, as well as Greg Cannom, and Kevin Yagher.).

NEW! Working With George – Interview with Costume Designer Barbara Anderson who worked with Romero from KNIGHTRIDERS (Laurel/UFD, 1981) up to THE DARK HALF .

Finally,

Disc 3-A CD of Pino Dinaggio’s score. This alone might be enough for some to wish to buy this collection, as this soundtrack it seems has never been issued legitimately before. It is a sharp moody score, which fits the film perfectly, but many pieces can be listened to and enjoyed on their own.

 

Adding to the welcome extras is an informative booklet by Michael Gingold, who was one of the guiding forces of Fangoria magazine from 1990 (when the film came out) until 2015.

Fango #95 ,which covered the film 

 

Once again, BLUE UNDERGROUND has put to shame many major studios Blu Ray releases, due to the care and multiple goodies adding entertainment, value and collectability for horror film lovers.

RECOMMENDED
For fans of
ROMERO
ARGENTO
EDGAR ALLAN POE
BLU RAY EXTRAS!

-Kevin G Shinnick

*-right after filming TWO EVIL EYES, he worked upon THE DARK HALF for Orion, which sat on a shelf for two years.

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If you would like to write or create for SCARLET THE FILM MAGAZINE,

please contact Kevin at
SCARLETTHEFILMMAG@yahoo.com

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Island Monsters from Planet Films

 

 

Planet Films UK produced about 5 films between 1951 to 1967 , the first two being gang/crime films(THE SIX MEN,1951 ;  THE MARKED ONE,1963)  while their last three were horror films   (DEVILS OF DARKNESS,1964, being the  first  of   their terror tales .).

The final two were  both directed by Terence Fisher ( Why they didn’t hire Fisher for there vampire film is a mystery , both had Peter Cushing ,were set upon an isolated island ,and featured short squat monsters. However that is where the similarity ends.

The monster/creatures in ISLAND OF TERROR ( 1966. Other titles considered earlier being The Night the Silicates Came and The Night the Creatures Came ) were terrifying , being giant cancer cells that drained the bones from victims, leaving an empty flesh husk by way of a tentacle which also sucked the essence from one in a very noisy fashion.

 

They even divide like cells,(producing what looks like commissary chicken soup goop ),  increasing their number.

ISLAND OF TERROR got a release from Universal often co -billed with another Universal British pick up ,THE PROJECTED MAN.

 

The 1967 film NIGHT OF THE BIG HEAT was based upon a 1959 novel that had been adapted in 1960 for ITV television).

ITC play of the week NIGHT OF THE BIG HEAT

 

Even though N.O.T.B.H. had Fisher and Cushing ,as well as Christopher Lee ,Patrick Allen , Sarah Lawson ,and Jane Merrow ,the final result was for the most part a rather tamer affair in comparison with it’s predecessor . The threat here was a form of early global warming, with the creatures raising temperatures upon the island. It had a strong story and a good cast, but investors pulled out as the film began production ,which resulted in creatures which were kept hidden for most of the film . It needed a little more blood and thunder ,such as ISLAND OF TERROR possessed.

It was retitled for US release by a small distribution company ,Maron Films, as ISLAND OF THE BURNING DAMNED, and paired as the bottom half of a co- bill with GODZILLA’S REVENGE (Toho).

Later for television, it was retitled once again as ISLAND OF THE BURNING DOOMED, so as not to offend sensitive souls.

In March ,1967, another science fiction blob creature appeared on tv for Desilu/Paramount‘s STAR TREK.

Called “The Horta“. the creature appeared in the episode” The Devil In The Dark“. That creature had a corrosive acid it exuded , and dwelt among silicon nodules.

One wonders if it was the interplanetary futuristic off spring of the two creatures from the Planet Films !

 

ISLAND OF TERROR is currently available on Blu Ray from SHOUT FACTORY,region A only . Odeon Entertainment has released the UK Blu Ray.

NIGHT OF THE BIG HEAT is available from Odeon Entertainment in an All Region Blu Ray .

 

Kevin G Shinnick

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BORIS KARLOFF COLLECTION (VCI)

3D-Boris-Karloff-Collection-500x500

 

BORIS KARLOFF COLLECTION (VCI,2 discs, DVD) Released September 2018. Color.  $14.99

https://www.vcientertainment.com/index.php?route=product/product&product_id=1104

Many years ago, when the late great Boris Karloff passed away in February 2,1969, Jim Warren’s and Forrest J Ackerman’s FAMOUS MONSTERS OF FILMLAND provided two fitting tributes.

One, was issue #56 of FMOF with a beautiful  Basil Gogos cover of Karloff as his most famous role.

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The other was a paperback by FJA called THE FRANKENSCIENCE MONSTER (Ace,1969, a cover not by Gogos but paperback cover artist Verne Tossey.). At the time,before the ability to google, this was the source for any monster news. Many of us though that Karloff’s final film was a classic of modern cinema, Peter Bogdanovich’s   TARGETS  (August 1968,Paramount).

karloff_cult_02_dvd

However, thanks to Uncle Forry , we found out that 80 plus year old Karloff had signed with producer Luis Enrique Vergara and Azteca Films of Mexico (who in turn had a distribution agreement with Columbia Pictures) for a four-picture deal at a salary of $400,000. The actor could have said no to the projects and easily retired, having a comfortable sum saved up over the years. No one could have blamed him, either, as his lungs were barely functional (due to years of smoking as well as damage from pneumonia he contracted in Italy filming BLACK SABBATH,1963,AIP , leaving him dependent on oxygen tanks to aid his breathing) as well as crippling arthritis that made walking difficult.

karloff_at_01_dvd

Still, as he often said, he wanted to die with his boots on, doing the job he loved if audiences wanted to see him. An example was when he filmed an episode of THE RED SKELTON SHOW (“He Who Steals My Robot Steals Trash” aired September 24,1968, CBS), rather than do the show before the live audience in a wheel chair as rehearsed, he willed himself to walk with the aid of a cane rather than have the people see him so confined.

Thus, the quartet of Mexican horror films were jobs that he readily accepted, feeling fortunate that audiences still wished to see him.

karloff_dod_01_dvd

Difficulties for the productions arose when it was discovered that Karloff’s health would not permit him to film in Mexico, and his sequences were shot in a small studio in Santa Monica, California in April/May 1968, while the rest of the films were completed in Mexico, often with a double for the star.

karloff_tort02_dvd

The four films were to be made over a 5-week period, so this extra expense of two crews, duplicating sets, and flying up some of the Mexican cast to work with Karloff must have frayed the already low budgets.  Juan Ibáñez directed the Mexican main unit, while cult director Jack Hill (SPIDER BABY,1967, American General) handled the American Karloff unit, as well as contributing to the screenplays.

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Hill it seems was hampered because the producer wanted to use an early form of video playback by tying a primitive video camera to the top of the 35mm Mitchells used to film the movie. Jerry Lewis had pioneered the idea and it is now the common practice, but Hill felt that it slowed down his process.

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With all these problems somehow the four films were filmed and completed. Karloff did not live to see the release of these films, which seemed to have been held back until 1971 for their limited distributions (Cannon also got around to distribute Karloff’s 1967 Spanish lensed CAULDRON OF BLOOD the same year, which got a wider release in the U.S. than the four Mexican thrillers).

 

Over the years, the films have been released on various video labels, including MPI and United American budget label, as well as several of the titles getting a DVD release by Fred Olen Ray’s Retromedia label.

 

VCI has now for the first time put all four films together in an affordable (less than the cost of some single DVD releases) two-disc collection.

karloff_cult_05_dvd

The four titles in the collection are

menu_boris_karloff_m01_blu-ray.

(Disc One)

DANCE OF DEATH (aka HOUSE OF EVIL, SERENADA MACABRA)

TORTURE ZONE (edited version of FEAR CHAMBER)

menu_boris_karloff_m02_blu-ray.

(Disc Two)

ALIEN TERROR (filmed as THE INCREDIBLE INVASION, Invasión siniestra)

CULT OF THE DEAD (edited version of ISLE OF THE SNAKE PEOPLE, La muerte vivente)

 

The discs seem to be sourced from the old MPI videos, with the same video generated titles (©1987 by the Parasol Group). The prints of the four movies are a bit dark and sometimes the color is a bit off.  The copy  of TORTURE ZONE seemed in the worst condition, with several visible splices.

fear_chamber_1968___5a53f0e99d7d4.mp4

 

It is a shame that they did not seek out the Retromedia or Elite release of FEAR CHAMBER, as both of those are in the original aspect ratio with sharp picture and color quality, as well as extras such as an audio commentary by Jack Hill and a deleted scene.MPI’s TORTURE ZONE is an edited version of this film ,so all of the nudity Is eliminated .

Fear Chamber 14

Only TORTURE ZONE was set in present day, with the rest set at around the turn of the 20th Century. ALIEN TERROR was supposedly the last one filmed, and the only one NOT starring Julissa, giving actress German actress Christa Linder a chance.

images (1)

The 2.0 Dolby Digital sound for the films is clear with no noticeable loss in quality of dialogue or the sound effects.

There are no extras to the discs, but again, to get these four films together at such a low price, one should not expect any special edition treatment.

While we would all like to get the best possible and most complete versions, certain films have limited audiences and the profitability is to say the least, narrow.

brightcove_proxy

One wonders, for example, if VCI had gone out of their way to get new prints, cleaned up and loaded with extras, would fans shell out $29.95 for each of these films?

macabre

DANCE OF DEATH -this film is perhaps the most traditional horror film, with obvious influences of the Roger Corman Poe films. The film even claims to be based upon a Poe story, though none that I am familiar with.hoise of evil                                                  original Spanish language credit

 

Wealthy toymaker Matthais Morteval (Karloff) summons his family to his mansion to discuss how his estate will be divided. Recent murders in the nearby hills has a macabre touch, wherein the victims have had their eyes removed makes Matthais suspect that a member of his family is the killer.

MVCOM-HOUSE-OF-EVIL-1

Karloff has an ancestral portrait that looks exactly like him (these old families have strong genes), and Karloff gets to play huge pipe organ. Matthais supposedly suffers a fatal heart attack half way into the film, and shortly thereafter, one by one his greedy relations die. Keeping with the Corman Poe- like feel, the film ends with a huge fire, as Matthais, obviously not dead, plays his final concerto as the walls burn around him. It is quite amazing that the octogenarian actor is working so close to such huge plumes of flames, controlled or not  .

firebug

 

Karloff perhaps passed away before being able to loop dialogue, or the final lines were an afterthought , but they are not his voice.

People who dismiss the Karloff Mexican quartet of films have obviously not seen them, as DANCE OF DEATH was quite entertaining.

FEAR CHAMBER POSTER

TORTURE ZONE – (which in the original titles also claimed to be Poe inspired, though I would say more Lovecraft, like Karloff’s own DIE, MONSTER DIE! 1965 ,A.I.P. ). This one is a bit of a mess, no two ways about it. Psychedelic zooms & colors, and jump cut edits do not make this film any more interesting, and indeed, show how little sense the plot has.  A living rock is discovered within the depths of the earth. Scientist Karl Mantell (Karloff), who spends much of this film either sitting behind his office desk or behind a lab computer table, discovers that the creature feeds on the blood of young women, particularly those who are frightened. Naturally, our loveable scientist and his staff create a fear chamber to terrorize young women who come seeking employment. The rock (no, no that one) starts to grow tentacles, and only then does Mantell seek to stop it.

fearchamber1

Mantell is supposed to be a kindly scientist, but his actions here are in opposition to that appearance. Still, at least, Karloff gets to survive to the end credits. The topless scenes that are edited out of this print were probably shot later, added to try and keep audience attention. Probably one of Karloff’s worst movies, though, as always, he is worth watching.                                                                              .firrreee

Karloff tries to blow up all prints of FEAR CHAMBER .

220px-The_Incredible_Invasion

ALIEN TERROR– Another period piece, this one is another science fiction/horror hybrid. In an 1890s European country, Professor John Mayer (Karloff) is working on a new power source, when a lab accident sends a pulse off into space, attracting the attention of an alien spaceship passing by. The alien comes across a Jack the Ripper style killer and takes over his body. More killings continue as the alien tries to get to the professor’s invention and destroy it. Mayer uses his invention to defeat the killer, and later, when the alien hops into his niece, he uses the machine again to drive it from her. Mayer lets the machine destroy itself and, in the process, burns down his home.c3f80e4ebb33139abba0d67198ef960c

 

The final shot of the surviving cast members watching the house burn has an obvious Karloff stand in facing away from the camera with hair that looks like it was streaked with shoe polish.

A confusing picture, as if two different scripts were dropped into a blender, yet it held one’s interest and it tried to be original. As mentioned, this was Karloff’s last work in a motion picture.karloff_at_03_dvd

An alien Spaceship, lit and designed to look like a Dario Argento sequence !

snakepeopel mexi

CULT OF THE DEAD – On the island of Korbai, Carl Van Molder (Karloff) is a major plantation owner. A police captain comes to Korbai to try and bring order when it is discovered that voodoo is rampant. This is a much more entertaining film than Karloff’s earlier film VOODOO ISLAND (1957, U.A.), which was one of the only roles I felt the great actor seemed to walk through.

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In this film, Karloff seems fully invested in the part and brings his great screen presence to each scene.  The voodoo scenes are well staged, though once again at the end of the film, a voice not Karloff’s is used for the line: “I’m dying! “followed by some sputtering coughs. The picture ends with a big explosion as the hero and heroine escape with their lives. This too was an entertaining piece of cinema fluff and does not deserve all the scorn heaped upon it.

SNAKEPEOPLE9

 

To sum up, two of the films (DANCE OF DEATH and CULT OF THE DEAD) I would say are quite entertaining, a third (ALIEN TERROR) is just odd enough to hold your interest with a feeling of “WTF?” throughout and only one (TORTURE ZONE) is close to a complete disaster. Karloff is always giving his all in each work, and for that alone these are well worth seeing.

Snake-People-674x1024

 

Are the prints the best? No.  However, unless some deep pocket cinema collector seeks out original negatives, gives them a 2 K scan and restores them, and licenses the Elite and Retromedia commentaries, this VCI set will be the best way of getting affordable copies of these final films by the Master of Horror, Boris Karloff.

 

FearChamber02

Recommended for – Karloff completists. Fans of Mexican Horror. Cult films lovers.

 

-Kevin G Shinnick

 

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PATIENT ZERO (2018)

PATIENT ZERO (Vertical Entertainment) R -now playing limited theatrical and available as V.O.D. 87 Min. Rated R. horror/science fiction.
patient-zero-2018

https://www.youtube.com/watch?v=Mn-wBZwQdRA

Imagine if you will Bub from Romero’s DAY OF THE DEAD (1985, U.F.D.) were fully cognizant of his situation, and able to have a full conversation about it (MY DINNER WITH BUB? ). Throw in a bit of 21 DAYS LATER (2002, Fox) and you have a pretty good idea of what to expect from PATIENT ZERO.

Filmed in 2015 by Screen Gems, it sadly sat on a shelf until now. Why? Screen Gems opened the abysmal ULTRAVIOLET (2006) wide, and that was nowhere near as good as PATIENT ZERO.

In 2013, Mike Le’s script for PATIENT ZERO was called “the Most Liked “unmade script of the year in the annual Black List poll. A bidding war between several studios took place, with Screen Gems winning the rights to make a feature of the script. Matt Le had prior only worked on a few reality shows and later some forgotten thrillers like AMNESIAC (2014, XLrator) (get it? forgotten? Amnesiac?) and DARK SUMMER (2015, IFC). The frenzy was no doubt due to Paramount’s mega zombie blockbuster WORLD WAR Z that came out that year.
Patient+Zero

Director Stefan Ruzowitzky had directed the German horror thriller AUTOPSY (Sony,2000) and won the 2007 foreign language Oscar for his film THE COUNTERFEITERS (released in the US by Sony)and so there a bit of buzz around his second English language film (his first ,ALL THE QUEENS’S MEN ,2001,Sony,starred Matt LeBlanc & Eddie Izzard ,was a fun little film that came & went).

patient-zero

Adding to the buzz was the casting of Matt Smith (popular from DOCTOR WHO, portraying the character from 2010-13, with a guest appearance in 2014, BBC) and Natalie Dormer (GAME OF THRONES, appearing from 2012 to 2016 in the HBO series) and Stanley Tucci (Oscar nominated for THE LOVELY BONES ,2009, Dreamworks).

The majority of the film was shot in a massive set at Shepperton Studios that was built to resemble an underground military missle silo built into caverns.

In the near future, a new pandemic has broken out, driving people into a bloodthirsty rage. The world is so caught off guard by how quickly this spreads that a large group of survivors, men, women and children, take refuge in said underground military bunkers. There, they work frantically to try and seek some sort of cure, and if they can, discover Patient Zero, the first of the infected (Odd Doctor Who trivia (Matt Smith’s first full episode as the Doctor, “The Eleventh Hour”, he spent a good bit of time looking for PRISONER zero. Back to the review.).

Morgan (Matt Smith, sporting a Midwestern accent) has been bitten but unlike many, has not turned into one of the rampaging creatures (referred to as “the infected”). Instead, he can communicate with the transformed in their own language (that this is never explored in more detail made me wonder if the film had been drastically cut down) as well as using music to set off the murderous victims of the plague.

153694078162355269 Then one day, they bring in The Professor (Stanley Tucci), who not only is unaffected by the music, but also speaks in a calm clear manner. However, we also feel that underneath his demeanor is this seething rage, waiting to get out, and tear out the throats of all around.

The scenes between Smith and Tucci work wonderfully well, as if in a zombie film version of the Clarice /Hannibal Lector scenes from SILENCE OF THE LAMB (1991, Orion).

4E580E2B00000578-5962725-image-m-155_1531838122713

Scientist Dr Rose (Natalie Dormer) is trying to get Morgan to hurry up while trying to placate Col. Knox (Clive Standen, star of the recent NBC Universal series TAKEN (2017-18) based upon Luc Bresson’s films) whose attitude is shoot them all let god sort it out.

Morgan also wants to find a cure, not only for himself but also his wife Janet (model /actress Agyness Deyn). Can they before the bunker is overrun by the ever increasing infected? Plus, watch out for those damn raging rats!!!

I don’t understand the general dismissal of this film. The cast is good, and the production values are decent.

The accent that Matt Smith uses is a bit jarring, and since most of the cast is British, why didn’t they just set the story in the U.K.?

Also, as I mentioned, there are a lot of very interesting ideas brought up but then never fully developed in the finish film, making me feel that there was some drastic editing to the movie.

cPlBjz2
However, once Stanley Tucci shows up, PATIENT ZERO hums along quite nicely, with the exchanges between Morgan and The Professor holding our attention. The idea that the disease is merely releasing the rage contained in all of us is a good one and adds a bit of brains to the usual zombie fare.

I don’t think you will be disappointed if you watch this film without comparing it to films like DAWN OF THE DEAD (1978, UFD). It is a nice variation to the apocalyptic zombie film, with some novel additions.

I do hope that a Blu Ray with commentary track is in its future, as I would love to hear about the behind the scenes of PATIENT ZERO.

Currently, director Ruzowitzky is working on The Last Voyage of the Demeter, which is based on Bram Stoker‘s Dracula . I look forward to his new additions to genre films.

Check out PATIENT ZERO.
Kevin G Shinnick

ZOMBIES
Apocalypse
Matt Smith
Natalie Dormer
Stanley Tucci

Climax

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Enter for a chance to win a copy of THE MIMIC Blu Ray .Contest ends June 1,2018.
2017, Blu Ray, CONTEST, fantasy, film, Foreign, genre, Horror, https://www.facebook.com/scarletthefilmmagazine/, monsters, S. Korean, SCARLETTHEFILMMAGAZINE.WORDPRESS.COM, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, WELL GO USA

THE MIMIC (2017) ( update -CONTEST NOW ENDED-6.3.2018)Enter for a chance to win a blu ray copy from Well Go USA

UPDATE- this contest is now concluded. Thank you for all the entries. The winner is being contacted and their prize is being mailed to them- Thank you to everyone who played. – Keep following us for future contests and articles.-Kevin

Well Go USA (http://www.wellgousa.com/) is offering one lucky SCARLET reader a chance to win a blu ray disc of their new release ,                                                                                                         

  THE MIMIC .

Enter for a chance to win a copy of THE MIMIC Blu Ray .Contest ends June 1,2018.

Enter for a chance to win a copy of THE MIMIC Blu Ray .Contest ends                          June 1,2018.

CONTEST NOW OVER-

Screenanarchy.com posted : “…Huh Jung directs what is is probably the best commercial Korean horror film in years.”

To Enter , send an email to

SCARLETTHEFILMMAG@yahoo.com

with the heading ” MIMIC CONTEST”

and in the body of the letter, tell us what you think the scariest movie involving a child was and why.
Also include your name and an address .

ONE winner will be drawn at random from all entries on June 2,2018 . The winner will be emailed a notification of their win. Contest ends June 1,2018.

THE MIMIC (Well Go USA),releasing on DVD as well as BLU RAY ON  June 12,2018  is a South Korean horror film directed by Huh Jung (HIDE & SEEK).

 

Based upon the legend of the ‘Tiger Of Mt. Jang”,in the film
a family gets involved with a mysterious creature known as “Jangsanbum.” This creature can imitate a human’s voice and entices children to eat them.

 

The Mimic stars Yum Jung-Ah (Tell Me Something), Park Hyuk-Kwon (A Taxi Driver), Shin Rin-Ah (Ode To My Father), Heo Jin (The Wailing), Kil Hae-Yeon (Missing) and Lee Yool (Hello Murderer).

100 mins. Color . Korean with optional English subtitles. REGION A.

TRAILER
https://youtu.be/d6p-XXamvAU

If you want to order your copy now for purchase (either Blu Ray or DVD )instead of playing the contest  , please go to https://www.amazon.com/Mimic-Blu-ray-Park-Hyeok-kwon/dp/B07CBH6GQT/ref=sr_1_2?ie=UTF8&qid=1527085404&sr=8-2&keywords=the+mimic+blu+ray&dpID=51CtvJK1VgL&preST=_SY300_QL70_&dpSrc=srch

Big thank you to WELLGOUSA.

Like and Follow us . https://scarletthefilmmagazine.wordpress.com

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Looking for reviewers , writers, contributors (all sadly unpaid ,but a chance to get your work seen).  Contact Kevin at scarletthefilmmag@yahoo.com

CONTEST IS NOW OVER. Thank you to all who entered. The winner is being contacted and the prize is being sent to them shortly. Keep following us for future contests and articles. -Kevin 6.3.2018

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1960s, American General, exploitation, fantasy, ghosts, Horror, independent, john carradine, monsters, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, Wade Williams, wierd, zombies

DAVID L HEWITT and his GALLERY OF HORROR

 

GALLERY OF HORROR (1967)
director: David L. Hewitt .American General Pictures. color .widescreen. 83 min.

Alternative Titles
Dr. Terror’s Gallery of Horrors
Return from the Past
The Blood Suckers
Cast
Lon Chaney John Carradine Rochelle Hudson Roger Gentry Ron Doyle Karen Joy Vic McGee Ron Brogan Margaret Moore Gray Daniels Mitch Evans Joey Benson

PRESENTING
1 ‘The Witches Clock’
2 ‘King Vampire’
3 ‘Monster Raiders’
4 ‘Spark of Life’
5 ‘Count Alucard’

Here is horror anthology that you may have seen on late night television but thought that you had only imagined it .

Seriously, this film lifts clips from better Roger Corman  films, then inserts them throughout this picture to add production value (think of that- Corman giving production value!!).

 

Stiff acting, staging, accents that make Dick Van Dyke  in MARY POPPINS (Disney,1964) sound like Laurence Olivier ,the barest of sets ,often just a wall flat with windows ,or a darkened sound stage street with a lamp, helps give this film an impoverished look . Not to the level of an Ed Wood or Andy Milligan , but as off beat in its own peculiar way .

David L. Hewitt ,the auteur 0f all this, was the man behind THE WIZARD OF MARS  (John Carradine again)MONSTERS CRASH THE PAJAMA PARTY(both 1965) JOURNEY TO THE CENTER OF TIME(1967 ),THE MIGHTY GORGA (1969 );all films with special (de)fects ,and the non fantasy The Girls from Thunder Strip in 1970.

 

He began as a stage magician ,until he met Forrest J Ackerman .  He had an idea for a film script, and Ackerman put him in contact with science fiction writer and filmmaker Ib Melchior (AIP’s 1959 ANGRY RED PLANET ,and the screenplay for the Danish REPTILICUS ,AIP 1961).  Melchior would later pen the short story “The Racer”which would be adapted to the screen as DEATH RACE 2000(New World,1975).

Melchior and Hewitt worked on reworking the ambitious story (originally known as “The Trap”) and shot some test footage to convince investors that they could make the film on a modest budget.  Hewitt was able to create several effects that could be shot live on set, as they were variations of several magician’s tricks. Forrest  J Ackerman even gets a nice cameo doing one of the tricks.

The film became THE TIME TRAVELLERS (AIP,1964),an ambitious tale of time paradoxes and the future,shot on a budget of $250,000.

Trying to go it alone, Hewitt created a film that ran only 33 minutes. Not wishing to lose his investment, he created a stage show involving magic tricks ,performers and people in costumes (probably some poorly underpaid usher) who would run through the theatre onto the stage. All this would then  seque into the film . The result was MONSTERS CRASH THE PAJAMA PARTY (1965).https://www.youtube.com/watch?v=2crI6OdUOA0

 

Hewitt’s next picture was THE WIZARD OF MARS . Shot on a budget of $33,000 , the film was a science fiction retworking of  Wizard Of Oz set upon the Red Planet. John Carradine worked for Hewitt for the first time, shot against a blue screen as a transparent figure appearing against a star field . The money was raised by a group of vending machine operators . Since it was a cash business, the operators looked for ways to invest ,and felt that Hewitt was worth the risk.

THE WIZARD OF MARS was edited by Tom Graeff . If the name is familiar to you, he was the mad “genius ” behind 1959’s TEENAGERS FROM OUTER SPACE (W.B.). This was Graeff’s last known film work, with him committing suicide in 1970 .

T.W.O.M was an ambitious film filmed with effects, but it had no one willing to distribute it.  The investors, having no experience in film at all, started their own distribution company ,American General Pictures.

Knowing they did not have the resources to keep producing films, they picked up other movies that had limited release or had been sitting upon the shelves. One of the films they picked up was SPIDER BABY . The bizarre but original Jack Hill film starring Lon Chaney Jr  had been shot in 1964 , but not released until 1967 . Being in black and white made it a harder sell, even when changing the name often to The Liver EatersAttack of the Liver EatersCannibal Orgy, and The Maddest Story Ever Told.

The same year Hewitt created GALLERY OF HORROR ,he also made JOURNEY TO THE CENTER OF TIME . Very talkative ,with some effects lifted from other films, Scott Brady took on the John Carradine type role in this (was Carradine busy filming HILLBILLIES IN THE HAUNTED HOUSE??)  . Antony Eisley appears as the nominal hero.The film seems like a variation of the superior THE TIME TRAVELLERS.

As embarassing as some of these films were , none can reach the levels of ineptitude that is THE MIGHTY GORGA (1969).Poor Scott Brady and Anthony Eisley both appear in this jawdroppingly bad film. Long ago SNL did a sketch about dinosaurs, using purposely fake effects. It was hysterical.

 

Here, you feel that the team was serious about their use of force perspective toy dinosaurs and third rate gorilla costume work. How third rate?Hewitt, who constructed and wore the suit, never bothered creating the lower half .

American General folded after one of the partners disappeared and another partner died from a heart attack. The widow of the third partner felt it wasn’t worth the headache, and let the company fold in 1970.   American General did not make a lot of prints of their films, at best 35  copies for the entire country ,and so they were often played until they were worn so badly that they were unscreenable.

Wizard Of Mars Model work

After this, Hewitt became an effects man for hire ,ironically with some of his own space ship footage from JOURNEY TO THE CENTER OF TIME ending up in the I.I. patchwork film HORROR OF THE BLOOD MONSTERS (1970).

 

The 79 year old Hewitt (born December ,1939) is still with us, having worked on effects as late as 2003 on INSPECTOR GADGET 2 for Disney.

 

However, back to the “gallery ” :

John Carradine, in tux, is the host for several tales ,bringing to mind Boris Karloff in the vastly superior  BLACK SABBATH (AIP,1963). DR TERRORS HOUSE OF HORRORS (Amicus/Paramount,1965) was also big hit  ,which is why one of the alternate titles for this film attached DR TERROR’s for one of its releases.

Lon Chaney appears in a tale wherein he references Dr Frankenstein . Chaney is a teaching professor who ,with the aid of two med students, revive a corpse. It must have been nice for him not to be the one on the slab for once. Oh, wait…

Though top billed, Chaney could have shot his whole part in a day .

Carradine probably shot his narrator role reading off of cue cards in front of a blue screen, with his part in the first story, THE WITCHES CLOCK, probably taking all of an afternoon.

 

Most of the rest of the cast seem to declaim their lines as if trying to reach the back of a theatre .

The sound at times is very echoey, meaning that sound proofing was not added to the studio wherein they filmed.

That it felt like inferior CREEPY comics stories may be because one of the screenwriters was Russ Jones,founder of that magazine. He had wanted to film to feel like a comic book, but the distributors and Hewitt vetoed that idea,except for the intentional splash wipes .Audiences would have to wait until CREEPSHOW (Laurel,1982).

The music and sound effects are stock ,coming from a company called COMMERCIAL SOUND RECORDERS ,which sound like a bunch of fans in a basement full of machines .

Wade Williams released a DVD of the film from a print that he owned . That the film looks as good as it does means it was not shown as often as many other copies of the title were .G.O.H. astonishly shot widescreen  ( 2.35:1 )and in color ,which added to the budget perhaps but somehow makes the picture as a whole  look a whole lot cheaper. http://www.wadewilliamscollection.com/ft-haunted.html 

I didn’t go into great detail about the film to allow you to “experience”it for yourself .

This film is Screaming out for a MST3K /Rifftrax treatment.

Kevin G Shinnick

 

ps- some information on David Hewitt, American General, and their films was taken from Fred Olen Ray‘s wonderful 1991 book from MacFarland : THE NEW POVERTY ROW  .https://mcfarlandbooks.com/product/the-new-poverty-row/

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ATTACK OF THE KILLER TOMATOES/D.O.A.-A RIGHT OF PASSAGE special editions Blu Rays from MVD REWIND

ATTACK OF THE KILLER TOMATOES (1978) (MVD Rewind) 2-disc special edition Blu Ray/DVD combo. 87 minutes color.

https://www.amazon.com/Attack-Killer-Tomatoes-Special-Blu-ray/dp/B075MYG9XC

Back in the 1970s and 80s, it was possible for independent films to get theatrical releases. A lot of these films would play their one week run and then disappear, unless they would end up as second features later for another film, or, perhaps a sale to television.

 

With the advent of the home video market, people were able to program their own films, whenever they wanted to view a film. Magnetic Video was one of the first companies to license titles (most were from major studios) and offer them for sale to consumers. The high mark up (many were $100) meant that people were more likely to rent than purchase, thus giving rise to video rental stores.

The offerings available on Beta (then VHS) were limited, due to studios wishing to prevent bootlegging of their titles. Smaller companies lept into fill the void for demanding renters (as well as the adult video market, which drove a lot of business for the video marketplace, but that is a different part of the story).

Suddenly, older public domain titles were appearing on store shelves, along with many independent films that had pretty much vanished after their original run. One of those indie labels was Media Home Entertainment, started in 1978 by filmmaker Charles Band. In 1981, one of the titles the company released was ATTACK OF THE KILLER TOMATOES (Four Square Productions).

ATTACK OF THE KILLER TOMATOES, unlike a lot of independent films, had a bit of name recognition. Johnny Carson, then at the height of his popularity as the star of THE TONIGHT SHOW, had mentioned the film on the program, and interviewed star Jack Riley (who at the time was known for his role in tv’s THE BOB NEWHART SHOW, MTM Productions) who survived an accidental helicopter crash that ended up in the final cut of the film.

 

It was one of the first films that I ever owned on video, and thus it has fond memories for me.

Who would have thought that the film would spawn three sequels (so far), a video game, comics, a novel, and an animated television series?

For the five people who have never heard of the film, the film is a spoof inspired by the bad horror films that the filmmakers grew up loving.

A series of mysterious killings (including one that spoofs JAWS ,Universal,1975) baffle everyone, until it is discovered that Tomatoes have become sentient and are murdering people in various ways. At one point, one knocks a helicopter down, causing it to crash. They say tomatoes can’t fly and the response is well tomatoes cannot kill people either!

Finally, it is discovered that an obnoxious teen song “Puberty Love” causes the members of the nightshade family to flee in horror. People size their chance and smash and mash them, until they are vanquished. However, just at the end, we see that the carrots are now preparing to arise….

The film is like the big budget spoof THE BIG BUS (Paramount,1976), which exaggerates and satirizes their respective genres (THE BIG BUS spoofs the popular “disaster films” of the 1970s) and were the forerunners of the everything AND the kitchen sink humor of AIRPLANE (Paramount,1980).

A.O.T.K.T. was inspired by a short film that the filmmakers had done years earlier and raised the funds to expand on the simple premise into a full-length feature. That they were able to raise between $90,000 -$100,000 is an amazing feat.

At times, though, the film feels a bit padded to fill it’s running time. Indeed, some of the best scenes are recreations of those that appeared in the original Super 8 short (plus the astounding helicopter accident of course). Also, a major drag is the use of many non-professionals in featured roles. Working with people like Jack Riley shows how uneven the performances are.

That said, the film hits the mark more often than misses, which is more than many bigger budgeted films can claim (I’m looking at you, VAMPIRE ACADEMY (Weinstein,2014, $30 million budget). Indeed, some of their throwaway jokes may be missed by the non-genre fan, but truly tickle the horror aficionado. My personal favorite is the dubbed Japanese scientist, which no one in the scene notices or comments upon!

The film’s fame even extends to being referenced in a foodie festival! 

 

Now, MVD/REWIND has given the film the deluxe treatment, giving it the kind of extras one would expect and find on the DUNKIRK (WB,2017) blu ray release.

First off, MVD REWIND has given the film a 4k remastering, with a hi-def (1080p) Blu-Ray as well as a standard definition of the film for DVD. The aspect ratio is 1.85.1.

Pulling out an old vhs copy shows how much the film has been given a facelift. Gone is the heavy grain that made me always think that it had been shot on 16mm and blown up to 35mm.

Now you can see the sharpness of the original 35mm photography, which is impressive for an independent production. HALLOWEEN (Compass,1978) also was shot in 35mm (as well as Panavision), which also elevated it from many indie films of the period.

Grain remains in some of the effects sequences, but that is from the original negative.

The sound is presented in LPCM 2.0 mono that is clean of pops and hisses. Some of the dialogue is low, but that is due to the original recording rather than any loss in the mix. The music does not drown out any of the dialogue or effects, which is a good or bad thing, depending upon how much of a fan that you are of the film.

We have a tomato basket full of extras for this release though I am unsure of how many of these are ported over from the long out of print Rhino 25th Anniversary .

There is a running audio commentary from the original team of John DeBello, Steve Peace, and Costa Dillon. The team recall their long friendship their original friendship that endures, and the process of putting together this cult feature. some 38 years ago.

There are three scenes that were deleted and while it is interesting to see these (which are in rougher form than the rest of the release), they would have added nothing to the film and in fact might have slowed the picture down.

LEGACY OF A LEGEND -is a collection of interviews with the team who created the original, as well as John Astin (who would star in the three sequels as well as provide his voice to the animated series), film critic Kevin Thomas and fan Bruce Vilanch, among others.

CRASH AND BURN is a brief discussion of the accidental helicopter crash, how the secondary camera kept rolling while the first shut off as the crash began, and how the actors came up with a way to work the incident into the plot, and work in one of the funniest lines about flying tomatoes.


FAMOUS FOUL– the San Diego Chicken reminiscences how he ended up in the film.


KILLER TOMATOMANIA – a man on the street interview with people walking along to see what they know of the film.

WHERE ARE THEY NOW– This was to me quite interesting. Many returned to their regular jobs ,but Steve Pearce went on to be a Democratic Senator in California (not to be confused with the New Mexico G.O.P. Congressman, who as far as I know, has never met a killer tomato , that the film had the first appearance of Dana Ashbrook , now best known for playing Bobby Briggs in the various incarnations of TWIN PEAKS, made his debut as an uncredited boy in boat ,and that the teenage vocalist of “Puberty Lovehttps://www.youtube.com/watch?v=jViBFzytVXo is drummer Matt Cameron (Soundgarden ,The Smashing Pumpkins, Pearl Jam https://www.youtube.com/watch?v=yO2FzVvA3TQ )!

WE TOLD YOU SO– a spoof investigation into killer tomato conspiracies.

    An actual NY POST cover also referenced the film for a salmonella scare!

SLATED FOR SUCCESS -a short bit about the original film’s slate woman.

ATTACK OF THE KILLER TOMATOES” – the original super 8mm short film. Running about 18 minutes, it begins with the scene of the tomato coming out of the sink and killing the woman, and several other major scenes that were later recreated in the feature. There is even the model tank sequence with miniature houses, and the surprise ending. There is also a commentary track by the original team.


GONE WITH THE BABUSULAND– another super 8mm short by the team. This one is over 32 minutes long but seems more self-indulgent. Having done my own super 8mm shorts, sometimes improv would bring out unexpected brilliance, and other times, well, editing comes in handy. A silent film made for a Kodak Film Festival  (which yours truly also submitted films) this also comes with commentary by the original team.

The original theatrical trailer.

Production Design Photo Gallery -six images.


Radio spots– these play over images from the film.

Vintage Retro Video Store Style Slipcover /O -Card (first pressing only). -For those old enough to remember the joy of discovering films lined along the video shelves, this was a nice touch.

Collectible Poster– to replace your long-tattered poster that you got when the video store was done with it.

In a press release, MVD Entertainment Group’s Eric D. Wilkinson , in charge of the MVD Rewind Collection , explains, “I’m a dedicated collector of movies on disc, with over 8,000 plus discs in my collection and I want collectors to know that the MVD Rewind Collection Blu-ray + DVD sets are being overseen by a collector and I will do my best to create the kind of releases you will look forward to adding to your collection every month.”

The other inaugural release from MVD REWIND is

D.O.A.: A Right of Passage Special Edition, 2-Disc Special Edition
https://www.amazon.com/D-Passage-2-Disc-Special-Blu-ray/dp/B075DSLWFS

D.O.A.: A RITE OF PASSAGE is a raw gritty Super 8 documentary about the 1978 Sex Pistols tour of the U.S. that ended with the group breaking up, practically all captured on camera as it happened. Mixed into the mix is footage of other bands like The Dead Boys, The Rich Kids, and others, plus some The Clash and Iggy Pop music tossed into the mix.

This title has long been unavailable, so for fans of Punk Music, this is a must have.

The film has been cleaned up as much as possible, but its graininess also feels right for the subject matter. It is a great time capsule of the period, though seeing Sid Vicious and girlfriend Nancy Spungen sends a chill down the spine (Spungen died in 1978 from a stab wound to the stomach. Sid was charged with the crime but died from a drug overdose before he could be tried. The Hotel Chelsea, where it happened, has been closed since 2011, but is scheduled to re-open this year).

Besides the feature (on separate Blu Ray and DVD discs), they have also added a feature length documentary on the making of the feature, with new interviews with people who were involved with the original production, as well as Sex Pistol Historian Mick O’Shea, and Ultravox lead singer Midge Ure.

A 12-page booklet by John Holmstrom, founding editor of PUNK magazine.

A photo Gallery

Reversible Cover Artwork

A collectible two-sided poster (I am going to need more wall space)

The original Theatrical Trailer.

 

In a press release, MVD Entertainment Group’s Eric D. Wilkinson , in charge of the MVD Rewind Collection , explains, “I’m a dedicated collector of movies on disc, with over 8,000 plus discs in my collection and I want collectors to know that the MVD Rewind Collection Blu-ray + DVD sets are being overseen by a collector and I will do my best to create the kind of releases you will look forward to adding to your collection every month.”

Should MVD REWIND  can continue the quality of these two-disc sets, the company  will be the Criterion of B Movies and Obscure Titles to watch out for.

Recommended.

Kevin G Shinnick

For more tomatoes merchandising go to
https://killertomatoes.com/

 

The Master of Disguise from ATTACK OF THE KILLER TOMATOES  .

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