1990s, BLUE UNDERGROUND, cult, Edgar Allan Poe, film, genre, Horror, https://www.facebook.com/scarletthefilmmagazine/, independent film, monsters, review, SCARLETTHEFILMMAGAZINE.WORDPRESS.COM, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized

TWO EVIL EYES (Blue Underground Blu Ray 3 Disc Limited Edition)

TWO EVIL EYES (Blue Underground 3-disc Ltd Edition Blu-Ray/4K Restoration) $49.99 Special Edition Release Date October 29,2019 Region A.

Original Theatrical release U.S.A. -Taurus Entertainment ,1990.

Color.  120 mins.
https://www.amazon.com/Evil-Eyes-Blu-ray-Harvey-Keitel/dp/B07VGTYMKB/

 

  • Warning -review illustrated with gruesome effects shots. No animals and we suspect few actors were harmed

 

When TWO EVIL EYES came out, George Romero had just worked with a major studio on MONKEY SHINES (Orion,1988) but had a bad experience wherein his work was edited without his permission. *

Argento ‘s last feature OPERA (aka TERROR AT THE OPERA) was a huge success in his native Italy but was denied a theatrical release in the U.S. by Orion, instead letting the small video company Southgate release the film in an R and Unrated version.

The two filmmakers decided to go independent again to retain control of the final product and picked two different Edgar Allan Poe tales to adapt.

 

 


Romero chose “The Facts in the Case of M. Valdemar” (published simultaneously in The American Review and Broadway Journal ,December 1845) . The story had been adapted previously in an Italian short film (Il caso Valdemar,Italy,1936 https://www.youtube.com/watch?v=U3qGwCPKhdI ) as well as segments in the portmanteau films MASTERWORKS OF TERROR (Argentina ,1959, redubbed and released by Jack H Harris as MASTERS OF HORROR ,1965) ,Roger Corman’s TALES OF TERROR (AIP,1962) and on the Spanish horror series Historias para no dormir (Stories to Keep You Awake, Televisión Española 1966). It also is one of the stories in the recent EXTRAORDINARY TALES (Mélusine Productions 2015 ).

a 1969 Japanese Illustration, inspired by TALES OF TERROR

 

The Black Cat by Alphonse Legros 1860

Argento chose “The Black Cat” (first published August 19, 1843 in The Saturday Evening Post). The story has been adapted with varying degrees of faithfulness, starting in 1934 with both Universal’s THE BLACK CAT as well as MANIAC (Roadshow), Universal again in 1941, AIP’s TALES OF TERROR again, the 1966 THE BLACK CAT (Falcon) ,Lucio Fulci’s 1981 version(Italian Int.) and recently a marvelous independent short in 2012 https://www.youtube.com/watch?v=GKN_I6ouswg .

 

The film :

Warning -turn your sound down for the opening credits of Pino Donaggio’s dissonant title theme.


The film opens with a succession of quick shots of Edgar Allan Poe’s statue, one of the great author’s home and burial plot, as a narrator intones: “To Edgar Allan Poe, whose stories have inspired this motion picture.”

 

We then immediately go to

THE FACTS IN THE CASE OF M. VALDEMAR (screenplay by Romero ; Dir of Photography  Peter Reniers, who has worked on such television series as LAW & ORDER: SPECIAL VICTIMS UNIT, Dick Wolf /Universal ,1999- ).


Jessica Valdemar (Adrienne Barbeau, returning to work with Romero again after CREEPSHOW, Laurel/WB ,1982) is hoping to inherit the money from her mortally ill husband Ernest (the wonderfully named Bingo O’Malley ,who also appeared in CREEPSHOW, and sadly in real life passed away June 2 ,2019).

 

To that extent, she gets Dr Robert Hoffman (Ramy Zada, tv’s DARK JUSTICE, Lorrimar,1991) to hypnotize the sickly Ernest to better control him. Dr Hoffman is most willing to do so, partly from a past relationship with Jessica, and partly from the desire to share in the millions that she will inherit. The problem is that Jessica has been taking money from Ernest’s account, so much so that if anything were to happen to her husband over the next three weeks, the police will surely investigate the wife.

E.G. Marshall as a lawyer warning Barbeau

Of course, Ernest dies, and the pair dump his body into a basement freezer. During the night she hears moaning and discovers that due to the hypnosis, the spirit of her dead husband is trapped between worlds, and that other entities wish to use his corpse to enter our sphere!

 

THE BLACK CAT (Screenplay by Argento & Franco Ferrini, who worked together on OPERA ; director of Photography Beppe Maccari, who was the camera operator on the Visconti classic THE LEOPARD, Titanus 1963)-
Argento’s take on the famous tale is a delirious and trippy over the top gorefest that references several other Poe tales.

Keitel in a Corman-like dream sequence with an Argento touch

 

 

Rod Usher (Harvey Keitel, TAXI DRIVER, Columbia,1976) is a police crime scene photographer who we first meet when he is taking pictures at a murder scene. This killing  was a bit extraordinary, since it is a scene of a nude women bifurcated by a huge pendulum blade. To Usher, it is just work as usual, and he tries to frame the scenes with a sense of aesthetics that belie the horror of the scene.

 

At home, his girlfriend Annabel (Madeline Potter ,THE SUICIDE CLUB, Angelika Films ,1988) has brought in a black cat that Rod takes an instant dislike to. This mutual hatred comes to its zenith when Rod viciously and cruelly strangles the animal during a photo shoot. Rod, however, in a sort of A BUCKET OF BLOOD (AIP,1959) moment, decides that the murder deserves to be the over of his newest photo collection.

Sally Kirkland has a new kitty for Rod .

When Annabel sees the cover some time later in a store window, she realizes what has happened, and rushes home to confront Rod. Rod , in the interim , has been given a cat that is identical to the one he killed ).He takes the animal home to destroy it once and for all, but Annabel comes home ,saves the creature but she herself is killed gruesomely.

Rod conceals the body behind the wall, but suspicion continues to grow against him, resulting in more murders and gore before Rod receives poetic justice.

John Amos as a detective who grows suspicious of Usher

 

A huge title assures us that none of the animals were harmed in the making of the film as the picture’s end credits roll.

The film, which reportedly cost over $ 9 million to make,  opened in only 150 theatres throughout the U.S. for just one week, taking in only $349,000.

 

It was released on VHS through various companies (Anchor Bay, budget label Video Treasures) as well as DVD and Blu Ray previously by Blue Underground.

Now , Blue Underground has gone back to the original camera negatives and given it a 4K 1080p restoration. The colors, especially in the Argento segment, really seem to jump out.

 

Martin Balsam  & Kim Hunter,Spanish Lobby Card

The audio is available in either English: 7.1 DTS-HD, or to duplicate the theatrical release sound, English: 2.0 DTS-HD (or in French: Dolby Digital Mono). Again, watch that opening bit of music in the beginning!
Optional subtitles are English SDH, French or Spanish.

Where this becomes the must have edition of TWO EVIL EYES is the immense number of extras, some ported over from BLUE UNDERGROUND’s previous release of the title, but many brands new and exclusive to this limited edition.

Extras include

Disc One Blu Ray- a brand new audio commentary by Troy Howarth (author of the upcoming book “Murder By Design: The Unsane Cinema of Dario Argento “). Troy has done audio commentaries on other Blu ray releases, and his love and well researched talks always have the feel of a well-informed fan joyfully sharing his thoughts and insights throughout the running time of a film, and this one is no different.

Theatrical Trailer

Poster & Still Gallery

Disc 2 Blu Ray
Two Masters’ Eyes – Interviews with Directors Dario Argento & George Romero, Special Make-Up Effects Supervisor Tom Savini, Executive Producer Claudio Argento, and Asia Argento. These are ported over from the 2003 Blue Underground 2-disc Blu Ray release.

Savini as a Poe like character who digs up corpses to steal teeth.Or is it just his character from THE RIPPER (United Ent.,1985 ) reprised?

Savini’s EFX – A Behind-the-Scenes look at the film’s Special Make-Up Effects. Also, from the 2003 release, Savini takes us on a behind the scene tour of how some of the effects work was done.

At Home With Tom Savini – A personal tour of Tom Savini’s home. From 2003, this segment is not only a master of his craft but also a fan sharing with fellow fans.

Adrienne Barbeau on George Romero.- From 2003. The still lovely and charming actress shares her thoughts about working with the director.

Tom Atkins makes a horrific discovery

 

NEW! Before I Wake – Interview with Star Ramy Zada. The actor talks about his career and working with Romero.

NEW! Behind The Wall – Interview with Star Madeleine Potter. The very busy actress, who shuttles back and forth from the U.S. and London to perform, talks about Harvey, Dario and cats.

NEW! One Maestro And Two Masters – Interview with Composer Pino Donaggio. Subtitled. The composer talks about his career

NEW! Rewriting Poe – Interview with Co-Writer Franco Ferrini, who has often worked with director Argento, as well as upon the screenplay ONCE UPON A TIME IN AMERICA (W.B.,1984) .

NEW! The Cat Who Wouldn’t Die – Interview with Assistant Director Luigi Cozzi (who also directed the cult hit STAR CRASH, New World, 1978).

 

NEW! Two Evil Brothers – Interview with Special Make-Up Assistant Everett Burrell (who has worked with Savini several times, as well as Greg Cannom, and Kevin Yagher.).

NEW! Working With George – Interview with Costume Designer Barbara Anderson who worked with Romero from KNIGHTRIDERS (Laurel/UFD, 1981) up to THE DARK HALF .

Finally,

Disc 3-A CD of Pino Dinaggio’s score. This alone might be enough for some to wish to buy this collection, as this soundtrack it seems has never been issued legitimately before. It is a sharp moody score, which fits the film perfectly, but many pieces can be listened to and enjoyed on their own.

 

Adding to the welcome extras is an informative booklet by Michael Gingold, who was one of the guiding forces of Fangoria magazine from 1990 (when the film came out) until 2015.

Fango #95 ,which covered the film 

 

Once again, BLUE UNDERGROUND has put to shame many major studios Blu Ray releases, due to the care and multiple goodies adding entertainment, value and collectability for horror film lovers.

RECOMMENDED
For fans of
ROMERO
ARGENTO
EDGAR ALLAN POE
BLU RAY EXTRAS!

-Kevin G Shinnick

*-right after filming TWO EVIL EYES, he worked upon THE DARK HALF for Orion, which sat on a shelf for two years.

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1980s, CHRISTOPHER PLUMMER, DONALD PLEASANCE, Italian, KLAUS KINSKI, NOSFERATU, NOSFERATU IN VENICE, Uncategorized, vampire, VAMPIRES

Prince of The Night / NOSFERATU IN VENICE

PRINCE OF THE NIGHT (NOSFERATU IN VENICE,1988) (93min 21 seconds) Color. Klaus Kinksi, Donald Pleasance Christopher Plummer Released by: One 7 Movies $14.99

prince of the night

https://www.amazon.com/Prince-Night-Klaus-Kinski/dp/B00KT5P9XE/184-6920398-9658701?ie=UTF8&*Version*=1&*entries*=0

This is a release that somehow slipped by me but I felt will be of interest to vampire fans. PRINCE OF THE NIGHT is a retitling of
NOSFERATU OF VENICE (aka VAMPIRE OF VENICE, Scena Films ,1988), the quasi “sequel” to Werner Herzog’s NOSFERATU THE VAMPIRE (Werner Herzog Filmproduktion/Gaumont/Fox 1979) itself a remake of the silent classic NOSFERATU (Prana- Films GMBH,1922, U.S. release June 1929).

nosferatuposter (1)

I say quasi as the film had a lot of production problems, a great deal of them generated by star Klaus Kinski himself. Three directors walked off the production or were paid off before producer Augusto Caminito took over the directorial reins. The film was also helped along by uncredited input by Luigi Cozzi (STAR CRASH, 1978 ,New World) . However, it didn’t end there, as Kinski bullied crew members and performers alike, forcing many to quit or be fired. Kinski even took a turn, shooting hours of footage that barely made it into the final edit. Kinski also refused to reprise the makeup from the previous film, so now the vampire resembles-well Klaus Kinski!

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To say that the final film is an incoherent mess is an understatement, with ideas brought up then dropped, seemingly important characters disappear from the narrative as new characters’ pop up (due to the firing policy of the star). Nosferatu walks about in daylight (though to be fair, in the original novel DRACULA the vampire walked about in a straw hat in daylight!) and only has to rest about once every month.

Nosferatu_a_Venezia_1998

Still, the film does have moments of interest. The photography by Tonino Nardi is quite good, with a sense of the dreamlike captured perfectly. The image near the opening of Professor Paris Catalano (Christopher Plummer) standing at the forward bow of a small boat made the film seem to cover several centuries in one image (set modern day, though with the ancient city and Plummer wearing a cape it harkened earlier history). A flashback to the plague swept city reinforces this. The feeling of decay is buttressed by the filming within several dilapidated buildings that still harken back to days of splendor and glory.

 

nosferatu-in-venice3

 

Kinski at moments has a kind of quiet sadness about his character, for we discover that his really wants to end his existence. *

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     (“Who is this long haired imposter ?” )

The plot, such as it is, has Professor Catalano (Plummer) come to Venice at the request of Princess Heiletta Canins (Barbara De Rossi, HEARTS & ARMOUR, Vides Cinematografica Italy /WB (U.S.)1983). She feels that Nosferatu is buried within the family cellar crypt. The Professor does not believe her as he feels the Vampire fled the city when the plague broke out 200 years before. A Medium (Clara Colosimo, NOVECENTO/1900, 1976) is summoned and sooner than you can say SCREAM BLACULA SCREAM (AIP,1973), Nosferatu (Kinski) is back and nibbling into a neck.

prince of the night2

Donald Pleasance shows up for a paycheck as a cowardly Priest but adds little to the storyline. Meanwhile, our nominal hero, the Professor, confronts the vampire, only to have his hands get burnt when Kinski stares at the metal cross that he is holding, superheating. What does the Professor do? Regroup. Nope, he packs up and leaves!! Perhaps Plummer was saving his strength to play Van Helsing 12 years later in DRACULA 2000 (Miramax,2000).

princenight3big

Late into the film we are introduced to the character of Maria (Anne Knecht*), supposedly Heiletta’s sister. There is some mumbo jumbo about reincarnation and the vampire only being able to be destroyed by a consenting virgin, but in the end it all just fizzles out. The film ends with a group of hunters (whom we saw at the beginning of the film) intoning “It’s bad luck to kill a bat. ” Not this one, it’s a vampire!”

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Err- um-WHAT???

There is an interesting film in there but every time it starts to come to the fore the movie beats it back and starts on another idea (the first film with Attention Deficiency Disorder?).

vampireinvenpost09

The music is “inspired” by Vangelis, meaning a lot of droning electronics.
As to the DVD, the image is quite clear and sharp, though sound at time has a bit of warble like a damaged vhs tape (particularly during the opening and closing titles). You can listen to the dialogue in either Italian or English. It appears certain actors spoke one language or the other and so you hear their voice in one dub but not the other.

432full-nosferatu-in-venice-poster

I.M.D.B lists the running time as 97 minutes, while this print runs a little over 93. Nothing appears to be missing, though.09

The rarity of this title makes it worth seeking out, though, like Dario Argento’s DRACULA 3D (Enrique Cerezo Producciones Cinematográficas S.A., 2012, U.S. IFC 2014) ,the inanities definitely distract from the better moments.

Kevin G Shinnick

 

*- (His actions off camera should have led to the mercurial actor being arrested as he violently sexually assaulted two of the actresses.)

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**- . Knect it seems she was cast at the demand of Kinski after another actress quit/was fired. She was actually just the girlfriend of another actor visiting the set, and not an actress at all. No matter, she was cast. She is quite lovely to look at and spends the final part of the film nude so she has that in her favor.

nosferatu-in-veniceprincenight

 

 

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