2019, Fairuza Balk, film, genre, gore, Home Invasion, Horror, https://www.facebook.com/scarletthefilmmagazine/, IFC MIDNIGHT FILMS, independent, independent film, Mystery, now playing, Now Playing Theatrical, review, SCARLETTHEFILMMAGAZINE.WORDPRESS.COM, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, Unrated

TRESSPASSERS -now playing theatrically , IFC MIDNIGHT FILMS

 

TRESSPASSERSIFC Midnight-Now Playing Theatrically. Color -87 Minutes Unrated.

Watch the trailer :  https://www.youtube.com/watch?v=RawgS69nvR8&list=PLzbzLEBDQ5MqDFjyhpI4gGPsOlQRNP7ti

When a film opens with a bunch of guys donning cloth masks that give them the suggestion of skulls and walk towards a house wielding machete, you know there is going to be trouble.

That is the opening of TRESSPASSERS, a new nail biter from Director Orson Oblowitz (director of the crime drama THE QUEEN OF HOLLYWOOD BLVD, Dark Star ,2017; as well as having a small role in the darkly comic yet violent Bobcat Goldthwait film GOD BLESS AMERICA, Magnet, 2011).

 

After the murder of an unnamed man and woman , the film changes mood and switches to a couple, Sarah (Angela Trimbur, THE FINAL GIRLS, Sony ,2015) and Joseph (Zack Avery, CURVATURE, Screen Media 2017. CURVATURE was produced by The Hallivis Brothers, producers of TRESSPASSERS)., who are dealing with some relationship issues and they have gone to this isolated house out in the California desert to have some alone time. At least, that is, until two friends that Sarah has invited show up, Estelle (Janel Parrish, from the television series PRETTY LITTLE LIARS, ABC ,2010-17) and her boyfriend (Jonathan Howard), much to Joseph’s annoyance.

 

Shortly thereafter, another unexpected visitor arrives. A quirky bespectacled woman who doesn’t identify herself (Fairuza Balk, AMERICAN HISTORY X, New Line ,1998) says that her car broke down and there is no cell phone signal in the area.

She wonders if she might use their phone to check in on her babysitter with her son, as well as possibly get a tow truck. The thing is, as the night goes on, the visitor doesn’t seem to want to leave, as strange things happen, like a sudden power outage. The visitor says that  such outages are common in the area, which is why they have backup generators, but Jonathan, who is, shall we say, a major dick, feels that there is something wrong with the woman and wants her gone.

 

Things quickly escalate until a horrible accident occurs (which made this reviewer jump). The events do not start going any better, when first the police stop by, and then the masked trio from earlier returns.

 

I am trying to keep from giving away too many too many of the delicious surprises and thrills that this film has ,hoping you go and enjoy this thrill ride .

 

The film has a few flaws (none of the four leads are particularly likeable, but that is more to how they are written ,and not the fault of the performers) , but it makes for an enjoyable thriller along the lines of THE STRANGERS (Universal, 2008) and THE STRANGERS PREY AT NIGHT (Aviron ,2018).

 

Composer Jonathan Snipes (SNAKES ON A PLANE, New Line,2006) at times evokes the Giallo thrillers of old, such as using a harpsicord accompanying a female vocalist for the opening and the end credits, at other times a kind of techno sound score. The cinematography by Noah Rosenthal (the horror comedy DETENTION OF THE DEAD,Anchor Bay ,2013) is sharp and crisp , at times giving the house a cold sterile look, against which the horrors play, while at other times, colored filters are used, which also recalls early Dario Argento.

 

A good creepy thriller that if you are at all paranoid, this will do nothing to reassure you.

-Kevin G Shinnick

Personal Thanks to IFC Midnight.

 

 

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TRESSPASSERS original title

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MANIAC -Blue Underground 3 disc Ltd Edition Blu ray

                                                

 

                                                                MANIAC     

                                                     3 Disc Ltd Edition BLU RAY
-Blue Underground December 11,2018.

1980, originally released by Analysis Film Releasing Corp.87 min. Color .

Available as a 3-disc Limited Edition /4 K remaster (2BD plus 1 CD) $39.95 REGION FREE.

http://www.blue-underground.com/product.php?product=291

Back in the early 1980s, horror films were massive money makers. For relatively low costs, filmmakers of various skills could get a camera, an effects person, and maybe some women willing to shed their clothes, and even the feeblest efforts could get a theatrical release.

Then there were films that were done with the same miniscule budgets but with a bit more skill, darker tone perhaps, better actors, direction, and technical skills

MANIAC falls into that latter category. The film was inspired by the infamous Son of Sam. David Berkowitz began his wave of terror that terrorized the city of New York on Christmas Eve ,1975 with what was at first were considered random stabbings.

His first murder (and first use of his weapon of choice, a .44 calibre, thus his being dubbed at first the .44 Calibre Killer) was on July 29,1976. He finally was arrested on August 7,1977 after avoiding the biggest manhunt in NYC history, sending taunting letters to both the police and the press, having killed six people and wounded seven others by July 1977. When apprehended, he confessed but adding he was being ordered to telepathically by his neighbor Sam’s dog Harvey (thus, the ”son” of Sam.). Later ,he admitted he made up the dog story, but the legend continues.

When people found out that publishers were offering huge sums of money for his story, the Son of Sam Law, which was designed to keep criminals from further profiting from their crimes.

This did not stop newspapers, book publishers, television shows ,and even movies from cranking out their own money making attempts to exploit the story , one of the earliest is the nearly unwatchable ANOTHER SON OF SAM (1977, which began in 1975 as a cheapie called HOSTAGES ).

 

Filmmaker William Lustig had grown up enjoying the exploitation smorgasbord offered up in the 1950s,60s and 70s that played in the grindhouses of 42nd Street. After taking some film classes, he found work on both mainstream film (as a P.A. on DEATH WISH,Paramount,1974) before moving into the profitable adult film market, where he worked as editor, producer, and director (and probably a lot of other jobs too) .

 

He saw the money that films like FRIDAY THE 13th (Paramount ,1980) were making ,and thus, taking his share of his latest adult title , he decided to make his own horror movie.

 

He was wise enough to get the wizard who created the effects that had made FRIDAY THE 13TH so memorable, namely Tom Savini . Lustig also cast actor Joe Spinell, who also co-produced ad co wrote the script. Spinell was a hard- working character actor who had worked in supporting roles in major films but this would be his first starring role. Finally, they hired actress Caroline Munro (after their first choice had dropped out), who had starred in several horror and fantasy films throughout the 1970s, as well as being featured in major films like THE SPY WHO LOVED ME ,U.A.,1977).

 

The film is a gritty time capsule of New York City. Tourists were afraid to come to the city, never mind walk the streets at night. Hookers, pimps and drug dealers stood aside sleazy motels and grind house movie theatres, trying to lure in the unwary to sample their wares – or simply rob them.

 

Cinematographer Robert Lindsay, who had worked with Lustig on his previous adult movies, perfectly captures that sense of dread and moral decay.

     (Warning – plot spoilers)

Frank Zito (a completely believable full on psycho performance by Joe Spinell) wanders the city and kills young women who he is aroused by, then scalping them and then taking his bloody souvenir home and attaching it to one of the many mannikins he has littering his apartment. It seems that he was abused as a child by his hooker mom and so he finds that beauty is punishable by death.

One couple is killed in their car when Frank jumps upon the hood of the vehicle and point- blank fires a double- barreled shotgun blast into the passenger (Tom Savini, who not only played the victim, but used his own sculpted head to blow apart. Savini also doubled for Frank and used an actual shotgun to blow up the sculpture, having the odd honor of shooting himself on camera! Since they did not have permits, Savini then tossed the gun into a waiting truck and was driven away in case of police investigating the reports of gunfire) before killing the young woman also in the vehicle.

Frank talks to his mannequins and sobs and wails when he sees the coverage of his latest murders upon his television. He is truly Norman Bates on speed in this film. Still, Spinell, while creepy and often veering dangerously close to overacting, never loses a sense of reality in his portrayal.)

Somehow, he meets a beautiful photographer, Anna (Caroline Munro), after she takes his photo. They oddly become friendly while Frank continues his killing spree, killing a nurse as well as one of Anna’s models, adding their scalps to his growing collection. Frank is starting to lose the small grip that he has on reality, for when he kills the mode, he first begins talking to her as his deceased mother.

 

Still, Anna goes out with Frank, stopping off at the graveyard where his mother was buried. Frank finally attacks Anna, but she bashes him with a shovel and escape. He tries to pursue her but suddenly imagines that his mother is rising from her grave. Terrified, he flees home. His apartment proves no safe sanctuary , however , as the mannequins come alive and throw him onto his bed, where they tear his head from his body!

The film has been a constant for collectors ever since VHS was the market staple.

This new BLU RAY is the must have version for collectors.

MEDIA VHS release

 

The movie is in its original aspect ratio of 1.85:1 with a magnificent 4k 1080p transfer. For a low budget film, the film has some superb cinematography, and this release does justice to its color photography. What is more amazing is when you realize the film was shot in 16mm and then blown up to 35mm. For decades, the original 16mm negatives were missing but now, they have been found. Prior prints were from a 35mm dupe, with all the inherit flaws that involves. The original camera negative used here seems less grainy (save for the usual grain of the format) and increases the sharpness of the images.

 

Comparing it to an old DVD release, the sharper clarity is so easy to see.

The original film was one of the first indies to use Dolby Stereo, but this release makes full use of the process. I heard no pops or hiss on the soundtrack, and the music, dialogue and sound effects are clear and make good use of the separate speakers on my system. I only listened to the 2.0 DTS-HD track, but you are offered the choice also of Dolby Digital 2.0 (which perhaps would reflect the original release sound) as well as 7.1 DTS-HD.

 

You can also experience the film in Dolby Digital 2.0 French, Italian, German, and Spanish audio, as well as Optional subtitles in English, French, German, Italian, Japanese, Portuguese,
Spanish, Dutch, Danish, Finnish, Korean, Swedish, Russian, Mandarin, Cantonese, and Thai (phew!).

There are six standard audio tracks on this Blu-ray release: English: DTS-HD Master Audio 2.0, English: DTS-HD Master Audio 7.1, French: Dolby Digital 2.0, Italian: Dolby Digital 2.0, German: Dolby Digital 2.0, and Spanish: Dolby Digital 2.0. Optional English SDH, French, German, Italian, Japanese, Portuguese, Spanish, Danish, Dutch, Finnish, Korean, Russian, Swedish, Mandarin (Simplified), Mandarin (Traditional), Cantonese, and Thai yellow subtitles are provided for the main feature.

That would be more than enough for most major studio releases, but BLUE UNDERGROUND has piled on the extras to truly make this a special collectible 3- Disc Edition.

 

On the first disc, along with the film, we get a running audio commentary with Lustig and Producer Andrew W. Garroni. This is a newly recorded commentary full of little insights as well as the how well the film holds up 38 years (!) later.

 

Also on the first disc is a second commentary track lifted from the previous 2007 DVD release from Blue Underground. On this track are Lustig, Tom Savini , film editor Lorenzo Marinelli and Joe Spinell’s assistant Luke Walter (Spinell sadly dying way too early in 1989 ,at age 52). There are a lot of fond memories and humor as well as technical details on the making of the film.

 

This first disc also has the original Theatrical trailer, as well as tv and radio spots. One wonders if trailers such as this which show such graphic violence could be shown nowadays https://www.youtube.com/watch?v=Ya7lVHk-qD8 .

Where else would you hear CALIGULA (Penthouse /1979) and MANIAC in the same sentence? https://www.youtube.com/watch?v=TCCsMzpBQqA

 

Disc Two
There are several more extras that fill this second disc. The first two are newly made especially for this release. The others are ported over from the MANIAC 30th Anniversary of 2010 or previous DVD releases.

OUTTAKES- rough footage and alternate takes give a glimpse of the behind the scenes making of MANIAC. The outtakes are not restored nor cleaned up and thus seem a bit more grainy but are a treat nonetheless.

 

RETURNING TO THE SCENE OF THE CRIME- on camera interview with William Lustig.
He talks about the making of the film with an obvious pride and enthusiasm.

ANNA & THE KILLER- Caroline Munro talks about her career and working on this flick as well as other films with Spinell .

THE DEATH DEALER- Tom Savini (who else?) Always fun to see and hear Tom talk about his magic.

 

DARK NOTES- Composer Jay Chattaway talks about this Jazz Musician came about getting his first film score and how he tried to get into the head of a psychopath to create his score.

MANIAC MEN -Michael Sembello and Dennis Matkosky discuss the song that the film inspired and later popularized in the Paramount film FLASHDANCE (1983).

THE JOE SPINNELL STORY- this is ,for me ,the highlight of the extras as this nearly an hour long documentary covers the actor’s life with personal memories , home movies and appearances on ‘The Joe Franklin Show”. Success seemed to have hurt Spinnell and been somewhat responsible for his early demise. (Copyright-2001).

 

 

MR ROBBIE: MANIAC 2 PROMO REEL– Buddy (COMBAT SHOCK, Troma ,1986) Giovinazzo had planned a warped sequel of sorts, with Spinell as a children’s show host with a disturbing secret. Imagine Spinell as Krusty The Clown and you can imagine how warped that it is. They never were able to raise the funds.

PUBLICITY – featurette. Interviews with the cast and crew.

MANIAC CONTROVERSY – Like SNUFF (Monarch,1975) before it, the filmmakers used the complaints and horrific reactions to the film to get the curious into the cinemas and see what all the fuss was about. Unlike SNUFF, they got a powerful that wasn’t just hype.

Third Disc- MANIAC original Motion Picture Soundtrack cd. This is a big bonus, as the soundtrack by itself sells for about $20 at least at horror conventions.

Bonus Booklet by Michael Gingold (Fangoria, Rue Morgue)- a short essay about the production .

The film is to this day very hard to watch for many, due to its gritty atmosphere which captures the sense of NYC at the time , as well as it’s still powerful effects .It also does have a strong sense of misogyny that is hard to ignore but it does also capture the mind set of the character. Joe Spinell’s daring performance both repels us while he fascinates us, lifting the feature above the other stalk and slash films of the era.

 

JUMP TO 2018 –

Before Alek Minassian killed 10 people, the majority of them women, by driving his van into pedestrians on a Toronto street Monday, he posted on Facebook praising mass murderer Elliot Rodger and called for an “Incel Rebellion,” an uprising of men who are angry women won’t have sex with them.

https://www.usatoday.com/story/news/2018/04/26/incel-rebellion-alek-minassian-sexual-entitlement-mens-rights-elliot-rodger/550635002/

Perhaps MANIAC was predicting a movement, a hidden dark secret, that we back then could not even imagine??

RECOMMENDED for fans of 80’s horror, JOE SPINELL, CAROLINE MUNRO, TOM SAVINI, WILLIAM LUSTIG, stunning effects.

Kudos to BLUE UNDERGROUND for this super -deluxe must have 3-disc collector’s edition.

-Kevin G Shinnick

 

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THE SONG OF SOLOMON (2018) MVD Blu Ray

             THE SONG OF SOLOMON (Released August 14,2018). MVD BLU RAY $24.95

https://www.amazon.com/Song-Solomon-Blu-ray-Gene-Palubicki/dp/B07CSLNHXM

(also available separately on DVD ($21.95) a Limited Edition (Blu-Ray/DVD of the film, and a CD soundtrack,3 discs) $39.98.)

Region A/1 NTSC. English. 1 disc .NR. 86 mins. Color. Unearthed Films. Dolby Digital 2.0. 1.85:1/16:9
The disc reviewed was the single Blu Ray disc.

When a film’s cover blurb has a quote: ‘In this critic’s opinion better than THE EXORCIST” (Spencer Evatt, House of Tortured Souls), you set expectations for something spectacular. Sadly, the film falls far short of the 1973 W.B. masterpiece. On its own, however, it is not a movie to be lightly dismissed.


T.S.O.S. is considered part of the American Guinea Pig series (begun in 2014 by Unearthed Films). The American Guinea Pig films are basically just gore effects and not much more. Wisely, they chose not to put the American Guinea Pig imprimatur on the cover, as it would perhaps limit its audience.

That said, gore fans will have a field day with a series of superior practical effects (no cgi snapping bones here, its on set splatter).


Indeed, the film is technically one of the better indie horror films that I have seen, with super sharp photography and cinematography, music and as mentioned in makeup trickery.

Where the film fails, and it is a problem that haunts a lot of indie films, is in the acting and pacing. Most of the cast either say their lines with an indifference that means they could as well just be going over their grocery list rather than a possession leading to many mutilations and murders, or with a stilted seriousness of trying too hard.

 

Writer/producer /director Stephen Biro is the founder / President of Unearthed Films. Besides his own work, unearthed has released several obscure Asian films, as well as an upcoming October 2018 release of the sadly neglected H.P. Lovecraft THE UNNAMEABLE (1988). Biro is also an author, who written several books about God and The Devil, as well screenplays for others.

 

T.S.O.S. opens with Mary’s father (one of the film’s make-up artists) having a screaming fit at his daughter, ending with him taking a knife, slitting his own throat, and then, reaching into the wound and pulling out his own tongue (sometimes referred to as a “Columbian necktie”, due to it being an act of mutilation done by drug cartels).

 

 

Mary (very busy actress /director Jessica Cameron; TRUTH OR DARE, Small Town Girl Productions,2013) is possessed by a demon and the Church sends in several exorcists to try and drive the Demon from the young woman.

The priests and their associates suffer several terrifying deaths (tearing out one’s own eyes, another pulls out his own tongue- this film doesn’t like tongues!) as the demon grows stronger with each attempt at driving it out.

However, we also begin to wonder is the Church trying to drive the Demon out, or bring about the return of the Anti-Christ?

There are a lot of interesting ideas in the film, but the performers, as I mentioned, for the most part, let the film down. A stronger cast would have made this a much more powerful film.


T.S.O.S. was produced in part due to a very successful Indiegogo campaign (over $52,000 raised, or 1497% of original goal), so there are a lot of fans who wish to see more of Biro’s work.

Those fans will be pleased at the 100 % all practical effects within the film, as well as appearances by people like Jim Van Bebber (THE MANSON FAMILY, Dark Sky,2005) as Father Blake getting a gory comeuppance.

The rituals of exorcism seem to try for a level of authenticity not seen in most films that deal with the subject, so kudos to the people going the extra mile.

The Blu Ray is superb transfer of the HD 4K cinematography by Chris Hilleke (ABC’s OF DEATH, Magnet Releasing 2012). The sharpness and color put many a larger budget film to shame. The Dolby 2.0 sound is good, with a nice mix of dialogue and music. Some of the sound effects needed a bit more punch to them, and some of the dialogue seems a bit echoey, due to shooting in real locales, but that is no fault of the transfer.

The music, by the way, includes some by Gene Palubicki from the group Angel Corpse, who portrayed Father Corbin in movie. The score works well with the picture, and one can see why they added a CD soundtrack to the limited special edition.

Extras on the disc include:

-A commentary track by director Biro and star Jessica Cameron. Their passion and pride for the final product comes through on the running commentary, as well as a mutual admiration for each other.

-A second commentary track has director Biro this time with effects whizzes Marcus Koch and Jerami Cruise.

-On camera Interview with actress Jessica Cameron
-Interview with writer/director Stephen Biro
-Interview with SPFX artist Marcus Koch
-Interview with DOP Chris Hilleke
-Interview with actor Gene Palluvicki
-Interview with actor David McMahon

-A behind the scenes documentary on how the practical effects were done. This goes from the planning stages, planning where the real person will bend and where the fake limbs for breaking bones will be added, the molding and life masks of the lead actress, on set touch ups, as well as the construction of the special bed used in the movie. One nearly gags watching the poor performers forcing fake intestines and things into their mouths to pull them out as the cameras roll. Who says show business is all glamor?

-An Outtake reel- scenes with clap boards and prepping of sequences as well as bloopers.

-Photo Gallery.

Overall, one of the more interesting variants on the exorcism horror genre, let down by the performances.

Still, for fans of grue, you will not be disappointed.

-Kevin G Shinnick

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ATTACK OF THE KILLER TOMATOES/D.O.A.-A RIGHT OF PASSAGE special editions Blu Rays from MVD REWIND

ATTACK OF THE KILLER TOMATOES (1978) (MVD Rewind) 2-disc special edition Blu Ray/DVD combo. 87 minutes color.

https://www.amazon.com/Attack-Killer-Tomatoes-Special-Blu-ray/dp/B075MYG9XC

Back in the 1970s and 80s, it was possible for independent films to get theatrical releases. A lot of these films would play their one week run and then disappear, unless they would end up as second features later for another film, or, perhaps a sale to television.

 

With the advent of the home video market, people were able to program their own films, whenever they wanted to view a film. Magnetic Video was one of the first companies to license titles (most were from major studios) and offer them for sale to consumers. The high mark up (many were $100) meant that people were more likely to rent than purchase, thus giving rise to video rental stores.

The offerings available on Beta (then VHS) were limited, due to studios wishing to prevent bootlegging of their titles. Smaller companies lept into fill the void for demanding renters (as well as the adult video market, which drove a lot of business for the video marketplace, but that is a different part of the story).

Suddenly, older public domain titles were appearing on store shelves, along with many independent films that had pretty much vanished after their original run. One of those indie labels was Media Home Entertainment, started in 1978 by filmmaker Charles Band. In 1981, one of the titles the company released was ATTACK OF THE KILLER TOMATOES (Four Square Productions).

ATTACK OF THE KILLER TOMATOES, unlike a lot of independent films, had a bit of name recognition. Johnny Carson, then at the height of his popularity as the star of THE TONIGHT SHOW, had mentioned the film on the program, and interviewed star Jack Riley (who at the time was known for his role in tv’s THE BOB NEWHART SHOW, MTM Productions) who survived an accidental helicopter crash that ended up in the final cut of the film.

 

It was one of the first films that I ever owned on video, and thus it has fond memories for me.

Who would have thought that the film would spawn three sequels (so far), a video game, comics, a novel, and an animated television series?

For the five people who have never heard of the film, the film is a spoof inspired by the bad horror films that the filmmakers grew up loving.

A series of mysterious killings (including one that spoofs JAWS ,Universal,1975) baffle everyone, until it is discovered that Tomatoes have become sentient and are murdering people in various ways. At one point, one knocks a helicopter down, causing it to crash. They say tomatoes can’t fly and the response is well tomatoes cannot kill people either!

Finally, it is discovered that an obnoxious teen song “Puberty Love” causes the members of the nightshade family to flee in horror. People size their chance and smash and mash them, until they are vanquished. However, just at the end, we see that the carrots are now preparing to arise….

The film is like the big budget spoof THE BIG BUS (Paramount,1976), which exaggerates and satirizes their respective genres (THE BIG BUS spoofs the popular “disaster films” of the 1970s) and were the forerunners of the everything AND the kitchen sink humor of AIRPLANE (Paramount,1980).

A.O.T.K.T. was inspired by a short film that the filmmakers had done years earlier and raised the funds to expand on the simple premise into a full-length feature. That they were able to raise between $90,000 -$100,000 is an amazing feat.

At times, though, the film feels a bit padded to fill it’s running time. Indeed, some of the best scenes are recreations of those that appeared in the original Super 8 short (plus the astounding helicopter accident of course). Also, a major drag is the use of many non-professionals in featured roles. Working with people like Jack Riley shows how uneven the performances are.

That said, the film hits the mark more often than misses, which is more than many bigger budgeted films can claim (I’m looking at you, VAMPIRE ACADEMY (Weinstein,2014, $30 million budget). Indeed, some of their throwaway jokes may be missed by the non-genre fan, but truly tickle the horror aficionado. My personal favorite is the dubbed Japanese scientist, which no one in the scene notices or comments upon!

The film’s fame even extends to being referenced in a foodie festival! 

 

Now, MVD/REWIND has given the film the deluxe treatment, giving it the kind of extras one would expect and find on the DUNKIRK (WB,2017) blu ray release.

First off, MVD REWIND has given the film a 4k remastering, with a hi-def (1080p) Blu-Ray as well as a standard definition of the film for DVD. The aspect ratio is 1.85.1.

Pulling out an old vhs copy shows how much the film has been given a facelift. Gone is the heavy grain that made me always think that it had been shot on 16mm and blown up to 35mm.

Now you can see the sharpness of the original 35mm photography, which is impressive for an independent production. HALLOWEEN (Compass,1978) also was shot in 35mm (as well as Panavision), which also elevated it from many indie films of the period.

Grain remains in some of the effects sequences, but that is from the original negative.

The sound is presented in LPCM 2.0 mono that is clean of pops and hisses. Some of the dialogue is low, but that is due to the original recording rather than any loss in the mix. The music does not drown out any of the dialogue or effects, which is a good or bad thing, depending upon how much of a fan that you are of the film.

We have a tomato basket full of extras for this release though I am unsure of how many of these are ported over from the long out of print Rhino 25th Anniversary .

There is a running audio commentary from the original team of John DeBello, Steve Peace, and Costa Dillon. The team recall their long friendship their original friendship that endures, and the process of putting together this cult feature. some 38 years ago.

There are three scenes that were deleted and while it is interesting to see these (which are in rougher form than the rest of the release), they would have added nothing to the film and in fact might have slowed the picture down.

LEGACY OF A LEGEND -is a collection of interviews with the team who created the original, as well as John Astin (who would star in the three sequels as well as provide his voice to the animated series), film critic Kevin Thomas and fan Bruce Vilanch, among others.

CRASH AND BURN is a brief discussion of the accidental helicopter crash, how the secondary camera kept rolling while the first shut off as the crash began, and how the actors came up with a way to work the incident into the plot, and work in one of the funniest lines about flying tomatoes.


FAMOUS FOUL– the San Diego Chicken reminiscences how he ended up in the film.


KILLER TOMATOMANIA – a man on the street interview with people walking along to see what they know of the film.

WHERE ARE THEY NOW– This was to me quite interesting. Many returned to their regular jobs ,but Steve Pearce went on to be a Democratic Senator in California (not to be confused with the New Mexico G.O.P. Congressman, who as far as I know, has never met a killer tomato , that the film had the first appearance of Dana Ashbrook , now best known for playing Bobby Briggs in the various incarnations of TWIN PEAKS, made his debut as an uncredited boy in boat ,and that the teenage vocalist of “Puberty Lovehttps://www.youtube.com/watch?v=jViBFzytVXo is drummer Matt Cameron (Soundgarden ,The Smashing Pumpkins, Pearl Jam https://www.youtube.com/watch?v=yO2FzVvA3TQ )!

WE TOLD YOU SO– a spoof investigation into killer tomato conspiracies.

    An actual NY POST cover also referenced the film for a salmonella scare!

SLATED FOR SUCCESS -a short bit about the original film’s slate woman.

ATTACK OF THE KILLER TOMATOES” – the original super 8mm short film. Running about 18 minutes, it begins with the scene of the tomato coming out of the sink and killing the woman, and several other major scenes that were later recreated in the feature. There is even the model tank sequence with miniature houses, and the surprise ending. There is also a commentary track by the original team.


GONE WITH THE BABUSULAND– another super 8mm short by the team. This one is over 32 minutes long but seems more self-indulgent. Having done my own super 8mm shorts, sometimes improv would bring out unexpected brilliance, and other times, well, editing comes in handy. A silent film made for a Kodak Film Festival  (which yours truly also submitted films) this also comes with commentary by the original team.

The original theatrical trailer.

Production Design Photo Gallery -six images.


Radio spots– these play over images from the film.

Vintage Retro Video Store Style Slipcover /O -Card (first pressing only). -For those old enough to remember the joy of discovering films lined along the video shelves, this was a nice touch.

Collectible Poster– to replace your long-tattered poster that you got when the video store was done with it.

In a press release, MVD Entertainment Group’s Eric D. Wilkinson , in charge of the MVD Rewind Collection , explains, “I’m a dedicated collector of movies on disc, with over 8,000 plus discs in my collection and I want collectors to know that the MVD Rewind Collection Blu-ray + DVD sets are being overseen by a collector and I will do my best to create the kind of releases you will look forward to adding to your collection every month.”

The other inaugural release from MVD REWIND is

D.O.A.: A Right of Passage Special Edition, 2-Disc Special Edition
https://www.amazon.com/D-Passage-2-Disc-Special-Blu-ray/dp/B075DSLWFS

D.O.A.: A RITE OF PASSAGE is a raw gritty Super 8 documentary about the 1978 Sex Pistols tour of the U.S. that ended with the group breaking up, practically all captured on camera as it happened. Mixed into the mix is footage of other bands like The Dead Boys, The Rich Kids, and others, plus some The Clash and Iggy Pop music tossed into the mix.

This title has long been unavailable, so for fans of Punk Music, this is a must have.

The film has been cleaned up as much as possible, but its graininess also feels right for the subject matter. It is a great time capsule of the period, though seeing Sid Vicious and girlfriend Nancy Spungen sends a chill down the spine (Spungen died in 1978 from a stab wound to the stomach. Sid was charged with the crime but died from a drug overdose before he could be tried. The Hotel Chelsea, where it happened, has been closed since 2011, but is scheduled to re-open this year).

Besides the feature (on separate Blu Ray and DVD discs), they have also added a feature length documentary on the making of the feature, with new interviews with people who were involved with the original production, as well as Sex Pistol Historian Mick O’Shea, and Ultravox lead singer Midge Ure.

A 12-page booklet by John Holmstrom, founding editor of PUNK magazine.

A photo Gallery

Reversible Cover Artwork

A collectible two-sided poster (I am going to need more wall space)

The original Theatrical Trailer.

 

In a press release, MVD Entertainment Group’s Eric D. Wilkinson , in charge of the MVD Rewind Collection , explains, “I’m a dedicated collector of movies on disc, with over 8,000 plus discs in my collection and I want collectors to know that the MVD Rewind Collection Blu-ray + DVD sets are being overseen by a collector and I will do my best to create the kind of releases you will look forward to adding to your collection every month.”

Should MVD REWIND  can continue the quality of these two-disc sets, the company  will be the Criterion of B Movies and Obscure Titles to watch out for.

Recommended.

Kevin G Shinnick

For more tomatoes merchandising go to
https://killertomatoes.com/

 

The Master of Disguise from ATTACK OF THE KILLER TOMATOES  .

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ENGLAND IS MINE (2017) Blu Ray

ENGLAND IS MINE – (Cleopatra Blu Ray) 2017. color.94 mins. Region A. $29.95- https://www.amazon.com/England-Mine-Blu-ray-Jack-Lowden/dp/B074R49SZX/ref=sr_1_2?ie=UTF8&qid=1513794098&sr=8-2&keywords=ENGLAND+IS+MINE

 

Indie icon Morrissey continues to stir controversy. His first album in three years, LOW IN HIGH SCHOOL, was released on a new label that he created after he felt his last release was mishandled.

 

He claimed that HMV was refusing to carry the album due to it’s anti -monarchy cover art as well as throwing his support behind an anti-Muslim politician in the U.K. (who was trounced) rather than throwing his arms around Paris. After seemingly defending Kevin Spacey and other serial abusers (“When you are in somebody’s bedroom, you have to be aware of where that can lead to. That’s why it does not sound very credible to me. It seems to me that Spacey has been attacked unnecessarily”), he has sworn off any future print interviews, saying that he was misquoted.

 

Plus, he has cancelled a recent spate of performances for a variety of reasons (one because the venue was “too cold”), so he has been front and center in the public’s eye, and not for his music. Even today as I write this, an hour ago he claimed that he was interviewed by the Secret Service after a flip comment about Donald Trump.

 

ENGLAND IS MINE is a film that seeks to explore what turned shy socially awkward intellectual became the darling of the alt rock scene as well as a dissent magnet.

 

 

Steven Patrick Morrissey (born 22 May 1959) to Irish Catholics who immigrated to Manchester, a poor working-class area. The film opens with Morrissey (marvelously embodied by Olivier Award winner Jack Lowden, also in the epic DUNKIRK( W.B,2017 )and to portray Lord Darnley in the upcoming MARY, QUEEN OF SCOTS (Focus,2018) deep in thought about his place in life observing churning waters that seem to reflect his own inner turmoils.

He and his friend and confidante Anji (Katherine Pearce, recently in MY COUSIN RACHEL, Fox,2017) go to local clubs wherein he writes blistering letters to N.M.E.(New Musical Express). She says he should stop complaining about others and start his own band. To this end, she contacts another musician, who shows up at the appointed place, but Morrissey’s shyness has him run away before even chatting.

 

Meanwhile, all is not good at home, as his father abandons the family at Christmas, forcing the young man to take a dead-end job at the Inland Revenue Service. His outlook is bleak until he meets free spirited artist Linder (Jessica Brown Findlay, so good in VICTOR FRANKENSTEIN, Fox,2015). She exemplifies what he would like to be, and so he finally joins a band.

 

There first gig is so well received that an agent gives them his card. Morrissey quits his dead-end job, thinking that stardom is now his but finds that the agent only wanted their guitarist.

 

Morrissey plunges into a massive depression, made worse by Linder leaving for London due to her art.

 

The film ends just as Morrissey joins up with Johnny Marr (Laurie Kynaston, THEY FOUND HELL, Cinetel ,2015) to form The Smiths.

 

Lowden & Kynaston as Morrissey and Marr

 

Sadly, since this was not an authorized biography, the movie was not allowed to use any of Morrissey’s music. Instead, music that he loved and inspired him is used as a soundtrack to events happening. One would have liked music by the composer to be used, especially with The Smiths (The title ENGLAND IS MINE comes from “Still Ill”, a Smiths song (“England is mine, and it owes me a living”). The film began production as “Stevie”).

The real Marr & Morrissey

 

However, since this is set just prior to their formation, one could be forgiven that absence if more New York Dolls and Sex Pistols had been used. Instead, we are treated to Martha Reeves & The Vandellas, Diana Dors, The Shangri-Las, and The Marvelettes pops up. Mostly, it is not even used as ironic counterpoint. It might have been wiser to have had a completely original score.

 

Heaven Knows, I’m Miserable Now” (another Smiths hit) may have been a more appropriate title for the film, as this kitchen sink drama gets caught up in the depressive side of the singer composer’s life.

 

First time director Mark Gill (who co-wrote the screenplay with William Thacker) get the air of depressiveness that overwhelmed England during the time of Margaret Thatcher, but makes his lead a most unlikeable smug egomaniac (accurate perhaps, but not one with whom you wish to spend 90 minutes of cinema time).

 

It is odd that one of the producers of ENGLAND MADE ME was involved with CONTROL (Weinstein, 2007) which dealt with the life and early death of Ian Curtis ,the lead singer of Joy Division, at age 23. That film got it so right.

Another rock star biopic by a first-time director that works was NOWHERE BOY(Weinstein,2009), about young John Lennon.

The filmmakers make a lot of assumptions that the audience for this are die hard Smiths fans alone, and so no explanation is given for example of the fixation for the Moor Murders by the characters. For those who do not know, The Moors murders were of 5 children sexually assaulted and murdered between 1963 and 1965 around Manchester. Ian Brady and Myra Hindley were both convicted for the killings, Brady dying in prison in 2002, and Hindley just this past May,2017.

The Blu Ray disc from Cleopatra accurately reproduces the dark drab grays and blues of cinematographer Nicholas D. Knowland (The Quay Brothers’ INSTITUTE BENJAMENTA, Image 1995). It is presented in a widescreen ratio of 2.35:1

The 5.1 Dolby Digital 5.1 is serviceable, but nothing memorably outstanding.

The extras include:
SMOKE & MIRRORS: an onset chat with cinematographer Nicholas D Knowland .

Audio Commentary: Actor Jack Lowden and director Mark Gill discuss the making of the film. Both have a great deal of respect about each other’s work. Stand out moment to me was when Lowden said the most difficult thing for him to learn was to use a record player (! I’m old).

SAD FACTS WIDELY KNOWN: Some behind the scenes footage. It is without commentary, so it is best to check this out after watching the film to see what is going on.

Optional English subtitles: this may come in very handy for those not accustomed to English accents, and it follows the action quite well.

Original theatrical trailer. https://www.youtube.com/watch?v=4DHJa10Sa8A

The film will be of interest to

Fans of Morrissey (of course) who may say “Please, Please, Please, Let Me Get What I Want”.

British Drama.

  –  Kevin G Shinnick

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The Creep Behind The Camera (Synapse S.E. Blu Ray)

The Creep Behind the Camera (Color,111 min .2014)/The Creeping Terror (B&W,75 min.1964) / (Blu-ray) (Synapse )All-Region $24.99 s.r.p.
http://synapse-films.com/synapse-films/creep-behind-the-camera-the-blu-ray-special-edition/

 

Back in the late 1960s, I caught this awful science fiction film on an UHF channel. At that time, you had to adjust antennas to get a good signal ,as weather could affect your receiving a broadcast. I thought that film was going to be THE CREEPING UNKNOWN (1956, aka THE QUATERMASS XPERIMENT,Hammer).

The film I experienced was another matter entirely. I mean, it had a spaceship and a creature, but– this seemed awfully inept . And the sound ! Where was the sound for long stretches ? Adjusting the antenna did nothing to bring it in.Oh there it is-narration?? Dubbed voices?? I realized I was watching an American made cheapie, but in those pre VTR days ,as a Monster Kid, you sat and watched what you could get.

For a short film ,it seemed mercilessly drawn out , with nothing happening for what seemed like ages. When it ended ,I remember thinking well I’ll never watch that again.

 

Wrong. Years later it was released by several Public Domain companies (as well as more reputable ones ) who would find a poor 16mm dupe of films and put them onto VHS for a hungry new video market. Ah, while working at a video store, how often it would be brought to the counter and I’d stay silent unless asked for my opinion.

The Creepie Crawlie Meets the Troops

 

Later, the film was “discovered” by a larger audience when Mystery Science Theatre 3000 “riffed the show in their sixth season (episode 606 ,September 17,1994) . The inept film had finally found its audience ,who all laughed at the pictures dreadfulness.

What the majority of us were unaware of was that the true monster was not the carpet creature, but the sadistic sociopath who convinced many that he was the next Orson Welles ,while abusing and using women and possibly even being involved with child pornography.                                                                                         Vic Savage

Writer/Director Pete Schuermann (who directed the comedy Star Trek Spoof ,HICK TREK:THE MOOVIE(1999,ATOZ Films) was someone fascinated by the film THE CREEPING TERROR ,and started to look into the history of the film.

What began as a straightforward documentary developed into a hybrid recreation/documentary/true life film on the project and it’s insane creator Vic Savage .

BOBBY

 

Savage was a perfect moniker for him, as he was seemed to be the poster boy for Anti Social Personality Disorder (ASPD). Those who have this may show symptoms as far back as childhood.Those with ASPD tend to lie, break laws, act impulsively, all with a lack of regard for the well being of others or them selves. That seems to be Savage to a T”.

Born in was born August 14 ,1933 in Bridgeport, Connecticut as Arthur Nelson White , one of the lies he would tell people is that he was born in Oklahoma of Cherokee descent .

Somehow, he met actor Joseph Sargent ,and for some reason Savage gave Sargent his first opportunity to direct . Savage co-produced the film (under his real name Arthur N. White) with Karl Kappel while co-writing the screenplay with Lois White (his long suffering spouse?? ).Savage also cast himself in a supporting role as a 26 year old street punk in the film STREET FIGHTER (1959,Joseph Brenner Associates).

The film ,shot in Savage’s own Bridgeport Connecticut , tells the story of an arrogant teen gang leader who when his girlfriend is murdered, decides to clean up his life .

Star Dora Conn seemed to have appeared only in this one film but actress Ann Atmar appeared in INCUBUS (Contempo III Productions ,1966 , itself a film that was briefly lost )as well as a COLD WIND IN AUGUST(U.A.,1961). Ahmed Bey had appeared in an Arabic film, EL zanati Khalifa in 1952, and was a boxing champ.

Director Sargent went on to direct television episodes of STAR TREK (Paramount,1966-1969) and feature films like COLOSSUS THE FORBIN PROJECT (Universal,1970).

STREET FIGHTER the  film is practically lost. In an odd footnote, in October 2014 , Savage’s ex-wife placed her VHS copy of the film up for auction. The original film print was destroyed by her after it was transferred to this VHS copy, supposedly the only existing copy of the movie . I could not find if this print had been sold .

 

                                                                                               Old DVD cover

Savage bummed around for awhile ,until he got the idea of making a monster movie ,originally to be called ‘Dangerous Charter”. Here ,his con man skills sparked into full gear, fooling nearly everyone that he was a star producer ,getting people to donate materials ,locations, and most of all money to his project .

He also slept around ,often in front of his terrified and abused bride , basking in her helplessness. He also was drugging himself to fuel his excesses, and may have also been involved with creating children pornography. All facts that will make it harder to now sit and laugh through the resultant mess that was and is THE CREEPING TERROR (released by Crown International in 1964).

Pete Schuermann with his THE CREEP BEHIND THE CAMERA creates an appropriately interesting hybrid film, interviewing certain surviving members of the film which are inter-cut with the dramatic recreation of the insanity and terror behind the scenes.                                                                               (A weird fetish of the director ? )

The film definitely holds your attention, thanks in no small part to the powerful performance of actor Josh Phillips. A working actor , this film is a showcase for Phillips, as he goes from goofy to terrifying, often within the same scene. One hopes he was not as method as Daniel Day Lewis, for to be around a personality like that would be too much ,especially on a low budget film.

 

He is matched by the performance of Jodi Lynn Thomas, who suffers more abuse than anyone should or could imagine. That the real life Lois survived and indeed is interviewed for the film is a testament to her inner strength .She even co-wrote a book (HOLLYWOOD CON MAN by Lois Schwartz and Janice Wenger ,iUniverse (January 4, 2001))wherein she changes names of many of the people but tells a sad compelling tale of physical and mental abuse since childhood.

Thinking she found love when she married, she soon realized that another even more vicious abuser had her in his control. That she escaped and is now happily remarried is a reassurance about her but makes you wonder how many thousands of others go through such hell on a daily basis ?

The technical aspects of the film are fine with the early 1960s well recreated ,again on a low budget. The photography and sound are sharp and serve the story, rather than drawing attention to themselves.

Imagine if you will a much darker ED WOOD (Touchstone,1994) and it will give you an idea of what to expect from THE CREEP BEHIND THE CAMERA .

 

                                                                             (Model kit of the Creepie Crawlie)

The Synapse single disc Blu Ray release of THE CREEP BEHIND THE CAMERA is a hi-definition 1080p (1.78:1)presentation with a super sharp image and DTS-HD MA 5.1 surround sound .

Synapse has not skimped on the extras on this release.

They include :

-An all new 2K Scan of the original THE CREEPING TERROR. Having only seen this film in dupey washed out prints ,it is nice to see it as how it probably looked upon its original release. That said, there is nothing that can be done about the QUALITY of the actual acting and storytelling.

-An informative running commentary by Schuerrmann, along with Producer Nancy Theken and actors Josh Phillips and Jodi Lynn Thomas. The group seem to enjoy recalling the making of their film with a lot of laughter as well as awe for the work that was put into their project .

-A Behind The Scenes – MAKING OF documentary

                                                                          (Another VHS box cover )

HOW TO BUILD A CARPET MONSTER– this multi part doc shows the progress of creating their recreation of the infamous thingie,though done with materials that were probably unavailable to the original creators.

Breaking Down Art’s Death Scene

Monster Movie Homages

ONE MICK TO ANOTHER Byrd Holland (the original Sheriff from CREEPING TERROR ) and Allan Silliphant (screenwriter, later known for directing /writing /producing the successful 3-D nudie cutie THE STEWARDESSES (Hollywood Films, 1969) over 50 years later about their experiences and lives since CREEPING TERROR.

                                                                                  And another VHS Cover

Alternate Ending

The Original Theatrical Trailer

SCREAMFEST Promo Trailer

SCREAMFEST Q&A with Frank Conniff (TV’s Frank from MST3K ).An interesting talk with the director and two stars ,with Josh looking like he is auditioning to join the band THE MISFITS !

 

                                                                                   (Annnnnd another VHS release)

Removable SDH English subtitles .They seem to follow the dialogue fairly closely.

As I am writing this review, Harvey Weinstein  of Miramax /Weinstein  fame is becoming a Pariah due to his long history of sexual misconduct and abuse. He says his attitude was due to the work enviornment of the 1960s.  Vic Savage would smile in sadistic delight.

 

HIGHLY RECOMMENDED!

Kevin G Shinnick

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THE ZODIAC KILLER (AGFA /SOMETHING WEIRD Blu-ray released July 25,2017) ANOTHER SON OF SAM $34.95

THE ZODIAC KILLER (Prudential Pictures ,1971) (AGFA /SOMETHING WEIRD Blu-ray released July 25,2017) Color 86 minutes /plus bonus feature ANOTHER SON OF SAM color 67 minutes $34.95

https://www.amazon.com/Zodiac-Killer-Blu-ray-DVD-Reed/dp/B06Y1C49BD/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1491924197&sr=1-2&keywords=zodiac+killer

 

Back in the early 1980s, I worked in a film storage company . While many television suppliers would keep their 16mm prints with us for broadcast, and studios would have their 35mm theatrical prints (mostly weekend children matinees ,like MAGIC OF LASSIE (Int. Picture Show Co, 1978) ,a large majority of our films sat in boxes and rotting film cans.

 

Located in a pier in Edgewater NJ , our storage facility had the original negative of THE HOUND OF THE BASKERVILLES (Fox,1939) as well as NIGHT OF THE GHOULS (Ed Wood ,filmed in 1957, no known release). How these two California produced films negatives ended up in our facility is a mystery. Both were in containers with only lab numbers,without identifying titles.

 

Shipping errors, mislabeling, human mistakes, hundreds of titles ended up misplaced in storage facilities around the country. Some prints were not returned at all ,and ended up remaining in movie theatres, in the hands of private collectors , or buried in cement .

 

 

Add to that film rot (deterioration ) and color shifts (prints turning pink) – it is little wonder that so many films vanish .

 

While major studios have started to preserve their heritage , the independent film, those made outside the system ,or taken by smaller distributors with either shady practices or /and firms that went belly up, a lot of film prints and original elements lay unclaimed in various film labs due to unpaid services or forgotten . Corruption of the film stock had many turn to jelly or dust ,others tossed due to storage fees unpaid.

 

 

Luckily ,in 1990 the late Mike Vraney began the painstaking and time consuming task of finding films in horror and sexploitation ,among the many genres, that he found ,saved from literal oblivion, and released onto the home video market .His hard work turned grind-house filmmakers like Herschell Gordon Lewis and Doris Wishman into cult figures .

 

The incredibly friendly Mike and his lovely wife Lisa Petrucci ,equally friendly as well as his business partner and who wrote up many of the synopses and designed the various covers, were always welcome dealers at various conventions across the country.

 

When he passed , Lisa continued the company , and has kept the legacy of SOMETHING WEIRD alive (check out https://www.somethingweird.com/ ) and now has teamed up with newcomer AGFA ( The American Genre Film Archive ) to restore and release some titles in her catalog onto Blu Ray .

AGFA is a 501(c)(3) non-profit located founded in 2009 in Austin, Texas. AGFA exists to preserve the legacy of genre movies through collection, conservation, and distribution. (Want to donate? http://americangenrefilm.com/about )

 

After a successful Kickstarter campaign ,they are releasing THE ZODIAC KILLER . This is promised to be the first of dozens of titles that AGFA and SOMETHING WEIRD plan to release .

THE ZODIAC KILLER is an incredibly unique film . Created by Tom Hanson who was not involved in film making prior (owning a chain of successful Pizza Man Restaurants) ,his idea was not to make money or for any artistic ambition. Tom felt that his cinematic effort would be a huge aid in helping to capture the Zodiac Killer .

 

The infamous Zodiac Killer claimed his first known victims on December 20,1968 and his last known one on October 11,1969. There are other suspected deaths that are suspected to be the victims of the unknown assassin (he was never apprehended) that go back to 1963 and up to 1970 . The infamous executioner was self named due to a series of taunting and cryptic letters which they sent to the police and newspapers(that continued until April 24,1978) , signed with an enigmatic sketch that resembles a cross hair of a rifle.

 

Hanson thought that if he made a film about the events , the Zodiac Killer would be drawn to see the film ,at which point the filmmaker and friends would perform a citizen arrest!!

 

The plan was the following. Tom Hanson rented out the Golden Gate Theater in San Francisco and premiered the movie on April 7, 1971 (the killer had written his Los Angeles Times letter just three-and-a-half weeks earlier). They thought that his ego would draw him moth-like to a flame to see how his story was portrayed.

Somehow ,he got Kawasaki to donate a motorcycle for a prize giveaway.Entrants would fill out questionnaires with the statement “I think the Zodiac Kills because …” and see if an of the entries matched the handwriting of the Zodiac.

To that end, they constructed elaborate and inane traps with which to apprehend their subject ,including a fake ice cream freezer which had an accomplice of Hanson’s within supposedly ready to leap out at the appropriate moment . He must have consulted Wile E Coyote ‘s beloved Acme products, as the person within the box nearly passed out due to insufficient air holes!

Hanson feels that the had indeed captured the mad man at one of the screenings,but had to let them go due to lack of evidence .

The film was also later handled by an unscrupulous distributor and so Tom Hanson ,needing to make money again, stepped away from the maverick world of indie film making. The film was reportedly shot for $13,000,an incredibly small sum to shoot a film even back in 1970.

 

What we are left with is this incredible document of the time .

 

The motion picture you are about to see was conceived in June 1970. Its goal is not to win commercial awards but to create an “awareness of a present danger”. Zodiac is based on known facts. If some of the scenes, dialogue, and letters seem strange and unreal, remember — they happened. My life was threatened on Oct. 28, 1970 by Zodiac. His victims have received no warnings. They were unsuspecting people like you…
Paul Avery. Reporter
San Francisco Chronicle

 

That is the opening credit to give the film it’s bona fides. Paul Avery was a real life police reporter for the San Francisco Examiner who was drawn into the investigation when he received a Halloween card with the cryptic symbol with the warning”you are doomed” . Avery was later heavily involved with covering the Patty Hearst kidnapping .

 

Having his name associated with the film was meant to lift it up from mere exploitation. The result ,however,while sincere ,is brought down by bad acting and inept technical aspects. That does not mean that the film is without merits.

For one thing, the killings are pretty brutal and sudden . The film also has a dark sense of evil lurking everywhere ,with the killer having the last words :”I’ll be seeing you”.

While claiming to be the true life events of the serial murders, certain facts are played with and a lot of characters who are not involved with the events were invented for the story line .

 

The film is in the end, in spite of all its good (?) intentions , an exploitation film (not that there’s anything wrong with that!!).

 

SOMETHING WEIRD had released THE ZODIAC KILLER prior with two other films on DVD , THE SEX KILLER (Barry Mahon,1967 ,about a Times Square psycho ) and ZERO IN & SCREAM (Lee Frost,1971,a man kills women who reject him in Hollywood). That release is now out of print .

 

This new Blu Ray is a 4K scan 1080p HD transfer from the surviving16mm blow up elements (it was shot in 16mm to be transferred to 35 for theatrical release). The audio is a DTS-HD Master Audio 2 channel track . While the picture quality and sound is improved ,AGFA is taking great pride in not altering or punching up sounds or pictures ,to give the closest presentation to the original release (take that George “let me C.G.I. the soul of it it “Lucas) . Therefore, flaws in the 48 year old film elements remain (some hazing common in 16mm blow ups,and a hair in the gate when it was printed. The sound too isn’t played to jump around your sound system.

 

Other extras on this AGFA/SOMETHING WEIRD release are

 

A brand new commentary track with several of the surviving creative team like Director /Producer Tom Hanson ,Producer Manny Nedwick and several of the AGFA team .

 

A four minute film interview with Nedwick and Hanson have the two discuss how the film came together is material covered in the audio track but it is interesting to put faces to the voices .

 

Finally, a second feature fills out the extras. Whether you think this is a bonus or not depends how much you enjoy ANOTHER SON OF SAM (1977). This film was given a new 2K scan from a 35 mm print.

This film’s most interesting moments are the long list of serial killers going back to Jack The Ripper. I mean it goes on for quite a while. QUITE A WHILE . Almost as if they are trying to delay the start of the movie as long as possible. It finally runs out of murderers to name(though I kept expecting another title to pop up during the course of the film ,reading : “Oh we forgot to mention…”)and we take a leisurely journey down a river, to a couple’s boat house ,and then to a night club where a singer named Johnny Charro,portraying himself , in full lounge lizard attire ,sings “I Never Said Goodbye” ,a tune that rates with “The Words Get Stuck In My Throat”from WAR OF THE GARGANTUAS (Toho,1966) as most responsible for killing nightclubs. Johnny ,by the way ,is still with us and performing .http://www.johnnycharro.com/about.htm

 

“L-l-l-ladies….Johnny Charro”

Finally, just when we think we are watching someone’s vacation films , we cut to a local mental institution . Our killer named Harvey (not a killer bunny) breaks free of his restraints (I wonder if Rob Zombie saw this to inspire his Halloween remakes ?) after receiving electro shock and a sedative (did he hear Johnny Charro??) . A quick flashback implies that Harvey was sexually abused by his mom, causing him to go off on a murder spree.

Somehow ,we try to follow a group of college girls ,whose lives meet up with the killer, and swat teams are called in, and a lot of running around happens ,a few odd freeze frames happen while the sound continues , and mother is called in to confront her son at a police stand off, where he is killed by multiple gun shots (with some of the most obvious blood packs ever used on screen).

The end.

Really.

I watched it twice just to make sure that I didn’t miss something. If anything it seemed more confusing the second time around. Were it not for the sync sound in certain scenes ,I might have thought it was made by Hal Warren of MANOS THE HANDS OF FATE ( Emerson ,1966 ) infamy. It was that level of ineptness. Warren ,however ,had an excuse as he had never made a film before (or after).

ANOTHER SON OF SAM (shot under the title HOSTAGES) was written,produced ,and directed by stunt man Dave A Adams ,who also handled the stunt co ordination .Adams had at least been on film sets before (TRUCKER’S WOMEN ,1975 ,which was released regionally,then on Paragon Video,before Troma picked it up), but you would never know it. Filmed in Charlotte,North Carolina , the film seemed to have been shot in 1975 before finally getting a nominal theatrical in 1977.

 

It is just 67 minutes but it seems ten times longer .This is a film that is crying out for a Rifftrax treatment.

 

 

ANOTHER SON OF SAM is at least much clearer than the old Neon Video VHS copy that was around for years at video stores. That said, poor sound work cannot be improved and this film suffers from a lot of that (though with some of the dialogue,maybe that is a blessing. “No,you can’t come into the shower with me,Henry!”may sound like something sexy is about to happen but the character is talking to a stuffed plush animal!!).

Kudos to AGFA and SOMETHING WEIRD for saving these film obscurities , though your enjoyment will depend upon your enjoyment of
SERIAL KILLER FILMS
1970s EXPLOITATION CINEMA

I assume that if you have read this far, then this Blu Ray /DVD combo is needed for your collection.

This Is Not The End (well actually it is ).

-Kevin G Shinnick

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