1960s, 2000s, 2017, Blu Ray, CAMP, cult, documentary, Drama, exploitation, film, FILM HISTORY, genre, Horror, independent, independent film, monsters, obscure, reviews, Synapse Films, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, wierd

The Creep Behind The Camera (Synapse S.E. Blu Ray)

The Creep Behind the Camera (Color,111 min .2014)/The Creeping Terror (B&W,75 min.1964) / (Blu-ray) (Synapse )All-Region $24.99 s.r.p.
http://synapse-films.com/synapse-films/creep-behind-the-camera-the-blu-ray-special-edition/

 

Back in the late 1960s, I caught this awful science fiction film on an UHF channel. At that time, you had to adjust antennas to get a good signal ,as weather could affect your receiving a broadcast. I thought that film was going to be THE CREEPING UNKNOWN (1956, aka THE QUATERMASS XPERIMENT,Hammer).

The film I experienced was another matter entirely. I mean, it had a spaceship and a creature, but– this seemed awfully inept . And the sound ! Where was the sound for long stretches ? Adjusting the antenna did nothing to bring it in.Oh there it is-narration?? Dubbed voices?? I realized I was watching an American made cheapie, but in those pre VTR days ,as a Monster Kid, you sat and watched what you could get.

For a short film ,it seemed mercilessly drawn out , with nothing happening for what seemed like ages. When it ended ,I remember thinking well I’ll never watch that again.

 

Wrong. Years later it was released by several Public Domain companies (as well as more reputable ones ) who would find a poor 16mm dupe of films and put them onto VHS for a hungry new video market. Ah, while working at a video store, how often it would be brought to the counter and I’d stay silent unless asked for my opinion.

The Creepie Crawlie Meets the Troops

 

Later, the film was “discovered” by a larger audience when Mystery Science Theatre 3000 “riffed the show in their sixth season (episode 606 ,September 17,1994) . The inept film had finally found its audience ,who all laughed at the pictures dreadfulness.

What the majority of us were unaware of was that the true monster was not the carpet creature, but the sadistic sociopath who convinced many that he was the next Orson Welles ,while abusing and using women and possibly even being involved with child pornography.                                                                                         Vic Savage

Writer/Director Pete Schuermann (who directed the comedy Star Trek Spoof ,HICK TREK:THE MOOVIE(1999,ATOZ Films) was someone fascinated by the film THE CREEPING TERROR ,and started to look into the history of the film.

What began as a straightforward documentary developed into a hybrid recreation/documentary/true life film on the project and it’s insane creator Vic Savage .

BOBBY

 

Savage was a perfect moniker for him, as he was seemed to be the poster boy for Anti Social Personality Disorder (ASPD). Those who have this may show symptoms as far back as childhood.Those with ASPD tend to lie, break laws, act impulsively, all with a lack of regard for the well being of others or them selves. That seems to be Savage to a T”.

Born in was born August 14 ,1933 in Bridgeport, Connecticut as Arthur Nelson White , one of the lies he would tell people is that he was born in Oklahoma of Cherokee descent .

Somehow, he met actor Joseph Sargent ,and for some reason Savage gave Sargent his first opportunity to direct . Savage co-produced the film (under his real name Arthur N. White) with Karl Kappel while co-writing the screenplay with Lois White (his long suffering spouse?? ).Savage also cast himself in a supporting role as a 26 year old street punk in the film STREET FIGHTER (1959,Joseph Brenner Associates).

The film ,shot in Savage’s own Bridgeport Connecticut , tells the story of an arrogant teen gang leader who when his girlfriend is murdered, decides to clean up his life .

Star Dora Conn seemed to have appeared only in this one film but actress Ann Atmar appeared in INCUBUS (Contempo III Productions ,1966 , itself a film that was briefly lost )as well as a COLD WIND IN AUGUST(U.A.,1961). Ahmed Bey had appeared in an Arabic film, EL zanati Khalifa in 1952, and was a boxing champ.

Director Sargent went on to direct television episodes of STAR TREK (Paramount,1966-1969) and feature films like COLOSSUS THE FORBIN PROJECT (Universal,1970).

STREET FIGHTER the  film is practically lost. In an odd footnote, in October 2014 , Savage’s ex-wife placed her VHS copy of the film up for auction. The original film print was destroyed by her after it was transferred to this VHS copy, supposedly the only existing copy of the movie . I could not find if this print had been sold .

 

                                                                                               Old DVD cover

Savage bummed around for awhile ,until he got the idea of making a monster movie ,originally to be called ‘Dangerous Charter”. Here ,his con man skills sparked into full gear, fooling nearly everyone that he was a star producer ,getting people to donate materials ,locations, and most of all money to his project .

He also slept around ,often in front of his terrified and abused bride , basking in her helplessness. He also was drugging himself to fuel his excesses, and may have also been involved with creating children pornography. All facts that will make it harder to now sit and laugh through the resultant mess that was and is THE CREEPING TERROR (released by Crown International in 1964).

Pete Schuermann with his THE CREEP BEHIND THE CAMERA creates an appropriately interesting hybrid film, interviewing certain surviving members of the film which are inter-cut with the dramatic recreation of the insanity and terror behind the scenes.                                                                               (A weird fetish of the director ? )

The film definitely holds your attention, thanks in no small part to the powerful performance of actor Josh Phillips. A working actor , this film is a showcase for Phillips, as he goes from goofy to terrifying, often within the same scene. One hopes he was not as method as Daniel Day Lewis, for to be around a personality like that would be too much ,especially on a low budget film.

 

He is matched by the performance of Jodi Lynn Thomas, who suffers more abuse than anyone should or could imagine. That the real life Lois survived and indeed is interviewed for the film is a testament to her inner strength .She even co-wrote a book (HOLLYWOOD CON MAN by Lois Schwartz and Janice Wenger ,iUniverse (January 4, 2001))wherein she changes names of many of the people but tells a sad compelling tale of physical and mental abuse since childhood.

Thinking she found love when she married, she soon realized that another even more vicious abuser had her in his control. That she escaped and is now happily remarried is a reassurance about her but makes you wonder how many thousands of others go through such hell on a daily basis ?

The technical aspects of the film are fine with the early 1960s well recreated ,again on a low budget. The photography and sound are sharp and serve the story, rather than drawing attention to themselves.

Imagine if you will a much darker ED WOOD (Touchstone,1994) and it will give you an idea of what to expect from THE CREEP BEHIND THE CAMERA .

 

                                                                             (Model kit of the Creepie Crawlie)

The Synapse single disc Blu Ray release of THE CREEP BEHIND THE CAMERA is a hi-definition 1080p (1.78:1)presentation with a super sharp image and DTS-HD MA 5.1 surround sound .

Synapse has not skimped on the extras on this release.

They include :

-An all new 2K Scan of the original THE CREEPING TERROR. Having only seen this film in dupey washed out prints ,it is nice to see it as how it probably looked upon its original release. That said, there is nothing that can be done about the QUALITY of the actual acting and storytelling.

-An informative running commentary by Schuerrmann, along with Producer Nancy Theken and actors Josh Phillips and Jodi Lynn Thomas. The group seem to enjoy recalling the making of their film with a lot of laughter as well as awe for the work that was put into their project .

-A Behind The Scenes – MAKING OF documentary

                                                                          (Another VHS box cover )

HOW TO BUILD A CARPET MONSTER– this multi part doc shows the progress of creating their recreation of the infamous thingie,though done with materials that were probably unavailable to the original creators.

Breaking Down Art’s Death Scene

Monster Movie Homages

ONE MICK TO ANOTHER Byrd Holland (the original Sheriff from CREEPING TERROR ) and Allan Silliphant (screenwriter, later known for directing /writing /producing the successful 3-D nudie cutie THE STEWARDESSES (Hollywood Films, 1969) over 50 years later about their experiences and lives since CREEPING TERROR.

                                                                                  And another VHS Cover

Alternate Ending

The Original Theatrical Trailer

SCREAMFEST Promo Trailer

SCREAMFEST Q&A with Frank Conniff (TV’s Frank from MST3K ).An interesting talk with the director and two stars ,with Josh looking like he is auditioning to join the band THE MISFITS !

 

                                                                                   (Annnnnd another VHS release)

Removable SDH English subtitles .They seem to follow the dialogue fairly closely.

As I am writing this review, Harvey Weinstein  of Miramax /Weinstein  fame is becoming a Pariah due to his long history of sexual misconduct and abuse. He says his attitude was due to the work enviornment of the 1960s.  Vic Savage would smile in sadistic delight.

 

HIGHLY RECOMMENDED!

Kevin G Shinnick

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I AM MICHAEL

We welcome writer SEAN FALLON reviewing a controversial true story drama, I AM MICHAEL . -We look forward to more of his intelligent reviews . – Kevin G Shinnick

 

I AM MICHAEL (Passion River )DVD $19.99.Color .98 Minutes. 2015 Also available currently to view on Netflix .

 

The movie I AM MICHAEL is based on the true story of Michael Glatze, a former advocate for gay rights, who converted to Christianity, renounced homosexuality, became a Christian pastor, and married a woman. The film, starring James Franco, and directed by Justin Kelly, seems very subtle in its tone, despite addressing such a loaded topic that generates such strong feelings from so many people.

 

Franco and the real Michael Glatze

In today’s society full of hatefully divisive rhetoric found both by some left-wing gay rights advocates and some right-wing evangelical preachers who grossly misrepresent Christianity, it is imperative that people distinguish the difference between rejecting gay marriage and hating gay people. This movie fails to clearly make that distinction, despite a small attempt. “I’m not condoning hate. In fact, this is about love. Choosing a gay identity will condemn you to an eternity of suffering and I want to save people from that,” are theologically flawed words that influenced Michael Glatze, but address the reality that love can be the motivator behind objections to gay marriage.

 

According to true Christian theology, the mere state of being gay is not sinful. It is the unrepentant practice of illicit sexual behaviors, whether heterosexual or homosexual, that 1 Corinthians 6:9 warns will prevent people from entering the Kingdom of God. Christians believe that God loves the gay community, we are called to love the gay community, God is all knowing, God is all loving, God has communicated that practicing homosexuality is harmful to those who do so, love can not condone behavior that harms our fellow man, Christians are called to be courageous, and courage requires standing up for what is truly loving, as defined by God, even if mainstream society will persecute us for doing so, while branding us with nasty labels.

 

Quinto & Franco in happier times.

 

Michael Glatze (James Franco)tells a young male teenager, “If you are a moral person, then you will choose heterosexuality, in order to be with God.” Glatze makes no attempt to help lead the teenager to Jesus, through love. Rather, he makes an ill-conceived, insensitive, and theologically flawed attack on the teenager’s morality and decency, based on feelings that the teenager did not choose to have. Not everyone can just “choose” heterosexuality. People who experience same sex attraction can instead choose to avoid sexual sin by living a chaste and celibate life, a difficult challenge, but possible by God’s grace. While the movie addresses the reality that there are people who simultaneously are openly gay and openly Christian, it fails to address the aforementioned way of celibacy through which those people can still live in obedience to God. Not surprisingly, the teenager who Michael Glatze spoke to is later seen in a store with a gay male partner.

Whether you are a Christian, gay, both, or neither, you will likely find this movie that is by no means family friendly to also be ultimately unsatisfying and unsettling in its wishy-washy approach to such a sensitive issue. Furthermore, many may find the male on male kissing scenes, profanity, and controversial dialogue to be very off-putting. Despite great acting performances by James Franco and Zachary Quinto, I could not in good conscience recommend this movie, since it essentially asks people to choose between sin and heresy, without properly defining the truly Christian road that rises above both.

 

Review by Sean Fallon

 

 

The Reel & REAL Michael & Rebekah Glatze

 

 

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THE CRAWLING BRAIN

 

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THE CRAWLING BRAIN (2002) released 2016.Blood Banquet Theatre.
$10.99. DVD. Color. Shot on Video. Available from
http://bbtheatre.xyz/collections/1423514-blood-banquet-theatre-distribution-dvd-titles/products/18388604-the-crawling-brain-dvd

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   “Has he health insurance?”Behind the scenes photo

 

If Andy Milligan (GURU THE MAD MONK, Nova Int.,1970) made movies for Independent International that were produced by John Waters, it would give you an idea of the craziness that is THE CRAWLING BRAIN.

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The term “camp” was made for films such as this. The film is a loving if inept tribute to classic b movie camp like THEY SAVED HITLER’S BRAIN (Paragon/Gold key ,1968), BRAIN OF BLOOD(I.I.,1971) MAD DOCTOR OF BLOOD ISLAND(Hemisphere,1968) and most obviously, FIEND WITHOUT A FACE (MGM,1958). Gore and nudity are sprinkled liberally throughout.

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The story has Stefan (Randal Malone) finding out his grandmother is the former nurse/lover of Franz Kindler (the name of the Nazi from Orson Welles classic THE STRANGER(RKO,1946)), a mad Nazi scientist who has his spine and brain placed into a tank until a new body can be found for him.

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        (Young Anita Page Ziegfeld Follies;92 year Ms Page in this film)

 

The grandmother Anita is portrayed by then 92-year-old Anita Page, who starred in the first sound film to win an Academy Award for Best Picture, BROADWAY MELODY (MGM,1929). She passed away in 2008, her last film being released posthumously in 2010, FRANKENSTEIN RISING (Sterling), which also starred Malone.

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The brain suddenly decides to take over Stefan, who manipulates his brother (Mark Shady) into helping him. Every once and awhile the brain crawls from its tank and takes things into its own-err— spinal column, and kills people itself.

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People visit the house end up being used as experiments for surgery, until a new nurse named Jillian (Heather Beaton, EYES OF THE WEREWOLF, Leo Films,1996) arrives to care for Grandma. Jillian, it seems, looks exactly like Anita did when she was young (also played in flashback by Beaton) and it seems once the evil brain finds a new body for itself, Anita may have herself a new host body as well.

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The whole film has a “Hey I got a camcorder, let’s make a movie” feel to it. Shot on video, the entire budget wouldn’t stretch to craft services for one meal on a T.V. show. That said, the film is unlike a lot of s.o.v. product at least competently put together, though the dialogue suffers at times from microphones being too far away.

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Hey there IS a script!

 

Music (credited to Ronald Stein) sounds like it is mostly lifted from DEMENTIA 13(AIP,1963) with certain sounds effects taken directly from FIEND WITHOUT A FACE.

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As to the “acting”, always a major bugaboo of mine in these s.o.v. films:

Randal Malone, who it seems has more than 50 films to his credit, minces through his part like a bitchy Divine wannabee.randal-malone

At the other end of the spectrum we have Stephanie Beaton, who never seemed to get a film that truly showcased her actual acting talent.

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The effects are a fun throwback to the onset physical effects of the films that inspired them (at points reversing the film has the spinal column appear to wrap around its hapless victims).

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(Because You’re Mine, I’ll steal your spine ….)

A well -staged car crash surprised me, although I was left wondering did they just do the stunt and leave?

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               (How dis-arming !)

Indeed, I wish there was a commentary track from those involved, to hear what it was like on set and their thoughts of the final product (and indeed, how they got Anita Page to be in their film).

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Extras are limited to an alternate opening (full nudity as it stands now, topless nudity in the alternate, both supplied by actress Athena Demos) and an alternately edited flashback sequence (which I admit I saw no difference).

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Also included is an over the top trailer that would have put people into their local drive ins had it been made in the 1970s. Finally, there are trailers for other films to be released by BLOOD BANQUET (including DEVILS’ NIGHTMARE(French,1971)).img_20170117_114835
Blood Banquet also sells a 3D version of MANIAC (Roadshow,1934), GRAVE OF THE VAMPIRE (Ent.Pyramid,1972), as well as other S.O.V. titles by Ron Ford.

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Should you wish to see a modern-day exploitation film, leave your brain outside as you watch THE CRAWLING BRAIN.

Trailer.
https://www.youtube.com/watch?v=RMBNzl1tIsc

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Kevin G Shinnick

              (note:some photos courtesy BLOOD BANQUET,some Frame Grabs from the DVD).

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Win a free Blu Ray/DVD Combo of DEATH RACE 2050

UPDATE : January 18,2017. CONTEST OVER.  

WINNERS!!!!!!

Here are the winners of the UNIVERSAL /SCARLET DEATH RACE 2050 Blu Ray Contest .

Death Race 2000 was based on the short story “The Racer” by Ib Melchior.

The people who were picked with the correct answer were:

Sean Fernald
Los Angeles, CA

Allison Bennett
Peoria, AZ

Ken Sleeth
Lusby, MD 20657
Mike Shields
Prescott Valley, AZ

Joe Covert
Baton Rouge, LA

Congrats ! Universal‘s representative in the contest has been contacted with the winner’s mailing information .Their prize ,each to receive one blu ray combo of DEATH RACE 2050, is being sent. .

Thank you for all the entries.

DEATH RACE 2050 is AVAILABLE NOW FOR PURCHASE .
https://www.youtube.com/watch?v=NGOI1v-WXIM

Like & Follow  SCARLET THE FILM MAGAZINE REVIEWS for upcoming articles and contests!!

Update: January 17th, contest over. Winners to be announced!!!!  death-race-2050-blu-ray

UNIVERSAL PICTURES and SCARLET THE FILM MAGAZINE REVIEWS would like you to win one of five copies of the BLU RAY/DVD combo release of the new sci fi action adventure film DEATH RACE 2050 .

How to win :
Answer : What story and by what author was the original DEATH RACE 2000 based upon?

just send an email to scarletthefilmmag@yahoo.com
in the heading ,put DEATH RACE 2050 contest .

In the body of the letter,
put your answer
and
you name and mailing address .

Contest ends January 15th,2017 .

Five winners will be pulled from all entries .

Open to readers within the continental United States .

LEGENDARY FILMMAKING ICON, ROGER CORMAN RETURNS
TO PRODUCE THE MOST EPIC DEATH RACE EVER
AS PRINCIPAL PHOTOGRAPHY BEGINS IN PERU

ROGER CORMAN’S DEATH RACE 2050

The MSRP is $26.98 for Blu-ray and $22.98 on DVD.
AVAILABLE JANUARY 17,2017.

MALCOLM MCDOWELL STARS IN THE SENSATIONAL ACTION-PACKED FILM
DEBUTING ON BLU-RAY™, DVD AND DIGITAL HD
IN 2016 FROM UNIVERSAL PICTURES HOME ENTERTAINMENT

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Universal City, California, February 18, 2016 – An outrageous action-packed film and reboot of the original Death Race 2000, Roger Corman’s Death Race 2050 began filming February 8 in Peru. Filled with the full-throttle mayhem and black-hearted humor, this all-new film drops the flag on a phalanx of automotive gladiators who earn points for killing pedestrians — and their fellow drivers. Roger Corman’s Death Race 2050 is an original release from Universal 1440 Entertainment, a production entity of Universal Pictures Home Entertainment. The film will be available exclusively on Blu-ray™, DVD and Digital HD in 2017.

death-race-2050-700x300

The Original DEATH RACE 2000

In the decades since well-known independent film pioneer and Academy Award® winner Roger Corman first put the iconic anti-hero Frankenstein into the driver’s seat in Death Race 2000, this over-the-top cult classic has hurtled headlong toward cinematic immortality. Among the most enduring of the prolific producer’s legion of memorable films, Death Race 2000 has inspired a growing fan base that continues to propel the popular franchise as it marks the 40th anniversary of its original release.Death Race 2050

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“This is an amazing opportunity for me and millions of Death Race 2000 fans to experience the intensity, thrills and dark humor of the original, fueled by a terrific young cast, spectacular vehicles and side-splitting action, literally” said Corman, the trailblazing writer, director and producer. “Roger Corman’s Death Race 2050 puts the pedal to the metal to bring this enduring franchise to a whole new level.”

 

Roger Corman’s Death Race 2050 stars Manu Bennett (The Hobbit franchise) as Frankenstein, as well as Malcolm McDowell (A Clockwork Orange) as the Chairman, Burt Grinstead (“NCIS”), Marci Miller (Viper), Folake  Olowofoyeku (The Beaver), Anessa Ramsey (Footloose), Yancy Butler (Hard Target) and Charlie Farrell (Cantar).Death Race 2050 (2016)

The film is directed by G.J. Echternkamp (Hard Candy)  from a script by Matt Yamashita (Sharktopus vs. Pteracuda) and G.J. Echternkamp, and produced by Roger Corman (Death Race 2000) and Luis Llosa (Anaconda).

 SYNOPSIS
In the not-too-distant future, America is controlled by an all-powerful corporate government that keeps the masses placated with violent virtual-reality entertainment. The event of the year is the Death Race, where a motley assortment of drivers compete in a cross-country road race, scoring points for running down pedestrians and killing each other. The reigning champion and popular favorite is half-man, half-machine Frankenstein — but little does he know he’s taken on a rebel spy as his co-pilot.Death Race 2050

BLU-RAYTM, DVD AND DIGITAL HD’s exclusive BONUS FEATURES:

  • The Making of 2050 – This featurette goes behind the scenes of Roger Corman’s Death Race 2050 to explore why, over four decades later, the original Death Race 2000 has been remade, including what made this project appealing to cast and crew, what changes have been made, and what fans of the original will still love. Discover the movie magic behind the deaths, stunts and of course — the cars! Includes interviews with stars, director G.J. Echternkamp and Corman himself._aaa8012-4
  • Cars! Cars! Cars!Death Race 2050 Go on the set with the drivers of Death Race 2050 as they introduce their one-of-a-kind killing machines: Frankenstein and his Monster, Perfectus and his Piece of Art, Tammy and the Tank, Minerva and her Sound Box and ABE.
  • The Look of 2050 – An insider look at how the film’s visual style came together, including how shooting in Peru helped set the tone of the picture and how the costumes became stars in and of themselves.Death Race 2050 (2016)

The Blu-ray Combo Pack includes a Blu-ray, DVD and Digital HD with UltraViolet.

  • Blu-ray features a pristine high-definition picture, theater quality sound and  extras.
  • DVD offers the flexibility and convenience of playing movies in more places, both at home and away.
  • DIGITAL HD with UltraViolet™ lets you watch movies anywhere, and plays on your mobile devices.

Death Race 2050

 

About Universal 1440 Entertainment:
The Universal 1440 Entertainment banner develops and produces live-action and animated non-theatrical productions directly for distribution in all media worldwide. Since its formation in 2005, the group has assembled an exceptional roster of animated family fare, including the Daytime Emmy®–winning Curious George television series for PBS KIDS; the latest installment of the beloved The Land Before Time series, The Land Before Time: Tale of the Brave; as well as a string of hugely popular Barbie and Monster High movies, based on the world-renowned Mattel-branded properties. The group also has successfully built upon some of Universal’s highly celebrated live-action franchises, Scorpion King, Death Race, Jarhead, The Man With The Iron Fists and the terrifying Chucky movies, as well as debuting the Tony Award®–nominated hit touring stage production Bring It On: The Musical and the epic sci-fi adventure hit Tremors 5: Bloodlines. Among projects currently readying for release are the explosive action-adventure Jarhead 3: The Siege; the adrenaline-fueled actioner Hard Target 2, and the high-energy dance drama Honey 3.Death Race 2050

Universal 1440 Entertainment is a production entity of Universal Pictures Home Entertainment (UPHE). Universal Pictures Home Entertainment (UPHE) is a unit of Universal Pictures, a division of Universal Studios (www.universalstudios.com). Universal Studios is part of NBCUniversal. NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. NBCUniversal is a subsidiary of Comcast Corporation.Death Race 2050

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ANY WAY I CAN: 50 YEARS IN SHOW BUSINESS by John Gay with Jennifer Gay Summers

SCARLET THE FILM MAGAZINE BOOK REVIEW

ANY WAY I CAN: 50 YEARS IN SHOW BUSINESS by John Gay with Jennifer Gay Summers

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$19.95 BEAR MANOR MEDIA 240 pages

Available via

http://www.jennifergaysummers.com/book.php

or
Available at BEAR MANOR MEDIA

 http://www.bearmanormedia.com/any-way-i-can-50-years-in-show-business-by-john-gay-with-jennifer-gay-summers

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Many people know the actors who star in their favorite shows and movies, and others know the directors. The person who is most forgotten is the writer, the person who basically creates the world in which the stories take place.

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One of these artists is screen, teleplay, and stage play writer John Gay. Now Mr. Gay, with the assist of one of his children, daughter Jennifer Gay Summers, has put out his autobiography.jennifer-gay-summers1

 

And what a fascinating life it is. The California born Mr. Gay talks about the lure of acting and how it drew him across country (after serving our country in WWII ) to become an actor. Working in summer stock, he soon gained a great deal of experience as well as meeting his partner and wife Barbara “Bobbie” Meyer.

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Venturing to New York, their attempts at gaining acting work led them to entering the new media of television ,broadcasting live several nights a week from the top of the New Amsterdam Theatre (the former home of the Ziegfeld Follies and now the House of Mouse where the hit musical ALADDIN currently resides).o

 

The show, APARTMENT 3C had only two actors (the husband and wife team) and due to the low budgets, Gay had to also write the shows himself! The program became the second show broadcast from fledgling station WOR in 1949. A modest hit, it gave John Gay not only an extra avenue for revenue but a career for which he would greatly excel.brewster_fig35

Their second show ,MR & MRS MYSTERY had a larger budget (they were allowed to hire other actors ) and Mr. Gay was able to parlay those into other writing assignments for the Golden Age of Television (KRAFT TELEVISON THEATRE ,PLAYHOUSE 90 )and crossing paths with such greats as Rod Sterling and Sidney Lumet.wor_tv_xmtr_room_color

 

His first screenwriting assignment was for the Burt Lancaster /Clark Gable submarine drama RUN SILENT RUN DEEP (1958/UA). His second screenplay earned him an Oscar nomination (along with co-writer Terrence Rattigan) for SEPARATE TABLES (1958/UA).h

 

From there he was now a full-fledged screenwriter, working with the likes of Vincente Minnelli (twice, neither of which were happy experiences) as well as actors like Rod Steiger (twice, in two gems well worth seeking out (NO WAY TO TREAT A LADY (1968 Paramount) and HENNESSY (AIP 1976)) and Paul Newman (SOMETIMES A GREAT NOTION 1971/Universal).gd

 

He nearly worked with science fiction great Ray Bradbury on the troubled production of WHITE HUNTER BLACK HEART, which remained unmade until Clint Eastwood and different writers turned it in a feature.

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In the 1970s, when television really began turning out movies of the week and adaptations of classics, Mr. Gay seemed to have been involved with almost every great production. Many of my well-remembered favorites had a title mentioning John Gay as the Adaptor or Teleplay By credit. KILL ME IF YOU CAN (NBC,1977) had Alan Alda embody killer Caryl Chessman ; Anthony Hopkins as THE HUNCHBACK OF NOTRE DAME (CBS HALLMARK ,1982) ; LES MISERABLES (CBS HALLMARK 1978) and so many others. Plus he did superior TV remakes of mystery classics DIAL M FOR MURDER (ABC, 1981) WITNESS FOR THE PROSECUTION (CBS HALLMARK 1982), and SHADOW OF A DOUBT (NBC HALLMARK 1991). The list goes on and on .f

 

 

He took his skill as a story teller to the stage, having VINCENT PRICE remind people what a brilliant and versatile actor he truly was in DIVERSIONS & DELIGHTS, a play about Oscar Wilde. Price took the play all over the world, doing well everywhere but NYC (when the New York Times critics could still kill a show).

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Mr. Gay is a wonderful writer, telling his life story with wit, good grace and honesty. Indeed, it is one of the few books that I have read lately that I wish had been longer (Mr. Gay dismisses his work on the troubled George Pal science fiction film THE POWER (MGM, 1968) with just a line or two).b

Having turned 92 this past April,2016 , we are pleased that he and his daughter have shared his wonderful story with us. I have been careful not to give too much away so that you can discover the wonderful life of John Gay within the pages of ANY WAY I CAN.a

 

RECOMMENDED.

Kevin G Shinnick

Full Disclosure: I have been in contact with the author and his charming daughter for several years now as I attempted and finally successfully directed the first NYC Equity Production of DIVERSIONS & DELIGHTS in 35 years. The chapters 40 and 43 deal with this wonderful gem of a play.

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originally published March 30,2015  SCARLET THE FILM MAGAZINE Facebook page

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2000s, cult, documentary, dvd, film, FILM HISTORY, genre, Horror, review, SCIENCE FICTION, SEVERIN, studio history, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, William Cameron Menzies

LOST SOULS: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR MOREAU

SCARLET THE FILM MAGAZINE REVIEWS BLU RAY

LOST SOULS: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR MOREAUSeverin BLU RAY $20.00 -2014 – 100 Min.

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Order direct at https://severin-films.com/product-category/blu-ray/

This documentary rates up there with LOST IN LA MANCHA (2003) on the horrors and misadventures of filmmaking and what might have been.

 

 
Director David Gregory (the underrated PLAGUE TOWN,Severin 2008) has tracked down many of the players in the production that became a John Frankenheimer (SECONDS, 1966) movie and in Rashomon fashion, we hear of the genesis of the project to what was finally released.

 

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Gregory also explores the history of the 1896 H.G. Wells novel ‘Island Of Doctor Moreau “, which even in itself was surrounded by controversy and Wells’ accusing Joseph Conrad of plagiarism for his 1899 work “Hearts of Darkness”.

 

 

Coming off the relative success of HARDWARE (1990, available from DVD from Severin) and the studio interference on DUST DEVIL (1992, seek out Subversive Cinema Director’s cut which is the most extant version), Richard Stanley was a relatively hot property.14

 
Stanley, then in his 30s, was excited when New Line Cinema greenlit Stanley’s proposed remake. The film that he had proposed from existing drawings would have been a hellish present day reflection on God and Religious ideals (one sketch has Moreau holding a new born creation with the operating light forming a halo around his head as in the background his creatures in surgical gear lick the blood off the instruments.).

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(Doc says no to  AIP version-nom nom nom nom)

The director hated the 1977 version that AIP had released (no footage is used from this version) and his version seemed to want to create the entire world that the creatures lived in.

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Problems began when the studio attached big name stars like Marlon Brando and Val Kilmer, whose egos ballooned as fast as the budget for the film. Due to them, other actors left (James Wood, replaced by David Thewlis, and Rob Morrow, who saw the train wreck about to happen).

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Nature seemed to conspire against them too, as the locale chosen and weather conditions threatened several times to shut the production down. Finally, the studio decided to remove Richard Stanley as director, and desperately sought out a replacement. With only a week prep, John Frankenheimer who had stayed away from the genre since the disastrous mutant bear horror PROPHECY (Paramount ,1979), took over with a new cinematographer and rewrites happening constantly during the course of the remaining filming.

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(I’m sure John Frankenheimer wasn’t smiling often on this set)

This documentary is actually longer than the released ISLAND OF DOCTOR MOREAU (New Line 1996) but has a much more involving story to tell.

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(Director Richard Stanley before the purge)

16Several of the participants had passed on before this documentary was shot (Brando ,Frankenheimer, the 2’4” Nelson de la Rosa(the inspiration for the later Mini Me in The Austin Powers films )) while Val Kilmer seemingly declined defending the myriad comments that showed him to be a “dick” .Also M.I.A.  is Mike Thewlis, but almost everyone else in front and before the camera still with us ,from background Aborigine performers, to the makeup team to the production office to stars ,the charming Marco Hofschneider (EUROPA EUROPA,Orion,U.S.release 1990) and Fairuza Balk, (RETURN TO OZ,Disney 1986) .

 

 
Also on this must have disc is  a lot of amazing behind the scenes video footage shot at the time during production captures the madness and creativity that went on for the six month gestation of the beast that was ISLAND OF DOCTOR MOREAU.

 
Director Stanley seems to have gone into seclusion in France since the madness and frustrations of that film, working on some shorts and screenplays in the interim. Let us hope that he might be tempted back to make an independent production.13
Extras on the blu ray include extended interviews , Graham Humphreys concept drawings, an archive John Frankenheimer interview, a Barbara Steele interview(yes at one time she was involved),and more.

 

 
This is a must have item for general film fans and horror collectors. I have been cautious not to give away many of the surprises in the production as you should discover them for yourselves and shake your head in disbelief that films get made at all!

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Two hoofs turning into thumbs up!!HIGHEST RECOMMENDATION.

-Kevin G Shinnick

Other versions of ISLAND OF DOCTOR MOREAU:
ISLAND OF LOST SOULS (1932) CRITERION Blu ray and DVD .
TERROR IS A MAN (1959) Alpha dvd
TWILIGHT PEOPLE (1972) VCI DVD
ISLAND OF DR MOREAU (1977) MGM DVD
ISLAND OF DOCTOR MOREAU (1996) New Line DVD

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ORIGINALLY PUBLISHED https://www.facebook.com/SCARLETreviews/posts/1605625319676422

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1930S, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, cult, Film Detective, FILM NOIR, friend, genre, Hammer Films, Hitchcock, Horror, humor, RICHARD VALLEY, Uncategorized

NINE YEARS ON

NINE YEARS ON

It is hard for me to grasp still but that it has been nine years since writer, playwright, editor, publisher, actor, and friend RICHARD VALLEY passed away.

richard-valley

What I wrote quickly then
http://scarletstreet.yuku.com/topic/4623/SADDEST-NEWS-I-VE-HAD-TO-POST-HERE?page=1#.V_47YvkrLIU

kevin g shinnick
SADDEST NEWS I VE HAD TO POST HERE-

Posts: 15257
Oct 12 07 11:37 AM

RICHARD VALLEY, SCARLET STREET EDITOR, has passed away at age 58.

He leaves behind a beloved mother, and his love of over a quarter century,
Tommy Amorosi.

scarlet-st-1

Since then, many other fanzines have ceased publications, many other friends in the genre have gone on to join him in the great beyond, and many of the issues that were important to him have become political fodder once again.

To me, though, it is a personal loss of a man who was a great true and loyal friend who could irritate the hell out of me and then move one with his extreme generosity and kindness.

I have been lucky to have had four truly great friends in my existence, and though now two have departed, I still cherish them all.

I hope that each and every one of you is fortunate enough to know or have known such a shining presence in your life.
-Kevin G Shinnickscarlet-issue-55

Feel free to share any memories that you have of Richard and SCARLET STREET.

I hope you enjoy the https://scarletthefilmmagazine.wordpress.com/    and share it with your friends.

richard-valley

BIG THANKS to JOHN C STOSKOPF for preserving SCARLET STREET and painstakingly scanning them to post them online for people to enjoy the work of Richard and so many contributors.  http://scarletstreetmagazine.blogspot.com/

https://scarletthefilmmagazine.wordpress.com/2015/10/13/remembering-where-we-come-from-rest-in-peace-richard-valley/?preview_id=2richardvalley

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