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ANNE OF THE THOUSAND DAYS (Twilight Time Blu ray)

ANNE OF THE THOUSAND DAYS (Twilight Time Blu Ray) Universal 1969 .Color. 145 minutes. English .2.0             DTS-HD MA sound .English Subtitles option . 1080p Hi Definition 2.35:1 REGION FREE(A,B,C). Special Features: isolated music audio track . Original Theatrical Trailer. Booklet.

https://www.twilighttimemovies.com/anne-of-the-thousand-days-blu-ray/

1969 was a year of change and turmoil. Woodstock . Altamont. Man landed upon the moon. The Stonewall riots. The Charles Manson murders. Nixon says that 25,000 troops will be withdrawn from Vietnam . My Lai massacre. Chappaquiddick . Robert R succumbs to a mysterious disease that will later be identified as HIV/AIDS.

 

Movies too were reflective of the changing chaotic times. Big budget Hollywood movies like HELLO DOLLY(Fox), TRUE GRIT (Paramount) and BATTLE OF BRITAIN(UA) were battling for audiences who were flocking to films like EASY RIDER (Columbia) or MIDNIGHT COWBOY (U.A).

 

Fitting into the former category is the epic ANNE OF THE THOUSAND DAYS . Costume spectacles , particularly those dealing with British royalty, seemed to do well both with audiences ,reviewers ,and awards. Films like BECKET (Paramount ,1964) ,MAN FOR ALL SEASONS (Columbia ,1966), and THE LION IN WINTER (Avco Embassy ,1968) , all based upon successful intelligent successful Broadway plays, all found receptive responses.

paperback movie tie -in 

 

Producer Hall Wallis had been Warner Brothers ‘ studio manager back in the late 1920s and early 1930s, overseeing a string of classics like LITTLE CAESAR (1931) to CASABLANCA (1942). He left W.B. to form his own production company ,and continued his movie Midas Touch with films such as SORRY WRONG NUMBER (Paramount ,1948) ,several Elvis Presley and Martin & Lewis films, and screen adaptations of Tennessee Williams’ works.

 

After producing the film adaptation of BECKET , Wallis  and Burton wanted to work together on another historical drama. Burton convinced Wallis to adapt the 1948 Maxwell Anderson blank verse play ANNE OF THE THOUSAND DAYS”.

 

The play ,which opened December 8,1948, was a huge success, running until October 8,1949 at the Shubert Theatre on Broadway. Part of that was due to the dynamic performances between Rex Harrison as Henry VIII and Joyce Redman as Anne Boleyn (I saw Ms. Redman in the superlative 1987 revival of PYGMALION that starred Peter O’Toole and Amanda Plummer, wherein she portrayed O’Toole’s mother). The other was it was considered daring (Anne admitted to having pre-martial sex!) ,a subject that would make the story impossible to get pass the Production Code of the time.

 

 

Polish Movie Poster ANNE OF THE THOUSAND DAYS

 

The late 1960s saw the relaxing of censorship and more daring subjects being brought to the screen ,and so Wallis hired three writers (Richard Sokolove ,adaptation; Bridget Boland and John Hale ,screenplay) to adapt the play for cinematic purposes. Gone was the blank verse, though the dialogue still had a nice dramatic sense of period . One wonders if Burton discussed playing Henry with Rex Harrison when the two filmed STAIRCASE (Fox) that same year ,where the two played not kings but a pair of bickering old “queens”.

 

The production was sumptuous (design by Maurice Carter ,who had also done the same on BECKET; costumes by Margaret Furse who costumed BECKET and THE LION IN WINTER) , with an opulence that truly captured how one felt the court of Henry VIII would feel.

 

Adding to the sweep and majesty was another magnificent score by George Delerue (he had composed the score to A MAN FOR ALL SEASONS, and would later write for Truffaut’s classic La Nuit Americaine (DAY FOR NIGHT,WB,1973)and win an Oscar for his work on the lovely A LITTLE ROMANCE (Orion/WB,1979).

The film was shot at such locations as Penshurst Place and Hever Castle (the childhood home of Anne Boleyn ) as well as on magnificent sets built at Pinewood and Shepperton Studios.

 

Lensing all of this was Arthur Ibbetson (director of photography on Chaplin’s last feature, A COUNTESS FROM HONG KONG, Universal, 1967) and later the childhood classics THE RAILWAY CHILDREN (Universal,1970) and WILLY WONKA AND THE CHOCOLATE FACTORY(Paramount,1971).

Director Charles Jarrott

 

Director Charles Jarrott had directed many intelligent productions for television with this being his first theatrical production. It is directed tastefully and without flash ,allowing the performances and story carry the movement. He was so successful that he was later tapped to direct MARY QUEEN OF SCOTS (Universal,1971) with the same finesse.

 

Henry VIII (Richard Burton) is unhappy that his wife ,Queen Catherine of Aragon (Irene Papas,THE GUNS OF NAVARONE,Columbia ,1961) has not born him a son to carry on his lineage. His affair with Mary Boleyn             ( Valerie Gearon, in one of her only four film appearances ) is also losing his interest (even though she is pregnant with his child)when he sees Mary’s 18 year old sister Anne (Genevieve Bujold, so marvelous  in KING OF HEARTS /le roi de Coeur,U.A,1966) at a ball.

 

Mary is engaged but Henry has his “fixer” and Lord Chancellor , scheming Cardinal Woolsey (Anthony Quayle, GUNS OF NAVARONE),break up the engagement. Mary’s father ,Thomas Boleyn (Michael Hordern, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM,U.A.,1966) is a political climber, willing to use his daughters to advance his own political career and agrees to end the engagement.

Anne is not as easily won as her sister ,and dares to insult the King, a dangerous thing to be sure, for it could mean her family losing it’s position and wealth , and even imprisonment and death.

 

Henry, however is smitten with this fiery woman, who unlike so many others, does not bend to his will. Thomas Cromwell (Canadian actor John Galicos, probably best known for playing Kor in the STAR TREK episode, “Errand Of Mercy”, Paramount, 1967 and then later as the evil Count Baltar on BATTLESTAR GALACTICA, Universal 1978-9) feels the girl can be a problem but Woolsey feels she is but another bauble for Henry to play with use and discard.

 

Anne is slowly seduced , not so much by Henry as by the power he offers. She refuses Henry’s advances, however, as any child that they have would be illegitimate. Henry says he will divorce Catherine so he can marry Anne, and instructs Woolsey to find a way. Woolsey protests , but the King will not be denied. The Pope denies the annulment ,and Woolsey is removed from office, his London palace given instead to Anne and his title given to Cromwell.

Cromwell comes up with the idea that Henry is the embodiment of the Church in England, and that people cannot pledge loyalty to both The Pope & The Church of Rome at the same time it pledges allegiance to a King who is supposed to be God’s appointed. People are asked to choose, loyalty to Henry and the Crown, or dismissal and worse if they do not recognize his new Church.

 

Finally won over, Anne finally makes love to Henry.She tells Henry that she is pregnant and a quick wedding is arranged.

Catherine ,however ,was very popular with the common people (and the Spanish Ambassadors also sew discontent among the masses ) so that Anne finds herself jeered at and called “the King’s Whore” by the masses . Catherine is banished from court ,spending her remaining years(3 years, 1533-36) at Kimbolton Castle, acknowledged as the Dowager Princess.

Henry is disappointed and enraged that once again he is father to another daughter (Princess Elizabeth. His previous wife, Catherine, bore him Princess Mary).

Once again, Henry ,disappointed by the lack of a male heir, starts looking elsewhere. Anne sees him cast his eye upon young Lady Jane Seymour (Lesley Patterson, who seems to have only appeared in one other film ,THE PRIME OF MISS JEAN BRODIE, Fox,1969),Anne arranges to keep the young woman from court.

Meanwhile ,the loyalty oath to the King continues . Sir Thomas More ( William Squire , Hammer’s A CHALLENGE FOR ROBIN HOOD, 1967) is still opposed to Anne’s claim as legitimate Queen (and thus the rights of Elizabeth to be a successor to the crown). In a rage, she lets Henry know she wants More done away with. A pre-determined trial finds the scholar guilty, and, denied the right to speak at his execution, he is beheaded. Shortly thereafter, like Catherine before her, Anne gives birth to a still born son .

Angrily, Henry turns to Cromwell to find a way for him to divorce Anne and leave him free to have a male heir. Cromwell invents a hideous lie, wherein he accuses Anne of sexual relations with several men, including her own brother. Her music teacher ,Mark Smeaton (Gary Bond, ZULU,Paramount,1964) ,being a commoner, is tortured into a confession by having a Garotte put around his head and tightened.

When they come to arrest her, Anne thinks that they are joking , but the charges are indeed ,deadly serious, amounting to High Treason.

Once again ,however , her intelligence and strong will come to the fore. At the trial, as Henry is hidden away listening, she gets the chance to question the poor tortured Smeaton. He repeats what he has been tortured into admitting, but when he looks upon Anne, he says that he has never been with her in any way but in friendship . The court is in disarray, but Henry enters the room, and tells Smeaton that he is condemned to die either way, so he is free to tell the truth. Smeaton asserts again that she is innocent. The court is in disarray,, as Anne smiles at Henry .Still, as Henry leaves, he says it may still be true.

 

Later,Henry goes to the tower to beg Anne to annul the marriage so he can wed Jane Seymour. Anne once again refuses ,as she says Elizabeth will be one of the great leaders of England, and Anne would rather die rather than deny her daughter her rightful place of history.

Anne is indeed found guilty, and in a tragic scene ,she is led to her death by beheading. Henry ,who was not there, but instead ,out hunting with several groomsmen, hears the cannons in the distance announce her execution. Henry urges his entourage to follow him ,and they set off to Jane Seymour’s home, the hunt once again begun for Henry to get a male heir.

The final shot shows young baby Elizabeth (Amanda Jane Smythe), hearing the cannons roar as well, and wanders sadly ,alone in a garden, as her mothers prophecy about her is repeated

 

“Elizabeth shall be a greater queen than any king of yours. She shall rule a greater England than you could ever have built. My Elizabeth shall be queen, and my blood will have been well spent.”

 

The film was given a wide release by Universal to mixed reviews. All reviewers ,however agreed upon one thing, the magnificence of Bujold’s performance.

It received numerous nominations at the 1970 Academy Awards, winning for Best Costume ; winning Golden Globes for Bujold (Best Motion Picture -Actress-Drama) ,Best Motion Picture – Drama, Best Director-Motion Picture(Jarrot) and Best Screenplay (Boland, Hale,Sokolove)

 

The film did well, though it did not crack the top 20 films for 1970 (it was released in December, 1969, but played throughout the next year ).

Three small  bits of trivia-Burton’s wife at the time, Elizabeth Taylor, made a cameo appearance as a courtesan. However, she is not noticed ,as her character is masked. Miss Taylor, while in costume, wore a gift from Burton, the La Peregrina Pearl ,one of the most valuable pearls in the world.

12 year old Kate Burton also had an uncredited cameo as a serving girl.

The expensive costumes and props were re-used for the 21st(!) CARRY ON film, CARRY ON HENRY (Rank,1971) ,which had an original alternative title of “ANNE OF A THOUSAND LAYS ” ,that sounds more like a porno version than the fun though bawdy film that resulted.

 

 

 

 

 

 

 

 

 

 

 

On video, the film was released on VHS in a very flat print that muted the colors and lost information on the sides of the picture ,as well as a flat mono sound.

 

Universal released it to DVD as a co-bill with MARY QUEEN OF SCOTS (Universal,1971)in a slightly improved version.

 

This TWILIGHT TIME release is the must have print to own. The 1080p Hi Definition 2.35:1 transfer is incredibly rich, with solid reds ,blues ,and skin tones. The film has not looked this good since it was originally unspooled theatrically in 1969.

 

The sound has also been upgraded with a 2.0 DTS-HD Master audio track. The sound is incredibly rich in this dialogue driven film, with the score and sound effects also clean and free of hiss or pops .

Extras are few , though one can enjoy Delerue’s magnificent isolated score on a separate track .

The original Decca Sound Track release

Also included is the original theatrical trailer, narrated by Hal Wallis himself. It has not been cleaned up, so you can get an idea of how rough some of the previous releases have looked.

Finally , an 8-page insert booklet with an essay by Julie Kirgo is included within the case.

Subtitles in English SDH are also available.

One would love to have had an audio commentary, perhaps with Ms. Bujold . That said, the magnificent print that TWILIGHT TIME has released is nothing to dismiss.

The film, like most of TWILIGHT TIME collectible releases , is limited to a press run of 3,000.

The film is a superb example of intelligent film-making ,wherein story and acting ruled over C.G.I. and mind-numbing sameness.

Hopefully, TWILIGHT TIME will release the original 1971 MARY QUEEN OF SCOTS (Universal) and perhaps the unjustly overlooked gem LADY JANE (Paramount ,1986) to be proper companion pieces to ANNE OF THE THOUSAND DAYS and  A MAN FOR ALL SEASONS (released by Twilight Time in 2015).

 

I highly recommend this film to people who enjoy historical dramas, as well as superlative acting and thoughtful storytelling.

 

I do wonder, however, now, in this time of the Me-Too Movement, how many will look favorably at the cavalier attitude of the men within this story, and their views of women .

Seriously, how many men would create an entire religion, just to have sex ???

 

Thoughts to ponder.

HIGHEST RECOMMENDATION.
-Kevin G Shinnick

 

 

 

I just wanted to make note of  very  sad news .

NICK REDMAN passed away January 17,2019 after a valiant two year battle with cancer. Mr. Redman co -founded Twilight Time in 2011. Mr Redman also was a film historian,documentarian, and sound track producer.

Our deepest condolences go out to his friends  and family , including his wife  Julie Kirgo  ,his brother, and his children .

 

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PIRATES OF BLOOD RIVER (Twilight Time Blu Ray

 

PIRATES OF BLOOD RIVER (Hammer/Columbia,1962) Twilight Time Blu Ray. 87 min. Color. $29.95. Region Free (A/B/C). https://www.twilighttimemovies.com/pirates-of-blood-river-the-blu-ray/ Limited to 3,000 copies.

Hammer in the late 1950s had found a popular and financially profitable niche with their now classic horror films. The studio, however, also produced a wide variety of titles in other genres. Powerful War films (YESTERDAY’S ENEMY, Hammer/Columbia 1959), Comedies (WATCH IT, SAILOR! Hammer/Columbia ,1961), even crime dramas ( HELL IS A CITY, Hammer/Warner Pathe ,1960).
They even made movies for the popular family market U certificate films. In England, to get the “U” (Universally suitable for all) certificate, a film was thought generally acceptable for ages four and up.

SWORD OF SHERWOOD FOREST (Hammer/Columbia, 1960) was a surprise hit, and so Hammer decided more swashbucklers would do the same. Hammer had done a Robin Hood film back in 1954 (THE MEN OF SHERWOOD FOREST) but each of their Robin Hood tales were standalone stories. *

Oddly, Hammer waited two years to do another swashbuckler, but what they came up with was a winner. PIRATES OF BLOOD RIVER was paired with the Ray Harryhausen adaptation of Jules Verne’s MYSTERIOUS ISLAND, and upon its release in July,1962, quickly became the highest grossing double bill in the U.K. that year.

To get that important “U” rating, a gory filmed scene had to be excised. In the film, actress Marie Devereux unfortunately flees into a river filled with piranhas, and as the vicious killers swarm around her, she screams as the water around her turns red with blood. This scene was returned in later versions of the film, including its DVD release in a 2-disc set called ICONS OF ADVENTURE (Sony Home Entertainment,2008. The other titles were Hammer’s THE DEVIL SHIP PIRATES (1964), THE STRANGLERS OF BOMBAY (1959) and TERROR OF THE TONGS (1961)). In fact, PIRATES at various times was rated ‘U’, ‘A’ (Those aged 5 and older admitted, but not recommended for children under 14 years of age) and even an “X” certificate (Suitable for those aged 16 and older (enforced by all councils) due to what scenes were edited in or out of a release.

 

The film opens with a stock shot of a 17th Century sailing vessel (anyone recognize from what movie this was lifted,let me know) and then we are told via credit crawl that the island is a refuge for Huguenots fleeing religious persecution and settling upon an island they named Devon. “But in the years to come, the just laws of the Colony began to yield to greed and tyranny. Happiness became an echo of the past. Freedom-just a memory.”

Now Huguenots were mostly Northern French Protestants who fled for their lives after the St. Bartholomew’s Day Massacre of 24 August – 3 October 1572, wherein Catholics killed over 25,000 Huguenots in the country, only to have the murderers granted amnesty, as well as the edict of Fontainebleau in 1685 wherein the beleaguered religious sect had to convert to Catholicism or risk ruin, imprisonment of worse.

Devon is a British Iron age name derived from Dumnonia, so it is an odd name for French Settlers to choose. Then again, none of the islanders speak French nor even with an accent but sound very British indeed. Maybe they were some Huguenots who fled first from France to England and from there to the New World?

They are an island whose location is never exactly placed, but piranhas mostly reside in the Amazon and certain Brazilian or Venezuelan rivers. We can thus guess that this island is supposedly located in that general region. Not a wise area for the groups to settle, as the Spanish and Portuguese who occupied those countries were Catholics nations.

This, however could explain why they chose to remain so isolated, and established their harsh fundamentalist governing system. Then again, I am perhaps over thinking this fun romp, so back to the story.

Jonathan Standing (American actor Kerwin Mathews ,forever to be remembered for Columbia’s 1957 classic THE 7TH VOYAGE OF SINBAD ) is found with Maggie Mason (Marie Devereux in her final appearance in an Hammer film ),the wife of one of the town elders Godfrey Mason (Jack Stewart ,who had appeared in the early Hammer film A CASE FOR P.C. 49,1951), The religious leaders, led by Jonathan’s stern father Jason Standing (Andrew Keir, to me the best Professor Quatermass due to his performance in QUATERMASS & THE PIT for Hammer ,1967).They seek to arrest and punish the lovers but the poor Maggie flees into the river, suffering the fate of the piranhas mentioned earlier. Jason says that it is a judgement of God.

Jonathan is tried by the council, who, led by his father, sentences for him to be sent to a penal colony for 15 years. Jonathan’s sister Bess (Marla Landi, so good in Hammer’s HOUND OF THE BASKERVILLES,1959) tells her father that the council is using him. It seems that Henry (American actor Glenn Corbett, who had starred in William Castle’s HOMICIDAL the year prior) says sarcastically says that Jason’s grandfather who helped found the colony and whose carved likeness stands above the courtroom, would be so proud. Jonathan asks that Henry, besides watching over his sister with whom Henry is in love, also watch over Jason’s father until the tyranny is brought down.

 

We then see the cruelty of the mining operations wherein the prisoners are forced to work and be tortured, including leaving Jonathan punished by having his hands tied to a cross beam and dangling above the ground (a form of crucifixion Hammer also used in 1965’s THE SECRET OF BLOOD RIVER). Thank goodness this is family friendly?

Jonathan escapes with an older prisoner who drops dead from exertion. Jonathan flees into the swamps and is presumed killed by the guards. He however, was shot in the arm, and is found by Mack (the great Michael Ripper, who appeared in more Hammer films than any other actor) Hench (Peter Arne, THE HELLFIRE CLUB, Tempean Films,1961) and Brocaire (Oliver Reed, right after his starring role in Hammer’s CURSE OF THE WEREWOLF) and a group of pirates. They bring him to their boat (a wonderful Les Bowie glass matte) and to Captain LaRoche (Christopher Lee, who does speak with a French accent). LaRoche is a soft-spoken, intelligent character, adorned with an eye patch and withered arm and Lee makes the most of his performance. Eleven years later , he donned and eye patch once again and demonstrated his wonderful swordsman skills , with Oliver Reed now an international star in THE THREE MUSKETEERS (Salkind, 1973 ).

 

The pirates say that they would travel back to Jonathan’s colony, which has remained hidden for a 100 year, and help Jonathan establish a just rule, in exchange for a haven and a place they can safely refresh their supplies. They trudge through the river (Michael Ripper disappearing briefly below the surface, Lee trudging on, probably inwardly cursing once again being soaked and walking through muck in another film, like his end in THE MUMMY, Hammer ,1959). Brocaire gets into a fight in the water with another pirate, which is stopped by a stare from the Captain. Filmed in brackish water that smelt awful (Black Park), Oliver Reed got inflamed eyes while Lee got a stomach infection.

Of course, the pirates have no intention of a peaceful co-existence, believing that there is a hidden treasure within the colony. Can Jonathan and the settlers rid themselves of their occupiers?

The film is an exciting, thoughtful thriller. The underlying distrust of an oppressive religious leadership is heavy, considering this is again thought of a family film. Hammer would expand on the idea of Religious close mindedness in greater detail in their horror film TWINS OF EVIL (1971). For the most part, though, this is a thrilling and well-made period adventure piece, that once again Hammer’s wonderful technicians make look so much more expensive than their limited budgets should allow. Michael Ripper has a much larger role than many of his films, and you get to see what a truly fine actor he was. When drunk, he foolishly mocks his Captain, satirizing his bad eye and injured arm.

Now TWILIGHT TIME has released a magnificent blu ray of this fun Hammer action adventure.

The previous Sony DVD was fine, and a bargain when released with the other three titles.

This new Blu Ray release, however, is a revelation. A 1080p High Definition / 2.35:1 / Color print really shows off the Megascope cinematography (kudos to Arthur Grant ,who worked brilliantly at Hammer from 1957 to 1972 ). The colors are incredibly rich, and the sharpness makes this look like a new film rather than a 55-year-old movie.

The 1.0 mono DTS-HD Master Audio is surprisingly rich, with the dialogue, soundtrack and effects all quite clear and crisp.

As for extras,

the optional English SDH subtitles are clear and easy to read, following the action and dialogue perfectly.

There is an isolated music and effects track, wherein you can really enjoy how much both add to the enjoyment of this film. Composer Gary Hughes seemed to be Hammer’s going to man for their 60s swashbucklers, as he also composed their THE CRIMSON BLADE (1963), THE DEVIL-SHIP PIRATES (1964), THE VIKING QUEEN (1967) and A CHALLENGE FOR ROBIN HOOD (1967). You also appreciate how much care Hammer put into their sound design, with not only gunshots and screams added in, but so many tiny details that perhaps go unnoticed by most moviegoers that subconsciously make the scene stronger. Kudos to Alfred Cox (sound editor) and Jock May (sound recordist). They also knew when to pull back on sound, as during the wonderfully suspenseful scene between Hench and Brocaire, wherein both men are blindfolded and have a sword fight. It is without music, and the sounds are dropped down to those of clashing blades and items scattered during the conflict.

An informative audio commentary runs the length of the picture (taken from a previous DVD release) with film historian Marcus Hearn (THE HAMMER STORY, co written with Alan Barnes, Titan Books, 1997), who keeps things going by dropping in some wonderful facts, and prodding the memories of writer Jimmy Sangster (who passed away in 2011) and art director Don Mingaye (who is as of this writing, still alive at age 88).

 

They discuss their experiences with the studio, writing and budgeting, memories of various actors (look for Desmond Llewelyn, later gain fame as Q in the James Bond series) and crew, and having to write a pirate movie without a ship (save for the opening stock shot and glass matte). They also verify that director John Gilling was while a brilliant craftsman was subject to mood swings wherein he could be quite nasty. Christopher Lee even found him difficult to work with.The commentators attribute this to a head wound that Gilling had, which left him with a large scar. Gilling did give us several horror classics, such as FLESH & THE FIENDS (Regal 1959) and the Hammer “Cornish “horrors, THE REPTILE and PLAGUE OF THE ZOMBIES (both 1966). They also talk about how surprised Sammy Davis Jr, a huge Hammer fan, was when he visited the set of this film.

Julie Kirgo as always supplies a nice overview appreciation of the film in the booklet enclosed with the blu ray.

Finally, we get the original theatrical trailer.

Today, to do a pirate film costs over $200 million dollar and is CGI crazy to the point wherein the actors often become ciphers to the visual chaos. However, releases like this show you what talent before and behind the camera could do with a very small budget.

Recommended to fans of Hammer, Christopher Lee, and adventure fans of all ages (just watch out for those piranhas!).

-Kevin G Shinnick

 

*-the other Hammer Robin Hood film was A CHALLENGE FOR ROBIN HOOD (Hammer/Warner Pathe ,1967). WOLFSHEAD: THE LEGEND OF ROBIN HOOD was a failed tv pilot from 1969 that Hammer acquired but did not produce, and released theatrically as a B feature in 1973.

 

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STILL TIME TO ENTER TO POSSIBLY WIN A DVD/BLU RAY of BETTER WATCH OUT . December 1,2017 deadline. 

https://scarletthefilmmagazine.wordpress.com/2017/11/22/win-a-blu-ray-dvd-combo-of-well-go-u-s-a-s-horror-comedy-better-watch-out/

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EVERYTHING YOU WANTED TO KNOW ABOUT SEX -Woody Allen-Twilight Time Blu Ray

Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (U.A.,1972) (TWILIGHT TIME Blu Ray ) $29.95 .Region Free A/B/C release July 18,2017 https://www.twilighttimemovies.com/everything-you-always-wanted-to-know-about-sex-but-were-afraid-to-ask-blu-ray/ . Limited to 3,000 units.

Sex Sells. The maxim in advertising is often quite true. People are shocked and titillated, offended and fascinated, intrigued and repulsed by it. Due to that, interest in it never waivers. Back in the 1948 & 1953, the two books that became known as THE KINSEY REPORTS were published. These dry data filled books shocked people , as it let the general public know that their neighbors were doing it, how they might be doing it, some kinks they might have . Masters & Johnson also published their scientific studies, that showed such far out ideas as women might actually enjoy sex .


The freer society of the late 1960s led to the publication of the book EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX* (*BUT WERE AFRAID TO ASK) by David Rueben ,M.D. Published by McKay in June 1969, the book became a world wide best seller. His how to manual seemed a must have .

When it was announced that Woody Allen was going to make a film based upon the non fiction book, people were surprised. Allen ,who had begun as a writer for the Colgate Comedy Hour on television, and written short humor pieces for magazines like The New Yorker. He stepped out and began his successful stand up comedy career , which led to his guest appearances on several popular T.V. shows.

 

His first play, DON’T DRINK THE WATER , was a hit that ran for 598 performances, and introduced the author to Lou Jacobi and Tony Roberts, the latter who became strongly associated with Allen’s films of the 1970s and 1980s.

 

A year earlier , he had written and taken a small role in the popular film WHAT’S NEW ,PUSSYCAT ? (U.A.,1965) .

His next film ,co written with writing partner Mickey Rose was the redubbed Japanese spy thriller International Secret Police: Key of Keys(Toho),with all the dialogue re-dubbed into an hysterical plot about the world’s best egg salad, and the new version was called WHAT’S UP TIGER LILLY?(AIP,1966),hoping to cash in on the success of Allen’s previous movie.

Disappointed by studio interference , Allen vowed to direct and retain creative control on his next films.
His play PLAY IT AGAIN ,SAM in 1969 was another hit, and brought actress Diane Keaton into both his professional and personal life.

Working with Mickey Rose again on a screenplay , Allen also directed and starred in TAKE THE MONEY AND RUN (Cinerama,1969). The modest film doubled it’s investment ,leading U.A. to sign him to a long term (though not exclusive) deal. BANANAS(U.A.,1971) made five times its production costs ,and his play PLAY IT AGAIN SAM (which he wrote & co-starred, but did not direct for Paramount 1972) also did fairly well . Diane Keaton, Jerry Lacy and Tony Roberts also reprised their Broadway roles.


So ,Allen ,who played a nebbishy character often obsessed with but failing at sex, seemed to be ready for the ultimate sex romp. But how to turn the book into a comedy ?

His solution was  to turn the film into an omnibus, with seven stories that all work separately,all dealing with sex.

Do Aphrodisiacs Work?

They definitely do for the Fool (Allen) who has fallen for the Queen(Lynn Redgrave). While his Bob Hope style one liners fail to thrill the King (Anthony Quayle),the Fool definitely has an interest in the lovely Queen(Vanessa Redgrave) that involves more than jokes.

While walking the parapet, the Fool  has an encounter with his father’s ghost (Allan Caillou,probably best known to many as The Head on the short lived tv series QUARK (Columbia,1977-78).A very funny exchange parodying Hamlet ensues.

The ghost sends him to the Sorcerer (played with glee by Geoffrey Holder) who give him a love potion

The potion definitively gets her in the mood. Their amour is stopped by her chastity belt,of which her husband The King has the key. Let us say it ends with Fool  losing his head over sex. A very Decameron inspired tale,by way of Woody Allen. ”It’s great to be back here in the palace!”

WHAT IS SODOMY?


Gene Wilder is Dr Ross,a general practitioner. A new patient ,Stavros Milos ( Titos Vandis,who had starred on Broadway in the original ON A CLEAR DAY YOU CAN SEE FOREVER,1965)),has a problem. He was a lonely shepherd who feels that his sheep Daisy no longer loves him. Shocked at first, Dr Ross is smitten by her sheep eyes, and persuades Milos to leave her with him.This leads to the doctor’s downfall,as he is discovered with the animal, ending in his divorce ,a nervous breakdown,his career shattered ,and him drinking Woolite. Wilder is superb and very sympathetic, so it makes the ending somewhat sad rather than funny.

Why Do Some Women Have Trouble Reaching an Orgasm?

Woody returns in this spoof of Italian films. Here he is Fabrizio ,a husband of six weeks. His lovely blonde wife Gina (played by Allen’s real life second ex-wife Louise Lasser)is unable to climax during sex. Talking with friends provides no help ,until one day when he kisses her in a store ,she gets excited and they begin having sex in public.


The film is an hysterical satire of the popular films that were filling the art-house theatres . The clean lines ,camera set ups, and dialog marvelously send up the films of Fellini and Antonioni. The dialogue is even in Italian with English subtitles.

Are Transvestites Homosexuals?


Lou Jacobi is brilliant as a man who is at a dinner party at a friend’s home, when he decides to try on some of the wife’s outfits. The episode kind of ends abruptly,making it one of the more unsatisfying episodes,plus it never answers the question posed. For the solution  ,one needs to seek out the works of Ed Wood (the answer, by the way ,is no.Not all transvestites are homosexual).

The author of the original book, by the way, seemed to be anti homosexual.He found gay male sex life as loveless anonymous encounters,and also called a trans woman as a “surgically mutilated male homosexual”.

What Are Sex Perverts?


This segment is made to look like the popular game show “What’s My Line?” as if taken from an old black & white kinescope. Jack Barry plays himself ,as the host moderator of “What’s My Perversion?”. In real life ,Barry had been involved in the game show scandals of the 1950s . Among the real life celebrities who had careers on panel shows guessing  portraying themselves are Regis Philbin, Robert Q Lewis,and Pamela Mason, as well as Toni Holt(now infamous for strong support of Donald Trump). There are a few jokes about child molesters and rape that may offend .

Are the Findings of Doctors and Clinics Who Do Sexual Research and Experiments Accurate?


This is my favorite segment of the film. An hysterical send up of low budget horror films. Heather MacRae               ( daughter of Sheila & Gordon MacRae) portrays Helen Lacey , an investigative journalist whose car breaks down .Luckily, she meets Dr Victor (Allen) who is going to the same destination,the home of mad scientist ,Doctor Bernardo (John Carradine, in an uproarious send up of a role he had often portrayed). He and his hunchback assistant Igor (Ref Sanchez,whose make up resembles Karkov in TERROR IN THE WAX MUSEUM(Cinerama,1973),a film that also starred- John Carradine!!)are taking part in strange sexual experiments, among them one of which an unconscious woman is being given nothing but silicone for a whole year.

”She used to be flat chested .Give me another year, and watch out”cries Carradine,the thought of which starts him slobbering and smacking his lips insanely.

 

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Dr Bernardo  plans to use Helen in his next sexual experiment ,but a fight breaks out ,and the equipment explodes and goes into overdrive . The result is that the silicone woman is turned into a giant deadly breast that begins to terrorize the countryside.

The film has the look of so many of the drive in films of the period ,including the stilted explanatory dialogue, the few pieces of mad scientist equipment, and oh yes John Carradine!

 

What Happens During Ejaculation?

Production Designer Dale Hennesy takes an early stab at the look that he will use for Allen’s next futuristic film, SLEEPER (U.A.,1973). In this segment, the set and the sequence at times resembles the 1966 science fiction classic FANTASTIC VOYAGE (Fox,1966) .The brain of our unseen protagonist is run by The Operator (Tony Randall) his assistant Switchboard(Burt Reynolds),and Brain Control ( Oscar Beregi,Jr) .They discuss the latest string of sexual failures, and The Operator checks out their current date (played by Erin Fleming. Fleming is perhaps best known as the woman who helped thrust Groucho Marx in his later years back into the spotlight, only to be sued by the comedian’s family after his death).

They are unsure if this date will result in sex until she says she went to New York University . “We’re in!”crows The Operator confidently.

The various parts of the body are contacted, trying to help get an erection( operated in a room filled with sweaty shirtless men trying to raise a hand cranked crane).

The sperm gather ,as if they are parachuters in a World War II film. One of them is Allen, who fears what’s out there, as you hear about guys hitting against a rubber wall,or perhaps it is an homosexual encounter!

The film is very funny , though some may be offended by some of the humor(rape jokes,gay humor, lines like “This is what we call a beaver shot”. ). That said, if you are going to see an R rated film with this title, you shouldn’t really be surprised .

The film was again a big hit for Allen, making a profit 9 times it’s $2 million dollar budget.

The film had formerly been available on VHS on Key Video .In 2000, MGM released with an acceptable Region 1 print.

The Twilight Time print seems sharper than the film has looked for years, though there is strong grain in the original negative . The film is presented in a 1080p High Definition ,1.85.1 ratio . The audio is English only 1.0 DTS-HD MA. The sound is clean and acceptable,with the dialogue clean and clear. There are also optional English subtitles,that follow the dialogue and action perfectly. This comes in handy if you wish to listen to Mundell Lowe’s score on an isolated track.It is a perfectly serviceable though hardly memorable film score.Still , it is nice that the option is offered.

Julie Kirgo has written a nice essay enclosed in a lovely booklet that is a Twilight Time specialty,wherein she points out that the film was a hit with almost everyone—except Dr David Reuben. Some people just don’t have a sense of humor.

I am aware that Arrow Academy in the U.K. released a region B only version in September ,2016. I do not have access to that print, but I do know it lacks the isolated music track.

If you are a fan of Woody Allen (as I am ) or enjoy wild comedies, you would be well advised to pick up TWILIGHT TIME’s Blu Ray of EVERYTHING YOU WANTED TO KNOW ABOUT SEX .

Recommended.
Kevin G Shinnick

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1980s, Action Adventure, Blu Ray, cult, fantasy, Fred Ward, genre, Joel Grey, Orion Pictures, The Destroyer, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Twilight Time Blu Ray

REMO WILLIAMS ( Blu Ray from Twilight Time)

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REMO WILLIAMS: THE ADVENTURE BEGINS (Twilight Time) Blu-Ray Regions: A/B/C $29.95 -1985, color, PG-13 Action-Adventure ,121 minutes. http://www.twilighttimemovies.com/remo-williams-the-adventure-begins-blu-ray/

 

From 1978 until 1999, Orion Pictures was a studio that made several brilliant films that sometimes-won awards and nominations (AMADEUS,1984; THE SILENCE OF THE LAMBS,1991) but also had many box office failures and behind the scene intrigues that prevented it from becoming a new United Artists.

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In fact, several of Orion’s board were former U.A. executives who were looking around for a successful action franchise along the lines of James Bond.   The series that they decided upon were “The Destroyer “book series created by Warren Murphy and Richard Sapir. The series continues to this day (145 and counting) with Murphy’s son Will picking up the mantle.

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In the books, Remo Williams was a Newark cop falsely sentenced to die in the electric chair. His death is faked and he is spirited away and trained to become an assassin for CURE, a secret government organization. He is trained by Chuin, a master of Martial Arts. Many feels that the series hit its stride with the third book (Chinese Puzzle, 1972, Pinnacle Books). That is when Sinanju fighting style is mentioned and developed. Williams is taught that a gun is unnecessary (though he does occasionally use standard weapons when needed) and that he himself is the ultimate weapon.                                      (The Duo also appeared in Comic Book Form as well)

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The idea for a film was shopped around by producer Larry Spiegel (he had written several episodes of tv’s RETURN TO PLANET OF THE APE series (Fox -tv,1975) as well producing John Huston’s little seen horror thriller PHOBIA(Paramount,1980)) and he presented the Orion executives what they thought would be a lucrative series.

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To keep the idea of being a competitor to the Bond films, they hired director Guy Hamilton (GOLDFINGER,1964, U.A.) and screenwriter Christopher Wood (THE SPY WHO LOVED ME,1977, U.A.).

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Fred Ward was relative unknown when cast as Remo Williams (he had starred in TIMERIDER (Jensen Farley ,1982) as well as embodying Gus Grissom in the superb THE RIGHT STUFF (Ladd Company/WB,1983)). Ward, feeling this film series could raise his level of visibility, through himself into the role, doing as many of the physical stunts himself.

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Cast as Chiun was Tony Award winning Broadway star Joel Grey (winning the Best Supporting Oscar for role of the M.C. in CABARET (Allied Artists,1972). Grey was attracted to the mysticism of the role but feared offending the Pan-Asian community, particularly the Korean.  He researched and made sure that his character respected that history and he decided to take the role on the strength of the superlative make-up by Carl Fullerton.

REMO WILLIAMS: THE ADVENTURE BEGINS, Fred Ward, Kate Mulgrew, 1985. ©Orion Pictures Corp

REMO WILLIAMS: THE ADVENTURE BEGINS, Fred Ward, Kate Mulgrew, 1985. ©Orion                                                   Pictures Corp

The closest thing to a female lead in the film was the casting of Kate Mulgrew as Major Fleming. This was her first lead in a major film release (her debut was opposite Richard Burton in the barely released LOVESPELL(Paramount,1981) but there was not much there for the stage trained actress to work with.

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The film was lensed in New York City, Coney Island New York, Washington D.C., and various locations in Mexico.

 

With all the expectations, the film, released October ,1985, received mixed reviews and worse, did not even cover its production costs.   Adding insult to injury, the May release of A VIEW TO A KILL (U.A.) continued to outdraw REMO.
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The film started to receive cult status when it became a staple of H.B.O. and other premium channels.  Remo’s bad luck sadly continued when a t.v. pilot starring different actors was mostly pre-empted by a Presidential Speech in 1989, and then unseen until it began to pop up on some cable channels in 2009.

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Now, TWILIGHT TIME goes above and beyond with their release of the film. Limited to a print run of only 3,000, Twilight Time has given us a 1080p Hi Def print in its original 1.85:1 ratio (it seems director Guy Hamilton was not a fan of Panavision). The image is sharp, showing off the cinematography of Andrew Laszlo (THE WARRIORS, Paramount,1979).

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Sadly, the film betrays some cost cutting (or some money not making it to the screen. Shooting in Mexico to cut costs, they had superlative craftsmen, but they had not budgeted extortion that was a daily factor at the time in the Mexican Film Industry of the time). While the Statue of Liberty recreation is superb, some of the interior sets look like they were left over from a Jess Franco spy thriller (it seems some of the sets were unfinished when the filmmakers had to use them).japanese-posteer

 

The English 2.0 DTS-HD MA sound is rich, with hiss free dialogue.   The optional English subtitles are all very easy to read and follows the dialogue and describes the action perfectly.

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The Disc has an abundance of Superb Extras:

 

  The original theatrical trailer

 

MGM   90TH Anniversary Trailer (MGM had acquired many of the Orion titles in one of their many acquisitions)

 

-A poster /still gallery

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Craig Safan’s isolated score-  the synth sound dates the film as being from the 1980s, but it is a fun inventive work, mixing in traditional heroic orchestrations as well as a Korean Orchestra and even gun shots worked into the fabric of the compositions.(Remo Williams -Main Theme YouTube                                                     https://www.youtube.com/watch?v=uxAjVfDOTs4 ).

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Audio Commentary by Film Historians Eddy Fiedfeld, Lee Pfeiffer, and( friend of Scarlet) Paul Scrabo.  This has got to be one of the most interesting commentary tracks in quite a while, as two of the three up front basically say that the film is not one of their favorites, and while they are quick to point out its many wonderful qualities, they seem to go into detail in pointing out its flaws.

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The only other commentary track that I recall being this belittling of its subject was Retromedia’s out of print Tenth Anniversary DVD of JACK-O (Tri-boro, original Direct to video release,1995). On that film, producer Fred Olen Ray’s ribbing angered filmmaker Steve Latshaw so much that the Latshaw stormed out of the recording!!!

 

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Ballyhoo Pictures once again outdoes themselves with their special mini documentaries.

 

Subjects covered are:

 

CREATED, THE DESTROYER: Writing Remo Williams. This part goes into detail about the many novels, and their history, plus interviews with author Will Murray and  others.   Devin Murphy (son of  Warren Murphy )has taken over production of the series .

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UNARMED & DANGEROUS -Producing Remo Williams. Interviews with many of the people who shepherded the film from pre-production into the final release, including producer Larry Spiegel and some of his team.

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SECRETS OF SINANJU: Training Remo Williams – A nice interview with star Joel Grey. He talks about how he approached the role, and the work that he put into it.  He seems (rightfully) very proud the part and has great affection for the character.   Sadly, neither Fred Ward or Kate Mulgrew appear in an of the interviews.  For Miss Mulgrew, it is perhaps no surprise, as it was a thankless role, but that Ward did not make himself available is a bit of a surprise/disappointment.

 

 

BALANCE OF POWER: Designing Remo Williams –  Production Designer Jackson DeGovia gives a very informative interview (well-illustrated with production sketches) on the important job that he and his team did on making REMO WILLIAMS, plus the behind the scenes problems and some disappointments.

 

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ASSASSIN’S TUNE: Composing Remo Williams- Composer Craig Safan talks about his ideas that went into making his memorable soundtrack. Plus, as a bonus, he composes on the spot a villain’s theme, which the film he feels lacked.      Here he is a few years ago conducting his Remo Williams Suite without synths. What do you think?    https://www.youtube.com/watch?v=WdoeKTv40qs

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All in all, a quite enjoyable disc given a remarkable first class release.  If you are a fan of this film, then this a definite must have.  If you have never seen it, this is a superb introduction to the characters.

 

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Every few years, it is announced that someone else is going to attempt a new Remo Williams film. Before that happens, you should seek out this film.  It may not be a classic, but it is fun.  Kudos once again to TWILIGHT TIME.

 

 

Kevin G Shinnick

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  (this article was corrected and updated on October 27,2016 thanks to welcome information provided by author Devin Murphy.Kevin had incorrectly said Will Murray ,not Devin Murphy was the son of Warren Murphy . The above pressure point was applied to Kevin ,and he is truly sorry for his error !Agh!)

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