PRINCE OF THE NIGHT (NOSFERATU IN VENICE,1988) (93min 21 seconds) Color. Klaus Kinksi, Donald Pleasance Christopher Plummer Released by: One 7 Movies $14.99
This is a release that somehow slipped by me but I felt will be of interest to vampire fans. PRINCE OF THE NIGHT is a retitling of
NOSFERATU OF VENICE (aka VAMPIRE OF VENICE, Scena Films ,1988), the quasi “sequel” to Werner Herzog’s NOSFERATU THE VAMPIRE (Werner Herzog Filmproduktion/Gaumont/Fox 1979) itself a remake of the silent classic NOSFERATU (Prana- Films GMBH,1922, U.S. release June 1929).
I say quasi as the film had a lot of production problems, a great deal of them generated by star Klaus Kinski himself. Three directors walked off the production or were paid off before producer Augusto Caminito took over the directorial reins. The film was also helped along by uncredited input by Luigi Cozzi (STAR CRASH, 1978 ,New World) . However, it didn’t end there, as Kinski bullied crew members and performers alike, forcing many to quit or be fired. Kinski even took a turn, shooting hours of footage that barely made it into the final edit. Kinski also refused to reprise the makeup from the previous film, so now the vampire resembles-well Klaus Kinski!
To say that the final film is an incoherent mess is an understatement, with ideas brought up then dropped, seemingly important characters disappear from the narrative as new characters’ pop up (due to the firing policy of the star). Nosferatu walks about in daylight (though to be fair, in the original novel DRACULA the vampire walked about in a straw hat in daylight!) and only has to rest about once every month.
Still, the film does have moments of interest. The photography by Tonino Nardi is quite good, with a sense of the dreamlike captured perfectly. The image near the opening of Professor Paris Catalano (Christopher Plummer) standing at the forward bow of a small boat made the film seem to cover several centuries in one image (set modern day, though with the ancient city and Plummer wearing a cape it harkened earlier history). A flashback to the plague swept city reinforces this. The feeling of decay is buttressed by the filming within several dilapidated buildings that still harken back to days of splendor and glory.
Kinski at moments has a kind of quiet sadness about his character, for we discover that his really wants to end his existence. *
(“Who is this long haired imposter ?” )
The plot, such as it is, has Professor Catalano (Plummer) come to Venice at the request of Princess Heiletta Canins (Barbara De Rossi, HEARTS & ARMOUR, Vides Cinematografica Italy /WB (U.S.)1983). She feels that Nosferatu is buried within the family cellar crypt. The Professor does not believe her as he feels the Vampire fled the city when the plague broke out 200 years before. A Medium (Clara Colosimo, NOVECENTO/1900, 1976) is summoned and sooner than you can say SCREAM BLACULA SCREAM (AIP,1973), Nosferatu (Kinski) is back and nibbling into a neck.
Donald Pleasance shows up for a paycheck as a cowardly Priest but adds little to the storyline. Meanwhile, our nominal hero, the Professor, confronts the vampire, only to have his hands get burnt when Kinski stares at the metal cross that he is holding, superheating. What does the Professor do? Regroup. Nope, he packs up and leaves!! Perhaps Plummer was saving his strength to play Van Helsing 12 years later in DRACULA 2000 (Miramax,2000).
Late into the film we are introduced to the character of Maria (Anne Knecht*), supposedly Heiletta’s sister. There is some mumbo jumbo about reincarnation and the vampire only being able to be destroyed by a consenting virgin, but in the end it all just fizzles out. The film ends with a group of hunters (whom we saw at the beginning of the film) intoning “It’s bad luck to kill a bat. ” Not this one, it’s a vampire!”
There is an interesting film in there but every time it starts to come to the fore the movie beats it back and starts on another idea (the first film with Attention Deficiency Disorder?).
The music is “inspired” by Vangelis, meaning a lot of droning electronics.
As to the DVD, the image is quite clear and sharp, though sound at time has a bit of warble like a damaged vhs tape (particularly during the opening and closing titles). You can listen to the dialogue in either Italian or English. It appears certain actors spoke one language or the other and so you hear their voice in one dub but not the other.
I.M.D.B lists the running time as 97 minutes, while this print runs a little over 93. Nothing appears to be missing, though.
The rarity of this title makes it worth seeking out, though, like Dario Argento’s DRACULA 3D (Enrique Cerezo Producciones Cinematográficas S.A., 2012, U.S. IFC 2014) ,the inanities definitely distract from the better moments.
–Kevin G Shinnick
*- (His actions off camera should have led to the mercurial actor being arrested as he violently sexually assaulted two of the actresses.)
**- . Knect it seems she was cast at the demand of Kinski after another actress quit/was fired. She was actually just the girlfriend of another actor visiting the set, and not an actress at all. No matter, she was cast. She is quite lovely to look at and spends the final part of the film nude so she has that in her favor.