1930S, 1940s, 1950s, book, BOOK REVIEW, books, british, Classic Hollywood, crime drama, cult, Encyclopedia, fantasy, FILM NOIR, genre, ghosts, Horror, international, McFarland, obscure, rare, review, SCIENCE FICTION, Silent, SILENTS, thriller, tv film radio books theatremusic storytelling horror mystery fantasy science fiction thrillers drama, Uncategorized, wierd

DOWN FROM THE ATTIC (book review)

13435459_10154240547066585_1488151168196027998_n                           

Down from the Attic: Rare Thrillers of the Silent Era through the 1950s
By John T. Soister and Henry Nicolella -(McFarland; June ,2016 )248 pages $39.95

 http://www.mcfarlandbooks.com/book-2.php?id=978-0-7864-9831-4

This wonderful follow up to UP FROM THE VAULT: RARE THRILLERS FROM THE 1920S AND 1930S (McFarland ,2010) has author John T Soister joined by Henry Nicolella to track down and view where possible twenty-four films that are ignored and unknown by the majority of genre fans.

Horror-1932-dvd
Some are at present lost (i.e. deteriorated nitrate negatives and thus no longer in existence) and others available in truncated forms. Yet that we have still so many of these films for viewing is in itself miraculous, as according to Martin Scorsese’s Film Foundation claims that “half of all American films made before 1950 and over 90% of films made before 1929 are lost forever.”

250px-1937_derhundvonbaskerville_affiche0

FOG 33

Beginning with the silent era and going up to 1951, the pair of author sleuths tracked down films and prints from around the world, viewing whatever prints are still extant, and delving deeply into research about productions and reviews buried long ago in musty volumes and microfilm. Their summaries and plot synopses of the films covered makes one seek to look for many of these films, and some make you wonder why a few of them are not better known. Hopefully, their research may bring a few of these films to being found and perhaps preserved.6676769_1

What also makes this book invaluable is their willingness to seek out films that were made outside of the United States. Movies from The U.K. Germany, the Czech Republic, and South America are also explored, many perhaps for the first time in such detail outside of their borders.

THE EMPERORS BAKER

Plus, they cover the odd career of filmmaker Bud Pollard, responsible for the elusive and obscure THE HORROR (Bud Pollard Productions ,1932) as well as the first sound version of ALICE IN WONDERLAND https://www.youtube.com/watch?v=6O8kbTi4WNo .

horror-the

Soister and Nicolella have done a wonderful job of finding these films and bringing them to the attention of genre fans. As they point out, not all of the films can be considered classics, but their importance cannot be denied.

UNA LUZ EN LA VENTANAa-15-00

HIGHLY RECOMMENDED.

sweeney2

-Kevin G Shinnick

Please LIKE and FOLLOW
SWEENEY TODD 1928https://www.facebook.com/SCARLETreviews
and
https://scarletthefilmmagazine.wordpress.com/

just-imagine-movie-1930

Standard
1980s, CHRISTOPHER PLUMMER, DONALD PLEASANCE, Italian, KLAUS KINSKI, NOSFERATU, NOSFERATU IN VENICE, Uncategorized, vampire, VAMPIRES

Prince of The Night / NOSFERATU IN VENICE

PRINCE OF THE NIGHT (NOSFERATU IN VENICE,1988) (93min 21 seconds) Color. Klaus Kinksi, Donald Pleasance Christopher Plummer Released by: One 7 Movies $14.99

prince of the night

https://www.amazon.com/Prince-Night-Klaus-Kinski/dp/B00KT5P9XE/184-6920398-9658701?ie=UTF8&*Version*=1&*entries*=0

This is a release that somehow slipped by me but I felt will be of interest to vampire fans. PRINCE OF THE NIGHT is a retitling of
NOSFERATU OF VENICE (aka VAMPIRE OF VENICE, Scena Films ,1988), the quasi “sequel” to Werner Herzog’s NOSFERATU THE VAMPIRE (Werner Herzog Filmproduktion/Gaumont/Fox 1979) itself a remake of the silent classic NOSFERATU (Prana- Films GMBH,1922, U.S. release June 1929).

nosferatuposter (1)

I say quasi as the film had a lot of production problems, a great deal of them generated by star Klaus Kinski himself. Three directors walked off the production or were paid off before producer Augusto Caminito took over the directorial reins. The film was also helped along by uncredited input by Luigi Cozzi (STAR CRASH, 1978 ,New World) . However, it didn’t end there, as Kinski bullied crew members and performers alike, forcing many to quit or be fired. Kinski even took a turn, shooting hours of footage that barely made it into the final edit. Kinski also refused to reprise the makeup from the previous film, so now the vampire resembles-well Klaus Kinski!

download (1)

To say that the final film is an incoherent mess is an understatement, with ideas brought up then dropped, seemingly important characters disappear from the narrative as new characters’ pop up (due to the firing policy of the star). Nosferatu walks about in daylight (though to be fair, in the original novel DRACULA the vampire walked about in a straw hat in daylight!) and only has to rest about once every month.

Nosferatu_a_Venezia_1998

Still, the film does have moments of interest. The photography by Tonino Nardi is quite good, with a sense of the dreamlike captured perfectly. The image near the opening of Professor Paris Catalano (Christopher Plummer) standing at the forward bow of a small boat made the film seem to cover several centuries in one image (set modern day, though with the ancient city and Plummer wearing a cape it harkened earlier history). A flashback to the plague swept city reinforces this. The feeling of decay is buttressed by the filming within several dilapidated buildings that still harken back to days of splendor and glory.

 

nosferatu-in-venice3

 

Kinski at moments has a kind of quiet sadness about his character, for we discover that his really wants to end his existence. *

images (1)

     (“Who is this long haired imposter ?” )

The plot, such as it is, has Professor Catalano (Plummer) come to Venice at the request of Princess Heiletta Canins (Barbara De Rossi, HEARTS & ARMOUR, Vides Cinematografica Italy /WB (U.S.)1983). She feels that Nosferatu is buried within the family cellar crypt. The Professor does not believe her as he feels the Vampire fled the city when the plague broke out 200 years before. A Medium (Clara Colosimo, NOVECENTO/1900, 1976) is summoned and sooner than you can say SCREAM BLACULA SCREAM (AIP,1973), Nosferatu (Kinski) is back and nibbling into a neck.

prince of the night2

Donald Pleasance shows up for a paycheck as a cowardly Priest but adds little to the storyline. Meanwhile, our nominal hero, the Professor, confronts the vampire, only to have his hands get burnt when Kinski stares at the metal cross that he is holding, superheating. What does the Professor do? Regroup. Nope, he packs up and leaves!! Perhaps Plummer was saving his strength to play Van Helsing 12 years later in DRACULA 2000 (Miramax,2000).

princenight3big

Late into the film we are introduced to the character of Maria (Anne Knecht*), supposedly Heiletta’s sister. There is some mumbo jumbo about reincarnation and the vampire only being able to be destroyed by a consenting virgin, but in the end it all just fizzles out. The film ends with a group of hunters (whom we saw at the beginning of the film) intoning “It’s bad luck to kill a bat. ” Not this one, it’s a vampire!”

10 (1)

Err- um-WHAT???

There is an interesting film in there but every time it starts to come to the fore the movie beats it back and starts on another idea (the first film with Attention Deficiency Disorder?).

vampireinvenpost09

The music is “inspired” by Vangelis, meaning a lot of droning electronics.
As to the DVD, the image is quite clear and sharp, though sound at time has a bit of warble like a damaged vhs tape (particularly during the opening and closing titles). You can listen to the dialogue in either Italian or English. It appears certain actors spoke one language or the other and so you hear their voice in one dub but not the other.

432full-nosferatu-in-venice-poster

I.M.D.B lists the running time as 97 minutes, while this print runs a little over 93. Nothing appears to be missing, though.09

The rarity of this title makes it worth seeking out, though, like Dario Argento’s DRACULA 3D (Enrique Cerezo Producciones Cinematográficas S.A., 2012, U.S. IFC 2014) ,the inanities definitely distract from the better moments.

Kevin G Shinnick

 

*- (His actions off camera should have led to the mercurial actor being arrested as he violently sexually assaulted two of the actresses.)

71Kni0bDxUL._SL1024_

**- . Knect it seems she was cast at the demand of Kinski after another actress quit/was fired. She was actually just the girlfriend of another actor visiting the set, and not an actress at all. No matter, she was cast. She is quite lovely to look at and spends the final part of the film nude so she has that in her favor.

nosferatu-in-veniceprincenight

 

 

Standard