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THE QUIET MAN ( Olive Films Signature Blu Ray)


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THE QUIET MAN (1952) –Olive Films Signature Series Blu Ray $39.95 Color 129 minutes. Region 1. 1.37:1 mono release date October 25,2016 .
http://store.olivefilms.com/Drama.56/Olive_Films.38/The_Quiet_Man___Olive_Signature__Blu-Ray_.6308.html     

One of the most beloved films of all time gets a wonderful and superlative release from OLIVE FILMS as part of their  inaugural ‘Signature “releases (along with HIGH NOON, covered previously( https://scarletthefilmmagazine.wordpress.com/2016/09/26/high-noon-olive-films-blu-ray-and-dvd-signature-release/      ) and the quality and respect that these masterpieces have received from the studio should make movie lovers rejoice.

 

Coming from the original camera negative, the transfer received a 4 K scan and the results are amazing.

 

The Technicolor no longer has that slightly muddy look that the film had for many years. Maureen O’Hara ‘s fiery red hair blazes with the passion that also illuminates her performance. The greens fields make you want to pack your bag and ‘teacht ar ais go hÉirinn” (“come back to Ireland”).

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The story by Maurice Walsh first appeared in the February 11,1933 edition of the Saturday Evening Post, and was later published in a collection called The Green Rushes (1935, Frederick A. Stokes Co.) .
http://dukefanclub.weebly.com/uploads/1/0/9/9/10994017/the_quiet_man.pdf

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downloadJohn Ford ‘s love of the story involved him having to first do a western for Republic (RIO GRANDE 1950). That film was successful enough that the studio approved location filming in County Mayo and County Galway while shooting in the more expensive Technicolor (most of their color films were shot in the cheaper Tru Color Process). Then interiors were shot back at the studios in Hollywood.

 

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American Sean Thornton (Shawn Kelvin in the original story), played to perfection by John Wayne, returns to his ancestral home in Inisfree. He begins to fall for the beautiful colleen, Mary Kate Danaher (Maureen O’Hara), but she wishes to observe the local matchmaking principals, and obstacles and cultural differences keep getting in the way.

 

 

Also, a huge block is her brutish protective brother, Squire ‘Red “Will Danaher (Victor McLaglen, Oscar winner in 1935 for RKO’s John Ford classic THE INFORMER, wherein he played another slow witted but brutish fellow during the Irish Revolution). He cannot stop the couple from falling in love but he can deny them her dowry. Instead, the Squire challenges Thornton to fight, but the Yank walks away. Mary Kate thinks that Sean is a coward, but as the film unfolds we find out he has a dark secret.

 

The film ends with one of the best and most exciting and funny fight scenes ever committed to celluloid.the-quiet-man-005

 

Onto this slim framework, John Ford (via a screenplay adaptation by Frank S. Nugent, who wrote some of Ford’s best films) populates the film with almost every Irish character actor from Hollywood as well as several locals. The film makes the countryside also as much a character, and when the storms and rains hit, we are treated to one of the most electric screen kisses of all time.thyat-kiss

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In 2013, OLIVE FILMS released the film on BLU RAY and DVD. While the film has hardly been out of the public eye since its release (a yearly March must show on television, as well as various releases on VHS by Republic as well as DVD releases by Artisan), the current incarnation from OLIVE FILMS is the must own version.

 

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As mentioned, the film has been given a beautiful video upgrade. I do not have the previous Olive Films release for comparison, but must reiterate that this print is flawless. Colors leap out and the mono sound is ultra clean and hiss free.

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The English optional subtitles follow the action and dialogue precisely. Kudos to whomever is charged with this important option for the hard of hearing audiences.

 

Ported over from the previous 2013 release is
The Making of The Quiet Man – a documentary that originated in the 2002 Artisan release. Leonard Maltin as always guides us through the history of this classic film in his usual fun and informative style.

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New to this release is

Audio Commentary Track by Joseph McBride, author of two John Ford books. The love of his subject comes throughout his feature, dropping facts and info in an easy and informative fashion. It is so informative about the film and Ireland in 1951 that this is a track you will want to listen to it  several times to get the full effect.2995768_orig

Free Republic – a brief little history of the studio as to how a film processing company got into producing no nonsense and profitable films but somehow made films like Orson WellesMACBETH (1948, coming from Olive Films on Blu Ray    http://www.olivefilms.com/films/macbeth-%E2%80%93-olive-signature/         ) and of course THE QUIET MAN. This short is hosted by by Marc Wanamaker, a co-author (along with E.J. Stephens) of EARLY POVERTY ROW STUDIOS (Arcadia Publishing,2014). Mr. Wanamaker is also a founder of the Hollywood Heritage Museum.

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A Tribute to Maureen O’Hara – actresses Juliet Mills, Hayley Mills, and Ally Sheedy share their memories and tributes to the actress. Besides her beauty, they make sure that people are aware of her strong personality, her charm, her career, her grace, and most of all her great talent. The warmth of their memories is truly moving.

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The Old Man- Director Peter Bogdanovich (TARGETS, Paramount,1968) shares his thoughts on Ford and his career. From interviewing Ford for Esquire, the two directors developed a lasting friendship. I enjoyed Bogdanovich’s story of visiting Ford just before his death, along with Director Howard Hawks, and instead of hello Ford barked out how could Hawks stand all the questions that Bogdanovich’s had!

 

 

Don’t You Remember ,Seánín?
– A visual essay using footage from the film by quite voiced Tag Gallagher, film and John Ford expert. I do love his opening comment: “Every Irishmen is an actor “said John Ford, “And how flamboyant they are about it. Exhibitionists, like dancers. Their body language makes emotions vivid, palpable.”

 

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The booklet enclosed has a few photos but no real information besides the cast listing, chapter stops on the disc and listing of the extras.

 

 

The slipcover can be reversed to show a beautiful black and white photo of the courting ride through town. The cover is a shot of the same sequence, with the two lovers walking in front of the carriage driven by Barry Fitzgerald. That shot captures the beauty and the romance of the film, and kudos for this original choice. It is also used for the hardcover cardboard case that it comes in.

 

 

The only way that I could see this release being any better is if they had also added a second disc to include the 2010 documentary DREAMING THE QUIET MAN (available from OLIVE FILMS http://www.olivefilms.com/films/john-ford-dreaming-the-quiet-man-blu-ray/ ) .

 

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I could go on and on as to why this film deserved to be chosen by the U.S. National Film Registry by the Library of Congress in 2013, but if you have ever seen the film you have no need for convincing.

 

MOLADH AIRDE! (HIGHEST RECOMMENDATION!)

Kevin G Shinnick

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RETURN OF DRACULA -Blu Ray -Olive Films

51zquv8e5slTHE RETURN OF DRACULA (April 12,1958) Blu Ray -Olive Films -Available October 18,2016. $29.95 B&W/color 77 minutes. https://www.amazon.com/Return-of-Dracula-Blu-ray/dp/B01JLWZNJU

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One of the most sadly neglected of the Dracula films is THE RETURN OF DRACULA, One of four horror films produced by Gramercy Pictures (the others being THE VAMPIRE and THE MONSTER THAT CHALLENGED THE WORLD (1957) (released as a co bill) and THE FLAME BARRIER (1958) (which was the co bill for RETURN OF DRACULA) and released through UNITED ARTISTS, they were well made well-acted horror films that are often overlooked as they were not part of the AIP or Hammer Films of the 1950s. Indeed, one month later, Hammer released its Technicolor masterpiece, HORROR OF DRACULA (distributed by Universal) and many other terror films got left in the dust.

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(In England, the film was known as THE FANTASTIC DISAPPEARING MAN !)

OLIVE FILMS new Blu Ray release gives the movie a proper release for its re-evaluation. It had previously been released on VHS by MGM and on an MGM/MIDNIGHT MOVIE co bill with THE VAMPIRE. Both have been out of print for years.

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The new OLIVE FILM Blu Ray looks a bit sharper than the MGM DVD that I compared it to. The old disc tended to sometimes be too dark in places (I have not seen the new OLIVE FILMS DVD (available via https://www.amazon.com/Return-of-Dracula/dp/B01JLW5YSU ) but I am sure that it is also less dark). The picture looks amazingly sharp for a 58-year-old film shot for $125,000.

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The film’s screenplay (by Pat Fielder, who wrote all 4 of Gramercy’s horror/sci fi films) echoes that of SHADOW OF A DOUBT and SON OF DRACULA (both Universal,1943) wherein a mysterious stranger arrives and turns the lives of a small town upside down.

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                                                                   (Old Super 8mm release )

In SHADOW, it is Uncle Charlie (Joseph Cotten) who is a notorious serial killer who returns to his hometown to elude his pursuers. In SON, it is Dracula himself (Lon Chaney Jr) under the alias of Alucard who is hiding out in a small bayou Southern town.

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 The  Return of Dracula 

RETURN begins with several vampire hunters led by Dr Merryman (John Wengraf, a German actor who fled Hitler’s madness, only to be often typecast in Hollywood as a Nazi!) in an unnamed Central European country. The opening narration tells the legend of Count Dracula, though it never directly refers to the vampire in this film as the Count himself (the novel was public domain in the U.S. since Stoker failed to comply with a portion of the U.S. Copyright Law. However, it was still under the Berne Convention copyright until 1962 in the U.K. and other countries. Hence the clever way of referencing the character but never saying if it is him or not). They are in a crypt (the name on the side of the coffin is Grof Naov Istvan, but that may be one that monster has merely taken over), awaiting sunset to stake the vampire, but at the precise moment when the coffin is flung open, they find it is empty.

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We jump then to a train station wherein an artist named Bellac Gordal (an uncredited Norbert Schiller, who would later play a small role in YOUNG FRANKENSTEIN, Fox,1974) is being allowed to leave and go to America. It is hinted that they are in an Iron Curtain Country, and that he is fleeing to be able to paint without government obstruction. Once he boards the train, his fellow passenger (whom we see only behind a newspaper, which is itself supernatural, changing in 3 quick cuts from the German Berliner Tageblatt to a Hungarian Maygar Szo then inside the German paper MODEN-SPEIGEL, which has English on its back page!) attacks him.

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We jump again now to a small California town of Carleton where a young boy Mickey (Jimmy Baird) plays in an abandoned mine (Bronson Cavern once again), and decides to leave his unseen kitten trapped in the mines shaft (who gave this kid a pet?) when he hears a train whistle and tells his family of the arriving train. It seems the Cora Mayberry (Greta Granstedt) is expecting her cousin Bellac whom she hasn’t seen since they were children. When they get to the station, they are told that no one has left the train but that some mysterious luggage has been left. However, a strange man well-groomed man (Czech born stage and film actor Francis Lederer) appears on the platform.” Cora?” he says. She takes him for Bellac and the family takes him home.

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Rachel Mayberry (Norma Eberhardt ),the family’s teenage daughter, is particularly drawn to her uncle as she is an artist and fascinated by his (un)worldliness. Bellac has several quirks (no mirrors in his room, sleeping throughout the day) which they accept as probably the result of artistic temperament or ill treatment in his native land. Rachel’s boyfriend Tim Hansen ( Ray Stricklyn ) is not such a big fan of the new arrival. Meanwhile, Mickey discovers that his kitten is dead, covered in blood (what did you expect though kid? You left it in a mine shaft?).

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Rachel takes Bellac to meet her friend Jenny ,( Virginia Vincent )who is ill and blind . Unfortunately, Bellac decides that she is to be is to be his next victim. We see that Bellac has his coffin within the abandoned mine.
He awakes within and in slow motion his hand creeps spiderlike out of the box and opens it. The vampire then sits up through a haze of dry ice and sits up and opens his eyes. Bellac tells the blind woman that she can see him, but when she stares, she screams and becomes a victim of the undead.

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Dr Merryman arrives in town looking for his quarry, and things start escalating with a vampire staking (a brief flash of color as blood oozes out, which must have made people jump at the time, and a bit of expense splicing that into prints), ending with a final confrontation within the old mine.

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The film moves really quickly, and wastes no time of its short span. The actors pretty much play easy stereotypes (mother, teenage daughter, bratty younger brother, the boyfriend) with the film belonging to Lederer. Wearing his overcoat as a cape and his brylcreemed hair looks like an older gigolo, but perhaps that is fitting for a great seducer. He makes great use of his voice and stillness, and draws attention to himself in every scene that he is in.

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The Blu Ray has strong deep blacks but doesn’t lose details in the night scenes (indeed, except for the first scene, the whole film takes places at night or interiors.). The mono sound is clear and free of hiss, and the score by Gerald Fried (using a frantic and booming “Die Irae “) properly propels the movie along.
The subtitles are clean and easy to read and follows the dialogue exactly. The only extra is the film’s trailer.

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While I would have liked a commentary track of some sort, I do not think that you will be disappointed by adding this Olive Films Blu Ray of THE RETURN OF DRACULA.

Recommended.

-Kevin G Shinnick

Ps- Francis Lederer returned and this time was indeed DRACULA when he appeared as the Count in an episode of T.V.’s NIGHT GALLERY. In the episode,” The Devil Is Not Mocked”, he dispatches of some very nasty Nazis.

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